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Series consists of copies of recordings, many from CBC TV, of television productions relating to Norman Campbell’s career as a director, producer and composer.

Series consists of sound recordings kept by Campbell. These include recorded music sent to Campbell and a copy of Travels with Aunt Jane as well as a copy of the Canadian and Japanese releases of Anne of Green Gables : the hit musical.

Series consists of correspondence received from Marian Hebb, representative of the heirs of Lucy Maud Montgomery. Series also consists of copies of correspondence regarding the Anne of Green Gables Licensing Authority and use of the Anne of Green Gables trademark.

Series consists of files related to administrative aspects of Campbell's work as director-producer and employee of the CBC. Series contains correspondence from viewers about a show, memos, reports, and photographs from auditions and of sets. Series also contains memos and reports between Campbell and CBC administration, as well as resumes and curriculum vitae of performers and production workers.

Series consists of early scripts, idea and concept outlines, or program proposals received by Campbell; some of which may have been produced and broadcast at later date. Files may also contain background information regarding the subject matter of a proposed program or its performers, including advertisements, articles, and reviews.

Series consists of files related to productions of "Anne of Green Gables : the musical," and any changes or modifications to the script. This includes correspondence, requests to perform the musical, photographs and ephemera pertaining to amateur productions, screenplays of the musical, reviews and newspaper clippings. Series also contains copies of the original script and proposed changes. Series further contains correspondence, resumes and photographs received during a casting call for a production of the musical.

Series consists of records related to Campbell's work as a producer. Although similar in nature to those found in the Scripts series, records here pertain to the overall management of a production, including the creative, financial, technological and administrative components. Series includes handwritten notes, memos, resource requisition forms, budgets, background research into performers and production subjects, program proposals and schedules. Series also contains official brochures or programs of stage versions of a production, and advertising or promotional clippings printed for film versions. Some files also contain technical drawings for the stage and/ or set(s), photographs of performers or sets, sheet music, scene breakdowns, and crew and performer lists.

Series contains published materials used to promote a production. These include brochures, newspaper clippings from national and regional newspapers, and advertisements printed in catalogues. Series also contains correspondence pertaining to audience reaction and copies of promotional photographs.

Series consists of typescripts and handwritten notes of speeches given by Campbell at various events, such as commencement ceremonies, graduation ceremonies, anniversaries, panel discussions and family gatherings. The majority of speaking engagements appear to have been organized privately, but some were organized by the CBC, such as those for chapters of the Canadian Club. Series also contains other materials for or from a speaking engagement, such as correspondence, conference materials, programs, and travel itineraries, and photographs of Campbell with guests at various speaking engagements.

Series consists of materials related to a production in its early or planning stages. Series includes handwritten notes, correspondence, idea files, program proposals, early drafts of production/shooting schedules and background research regarding a subject or location, such as newspaper clippings, magazine articles and brochures.

Series consists primarily of scripts received and used by Campbell in his role as a director, responsible for filming or recording an episode or a program. In this capacity, Campbell would work directly with cast and crew on aspects specifically related to a particular episode or program, rather on the production as a whole. Scripts may be annotated and different versions /drafts of a given script may exist. Series also contains other documents related to directing a production, including correspondence, meeting agendas, various production related schedules, handwritten notes, completed forms and paperwork, technical drawings/blueprints for sets, and scores for music. Series further contains photographs from a set or auditions, background research into performers or production subjects (such as newspaper clippings and reviews) and copies of Campbell's contracts and work permits.

Series consists of sound and audio-visual recordings in a variety of formats that represents the actual musical output of Hoffert from his first recording in 1955 to more recent work including music written for televison news shows. It contains a complete set of Lighthouse albums on vinyl as well as many of their singles and test pressings of some of their albums. There is unedited backstage footage of the band from their 1982 reunion special and recordings of artists that Hoffert produced. There are recordings of film and television scores, concert music and live recordings as well as recordings made by Hoffert in his living room including a recording of a reading by Timothy Findley and Janis Rapoport accompanied by Hoffert on piano.

Series consist of appointment books kept by Paul Hoffert from 1969 to 1993 that record daily appointment and other engagements. It also includes hard copies of Hoffert's e-mail correspondence arranged by subject that cover his personal life, his business and musical careers as well as his administrative and academic activities.

Series consists of copies of articles written by or about Hoffert as well as notes, drafts, contracts and other legal documents, correspondence with publishers, reviews, publicity material and other documents related to Hoffert's books "The Bagel Effect", "All Together Now" and "The New Client". It also contains drafts of Hoffert's unpublished autobiography and material related to speaking engagements including hard copies of Powerpoint presentations delivered by Hoffert at a number of conferences and symposia.

Series consists of material related to Hoffert's technological and theoretical interests including material pertaining to work begun at the National Research Council on music created using computer technology and carried out with a number of companies concerned with audio data and interactive technology. It contains business and research plans, copyright and legal materials, correspondence, reports, memoranda and other material for companies including McLeyvier, DHJ Research, Marquis Music, Time Out for Fun and the Cultech Research Centre, a project based at York University intended to investigate digital content use by residents in a housing development in suburban Toronto.

Series consists of copyright files kept by Paul and Brenda Hoffert related to their own work as well as to the work of artists that they produced. The files contain certificates of registration for the Canadian Copyright Office, Publishers Registrations forms and other legal documents related to the copyright of songs.

Series consists of material that documents Hoffert's involvement with the band Lighthouse from its inception to the present and contains musical scores and hand written lyrics for many of their songs including "Sunny Days". It also consists of photographs, press clippings, promotional material and legal records pertaining to the band.

Series consists of original, handwritten compositions by Hoffert and musical arrangements written by him for other musicians. The files also include additional material that supported the writing of the respective musical project including screenplays, time and cue sheets, correspondence and other material and demonstrate Hoffert's work in various genres such as film, television, musical theatre and concert music.

Series consists of material that documents the early music career of Paul Hoffert and includes clippings, reviews and programmes of his early performances as well as a number of composition notebooks from his studies with Gordon Delamont and his contact book for Toronton musicians, organized by instrument. It also includes a complete five-volume set of "Modern Arranging and Composing" written by Delamont.

The series consists of audio-visual records documenting various elements of Wiseman's career as a writer and public figure. It includes recordings of Wiseman reading her own poetry as well as interviews with her. It also contains recordings of poetry readings by poets including Lillian Allen, bill bissett, Robert Priest, Susan Musgrave, b.p. Nichol and Earle Birney among others.

The series consists of clippings, correspondence, minutes and other material regarding Wiseman's participation in the artist's group Loons. Formed in November 1982, Loons was an initial group of nineteen poets, novelists, composers, painters and sculptors who met informally for a period of about three years to discuss how their respective arts could act as an influence on each other. In addition to Wiseman, it counted Murray Adaskin, Elizabeth Smart, Phyllis Webb, Earle Birney, Timothy Findley, Vera Frenkel, George Johnston, Gwendolyn McEwen, Anne Michaels, P.K. Page and others among its memberhship.

The series consists of journals kept by the author as well as loose material found in journals such as correspondence, notes, fragments of stories and other items. It contains notebooks, bound or unbound, in which Wiseman kept ideas for stories and works as well as drafts of her work, drawings and other thoughts from her daily life. It also includes address books kept by Wiseman over several years.

The series consists of material that documents Wiseman's career as an academic, both as a student and as a professor. It includes lecture notes, essays, examinations, assignments and other material related to her years as a student at the University of Manitoba and student submissions, publications, catalogues, minutes, notes, brochures, resumes and other material related to her years as a teacher at the University of Windsor. It also conatins materil related to her years as a writing instructor at the Banff Centre and, as such, contains correspondence with colleagus including Don Coles, Mavis Gallant, Don McKay, P.K. Page, Jay Ruzesky, Miriam Waddington, Rudy Wiebe, Chris Wiseman and Rachel Wyatt among others.

Series consists of manuscripts, typescripts, and printed materials written by or about other writers. Much of the typescript material was given to Wiseman while she was an instructor at the Banff School of the Arts. It includes clean copies of work by Caroline Adderson, Carol Bolt, Marian Engel, Sylvia Fraser, Gary Geddes, Anne Michaels, Michael Redhill, Anne Carson and others. It also contains copies of articles or reviews written by or about other authors that were collected by Wiseman.

Series consists of a series of files containing information that relates to Wiseman's interests, particularly around social causes such as animal rights, nuclear disarmament, race relations and the environment as well as notebooks, maps, postcards, airline tickets, memorabilia and other material related to Wiseman's travels to China.

Series consists of material that documents Wiseman's finances and, as such, includes income tax returns including statements of all annual expenditures as well as documents related to her banking, records related to the sale of her family's home and other records related to her parents' finances. It also includes contracts and agreements reached between Wiseman and the Canadian Broadcasting Company and various publishers and material related to the finances of various members of her family.

The series consists of personal and professional correspondence including manuscript and typescript copies of letters received by Wiseman and, in many cases, copies of letters written by Wiseman herself. It includes correspondence with friends, readers and fellow writers including Margaret Laurence, bill bissett, Don Coles, Marian Engel, Timothy Findley, Frances Itani, Jay McPherson, Mordecai Richler, Malcolm Ross, Jane Rule, Phyllis Grosskurth, Steven Heighton, Gwendolyn McEwen, Don McKay, Tillie Olsen, P.K. Page, Carol Shield and Christopher Wiseman among others.

The series consists of correspondence and other material that documents Wiseman's relationship to her family and, as such, contains copies of letters received by Wiseman as well as copies of letters sent by her to various members of her family including her husband, Dmitry Stone, her parents, Chaika and Pesach Waisman and her daughter Tamara Stone. It also contains medical records, marriage licenses, divorce papers, wills of various members of the family, photographs, memorabilia as well as collected correspondence exchanged between members of the Wiseman family but not necessarily about the author herself.

The series consists of chronologically arranged files of correspondence that document Wiseman's professional life and includes correspondence with publishers, grant applications and inquiries, letters of inquiry related to employment, material that documents her affiliation with various organizations such as ACTRA, The League of Canadian Poets and The Writers' Union of Canada, correspondence and material related to universities where she served as writer-in-residence, appraisals and recommendations for writers including Susan Musgrave, Joy Kogawa, Ruth Johnson and others and correspondence related to travel and to her tenure as an instructer at the Banff Centre.

The series consists of research material, notes, manuscript and typescript drafts of Wiseman's novels, short stories, poetry, plays, works of non-fiction, book reviews, speeches and scripts, many of which were written for CBC radio. It also includes publicity material, reviews of her work and copies of articles written about her by others. It contains material related to her novels "The Sacrifice" and "Crackpot", to the plays "Testimonial Dinner", "The Lovebound" and "Someday Sam: A Play, Libretto or Puppet Opera for Children of All Ages" as well as other material that documents her writing process.

Series consists of correspondence files of Lady Victoria Welby.

The series consists of programmes, pamphlets and notes for examinations, concerts and single performances, for the Faculty of Music, the Banff Centre, Dalhousie University musical auditorium, Royal Conservatory performance night, Toronto Symphony Orchestra, the Modern Library, Teatro Alla Scala, the New Music Concerts and others.

The series consists of vocal and instrument catalogues from manufacturers and music publishers, Faculty of Music programmes, calendars, and related material.

The series consists of programmes for concerts and recitals in several venues, as well as those for the University of Toronto, Faculty of Music concerts, Massey Hall, the Royal Alexandra Theatre, the Metropolitan Opera House (New York), and others.

The series consists of Vinci's personal documents and correspondence related to his education and immigration to the United States as Ernst Wreszynski. Also includes newspaper clippings about Vinci and biographical sketches ready for publication. Later accessions include personal and family correspondence between Vinci and his wife, and Vinci and his parents and parents-in-law, and other relatives during the 1930s as they tried to escape Germany. There is some correspondence regarding Vinci's efforts to sponsor his sister-in-law and niece after the Second World War.

The series consists of personal photographs of Vinci and family and friends. Also included are photographs of Vinci and students at Banff and several unidentified photographs.

The series consists of scrapbooks, arranged by subject and organized chronologically, for recitals and opera (1945-1977); additional scrapbooks are arranged alphabetically by subject (literature, war, world events).

The series consists of notes on teaching methods employed at the school, registration cards, staff lists, examination and marking schemes, attendance lists and alumni membership lists.

The series consists of reports and correspondence with the Banff School, music festivals, the Royal Conservatory, and related bodies.

The series consists of Ernesto Vinci's notes and announcements of recitals given by his students as well as his lecture notes.

The series consists of single issues of performing arts newsletters, newspapers and magazines.

The series consists of Ernesto Vinci's diaries for the period (incomplete), as well as memoranda, address books and related material.

The series consists of Ernesto Vinci's general professional correspondence with the editors of publications, broadcasters, publishers, festivals, governments and schools, and associations. There are also birthday and greeting cards to Vinci. Later accessions include some personal correspondence between Vinci and his wife, and friends.

Series consists of unbound issues of newspapers published in Montreal, Toronto and Victoria, which contain advertisements and notices concerning Jewish businesses.

Series consists of research notes, correspondence, and copies of correspondence, abstracts of land titles and other instruments of ownership, property plans, and wills compiled by Sheldon and Judy Godfrey in preparation to write books on Canadian Jewish history and articles for the "Dictionary of Canadian Biography," as well as speeches to various historical and genealogical societies.

Series consists of correspondence, financial and legal documents, and other material gathered by Sheldon and Judy Godfrey as a research collection to support their work on Jewish families in Canada. The original documents are frequently supplemented by the Godfreys' research notes. Topics include the interconnected financial affairs of many of these families, particularly their involvement in the fur trade in Montreal and near the Straits of Michilimakinac, and their involvement in cultural and political affairs, such as the launch of the "National magazine" and the marketing of Gerald Hart's book, "The fall of New France," between its publication in 1888 and 1916. In addition to documentation on several families in Montreal, Quebec, Trois-Rivieres and Riviere-du-Loups, the series includes records of families and businesses in Toronto, including stationery and a small group of building permits issued by the city between 1899 and 1900. The series features correspondence between John A. Macdonald and George Benjamin (member of parliament for North Hastings) between 1857 and 1864 that offers private observations on political developments, and invitations and correspondence sent to Earl Rowe, Lieutenant Governor of Ontario, that provide a glimpse of Jewish activities in the province between 1964 and 1984.

Series consists of scrapbooks, newspaper clippings, and printed materials. The scrapbooks are of three types. The fist is a collection of large scrapbooks, approximately 220 in total, that consists of copies of the Toronto Telegram and it's predecessor, The Evening Telegram. These scrapbooks are divided into several categories of material: "Advertising and promotion", "Circulation and Carriers", "Clubs", "Contests", "Events", "Daily and Weekly Features" (such as "schooner Days by C.H.J. Snider); "General Clippings", "News Features" (which include royal visits); "Outdoor Activities"; photo albums of high profile personalities such as royalty and politicians; "Sports", "Theatre and Opera", as wella s feature columns and programs run by the The Globe and Mail and The Toronto Star.
The second group is a collection of scrapbooks and editorials and contests of the Telegram and its rivals, The Toronto Star and The Toronto Globe and Mail. The scrapbooks consists of Toronto Telegram editorians (1962-1967), Globe & Mail editorials (1961-1970) and Toronto Star editorials (1940-1968). There are also indexes to Star editorials, scrapbooks concerning the Star's Santa Claus Fund (1923-1960) and the Star's Fresh Air Fund.
Finally, there are two moderately sized collections of scrapbooks. The first consists of four books, covering the Toronto Transit Commission (1950-1970), and the second covers the canals of the St.Lawrence River (1910-1939).

The newspaper clippings are divided into two broad areas: Personalities, and Subjects. These consists of clippings from the Telegram arranged alphabetically by personality name, including such people as Winston Churchill, Henry Fort, Mitchell Hepburn, and Nellie McClung; and subjects, ranging from Abortion to Medicine and Australia to Japan. Both groups of files are complete only to the letter "M" (the remaining files do not appear to have been transferred to the archives).
The printed material consists of accompanying material removed from the files of photoprints from the 1987-001 accession. It contains information about the subjects of the photos they were separated from and are cross-referenced with those print files.

Series consists of a series of photographic prints, news clippings and printed illustrations of individuals whose likeness was published in the Toronto Telegram. This could include birth, death, marriage, graduation announcements, as well as individuals documented by the newspaper at local events, celebrations, and political, social and organizational activities. Individuals can be ordinary citizens, celebrities, politicians, criminals, socialites, scientists, military personnel, nurses and medical staff, social workers, members of fraternal organizations, clergy and religious, social activists, protesters and others.

Series consists of material that documents Tenney's ongoing academic and professional interest in the field of music including material that documents his years as a professor of music at York University. It includes research material consisting of clippings, notes, drafts of articles and other material related to the the work of fellow composers such as John Cage, Edgard Varese, Harry Partch as well as Conlon Noncarrow. It also contains material that documents his interest in musical theory including drafts of articles written by Tenney as well as material related to his books "META-HODOS : a phenomenology of 20th century musical materials and an approach to the study of form" and "A history of 'consonance' and 'dissonance.'"

Series of consists of programmes, clippings, promotional material and/or audio recordings of Tenney performing his own compositions or performing work by others. It also includes material related to performances of Tenney's compositions by other ensembles with, in many cases, James Tenney conducting.

Series consists of copies of drafts and completed copies of Tenney's musical scores in various formats including manuscript and computer generated form. Among the compositions included in the series are "Poem for flute," "Sonata for 10 wind instruments," "Canon for bass quartet," "Thirteen ways of looking at a blackbird," "Quiet fan for Erik Satie," "Essay # 3 for string orchestra," "Quintext," and "Changes : 64 studies" among others.

Series consists of personal and professional correspondence including copies of letters received by Tenney from friends and colleagues including Carolee Schneeman, Lionel Nowak, John Pierce, Morton Feldman, John Cage, Steve Reich, Warren Burt, Phil Corner, Malcolm Goldstein, Edgard Varese, Stan Brakhage, Peter Garland and Gayle Young, among others. It also includes correspondence generated in his various professional capacities at educational institutions such as Yale University, the Polytechnic Institute of Brooklyn and Bennington College as well as correspondence, which documents his relationship and work with Bell Telephone Laboratories in developing programs for computer sound-generation, the Institute for Studies in American Music, the Canadian Music Centre and musical organizations or institutions.

Series consists of files documenting Reid's political career during the 1965 federal and the 1967 and 1971 Ontario provincial election campaigns. Includes election posters, press releases,newspaper clippings, correspondence, etc. Series also consists of material from Liberal Party of Canada and the Ontario Liberal Party, including reports, press releases, minutes of meetings of the Young Liberals, newsletters and related material. Finally, the series also consists of records documenting his career at Queen's Park, including correspondence with constituents and government members, civil servants and Ministers dealing with constituents' problems, petitions, copies of government reports and studies, newspaper clippings, copies of bills, including Reid's Bill 182, "An Act to Provide for Data Surveillance",(1970), with correspondence and research material relating to the issue of privacy of computer records.

Series consists of correspondence from Reid as Assistant to the President, as well as minutes of university committees on which he served (Committee on the Master Plan, Committee on Student Affairs, President's Advisory and Administrative Committee, Faculty of Graduate Studies, Academic Policy and Planning) for the period 1963-1965. Series also consists of material from the courses he taught in Economics including assignments, essay topics and examination questions, bibliographies and reading material, as well as material from the Task Force on the Structure of Canadian Industry, on which Reid served as Project Director. The Task Force issued the the "Watkins Report" ("Foreign ownership and the Structure of Canadian Industry [...]") in 1967.

Series consists of files Reid used to prepare his thesis on Canada's economy, as well as a research paper on the Bank of Canada.

Series consists of personal correspondence and academic correspondence.

Series contains maps of Dublin from the Ordnance survey as well as maps of Dublin from the General Post Office Directory. As well, there are copies of the 'Dublin almanac and general register of Ireland', (1847), and several copies of 'Thom's official directory,' for the period (1852-1950).

Series contains fifteen watercolours from the play 'Night boat to Dublin,' collectively titled 'Cat and devil' by Jane Golden; posters advertising Joyce symposia at York University, Dublin, Trieste and other sites, and related Joycean celebrations; and posters advertising Pollock's productions. In addition, there are four scrapbooks of press clippings on the theatre that include notices of Pollock's productions, as well as other material.

Series consists of photographs of actors and scenes from Pollock's productions, 'Yes, I will yes', 'Ulysses in Nighttown,' as well as photographs of Pollock and members of the Joyce family in Trieste, Toronto and Dublin. As well there are newspaper clippings (photographs) that accompany articles on Pollock from Toronto newspapers, and a poster from the Canadian premiere of 'Ulysses in Nighttown'.

Two videocassettes pertain to a trip to Japan by Pollock and the third pertains to a production, 'Portrait of the artist - is there one who understands me?'.

contain slides that were used in Pollock's productions and include stills of street scenes in Ireland, Italy, Paris, that have relevance for Joyce's works. Also included are portraits of personalities of the early twentieth century, intertitles, drawings
and prints (the Seven Deadly Sins, religious images, Joycean characters), posters of World War One, and similar material. As well, there are hundreds of slides that were used in Pollock's productions which are primarily identified by the names of the plays, 'Night boat from Dublin,' and 'Giacomo de Trieste'.

Series contains audio tape reels of interviews Pollock conducted with members of Joyce's family and associates, interviews with members of the Abbey Theatre and with Irish critics and writers, recordings of the proceedings of the James Joyce Symposium at York University (1970), and copies of Canadian Broadcasting Corporation programmes concerning James Joyce ('Tuesday Night', a Joyce Documentary, and others). There are recordings used in Pollock's productions including 'Giacomo de Trieste,' 'Ulysses in Nighttown,'(music, sound effects, etc).

Series consists of handwritten drafts, typescripts, editorial comments and correspondence, photocopies, promotional material and research notes, for several of Pollock's works including 'After the funeral,''Gabriel,' 'Yes, I will yes', 'Up from the pedestal' and unpublished works including his Soviet journal.

Series consists of correspondence and clippings concerning various theatres and theatre companies in Canada and in other countries (Abbey Theatre-Dublin, Royal Shakespeare Company), and with playwrights and authors (Samuel Beckett, Brendan Behan, Anthony Burgess, Ezra Pound). There is also correspondence. official records and some clippings relating to the James Joyce Society of Canada (including accounts, lists and financial material), and with organizers of James Joyce Symposia (York University, Trieste, Dublin, Paris). There is material relating to productions of Pollock's works ('Giacomo de Trieste', 'Night boat from Dublin', 'Ulysses in Nighttown'). There is also some correspondence and related material concerning Temple Sinai (Toronto) and Pollack's travels (Soviet Union, Italy, Japan, Cuba). In addition, there are theatre programs from several theatres in Canada (Hart House Theatre, O'Keefe Centre, Royal Alexandra Theatre, Stratford).

Series consists of correspondence, scripts, music scores, reviews, posters, programmes, newspaper clippings, sketches and photographs relating to 'The optimist,' 'Who's who,' and other productions of the New Play Society. In particular, it contains correspondence related to contracts, Actors' Equity, royalty payments, the Crest Theatre Foundation, press, publicity and other material related to 'Spring Thaw.' It includes financial records such as invoices, receipts, bank statements, payroll and cash disbursements. There is a collection of general scripts for the show as well as scripts for individual skits arranged alphabetically. There are prompt books, music scores, newspaper clippings, programmes, posters and scrapbooks as well as sound recordings of many of the productions.

Series consist of works written, translated or adapted by Moore including typescripts and drafts for radio plays such as 'Ottawa man' (1960), 'Three enigmas' (1969-1970), and 'The store' (1972), as well as a series of 'Ontario School broadcasts' for the CBC on ancient and Canadian history, literature and the arts. There are also typescripts and drafts of scripts for television both by Moore and by others including, 'Getting in' (1971), 'Catch my death,' 'Crime lab,' as well as various literary works turned into scripts by Moore such as 'The fall' (Camus), 'To tell the truth' (Morley Callaghan), and 'Yesterday the children were dancing' (Gratien Gelinas, translated by Moore). There are files of correspondence, notes, scripts, and background material related to productions with which Moore was associated (1948-1963) and there are audio recordings of various productions including 'Belinda 75,' 'Louis Riel,' and 'Sunshine town.' The series also includes correspondence, newspaper clippings, programmes and other material related to Moore's treatment of 'Johnny Belinda' (based on a play by Elmer Harris), staged at the Charlottetown Festival, as well as scripts, correspondence, musical scores, posters, photographs and other material related to the writing of 'Sunshine town.' The series contains six scrapbooks of Moore's column, 'About the theatre,' from the Toronto Telegram (1959-1960), notes, drafts and manuscripts of Moore's memoirs entitled 'Re-Inventing Myself' and extensive documentation of Mavor Moore and Louis Applebaum's collaboration on the opera 'Erewhon.' It also contains records of Moore's production company Mavor Moore Productions.

Series consists of material that documents Moore's academic career and courses of study at the University of Toronto and includes essays, notes, and exams as well as material that documents his interest in student theatre. It includes various student publications and contains copies of 'The Twig' and 'The Undergraduate.' It also contains material related to his tenure as a professor at York University in Toronto and includes correspondence relating to the Theatre Department and to the Faculty of Fine Arts, copies of minutes of the University Senate and other bodies within the University on which Moore sat, scripts and musical scores for 'Review of revues,' a Theatre Department production of satirical sketches based on 'Spring Thaw' (1977), as well as rare photographs of theatre productions at York.

Series consists of short stories, plays and/or adaptations for stage written by Canadian authors and sent to Moore for his consideration and/or comments. It includes work by Earle Birney, Dave Broadfoot, John Coulter, Don Harron, Lister Sinclair, Ted Allan, Harry Boyle, Robertson Davies and others. It also includes material such as programmes and playbills from various performances of plays and concerts that Moore attended including programmes from the Stratford Festival, the Canadian Opera Company and various Broadway plays. The series also contains copies of theatre magazines, pamphlets and other reference material collected by Moore that documents his ongoing interest in theatre.

Series consists of minutes and reports related to the Executive Committee of the Fathers of Confederation Building Trust (1964-1965, 1971-1974) as well as correspondence with cast members, unions and crews, and a daily journal regarding Moore's work at the Confederation Centre that includes budget notes and related material, blueprints for the Confederation Centre theatre (1962), newspaper clippings and scrapbooks related to the PEI Centennial (1964), the Royal visit and Command Performance (1964). It also includes programmes and posters related to the Festival, material related to the Wayne & Shuster Comedy Team including correspondence, scripts, press releases, and scrapbooks of their visit in 1965. Finally, it contains material related to the performance of 'Anne of Green Gables' at the Charlottetown Festival including account information, box office statements, advertising material and other material related to its run at the Royal Alexandra Theatre in Toronto and scripts, prompt scripts, a holograph copy of the music score, newspaper clippings, programmes and photographs related to its performance in Charlottetown.

Series consists of material that documents Moore's long standing affiliation with the Canada Council and includes council by-laws, agendas for general meetings, committees and sections such as the Audit Committee and the Advisory Arts Panel. It also includes minutes of general meetings including those of the Executive Committee (1974-1983), the Arts Committee (1974-1977) and the Humanities and Social Science joint meetings, among others. In addition, there is correspondence, arranged alphabetically by individual author and/or institution including the Canadian Cultural Institute in Rome to External Affairs and the Federal Cultural Policy Review Committee to Public Relations. There are also speeches and reports (alphabetically arranged), printed material, press releases, catalogues, photographs and other material that document Moore's work with the Canada Council. It also contains minutes, reports, clippings, correspondence and other material that documents his service on the British Columbia Arts Council.

Series consists of copies of letters received and, in many cases, copies of letters sent by Moore to friends and colleagues as well as general correspondence with companies, conferences, agencies and/or organizations with which he was affiliated. It includes correspondence and material related to BMI Canada Limited, the St. Lawrence Centre in Toronto, the Canadian Conference of the Arts, the National Film Board, Expo 67 and the Stratford Festival. It also includes newspaper clippings related to Moore's activities with the Canadian Opera Company, the Crest Theatre (Toronto), the St. Lawrence Centre and other theatre organizations. It also contains Moore's appointment books for the years 1946 to 1989.

Series consists of material that documents Moore's personal life and, in particular, his relationship to his family. It includes personal family correspondence and photographs from Moore's childhood onward, biographical material, financial records, legal records, material that documents his military service. There are successive copies of Moore's will, lists of the titles of books in his personal library, correspondence exchanged between Moore and his wife Darwina (Dilly) Moore and with other members of his family. It also contains a poster on which the Mavor family genealogy has been plotted, as compiled by Fergus W. Mavor Moore.

Series contains notes for book projects ('Hegel's development', 'Phenomenology of spirit,'), as well as notes for lectures for a seven year seminar on 'Phenomenology', and related Hegel research.

Series contains essays from his Oxford undergraduate days as well as notes and essays from Northwestern University (Master's degree), and typescript copies of his doctoral thesis at the University of Illinois, 1953.

Series consists of lecture notes, reading lists, course outlines, and related material for courses taught at York in Philosophy (Modes of Reasoning, Medieval Philosophy, Phenomenology), Humanities, and Social Science, as well as Philosophy courses taught at the University of Illinois and Ohio State University

Series consists of correspondence with other philosophers, individuals, several educational institutions as well as learned societies (Hegel Institute of America), publishers, and letters of recommendation.

Series contains typescripts of Harris' thesis on Giovanni Gentile, as well as typescripts, corrected drafts, galleys and page proofs of 'Hegel's development' (vols. I and II), 'Between Kant and Hegel: texts in the development of post-Kantian idealism,' (a series of lectures translated and annotated by Harris and George di Giovanni), and for 'Origins and legacies'. There are also typescripts and drafts of translations of works by Hegel ('Difference between Fichte's and Schelling's system of Philosophy,', 'Faith and knowledge', 'Encyclopedia of logic,' ). In addition, there are photocopies of Harris' revision of 'Lectures on the philosophy of religion'. The fonds also includes typescripts and drafts of several articles by written by Harris on Hegel, Croce, Hume, and copies of typescripts and off-prints of reviews written by Harris.