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The fonds consists of personal correspondence of Robert Pridham Crawford and his wife Elsie along with financial records relating to the Gladhill Farm, including income tax records, employment records, and cash books, cancelled cheques, and related material. There is also a good deal of printed material in the form of pamphlets, brochures, magazines and newspaper clippings. These deal with Crawford's professional activities as an engineer. There is also material describing Sudbury, Ontario and material concerned with horses, farming, and homemaking. In addition, the fonds contains notes and material from Crawford's student days at the University of Toronto. There are also some financial records from Dr. E. M. Crawford. There is a small amount of material dedicated to Georgian College, including planning documents, calendars, and some correspondence.

The fonds consists of correspondence, notes, and notebooks concerning university courses taught by Barry Cooper and his academic career at York, 1965-1981. There is also personal correspondence, 1965-1966; typescripts and printed articles, and the manuscript of a book on Maurice Merleau-Ponty.

The fonds consists of several photo reproductions of typed statements and documents used in a meeting of the Central Committee of the Communist Party of Canada, 22-23 January, 1943, the primary document being "The Canker of Factionalism". The statements are from several CPC members who participated in self-criticism and confessional sessions.

The fonds consists of memoranda from the Committee for an Independent Canada to members, and a series of policy papers on corporate accountability, natural resources and the visual arts in Canada.

The fonds consists of transcripts of interviews conducted with several leading lights of the Canadian socialist and Canadian Co-operative Federation movements. Included are interviews with Hazen Argue, William Irvine, David Lewis, Tommy Douglas, Grace McInness, Frank Underhill, and Tim Buck. The interviews were conducted in 1961 for a Canadian Broadcasting Corporation radio broadcast, titled “Socialism in Canada,” and was broadcast in July, 1961.

The fonds consists of Jerome Ch'en's collection of statements of delegates to the Geneva Conference in 1954 [1955?], along with newspaper clippings and related material concerning the Korean War.

The fonds consists typescripts of articles, with editorial corrections in red ink and pencil, galleys, artwork (maps, graphs, diagrams, etc.), correspondence, and related material for production and publication of the Cartographica journal. In addition, there are administrative records, including invoices, addresses of subscribers and editorial members, renewal notices and related material.

Fonds consists of minutes of meetings, correspondence, research notes, and audio-visual material concerning Daniel Cappon's administrative activities as professor at the University of Toronto and his research in psychiatry.

Fonds consists of records created and accumulated by the Canadian Speakers' and Writers' Service Ltd. over the course of over 50 years as a literary agency and management company for writers, public speakers, and actors.

The bulk of the records consist of client files which includes correspondence to and from clients; correspondence with publishers, media, sponsors of talks, radio and television producers; publicity material relating to clients including resumes, headshot photographs, schedules, travel arrangements; newspaper clippings; reader's reports; royalty statements; and contracts. There are also audio cassettes and video cassettes of interviews and recordings of the work of some CSWS clients. Notable clients include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

There are also general correspondence files, business records (including office diaries for the period, 1951-1965), manuscripts (from clients and unsolicited), and print materials (publishers' catalogues, anthologies of plays, newsletters, copies of labour agreements between the Canadian Broadcasting Corporation and ACTRA, and clippings). There is a series of records related to CSWS Ltd. founder, Matie Molinaro, documenting her early life in New York and her work as a war correspondent during the Second World War. Also included is a series devoted to records related to Marshall McLuhan and his estate, long-time clients of CSWS Ltd, which includes correspondence, contracts, notes, drafts, clippings, offprints, photographs, and ephemera.

The fonds consists of general correspondence of the Canadian Science and Technology Historical Association, 1980-1992, as well as material relating to the biennial Kingston conferences, including invitations, agendas, programmes, correspondence, financial material, and copies of some of the papers delivered.

The fonds consists of scripts for Canadian Film Development Corporation film productions, including many that never entered the production phase, and others that were never released. Among the titles in the collection are 'Lies my father told me,' (written by Ted Allan, directed by Jan Kadar, 1973), 'La maudite Galette,' (written by Jacques Benoit, directed by Denys Arcand, 1971-1972), 'Rip-off,' (written by William Fruet, directed by Don Shebib, 1970-1971), 'The rowdyman,' (written by Gordon Pinsent, directed by Peter Carter, 1971-1972), 'Return to Rainbow Country,' (written by William Davidson, n.d.), 'Partners,' (written by Norman Snider and Don Owen, 1975), and other titles.

Fonds consists of records documenting Sheard's activities as an writer, editor, educator and psychotherapist, and includes agendas, personal and professional correspondence, notes, draft manuscripts and resource material related to uncollected short stories, non-fiction writing and to her novels "Almost Japanese", "The Swing Era", "The Hypnotist" and "Krank: love in the new dark times".

The fonds consists of eight audio reels which contain the papers read and proceedings of the seventh annual seminar of the Canadian Association for Irish Studies held at York University in March, 1974. Included on the tapes are a poetry panel of Seamus Heaney and Michael Longley, proceedings of the Yeats Evening, a concert of traditional Irish music, and related material.

The fonds consists of a copy of transcripts of taped interviews conducted by John Reynolds for the Canadian Broadcasting Corporation in 1964. The interviews were never broadcast. The material from these interviews and the transcripts formed the basis for Buck's memoir, 'Yours in the struggle,'and covers the rise of the Communist Party of Canada, Buck's relations with Communists in the Soviet Union and other places, and the denunciation of Stalin in 1956 at the 20th International Congress.

The fonds consists of York University-related records of John Joseph Frederick Bruckmann including curriculum planning (minutes of the Curriculum Committee, reading lists, correspondence), the Council of the Faculty of Arts and Science (1962-1965), the Residential College Committee (minutes - 1962), the Committee on Research (1962) and the Senate (1961-1965). In addition, there is material of a general nature relating to early appointments at the University, staff directories and announcements of social events.

The fonds consists of George Williams Brown’s correspondence, speeches, research material, and papers of the Montebello Conference.

The fonds documents the creation and activities of the British Canadian Trade Association in promoting trade between Great Britain and Canada.

Fonds consists of a single letter from Frederick Debartzch Monk, Conservative Party member of the House of Commons and Minister of Public Works in the Borden government to Boucher de la Bruere on political questions of the day (1911).

The fonds consists of a typescript carbon copy of Robert Laird Borden's dairies for the period, 1912-1922. This covers the war years, the passage of the War Measures Act, the introduction of income tax in Canada, the organization of the Union government, and related topics.

The fonds documents bissett’s activities as a poet, visual artist, musician and editor.

The collection consists of programmes, playbills and notices of productions in Ontario (predominantly Toronto) theatres, 1971-1983, arranged alphabetically by the title of the production. Some of the companies and theatres represented include, Toronto Arts Productions, Stratford Theatre, Skylight Theatre, Toronto Workshop Productions, Toronto Free Theatre, Royal Alex Theatre, Theatre Aquarius, National Arts Centre (Ottawa), Lime Light Dinner Theatre, Theatre in the Dell, Young People’s Theatre, Shaw Festival, and Theatre Passe Muraille.

The fonds documents Edward Arthur Beder’s activities as political activist and author and includes manuscripts, 1921-1972; correspondence, 1923-1972; membership lists; files of the Socialist Party of Canada; files of the League for Social Reconstruction, ca. 1933; files of the Canadian League Against War and Fascism, 1934-1937; project outlines files, 1935-1936; lecture notes and abstracts, 1934-1965; notes, 1935-1946; printed material, 1930-1972; and news clippings, 1921-1972.

The fonds consists of Germain Bazin's correspondence with publishers (Abrams, J.P. Taillandier, 'Les nouvelles litteraires', Thames & Hudson), museums and art agencies and exhibitions (International Council of Museums, Theodore Gericault Exposition, Lengyel Project), and administrative matters relating to York University. There is also some personal correspondence, 1971-1974.

The fonds documents Terence William Barker’s activities as minister in the Jehovah Church. These records include material related to the Assemblies of the Jehovah's Witnesses (1961-1972); correspondence, reports and newspaper clippings concerning the issue of blood transfusions; the disassociation of Barker from the Witnesses; and records of his ministry with 'Watchtower' magazine. There is also material on the Process Church of the Final Judgement, which consists of correspondence between Barker and other members, records of the Toronto chapter steering committee, contact list of Ontario members and followers, copies of articles for publication in their journal, and a typewritten copy of an unpublished article by Barker, 'Is the Process Church of the Final Judgement Christian? A possible approach' [1971?]. Included in the fonds are speeches delivered while he was engaged in the Jehovah Witness program and talks on religious topics, copies of the 'Yearbook of the Jehovah's Witnesses,' (1945-1976); several editions of 'New World translation of the Holy Scriptures,' (1955-1970), several Witness tracts, incomplete runs of 'Awake,' (1949-1984) including bound volumes (1961-1972), 'Informant,' (1949-1954), 'Kingdom ministry,' (1957-1972), and 'The watchtower,' (1936-1984, incomplete run) and bound copies (1961-1972 - complete runs). In addition, there are reports of the Assembly of Jehovah's Witnesses (1946-1969), as well as song books, pamphlets and related material. For the Process Church of the Final Judgement, there are copies of 'Foundation,' and pamphlets including 'The Processeans,' [newsletter] (1972-1974). Also included is a photocopied (corrected in hand) typewritten manuscript by Barker of 'The time of the end: on the trail of the Final Age: Victorian to Aquarian' (1971-1973) and a photocopied, typewritten manuscript of Barker's 'The king of the North and the king of the South: apocalypticism and international politics' (1972-1975), both of which were unpublished.

The fonds mainly documents John Montgomery Barber's activities as member of the National Council of Welfare.

The fonds consists of the records of David Bakan pertaining to his work as a York University professor and academic. Included are manuscript drafts and other writing, correspondence, notes, lecture notes, research materials, sound recordings, and teaching files.

The fonds consists of correspondence, reports, newspaper clippings, minutes and related material for the Avenue-Bay-Cottingham Ratepayers' Association and the Marlborough Avenue Ratepayers' Association. This includes correspondence between Jack Granatstein and Marathon Realty, correspondence with City of Toronto officials, reports of various City departments, minutes of meetings of the Ratepayers' Associations and of advocacy bodies in the city, and reports of Task Forces established by the City and Metropolitan Toronto.

The fonds consists of documents pertaining to the Association of Cultural Executives such as letters patent, minutes and by-laws, correspondence and papers, financial records, reports, and printed material.

The fonds consists of television and film scripts considered for ACTRA Awards, 1980-1983. It includes scripts from the popular Canadian Broadcasting Corporation television programmes 'Seeing things,' 'For the record,' and 'The beachcombers,' as well as a National Film Board script, 'A choice of two,' (originally titled, 'Just above water,').

Fonds consists of Arthurs' records pertaining to his activities including: administrative files for York University and Osgoode Hall Law School, 1961-2006; teaching files, ca. 1961-2009; speeches, 1985-2007; research and writing files, 1957-2008; community service files, 1962-1997; UAW Public Review Board case files, 1967-1977; arbitration case files, 1966-1984; and correspondence, 1958-2007 (predominant 1971-2007). Accession 2007-014 consists of documents for the Federal Labour Standards Review, including correspondence, annotated published and typescript reference material, briefs and notes from the hearings, research projects on labour standards, and drafts of the final report and recommendations. Accession 2009-010 contains records created while with Ontario's Expert Commission on Pensions, including research papers, agendas and submissions for public hearings, briefing notes, and working files.

Fonds contains records include scripts, scores, correspondence and papers, reports, photographs, films, lectures, and interviews documents Applebaum's activities as a composer, conductor, and arts administrator.

The fonds documents Ellen C. Adams' political activities at municipal level in the Toronto area for the period 1956-1975, including her involvement with the Avenue Bay Cottingham Ratepayers' Association and the Confederation of Resident and Ratepayer Associations (CORRA). Records include subject files pertaining to the City of Toronto Council, the City of Toronto Planning Board, Toronto municipal elections, transportation and the waterfront, as well as meeting minutes, periodicals, books, newspaper clippings, pamphlets, a map and directory, reports, papers and briefs.

Fonds consists of: personal and professional correspondence, including letters and email exchanged with family and individuals involved in Canada's literary community such as Steven Heighton and David Helwig; essays written while Cowan was a student; correspondence, notes and drafts of her work as a translator; research notes and drafts of her short stories and novels; professorial records including tenure and promotion files, course evaluations, and other material that documents her career as a professor at l'Université de Québec at Trois-Rivières; correspondence and manuscripts relating to her involvement with the literary community in Québec; and examples of Cowan's work with digital photography. Accession 2007-052 includes photographs of Judith Cowan receiving the Governor General's Literary Award in 2004.

Fonds consists of records created and received by Judith Rudakoff throughout her career as a playwright and professor, including personal and professional correspondence, subject files, note cards related to her PhD thesis, files related to her continued work on Cuban theatre and notes, drafts, correspondence, and other material related to many of her works, among them "Interplay: Sex, Gender and Violence in Canadian Theatre," "Dangerous Traditions: A Passe Muraille Anthology," "Between the Lines: The Process of Dramaturgy," "Revealed by Fire," "The River," and "Soraab-Mirage."

Fonds consists of personal and professional correspondence, clippings, programmes and related material that document Grossman's career as a dancer with the Paul Taylor Dance Company as well as the founding of the Danny Grossman Dance Company. It also includes contracts, grant applications and other financial records, citizenship papers, passports and other collected ephemera.

Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.

Fonds consists of material that documents Pitman’s career as a politician, educator, writer and social activist. It includes personal and professional correspondence, notes and speech materials, newspaper clippings and other material related to his years spent as a Member of Provincial Parliament and as a Member of Parliament as well as his unsuccessful leadership campaign for the federal New Democratic Party in 1971. It also includes his Toronto Star writing files, numerous files pertaining to his education activities both at the provincial and federal levels with a special emphasis on arts education, records that document his tenure as President of Ryerson Polytechnic University, his activities as chairman of Project Ploughshares, his work with the Arts Education Institute of Ontario, as well as an extensive collection of notes, drafts and final copies of speeches delivered by Pitman to a variety of organizations including Elderhostel. The fonds includes correspondence, notes, interview notes, drafts and research material related to his books on Louis Applebaum, Elmer Iseler, the lives of Harry Freedman and Mary Morrison, and Victor Feldbrill, as well as notes and drafts of his as yet unpublished book, "Breakthrough: A Canada For The Twenty-First Century."

The fonds consists of citations given by Dr. Elliott as University Orator and includes biographical information, correspondence, programmes, and drafts created or used for writing the citations. Fonds includes correspondence, mission statement samples, and supporting reference information documenting Dr. Elliott's role in developing York University's Mission Statement.

The fonds consists of drafts of published and unpublished poems, plays, stories, and novels, including those written for creative writing courses taken at York, drafts of poems written for her published poetry collections 'How to Draw Blood from a Stone,' 'Confessions of a Fertility Expert,' 'Pretending to Die,' 'Live Coverage,' 'Successful Tragedies: Poems 1998-2010' and 'Traumatology'. Also included is correspondence, research files, notes, and drafts related to Uppal's two novels 'The Divine Economy of Salvation' and 'To Whom it May Concern.' The fonds also includes the edited drafts of submissions and correspondence related to 'Uncommon Ground: A Celebration of Matt Cohen'. Files in the fonds also pertain to Uppal's work preparing anthologies as editor for 'The Exile Book of Poetry in Translation: Twenty Canadian Poets Take on the World' and 'The Exile Book of Canadian Sports Stories.' Records in this fonds also include personal and professional correspondence, drafts of plays, files regarding literary activities, including grant applications, personal appearances at conferences and events to promote publications, editorial work, writing workshops, and literary ephemera such as posters, programmes, flyers, catalogues and T-shirts. The fonds also includes teaching evaluations filled out by Uppal's students at York University, as well as literary works, stories, examinations, and final project submissions by graduate students whose work was supervised by Priscila Uppal.

Fonds consists of material related to the professorial career of Paul Herzberg, including course files relating to undergraduate and graduate courses in computer science and psychology and the Keller Plan statistics course. Fonds also includes material that documents other personal and professional activities, including textbook notes and drafts, diaries, personal correspondence and reference letters. Records have been arranged by the donor into the following series:

The fonds consists of interviews, selected newspaper clippings pertaining to the Fine Arts Building and its architect, reports, and surveys documenting a controversial study by Dr. Wekerle and her students on their move into the new Fine Arts Building at York University in 1973-1974.

The fonds consists of correspondence, curriculum vitae, ephemera, memoranda, newsletters, selected newspaper clippings, a photograph, and a scrapbook that Philpott selected and retained as mementos. She also collected her peers’ correspondence concerning their nomination of Philpott for the Order of Canada. Fonds also contains biographical information about Philpott included by Professor Ken Moffatt of York University. The fonds is arranged chronologically, an order imposed on the fonds by a graduate student working for Professor Moffatt.

The fonds consists of audio recordings of unedited interviews conducted by Diana Cooper-Clark with major international novelists. Most of these interviews have been published in her two monographs.

The fonds mainly consists of material related to Margaret Laurence and Dorothy Henderson's work as a member of the Margaret Laurence Home committee. Includes correspondence, newspaper clippings and articles, brochures, reports and programs.

Fonds consists of records pertaining to Reg Whitaker’s writing and research projects and his work as an academic. Records include correspondence, drafts, research materials and subject files.

Fonds consists of records pertaining primarily to Paul Axelrod's academic writing and career as a university professor and administrator. These records include personal and professional correspondence, draft manuscripts and articles, academic papers, course materials, audio recordings, photographs and other research materials.

Fonds consists of records pertaining to Frank Barrett's work as a university professor and his research and writing in the field of geography. These records include undergraduate and graduate essays, published papers, drafts, presentations, grant files, research materials including reproductions of maps and atlases, photographs, audio cassettes, videocassettes, teaching files, course notes, correspondence, raw data and questionnaires from Barrett's housing studies, as well as Atkinson College Geography department newsletters. The fonds also includes correspondence, book proposals and prospectus, drafts, and reviewers' comments for Barrett's "Disease and Geography: The History of an Idea".

The fonds consists of records relating to the Tapestry Pictures/CBC Televison co-production of the programme "Gzowski in Conversation", starring Peter Gzowski, as well as records relating to the production of "Where the Spirit Lives", "Children of My Heart", "By Jeeves", "Tagged: The Jonathan Wamback Story", "Burn: The Robert Wraight Story", "Shattered City: The Halifax Explosion", "The Blue Castle", "The Arrow" and "Spirit Bear". It includes production, administrative and research files, transcripts, production videos and sound recordings related to the production. It also includes publicity material in the form of press kits, posters, reviews, clippings and publicity stills and personal material that documents Leckie's involvement in feature film policy in Canada and her ongoing interest in the activities of the Mountview Alternative School in Toronto.

Fonds consists of Bonnie Burnard’s research material, notes, manuscript and typescript drafts, galley proofs, cover art and other material related to the Canadian and American editions of her novels "A Good house." The fonds also includes story notes, typescript drafts, proofs, correspondence, cover art and other material that pertain to the writing and revision process for Burnard’s novel "Suddenly." The fonds also consists of edited typescripts, notes and proofs for her short story collections "Women of influence" and "Casino and other stories," typescript drafts for several other short stories Burnard has written, including "Evening at the edge of the water," and items related to her role as the editor for "Stag line: Stories by men." Accession 2017-034 consists of records created by Jan Whitford and Jackie Kaiser of Westwood Creative Artists in their role as agents for Bonnie Burnard, including correspondence and contracts with various publishers and the Canadian Broadcasting Corporation regarding the publication and reprinting of Burnard's novels and short stories, and the donation of the Bonnie Burnard fonds to York University.

The fonds consists of records which document Caplan’s career as a public affairs commentator, consultant and social activist.

The fonds consists of notes, drafts and research material pertaining to several of Charles Templeton's books. The material has been arranged chronologically by year of publication of the respective work.

The fonds mainly documents J. David Wood's activities as a student, research geographer/historian and instructor. Records consist of undergraduate course notes, research notes, correspondence, maps, and photographs relating to his 1958 M.A. thesis, "The Historical Geography of Dumfries Township, Upper Canada, 1816-1852", his 1962 Ph.D. thesis, "The Geography of the Nithsdale-Annandale Region, Dumfriesshire, 1813-1816" and other published articles. Also included are teaching notes from Edinburgh University, 1957-1961 and the University of Alberta, 1964-1965, and records concerning his consultancy work on the external review of the Undergraduate Environmental Studies Program at York University in 2000.

The fonds consists of press releases, clippings, legal files including briefs and exhibits, reports, correspondence, reference materials, Board of Directors meeting minutes and documents, and copies of the society’s submission to the Krever Commission.

The fonds consists of records relating to the editing, production and publishing of the Tessera journal including submissions, manuscripts, drafts and proofs, correspondence, advertising files, subscription files, financial records and grant files.

Fonds mainly consists of material relating to Vincent Vaitiekunas career as a film maker and includes production notes, scripts, correspondence and film reels.

The fonds consists of records created by Sydney Eisen in his capacity as a professor and university administrator in the Department of History and Humanities at York University as well as is research pertaining to Victorian Studies and Frederic Harrison, and involvement with the Victorian Studies Association of Ontario and the Centre for Research of Latin America and the Caribbean. Types of records include subject files, academic and professional correspondence, course outlines, lecture notes, research notes, committee minutes, and student references.

The fonds documents Clayton Ruby's activities as a lawyer and activist. Records consist of professional correspondence, general files, and subject files. General correspondence is mostly with politicians, colleagues, and the Law Society. Records contained in general files include correspondence and resource materials pertaining to legal and social justice issues, as well as miscellaneous records sent to Ruby. Subject file topics include the Law Society of Upper Canada, the Advocates' Society, Amnesty International, conferences, Law Reform Commission, Canadian Institute for the Administration of Justice, the Charter of Rights Education Fund, the Criminal Lawyers' Association, the Writers' Union of Canada, Ruby's newspaper columns and letters to the editor, and his role as book review editor for the Criminal Law Quarterly. Also included are various photographic portraits of Clayton Ruby.

The fonds consists of manuscript and typescript drafts of Eliza Clark's work, personal and professional correspondence, copies of articles by or about Clark and other material that documents her career as a writer.

The fonds documents Andrew Tomcik's career as a professor, graphics designer and consultant. It includes correspondence, writings, design examples, design work and posters created by Tomcik for corporate clients and York University, such as silkscreen and lithographic pieces. Also included are prints, notes, clippings, conference material, student projects, slides, teaching files for his history of design course, design books and magazines.

Fonds consists of material which documents Friedlander's career as a theatre critic and writer. It includes selected clippings, research material, interview transcripts, yearbooks, personal papers, press photographs, and other materials related to her life's work. The fonds is arranged in the following series:

Fonds consists of research notes, correspondence, screen plays, draft notes, shot lists, cast lists, crew lists, shooting schedules and other material created and/or accumulated by Zukerman in his work as a producer. Fonds also includes copies of scripts sent to Zukerman for his consideration and personal records including diaries, income tax records and other material.

Fonds consists of manuscript drafts and production photographs of the 1976 production of James Reaney's "The Dismissal" by the NDWT Theatre Company at the Hart House Theatre, as directed by Keith Turnbull and co-directed by Lester Kohalmi. The play is based on the 1896 student strike at the University of Toronto.

The fonds consists of research materials and student data produced in the early days of Glendon College by Professor Dee G. Appley. Includes test scores, checklists, questionnaires, coding sheets, index cards, grading reports and other statistics related to the first group of students enrolled at Glendon.

The fonds documents John Kastner's career as a filmmaker and producer. Records in this fonds consist of publicity files, which include biographical information, clippings, flyers and other promotional materials related to his productions; administrative and production files, which include correspondence, budgets, proposals, notes, transcripts and scripts; research materials, which include prison records, articles, books, court transcripts, newspaper clippings and news footage; and audiovisual materials, including video cassettes, DVDs, photographs, and audio recordings. These records pertain to the following programs: "Street Comedy", "Ask a Silly Question", "Somebody's Gotta Do It", "Chickens are People Too", "Rage Against the Darkness", "Romance with a Rapist", "Hunting Bobby Oatway", "House of Secrets", "Monster in the Family", "Monster in the Family: The Struggle Continues", "Sinner in Paradise", "Life with Murder", "NCR: Not Criminally Responsible", and "Out of Sight, Out of Mind".

The fonds documents Rick Salutin's career as a writer, journalist, playwright and social activist. Records consist of drafts, correspondence and research materials pertaining to Salutin's writing for a variety of publications including Harper's Magazine, This Magazine, the Globe and Mail, Saturday Night, and Toronto Life. Manuscripts and drafts for theatre, television and radio productions, including Fanshen, 1837: the Farmers' Revolt, Maria, Gorongosa, The Mirror of Hockey, Les Canadiens, Men Against the Desert, S: Portrait of a Spy, Grierson and Gouzenko, and Joey, are also part of this fonds, as are manuscripts, reviews and other materials pertaining to Salutin's books Spadina Avenue, Marginal Notes, A Man of Little Faith, Kent Rowley: the Organizer, Waiting for Democracy, The Age of Improv, and The Womanizer. Also included are personal and professional correspondence, photographs, research materials, lectures, articles about Salutin, awards, travel files, audio cassettes of Salutin's works, records documenting Salutin's work as an instructor at the University of Toronto and Ryerson University, as well as photographs, correspondence, writing, and memorabilia from Salutin's childhood and adolescence.

The fonds consists of material which documents both Christie's acting and pedagogical careers as well as material related to his family and personal life. Includes correspondence and subject files, photographs, playbills, scripts and production files, books, plays and reference materials, financial records, sound recordings, and scrapbooks containing reviews. The fond is arranged in the following series:

Fonds consists of manuscript and typescript copies of Jason Sherman's work, copies of scripts with revisions, clippings and reviews pertaining to the production of his plays and radio and television work, personal and business correspondence, subject files and other material pertaining to his career as a writer as well as the operational files of "What" magazine.

The fonds consists of records documenting Stevie Cameron's career as a journalist and author, and is rich in a wide range of annotated research material including extensive chronologies and detailed notes, records obtained through FOI requests or supplied by interested parties and fellow journalists, correspondence between the author and her peers, members of the public, annotated copies of government documents and clippings, interview and court transcripts, clippings, audio recordings of research interviews conducted by Cameron, sound recordings of some public hearings, drafts and manuscripts for her newspaper articles and in particular her books, including 'Ottawa Inside Out' (1989), ‘On the Take’ (1994), 'Blue Trust' (1998), and 'The Last Amigo' (2001).

Fonds consists of material which documents Leckie's career as a writer and director and includes personal and professional correspondence, notes, drafts and outlines of scripts, production files, research files, press clippings, photographs and publicity material of many of the productions that he worked on including related audiovisual material.

Fonds consists of research notes, lectures notes, teaching material and an extensive collection of photographic slides used for research and teaching created or accumulated by John Warkentin.

Fonds consists of correspondence, subject files, clippings, scrapbooks, memorabilia, contracts, financial records, reports, photographs, video cassettes and sound recordings that document Taylor's career as a film and theatre executive.

The fonds consists of board of directors agendas, minutes and reports; annual meeting agendas, minutes and reports; association correspondence; board of reference reports; federation treatises and reports; federation newsletters; theses related to the FWTAO; collective bargaining files, grievance and arbitration files; staff reports; affirmative action/employment equity files; legal documents; photographs, slides, film and video recordings, and audio recordings; memorabilia.

The fonds consists of records that document Mistry's career as a writer, including financial records, personal and professional correspondence, publicity files, first editions and translations of his published works, notes, drafts and galleys of his short stories, travel essays and novels, including "Tales from Firozsha Baag," "Such a Long Journey," "A Fine Balance," and "Family Matters." It also includes records documenting his work with his literary agent and publishers, his selection to the Oprah Book Club, the burning and banning of "Such a Long Journey" at the University of Mumbai in September 2010, Mistry's involvement with literary festivals and awards, his investiture into the Order of Canada, and his support of organizations devoted to literacy, humanitarianism, and writers.

Fonds consists of records pertaining to Robert Laxer's family life, teaching, writing, and political activities. It includes correspondence, manuscripts and drafts, political pamphlets, research notes and reports.

The fonds primarily documents the Association of Canadian Film Craftspeople's operational and administrative activities. Records consist of dissolution files; financial records and contracts; meeting minutes; correspondence and other administrative records including reports; and publicity, special event and marketing records.

The fonds mainly consists of manuscript and typescript copies of Marion Andre's work either published or produced, including 'The Scorn of Fate', 'The Spanish Civil War', 'The Value of Fifty', 'Fate of a Poet', 'The Gates', 'The Snob', 'The Eagle', 'The Sand', 'Soldat Hans Stumpf', 'The Invented Lover', 'Captive of Yesteryear', 'Verdict of Fate', 'Skinny Dip of an Aging Professor', 'Maria B.', 'The Battered Man', and 'A Road to Freedom'. In additon there are notes, drafts, correspondence and other supporting documentation for some of the works. Also includes articles, essays and correspondence about Andre and Theatre Plus, reviews of Theatre Plus productions, mounted and/or framed theatre posters of plays that were produced at the Saidye Bronfman Centre and Theatre Plus, certificates of awards received by Andre and a 3-D model of his work as playwright. Accession 2008-036 consists of programmes, scripts, reviews, and photographs for theatrical works produced and directed by Andre, as well as written by Andre and several other playwrights.

The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:

The fonds consists of handwritten notebooks relating to G.R. Lowther's research in archaeology and evolutionary theory.

Fonds contains correspondence relating to Nancy Pocock's career as a refugee worker, peace activist and jeweler as well as material relating to the Pocock family, to her personal life and publications and pamphlets collected by Pocock over the course of her career. While there was no discernable order overriding the entire fonds, a filing system was maintained for parts of certain series.

The fonds is arranged in the following series:

Fonds consists of diaries and approximately 150 letters of Gordon Stepler written during World War I and sent to his parents and sister. Also included are postcards, a discharge certificate, a photograph album and other photographs, a pay book, leave passes and other ephemera, as well as letters to Gordon Stepler's family from friends of Gordon Stepler and articles by Dorothy Stepler regarding her brother's participation in World War I, and pamphlets related to World War I and World War II.

The fonds consists of audio recordings of, and notes relating to, interviews conducted by David Coombs with founding members of York University, particularly relating to McLaughlin College, and with K.H.M. (Michael) Creal and Harold I. Schiff regarding their roles on the Search Committee for a President of York University in 1969-1970; correspondence between Coombs and Prof. George Tatham, Master of McLaughlin College; and letters, photographs, ephemera, and a vaudeville script entitled "Inbad the Sailor" performed by Arthur Huston, Coombs's step-grandfather.

The collection includes ephemera such as announcements of conferences, seminars, and exhibits; newsletters from various university offices and colleges; public reports; guides and handbooks; press releases; bulletins; posters; etc. The collection is arranged alphabetically by the name of the office which created the ephemera.

The fonds consists of records created by James Laxer in his capacity as a student, writer, and activist. Fonds includes some of Laxer's high school debate speeches, MA and PhD research, professional correspondence, Waffle records, political reports, research notes, newspaper columns, book proposals, and drafts of articles and book manuscripts for both published and unpublished material including 'Leap of faith,' 'Decline of the superpowers,' 'The undeclared war : class conflict in the age of cyber capitalism,' 'Stalking the elephant : my discovery of America,' 'The border : between uneasy neighbours,' 'Red diaper baby : a memoir of childhood in the age of McCarthyism,' The Groundwork guides to 'empire','oil', and to 'democracy,' 'The Acadians : in search of a homeland,' 'Jamais Provence,' 'Mission of folly,' 'Beyond the bubble : imagining a new Canadian economy,' 'Tecumseh and Brock : the war of 1812,' 'A house divided : watching America's descent into civil conflict,' 'Playing for a continent,' and 'Paris days : in a time of crisis.' It also includes correspondence and draft scripts for his films, 'The CCF-NDP : building Jerusalem' and 'Reckoning,' printouts of his personal blog postings, and replies to his freedom of information requests to various security agencies.

Fonds consists of records documenting Panitch's long-standing interest in British and Canadian labour history including notes, correspondence, draft manuscripts, research files and other material related to his PhD thesis "UK Labour and Incomes Policy" and to his books "The Assault on Trade Union Freedoms: From Consent to Coercion", "The End of Parliamentary Socialism" and “The Making of Global Capitalism”. It also includes research files related to the British Labour Party, new labour left, the Canadian State, political economy and political power, labour in Canada and corporatism, as well as notes and essays from his undergraduate and graduate education, files pertaining to his editorial work for the Socialist Register, and photographs of Panitch. Also included in the fonds are records documenting Panitch's work as York University professor, including course files, lecture notes, and letters of recommendation.

Fonds consists of the original manuscripts, and some additional typescripts, of the 'Famous Canadian Trials' series, volumes 1-50, created between 1943 and 1949.

The fonds consists of minutes, annual reports, newsletters, financial records, membership lists, reports, press clippings, briefs and submissions to governments, president's diaries, membership directories, committee reports, scholarship fund reports and correspondence regarding the club's activities, its involvement with York University, and its work to influence provincial and federal government policies on women's issues, education, social reform and the environment. Briefs and submissions deal with a wide range of topics that include fluorination of water, discrimination against women, teaching of French, family law reform, women and the Canadian constitution, early learning and child care, abortion and the Criminal Code, pornography, reproductive technologies, human rights, gun control, affordable housing, and health care.