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Series consists of personal and professional letters and cards received by J.W. (Hans) Mohr from friends and colleagues including Harry W. Arthurs, Roderick A. Macdonald, Robert (Bob) Siemens, Michel Silberfeld, Bob Glossop, Istvan Anhalt, Peter Bieselt, Richard Cullen, and Cyril Greenland discussing philosophy, law reform, law and education, the effects of law on society from the 1960s to the late 1990s, upcoming publications, criminology, sociology, publishing, current events, political theory, legal theory, psychiatry, psychology, conferences, seminars, university policies and academic standards, history, religion, perspectives on educating university students, and events in their personal lives. File also consists of correspondence regarding publication of Hans Mohr’s manuscripts, the death of Ingeborg Mohr, Hans Mohr’s illness, condolences to the Mohr family on Hans’s death, and personal notes and revisions of articles

Series consists of individual letters written during the late modern period, which begins in the middle of the eighteenth century. This material was acquired from donors or antiquarian booksellers to support research and teaching by faculty and students at York University.

Series consists of personal and professional correspondence consisting of manuscript and typescript copies of letters received by Axelrod and, in many cases, copies of letters written by Axelrod himself.

This series consists of general correspondence files kept by the agency. The bulk of the files consists of enquiries about their services, rejections, and requests for public speakers.

Series consists of personal and professional correspondence including letters received from friends, writers, bookstores, publishers, art galleries and others including Margaret Atwood, Earle Birney, George Bowering, The League of Canadian Poets, b.p. nicol, P.K. Page, Al Purdy, James Reaney, Books in Canada, Bantam Books, Coach House Press and McClelland & Stewart, among others.

Series consists of personal and professional correspondence and e-mail, sent and received by Swan.

The series consists of personal and professional correspondence including manuscript and typescript copies of letters as well as e-mail received by Coles. It also includes many copies of letters or e-mails written by Coles himself. The series includes family correspondence as well as correspondence with writers such as Christopher Wiseman, Liliane Welch, Guy Vanderhaeghe, Al Purdy, P.K. Page, Steven Heighton, Ralph Gustafson, Adele Wiseman, John Metcalf, David O'Meara, Robyn Sarah, Jan Ruzesky, Betty Jane Wylie, Robert Fulford, Carol Shields, Philip Grover and Tomas Transtromer among others.

Series consists of personal and professional correspondence including copies of letters received by Tenney from friends and colleagues including Carolee Schneeman, Lionel Nowak, John Pierce, Morton Feldman, John Cage, Steve Reich, Warren Burt, Phil Corner, Malcolm Goldstein, Edgard Varese, Stan Brakhage, Peter Garland and Gayle Young, among others. It also includes correspondence generated in his various professional capacities at educational institutions such as Yale University, the Polytechnic Institute of Brooklyn and Bennington College as well as correspondence, which documents his relationship and work with Bell Telephone Laboratories in developing programs for computer sound-generation, the Institute for Studies in American Music, the Canadian Music Centre and musical organizations or institutions.

Series consists of letters received by Paikin from fans and viewer alike in his capacity as anchor of various news programmes. The letters express admiration for Paikin's work but often contain thoughtful reflections on stories covered by Paikin and provide additional insight into how these issues and Paikin's coverage affected his audience.

The series consists of personal and professional correspondence including manuscript and typescript copies of letters received by Powe, copies of letters written by Powe, as well as printed copies of incoming and outgoing e-mail. It includes correspondence with friends, students, publishers, fellow writers and academics, among them R. Murray Shafer, Don DeLillo, Gary Geddes, Susan Swan, John Ralston Saul, Joe Keogh, John Robert Colombo, Eric McLuhan and Pierre Trudeau. Series also consists of subject files containing clippings, publicity material, audio recordings, video cassettes, photographs, brochures, notes and other material pertaining to speaking engagements, conferences such as the "Trudeau Era Conference" and "Rethinking McLuhan", and York University's Living Literacies Initiative, Foundation and Endeavour (LLIFE).

Series consists of copies of letters received and, in many cases, copies of letters sent by Moore to friends and colleagues as well as general correspondence with companies, conferences, agencies and/or organizations with which he was affiliated. It includes correspondence and material related to BMI Canada Limited, the St. Lawrence Centre in Toronto, the Canadian Conference of the Arts, the National Film Board, Expo 67 and the Stratford Festival. It also includes newspaper clippings related to Moore's activities with the Canadian Opera Company, the Crest Theatre (Toronto), the St. Lawrence Centre and other theatre organizations. It also contains Moore's appointment books for the years 1946 to 1989.

Series consists of correspondence, minutes of meetings, press releases, broadsheets, newsletters, publications, manuscript notes, drafts of speeches delivered by Pocock as well as notes and drafts of other writings, memoranda and other material which documents Pocock's involvement with the peace movement, her activities as a refugee worker and, to a lesser extent, her career as a jewellery maker. Series contains files of material which document Pocock's activities with the American Friends Service Committee, the Canadian Council of Churches, the Canadian Friends Service Committee, the Inter-Church Committee for Refugees, the Peace Brigade, Project Ploughshares and Voice of Women.

Series consists of Kulyk Keefer’s personal and professional correspondence, largely with other Canadian writers, as well as subject files pertaining to her literary career, including research materials, publicity materials, book reviews, newspaper clippings and magazine articles.

Series consists of chronologically arranged subject files and/or scrapbooks that were maintained by Christie on an annual basis between the years 1913 and 1984. The material up to 1959 was maintained in bound scrapbooks following which they were maintained as loose material in file folders. In both cases, they contain clippings, reviews, programs, miscellaneous correspondence, photographs and ephemera that document Christie's personal and/or professional life. The early scrapbooks contain Christie's record of Baptism as well as report cards from Riverdale Collegiate and programmes related to his early acting career at Hart House Theatre while he was a student at the University of Toronto. Included are records of Christie's acting career in London, England where he acted as part of the company of the Old Vic among other companies and of his acting career in Canada where he was a long term member of the New Play Society and the Stratford Shakespearean Festival company.

The series consists of personal and professional correspondence, research material, interview transcripts, newspaper clippings, drafts of speeches and lectures given by Friedlander, copies of resumes, material related to the Sears Ontario Drama Festival and other material which documents Friedlander's career as a theatre critic and writer and which illustrates her involvement in the arts community in Ontario.

Series consists of personal and professional correspondence including manuscript and typescript letters as well as e-mail received by Sheard and, in many cases, copies of letters written by Sheard herself. Among the correspondents are Michael Ondaatje, Margaret Dragu, Griffin Ondaatje, Margaret Atwood, Alberto Manguel, Susan Swan, Ann Ireland, Daphne Marlatt, Phyllis Webb, Jan Kudelka, Audrey Thomas, Brian Fawcett, David Young, Marian Engel, Seiji Ozawa, John Metcalf, Robert Kroetsch, Libby Sheier, Timothy Findley and Roy Kiyooka. The subject files consist of correspondence, notes and other collected material that document Sheard's writing career including grant applications and contact letters. Also included are materials that document her association with the National Book Festival and the Zen Buddhist Temple in Toronto, as well as her training and work as a psychotherapist.

The series consists of personal and professional correspondence, publicity material, copies of articles written by or about Clark including correspondence with Steven Heighton, Wallace King, Greg Gatenby, Joe Kertes, Catherine Bush, Katherine Govier, Leone Rooke, Diane Shoemperlen and others.

Series consists of incoming and copies of outgoing correspondence, mostly personal, as well as Gilbert’s day planners and an address book.

Series consists of correspondence with other philosophers, individuals, several educational institutions as well as learned societies (Hegel Institute of America), publishers, and letters of recommendation.

Series primarily consists of incoming correspondence to Hutchman from friends, colleagues, publishers and other writers. Correspondents include Margaret Avison, Brian Bartlett, Clark Blaise, Robert Bly, Roo Borson, Fred Cogswell, Barry Dempster, Louis Dudek, Gary Geddes, Ralph Gustafson, Don Hensley, George Johnston, P.K. Page, Al Purdy, James Reaney, and many others. A number of these letters concern interviews conducted by Hutchman with prominent Canadian poets, later published in his non-fiction book, In the Writers' Words: Conversations with Eight Canadian Poets. Some files consisting of Hutchman’s outgoing correspondence are also included in this series, and many files consist of printed e-mail correspondence created and maintained by Hutchman.

Series consists of correspondence and cards received by Rita Greer Allen as well as copies of her outgoing correspondence and photographs. Much of the correspondence in this series is personal in nature, organized by the surname of the correspondent. Correspondents include Earle and Esther Birney, theatrical agent Elspeth Cochrane, Reva and Leonard Brooks, members of the Weyman family, Jack Shadbolt, Hugh MacLennan, Lady Susan Tweedsmuir, Charles Wassermann, and many others.

Series consists of Jarrell's professional correspondence and memoranda, including incoming letters and copies of his outgoing correspondence. These records pertain to Jarrell's work as a York University faculty member, his research and writing projects, his work as the editor of "HSTC Bulletin" (later "Scientia Canadensis"), and his participation as a member of the Canadian Science and Technology Historical Association (CSTHA). Some items in this series are photocopies, and some items have been marked according to subject by Martha Jarrell.

The series consists of Ernesto Vinci's general professional correspondence with the editors of publications, broadcasters, publishers, festivals, governments and schools, and associations. There are also birthday and greeting cards to Vinci. Later accessions include some personal correspondence between Vinci and his wife, and friends.

Series consists of correspondence received by Scheier and copies of her outgoing correspondence pertaining to personal and professional topics. Much of the correspondence is exchanged between Scheier and her family members.

Series consists of personal and professional correspondence sent and received by Alison Pick. These records include handwritten letters and greeting cards but are predominantly e-mail correspondence. Most of the e-mail correspondence in this series was exchanged between Pick and a number of other Canadian writers and poets, her editor, literary agent and publishers. These records pertain to personal topics as well as Pick's literary career, including the writing, editing, publication, promotion and sale of Pick's 2010 novel, "Far to Go", her 2014 memoir, "Between Gods", and her 2017 novel, "Strangers with the Same Dream".

Series primarily consists of letters, cards, and printed emails written to Danny Grossman on a personal nature from industry professionals and friends, family, mentors, and former company members. Some files are subject files containing only photos, newspaper clippings and/or works created by the individual.

Business correspondence is located in this series include letters of support, thanks, and congratulations for the company. Some letters written on behalf of the company are primarily letters of recommendation for dancers. Additional business correspondence is located in the organisation records series.

Series consists of correspondence received by Maguire pertaining primarily to her involvement in dance-related projects and dance performances.

Series consists of personal correspondence and academic correspondence.

The series consists of personal and professional correspondence including copies of letters received by Mistry from Leone Rook, John Metcalfe, Graeme Gibson, Alberto Manguel, Craig Stephenson, John Irving, Jane and Tony Urquhart, Pico Iyer, Louis de Berniers, Mavis Gallant, Greg Hollingshead, Michael Ondaatje, Greg Gatenby, David Staines and Steven Heighton among others and, in many cases, copies of letters written by Mistry himself.

Series consists of incoming and outgoing correspondence created and maintained by a variety of officers of the Toronto CIBPA, including association presidents (A.W. Santamaura, Manlio d'Ambrosio, Vito Giovannetti, Clement Nusca, Elio Rosati, Roy Orlando, E.G. Faludi, Remi di Carli, N.L Lorenzetti, Roldano Dalla Rosa), and general managers (Robert Dante Martella, Paul Uguccioni, Joyce Frustaglio). These records document a wide variety of topics, including letters of congratulations and thanks, invitations to dinner meetings and promotion of special events, communications with association membership, fundraising, and incoming requests for assistance. Files in this series also consist of newspaper clippings, photographs, newsletters, budgets, minutes, invoices, balance sheets and notes.

Series consists of the professional correspondence created and received by Knowlton Nash during his career as a journalist, and his involvement with several educational and philanthropic organizations. Topics include: contractual arrangements for work as a freelance journalist; Nash's relationship with the Financial post from 1959 to 1968; story ideas on American affairs submitted to Maclean's; readers' reactions to his newspaper columns; Nash's contractual relationship with the CBC as its Washington correspondent; view reaction to his coverage of fighting in the Dominican Republic in 1965; requests from many organizations for Nash to assist in fundraising, usually by donating a tie that can be auctioned, or to attend charitable events; election coverage in Canada, particularly in response to accusation of partisanship on the part of Nash and the CBC; attitudes toward public and private broadcasters; reaction of viewers to a wide range of issues and news stories, such as nuclear disarmament, abortion, and the Meech Lake Accord; Nash's involvement with the University of Regina's School of Journalism and Communications, and the Canadian Organization for Development through Education (CODE); viewers' reactions to episodes of Witness hosted by Nash during the early 1990s, particularly Brain sex and Whale wars; honorary degrees from the University of Toronto and Brock University; public reaction to CBC news coverage in light of budget cuts in 1990; events in South Africa, 1990; editorial perspectives expressed by on-air journalists when covering international events, and the impact of interviewing styles; other CBC personalities, particularly Barbara Frum and Peter Mansbridge; viewers' ideas for game shows and news stories (often involving government conspiracies); Nash's work as a Director of the Gordon Sinclair Foundation; the Americanization of vocabulary and pronunciation; the challenge of reporting stories involving science and technology; requests for Nash's views and expertise on broadcasting issues, such televising appeals in the Supreme Court of Canada, 1997; and the publics reaction to Nash's books. Much of this correspondence pertains to the publics concern regarding editorial positions taken by the CBC in its coverage of national and international issues. Nash replied to many of these letters, and the copies of his outgoing correspondence usually indicates his discussion of these concerns with colleagues at the CBC, and includes an explanation of the broadcaster's approach.

Series consists of Drache’s incoming and outgoing correspondence, mostly pertaining to his academic writing and his work as an instructor at York University and director of the Robarts Centre for Canadian Studies. Some personal correspondence is also part of this series.

Series consists of personal and professional correspondence between Eric Trist and a number of individuals, as well as correspondence created or received by Beulah Trist about the life and work of Eric Trist.

Series consists of Forer’s professional correspondence, which includes correspondence and forms pertaining to grant and fellowship applications, correspondence with other scientists and colleagues, correspondence pertaining to the submission of articles for publication in scholarly journals, and his work-related correspondence managed by the Department of Biology secretary at York University. Included in some files are photographs and drawings of cells from Forer’s experiments.

Series consists of correspondence received by Jeanne Randolph as well as some copies of her outgoing correspondence. Most of the correspondence is personal in nature, exchanged between Randolph, her family and friends in letter, postcard or e-mail formats. Correspondents include Suzanne Mantell, Alan J. Berger, Sigrid Dahle, Vera Frenkel, Christopher Lefler, and Elizabeth, Carol and Amy Randolph.

Series consists of correspondence sent and received by Mandel pertaining to a wide variety of topics, but it primarily concerns his professional life, including his writing, political activism and media appearances. Many files include copies of Mandel’s outgoing letters as well as incoming correspondence.

Series consists of correspondence files of Lady Victoria Welby.

File consists of correspondence sent and received by Callaghan, including a great deal of printed e-mail correspondence, exchanged with fellow writers, friends and colleagues.

Series consists of correspondence created and maintained by Pat Fleisher between 1965 and the late 2000s. The correspondence in this series pertains to Fleisher's personal and professional life, including issues regarding her magazine publishing work, art shows, letters of recommendation, her family, and a wide variety of other topics. Files in this series also include photographs, newspaper clippings, press releases, and financial statements.

Series consists of Crosbie’s incoming personal and professional correspondence as well as copies of some of her outgoing correspondence. Correspondents include Al Purdy, Michael Holmes, Tony Burgess, Steven Heighton, Bruce McDonald, Jeffery Conway, David Trinidad, David McGimpsey, Michael Turner and others. Photographs included with correspondence are also part of this series.

Series consists of personal and professional correspondence with leading scientists, mathematicians and education specialists from across Europe and North America. As Wittenberg did not maintain copies of his letters, for the most part the series only contains the incoming letters. The series includes correspondence with scholars such as Paul Bernays, Alexander Calandara, Tatiana Ehrenfest Afanasyeva, Ferdinand Gonseth, Ahron Katchalsky (Katzir), Thomas Kuhn, Imre Lakatos, Georges Polya, Michael Polanyi and many other colleagues and acquaintances. There are several files pertaining to Wittenberg’s involvement with councils, associations and other initiatives that aimed to promote mathematical and scientific education across Canada and North America. The series also contains materials of more personal nature pertaining to matters such as trips, children schools, post-Holocaust restitution claims, and involvement in Canadian Jewish community life.

Series consists of correspondence sent and received by Robert Greer Allen pertaining to his personal life and to work-related topics. Correspondents documented in this series include writer Earle Birney, theatrical agent Elspeth Cochrane, Rita Greer Allen, British television executives Cecil Clarke and Michael Berry, and others.

Accession consists of records pertaining to the history and activities of St Mark's Coptic Orthodox Church in Toronto, including photographs documenting the role of Father Marcos A. Marcos and an article written by Father Marcos entitled "The Copts of Canada". Other records in this collection include event programs, pamphlets, booklets, photographs of special visits, and issues of church newsletters "Hosanna", "The Way", "The Word of Life", "The Building", and "Cathedral". Also included is a copy of a site plan of St. Mark's.

Series consists primarily of contracts created throughout the duration of Galloway's career as a performing artist, booking agent and festival administrator. Series also includes some correspondence pertaining to contracts, as well as miscellaneous notes, tax records, and other material. Some overlap exists between this series and the Working Life series.

Series consists of records pertaining to the history and origins of the CIBPA Toronto, its structure and mandate, and the proceedings of its annual general meetings. Files in this series are comprised of reports, minutes, constitution and by-laws, organizational chart, correspondence, membership lists, memoranda, budgets, agendas, notes, lists of officers and financial statements.

Series consists of records pertaining to Gilbert’s attendance at conferences and his professional and personal associations, as well as miscellaneous subject files. Records in these files include conference materials and papers, correspondence, and photographs.

Series consists of production files pertaining to completed film and music projects created by Larry Weinstein. Projects are as follows:

1. All that Bach (1985): Records pertaining to the 1985 TV movie All That Bach, directed by Larry Weinstein. Includes scripts, credits, reviews, music cues, and photographs.

Dates of creation: 1985
Extent: less than 1 cm of textual records. - 10 photographic slides : col. ; 35 mm.

2. Beethoven’s Hair (2005): Records pertaining to the production, release, and reception of the 2005 documentary film Beethoven's Hair, directed by Larry Weinstein and co-produced by Weinstein, Jody Shapiro, and Jessica Daniel. Also includes records related to the interactive new media site of the same name (www.beethovenshair.ca), a project produced collaboratively by Rhombus Media and Xenophile Media. Records include notes, correspondence, reference and research material, proposals, scripts, treatments, applications, agreements, cast and crew records, music and interview recordings, video recordings, award and festival records, press and reviews, photographs, and other material.

Dates of creation: 1984-2009
Extent: 24 cm of textual records. - 54 photographs : col. ; 15 x 21 cm or smaller. - 24 optical disks : CD. - 2 optical disks : DVD. - 6 videocassettes : VHS

3. Burnt Toast (2005): Records pertaining to the 2005 television opera Burnt Toast, a series of comedic shorts written and directed by Larry Weinstein. Includes notes, correspondence, proposals, overviews, scripts, budgets, call sheets, sound recordings, set drawings, schedules, cast and crew records, storyboards, sheet music, promotional material, festival records, and other material.

Dates of creation: 2003-2006
Extent: 14 cm of textual records. - 2 photographs : b&w and col. ; 25 x 20 cm. - 1 optical disk : CD

4. Concerto! (1993): Records pertaining to the 1993 television series Concerto! co-directed by Larry Weinstein, Niv Fichman, and Barbara Willis Sweete. Includes schedules, minutes, synopses and other material

Dates of creation: 1992
Extent: 3 cm of textual records

5. Devil’s Delight (2010): Records pertaining to the 2010 short film Devil's Delight, for which Larry Weinstein was the executive producer. Includes notes, correspondence, reference material, synopses, funding applications, agreements, casting records, and schedules.

Dates of creation: 2009
Extent: 3 cm of textual records

6. For the Whales (1989): Records pertaining to the 1989 documentary For the Whales, directed by Larry Weinstein, featuring artists such as John Cage, Margaret Atwood, Bill Reid, and others. Includes notes, interview transcripts, sheet music, photographs, reviews and other material.

Dates of creation: 1989-1990
Extent: 4 cm of textual records. - 2 photographs : col. ; 12.5 x 17.5 cm. - 48 photographic slides : col. ; 35 mm

7. Greta Kraus [198-?]: Records pertaining to the 1980s Arts Council short Greta Kraus, created by Larry Weinstein. Includes notes, reference material and photographs.

Dates of creation: [198-?]
Extent: 1 cm of textual records. - 1 photograph : col. ; 10 x 15 cm

8. Hong Kong Symphony: Heaven-Earth-Mankind (1997): Records pertaining to the 1997 documentary Hong Kong Symphony: Heaven-Earth-Mankind, directed by Larry Weinstein and featuring a performance by cellist Yo-Yo Ma. Includes notes, correspondence, scripts, proposals, photographs, press, and festival records.

Dates of creation: 1997-1999
Extent: 3 cm of textual records. - 73 photographic slides : col. ; 35 mm

9. Inside Hana’s Suitcase (2009): Records pertaining to the production, release and reception of the 2009 documentary Inside Hana's Suitcase, directed and produced by Larry Weinstein. Includes research and reference material, correspondence, production notes, scripts, budgets, proposals, agreements, schedules, casting records, interview transcripts, promotional and educational material, press and reviews, film festival records, and other material. Records also include photographs and video recordings pertaining to the film, including stock and raw footage, dailies, and animation samples.

Dates of creation: 1995-2012
Extent: 54 cm of textual records. - 58 optical disks : DVD. - 6 optical disks : CD. - 3 videocassettes : VHS. - 103 videocassettes : DVCAM. - 1 photograph : b&w ; 8 x 13.5 cm

10. Joaquin Rodrigo: Shadows and Light : Joaquin Rodrigo at 90 (1993); Concierto de Aranjuez (1993): Records pertaining to two films directed by Larry Weinstein on the life and music of Joaquin Rodrigo: Shadows and Light : Joaquin Rodrigo at 90 (1993) and Concierto de Aranjuez (1993). Includes notes, correspondence, scripts, photographs, press, festival and award records, and other material.

Dates of creation: 1987-2007
Extent: 16 cm of textual records. - ca. 150 photographs : b&w and col. ; 22 x 29 cm or smaller. - ca. 450 photographic negatives : b&w and col. ; 10 x 12 cm or smaller. - 10 contact sheets : b&w ; 30 x 24 cm. - 140 photographic slides : col. ; 35 mm

11. Making Overtures: The Story of a Community Orchestra (1985): Records pertaining to the 1985 short documentary film Making Overtures: The Story of a Community Orchestra, directed by Larry Weinstein. The film was nominated for an Oscar for best documentary short in 1986. Includes scripts, reviews, credits, and music cues.

Dates of creation: 1985-1986
Extent: less than 1 cm of textual records

12. Manuel de Falla: Master Peter’s Puppet Show; Nights in the Garden of Spain; When the Fire Burns [198-?]: Records pertaining to three films created in the 1980s by Larry Weinstein about the Spanish composer Manuel de Falla: Nights in the Gardens of Spain, Master Peter's Puppet Show and When the Fire Burns. Includes notes, correspondence, reference material, outlines, photographs, promotional material, reviews, and other material.

Dates of creation: 1989-[ca. 1991]
Extent: 7 cm of textual records. - 29 photographs : b&w and col. ; 16.5 x 12 cm or smaller. - 20 photographic negatives : b&w ; 35 mm. - 153 photographic slides : col. ; 35 mm

13. Mozartballs (2006): Records pertaining to the 2006 TV movie Mozartballs, directed by Larry Weinstein. Includes notes, correspondence, research materials, proposals, stock footage records, cast and crew records, sheet music, audio recordings, interview transcripts, press and reviews, festival and workshop records, and other material.

Dates of creation: 1994-2009
Extent: 10 cm of textual records. - 1 optical disk : CD

14. Mulroney: The Opera (2011): Records pertaining to the musical film Mulroney: The Opera, directed and co-produced by Larry Weinstein. Includes agreements, lists, and press.

Dates of creation: 2009-2011
Extent: ca. 84 cm of textual records. – 2 cm of set designs. -- 60 film reels; 35 mm. – 52 optical disks : DVD. – 9 optical disks : CD.

15. My War Years: Arnold Schoenberg (1992): Records pertaining to the 1992 film My War Years: Arnold Schoenberg, directed by Larry Weinstein and co-written by Weinstein and Thomas Wallner. Includes research and reference material, correspondence, scripts, music cues, credits, photographs, press and reviews, award and festival records, and other material.

Dates of creation: [ca. 1907]-2003, predominant 1991-2003
Extent: 16 cm of textual records. - 81 photographs : b&w and col. ; 29 x 25 cm or smaller. - 444 photographic negatives : b&w and col. ; 10 x 12 cm or smaller. - 210 photographic slides : col. ; 35 mm

16. The Radical Romantic: John Weinzweig (1990): Records pertaining to the 1990 TV documentary The Radical Romantic: John Weinzweig, written and directed by Larry Weinstein. Includes notes, correspondence, reference material, scripts, photographs, and other material.

Dates of creation: 1987-2013
Extent: 4 cm of textual records. - 7 photographs : col. ; 10 x 14.5 cm. - 66 photographic slides : col. ; 35 mm

17. Ravel (1987): Records pertaining to the 1987 documentary Ravel, written and directed by Larry Weinstein. Includes notes, correspondence, outlines, budgets, scripts, reference material, photographs, festival records, press, and other material. Also contains some material related to the 2001 film Ravel’s Brain.

Dates of creation: 1975-2001
Extent: 8 cm of textual records. - 124 photographs : b&w and col. ; 30.5 x 24 cm or smaller. - 26 contact sheets : b&w ; 25 x 20 cm. - ca. 625 photographic negatives : b&w and col. ; 10 x 12 cm or smaller. - ca. 225 photographic slides : col. ; 35 mm

18. Ravel’s Brain (2001): Records pertaining to the production, release and reception of the 2001 film Ravel's Brain, written and directed by Larry Weinstein and co-produced by Weinstein, Pierre-Olivier Bardet, and Niv Fichman. Includes notes, correspondence, research materials, scripts, treatments, agreements, fundraising records, interview transcripts, schedules, call sheets, travel records, drawings, prop and costume records, casting and location material, sheet music, audio recordings, photographs, promotional material, festival records, press and other material.

Dates of creation: 1993-2003
Extent: 18 cm of textual records. - 60 photographs : b&w and col. ; 16 x 24 cm or smaller. - 75 photographic negatives : col. ; 35 mm. - 53 photographic slides : col. ; 35 mm. - 3 optical disks : CD. - 1 videocassette : VHS

19. Satie and Suzanne (1994): Photographs pertaining to the 1994 film Satie and Suzanne.

Dates of creation: [ca. 1994]
Extent: 4 photographs : b&w ; 17.5 x 12.5 cm. - 3 photographic negatives : col. ; 12 x 10 cm. - 60 photographic slides : col. ; 35 mm

20. September Songs: The Music of Kurt Weill (1994): Records pertaining to the production, release, and reception of the 1994 tribute film September Songs: The Music of Kurt Weill, directed by Larry Weinstein and co-written by Weinstein and David Morton, as well as to the film's 1997 soundtrack of the same name released by Sony Classical. The film and soundtrack feature performances by Lou Reed, Teresa Stratas, Elvis Costello, Nick Cave, William S. Burroughs, and others. Records include reference and research material, notes, correspondence, outlines, casting records, sheet music and song lyrics, set drawings, mockups, promotional material, festival records, licensing agreements, distribution records. File also includes sound recordings and photographs taken while on the set of the film.

Dates of creation: 1976-2013, predominant 1992-2013
Extent: 48 cm of textual records. - 53 photographs : b&w and col. ; 35.5 x 27.5 cm or smaller. - 16 contact sheets : b&w ; 20 x 25 cm. - ca. 2300 photographic slides : col. ; 35 mm. - 2 floppy disks : 9 x 9 cm. - 1 audiocassette

21. Solidarity Song : The Hanns Eisler Story (1995): Records pertaining to the production, release and reception of the 1995 documentary film Solidarity Song: The Hanns Eisler Story, written by Larry Weinstein and Thomas Wallner. Includes notes, correspondence, research material, sheet music, scripts, schedules, photographs, audio recordings, financial records, casting material, distribution records, promotional material, press and reviews, award and festival records, and other material.

Dates of creation: 1993-2003
Extent: 20 cm of textual records. - 357 photographs : b&w and col. ; 12.5 x 18 cm or smaller. - 123 photographic slides : col. ; 35 mm. - ca. 180 photographic negatives : b&w ; 10 x 12 cm or smaller. - 1 audiocassette. - 4 floppy disks : 9 x 9 cm

22. Stormy Weather: The Music of Harold Arlen (2003): Records pertaining to the production, release and reception of the 2003 tribute film Stormy Weather: The Music of Harold Arlen, directed by Larry Weinstein and co-produced by Weinstein, Daniel Iron, and Niv Fichman, as well as to the film's 2003 soundtrack of the same name released by Sony. Records include research and reference material, notes, correspondence, historic and contemporary photographs, proposals, treatments, budgets, casting and talent records, audition footage, archival footage, schedules, call sheets, sheet music, album mockups, audio mixes and other sound recordings, press and reviews, festival records, and other material.

Dates of creation: 1991-2003
Extent: 36 cm of textual records. - 5 optical disks : CD. - 1 videocassette : MiniDV. - 22 photographs : b&w and col. ; 20 x 25 cm or smaller.

23. Toothpaste (2002): Records pertaining to the 2002 short comedic film Toothpaste, directed by Larry Weinstein, starring Barbara Hannigan, Mark McKinney, and Doug MacNaughton. Includes notes, correspondence, proposals, scripts, budgets, agreements, sheet music, photographs, press and reviews, award and festival records, and other material.

Dates of creation: 1992-2003
Extent: 5 cm of textual records. - 6 photographs : b&w and col. ; 25 x 20 cm or smaller. - 11 contact sheets ; b&w : 25 x 20 cm. - 2 optical disks : DVD

24. Toscanini in His Own Words (2009): Records pertaining to the production, release and reception of the 2009 TV movie Toscanini in His Own Words, directed by Larry Weinstein and co-written by Weinstein and Harvey Sachs. Includes reference and research material, notes, correspondence, proposals and treatments, scripts, contracts and agreements, budgets, production schedules, promotional material, press and reviews, and other material. Also contains photographs, sound recordings and video recordings, including rushes, archival footage, and casting material.

Dates of creation: 1987-2009
Extent: 69 cm of textual records. - 93 optical disks : DVD. - 1 optical disk : CD. - 38 videocassettes : DVCAM

25. Tuscan Skies: Andrea Bocelli (2001): Records pertaining to the 2001 TV special Tuscan Skies: Andrea Bocelli, directed by Larry Weinstein and co-written by Weinstein and David Mortin. Includes correspondence, reference material, synopses, scripts, call sheets, lyrics, music cues, photographs, award and festival records, and other material.

Dates of creation: 2001-2002
Extent: 8 cm of textual records. - 1 photograph : col. ; 26 x 35.5 cm . - 44 photographic slides : col. ; 35 mm. - 8 optical disks : CD

26. The War Symphonies: Shostakovich against Stalin (1997): Records pertaining to the production, release and reception of the 1997 film The War Symphonies: Shostakovich against Stalin, directed by Larry Weinstein and co-written by Weinstein, David New, and Gemma van Zeventer. Includes notes, correspondence, research material, scripts, overviews, budgets, photographs, promotional material, interview transcripts, casting records, sheet music, award and festival records, press and other material.

Dates of creation: [ca. 1950]-2003, predominant 1994-2003
Extent: 40 cm of textual records. - 34 photographs : b&w and col. ; 45 x 30 cm or smaller. - 23 photographic slides : col. ; 35 mm. - ca. 600 photographic negatives : b&w and col. ; 12 x 10 cm or smaller. - 10 contact sheets : b&w and col. ; 29 x 24 cm or smaller. - 2 floppy disks : 9 x 9 cm

27. Wrath (2011): Records pertaining to the 2011 short film Wrath, directed by Larry Weinstein as part of Seven Sins film project. Includes correspondence, synopses, licensing agreements and other material.

Dates of creation: 2011
Extent: less than 1 cm of textual records. - 1 optical disk : DVD

28. The 13th Man (2012): Records pertaining to the research and production of a short documentary, which was an episode in the series Engraved on a Nation, produced by Frantic Films, directed by Weinstein and broadcast on TSN. Focuses on the fan
    culture surrounded the Saskatchewan Roughriders and the 2009 Grey Cup loss to the Montreal Allouettes. Includes research material, detailed and annotated transcripts, casting records, correspondence and shot lists.

Dates of creation : 2011-2012
Extent: ca. 32 cm of textual materials. – 8 optical disks : DVD

Series consists of agendas, minutes, submissions, evaluations and biographical information created and accumulated by members of the programming committee of Desh Pardesh, in the course of their activities soliciting, evaluating and organizing workshops, seminars, dance, music and theatre performances, literary readings, art exhibits and film screenings.

Series consists of records pertaining to the activities of some committees of the CIBPA Toronto, which include the Cultural, Membership Development, Policy & Finance, Public Affairs, Special Events and Youth Committees. These records document committee meetings, special event planning and the organizational structure of the CIBPA Toronto. Included in this series are records pertaining to the CIBPA Ladies' Auxiliary. Files in this series consist of minutes, membership lists, correspondence, surveys and questionnaires, brochures and pamphlets, notes and organizational charts.

The series consists of applications, reports, working papers, notes, drafts, correspondence, newsletters, minutes, notebooks, members submissions, audio and video recordings of workshops, and other material created and/or accumulated by Norquay while she served as chair and member of the committee.

Series consists of records pertaining to David Charles's work as a set decorator, set designer, prop master and assistant director on commercial productions, in a freelance capacity and for Schulz Productions. These records include crew and personnel lists, production schedules, set drawings, prop and wardrobe notes, scripts, invoices, release forms, call sheets, storyboards, photographs, and prop illustrations.

Series consists of off-prints, photocopies and drafts of mathematical articles collected and preserved by Lorch for reference and research purposes. Some articles have correspondence and notes by Lorch attached.

Series consists of agendas, minutes of meetings, notes, correspondence, catalogues and other material that documents Sheard's work as an editor of Coach House Press. Included are correspondence and other material with Margaret Atwood concerning the writing and publishing of her novel "Good Bones".

Series consists of clippings, art prints and art reproductions compiled by Luigi Nasato for reference or inspiration over the course of his career. Primarily includes graphic material collected from various English-language and Italian serial publications.

Series consists of clippings, Jazz magazines and newsletters, and festival programs compiled by Galloway over the course of his career.

The series consists of clippings of articles written by Friedlander covering a number of subjects and written for newspapers, magazines, newsletters and other publications.

Series consists of newspaper and magazine clippings, arranged by year, in the first instance, and then arranged by subject (Duke Ellington, National Film Board, Stratford Festival).

Series consists of files containing clippings of articles regarding the Toronto Dance Company from newspapers and magazines from both the Canadian and international presses.

Series consists of reviews, previews, and photographs of Danny Grossman Dance Company as well as notices of the Paul Taylor Dance Company and the Toronto Dance Theatre, two companies in which Grossman was a dancer prior to 1975.

This series consists of files created and accumulated by CSWS Ltd. about agency clients and prospective clients enquiring about the agency’s services. The types of records found in this series include correspondence, contracts, royalty statements, clippings, manuscripts (and manuscript samples), headshot photographs, curriculum vitae and biographical highlights sheets. The more well-known people represented in this series include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

Files 2012-066/001(05) to 2012-066/004(10) consists of research notes and drafts related to a research project by Matie Molinaro and Barbara Brescia about the painting Venus Disarming Cupid.

Files related to CSWS Ltd. client Marshall McLuhan and his estate can be found in Series S00667: Marshall McLuhan files.

Series consists of two scripts and one oversize European poster of the 2004 feature film “Clean” written and directed by Olivier Assayas
The film follows the efforts of Emily Wang (Maggie Cheung) to rebuild her fractured life after the death by overdose of her washed-up rock star lover Lee Hauser (James Johnston), and her imprisonment on charges of drug possession. She returns to Vancouver where her son Jay lives with Lee’s parents Albrecht (Nick Nolte) and Rosemary (Martha Henry).

Series consists of correspondence, yearbooks, family histories, photographs, collected memorabilia and ephemera related to Christie's immediate and extended family. Aside from more general files, it also contains groups of files specifically related to Chrsitie's father David Wallace Christie, to his ex wife Granier Mortimer Christie and to the Stacey family as well as ephemera in the form of identification cards, awards and certificates belonging to Christie and correspondence exchanged with Margot Christie while Christie was serving with the Canadian Army. There is also information regarding Christie's death including a series of journals kept by his caretaker towards the end of his life.

Series consists of annual reports, proposals, and correspondence pertaining to Armstrong’s role as CHSRF/CIHR Chair in Health Services and Nursing Research, Canadian Health Services Research Foundation/Canadian Institutes of Health Research.

Series consists of production notes, post-production ADR reports, production stills, posters, a ‘making-of’ featurette and original film elements of the 2004 feature film “Childstar”. Written and directed by Don McKellar, the film centers on sitcom icon Taylor Brandon Burns (Mark Rendall), the world’s most famous child actor who disappears while filming in Canada. Don McKellar stars as Rick, the boy’s driver and Jennifer Jason Leigh as ruthless stage mother.

Series consists of a Chinese family's home movies documenting a visit to Niagara Falls, the birth of a new family member, travels to parks across Southern Ontario and the Eastern seaboard, piano recitals, and cherry blossoms in High Park.

Series consists of records created and accumulated by Marilou McPhedran pertaining to the organization and functions of the Charter of Rights Education Fund, which was created to review Ontario legislation for sex discrimination and to ensure compliance with the Charter of Rights and Freedoms. These records document the activities of the fund's committee (including fundraising), its financial resources, Charter Study Days, and audits of government statutes. McPhedran was a co-founder of the fund and member of the finance committee in 1982 and 1983. The files in this series consist of correspondence, grant applications, reports, notes, memoranda, agendas, minutes, and financial statements.

Series consists of minutes and reports related to the Executive Committee of the Fathers of Confederation Building Trust (1964-1965, 1971-1974) as well as correspondence with cast members, unions and crews, and a daily journal regarding Moore's work at the Confederation Centre that includes budget notes and related material, blueprints for the Confederation Centre theatre (1962), newspaper clippings and scrapbooks related to the PEI Centennial (1964), the Royal visit and Command Performance (1964). It also includes programmes and posters related to the Festival, material related to the Wayne & Shuster Comedy Team including correspondence, scripts, press releases, and scrapbooks of their visit in 1965. Finally, it contains material related to the performance of 'Anne of Green Gables' at the Charlottetown Festival including account information, box office statements, advertising material and other material related to its run at the Royal Alexandra Theatre in Toronto and scripts, prompt scripts, a holograph copy of the music score, newspaper clippings, programmes and photographs related to its performance in Charlottetown.

Series consists of home videos documenting everyday life of the donor's Chinese-Russian family including footage of four RCMP weddings and a dinner, Christmas, Chinese New Year, and children playing with toys. Footage was captured by Stanley Chan, Kate Azure, and Joyce Raymond.

Series consists of documents created or accumulated by Knowlton Nash in the course of his work with the Canadian Broadcasting Corporation. The records are generally arranged in chronological order (files with the title, "CBC," in the file list), but many documents were pulled together into subject files on a particular topic. The series includes letters and memoranda involving programming and journalism issues, including the evolving nature of television news coverage, the impact of ratings, and journalistic appointments, as well as mementos from political conventions covered by Nash. These records cover a wide range of topics, including: contract negotiations between Nash and the CBC; Nash's proposals for changes to news reporting; the CBC Correspondents Association; the federal government's control over news coverage during the October Crisis, 1970; protection of sources, including legal action against Nash; the impact of controversial programs, such as the hearings over "Air of death" that dealt with air pollution in 1967 to 1968, and libel actions involving various CBC correspondents; the departure of Lloyd Robertson for CTV News in 1976; the policy governing access by prime ministers to the CBC for broadcasts; Nash's statement to the Canadian Radio and Television Commission regarding the CBC's application to renew its license in 1978; the action by the Canadian Union of Public Employees against the CBC and Knowlton Nash in an attempt to stop journalists from reading the news on television, 1978 to 1980; development of The National and The Journal and the move of nightly news to 10:00 p.m.; Nash's decision to step down as Chief Correspondent in 1988 and his retirement in 1992; news specials on the 50th anniversary of D-Day in 1994; presentations to the CBC Board of Directors on the future on television news reporting during retreats from 1996 to 2001; and an unpublished manuscript on the news show, The Fifth estate. The series also includes several published reports on the CBC, its history, mandate, policies, and future.

Series contains maps of Dublin from the Ordnance survey as well as maps of Dublin from the General Post Office Directory. As well, there are copies of the 'Dublin almanac and general register of Ireland', (1847), and several copies of 'Thom's official directory,' for the period (1852-1950).

Series consists of the working files belonging to Shah including materials from the Caribbean Cultural Committee, a non-profit organization in charge of planning and running Caribana each year from 1967-2006. Files include material created and accumulated by Shah in his role as mas producer and bandleader for Caribana, including: correspondence, band registration forms, schedules of events, and documents to organize the festival's various mas camps each year.

Series consists of records created and accumulated by Marilou McPhedran relating to her involvement with the creation the Canadian Women's Foundation, founded to distribute funds to programs and projects assisting the self-reliance and economic independence of girls and women. The records in this series document the activities of the foundation in its first two years, particularly its board meetings and fundraising efforts to secure support from individuals, organizations and institutions, as well as McPhedran's work as interim director of the foundation in 1990. These records include correspondence, memoranda, minutes, questionnaires, notes, contracts, news releases, and invoices. Some records in this series were created by McPhedran's assistant for this project, Vicki Armstrong.

The series consists of newsletters edited by Margaret Norquay, research notes and drafts of articles for the newsletters.

Series consists of records created and accumulated by Theresa Burke during the production of CBC "Fifth estate" documentary "Broken heroes" (Oct. 2009), on the subject of Canadian Forces soldiers dealing with post-traumatic stress disorder. These records primarily concern the research and interviews conducted for this production. Also included are research materials and interview transcripts concerning veteran soldiers with cancer and their exposure to depleted uranium on tours of duty. The records in this series include interview and meeting transcripts, correspondence, notes, newspaper and journal articles, audio cassettes, and DVD-Rs.

Series consists of documents created or received by Knowlton Nash in his capacity as founding Chairman of the Canadian Journalism Foundation, an organization created in 1990 to promote excellence in journalism through education, dissemination of information, and recognition. These records trace the origins of the Foundation at the Niagara Institute in 1989, as well as its development until Nash left the Board of Governors in 2002. The files contain minutes of the Executive and Awards committees and the Board of Governors, financial statements, correspondence and reports that pertain to all aspects of the Foundation's activities, including strategic planning, fund-raising, and the recognition of outstanding Canadian journalists. The series concludes with a file devoted to the presentation of the Foundation's Lifetime Achievement Award to Nash in 2006.

Series consists of records accumulated by Marilou McPhedran pertaining to the work of the Program Advisory Committee of the Canadian Firearms Program, formed in February 2003, on which McPhedran served as a member until its disbandment in 2005. The records in this series document the general activities of the committee, particularly its quarterly meetings held in Ottawa, Ontario. Also included in this series are records pertaining to the Coalition for Gun Control, with which McPhedran was associated prior to and during her time on the Program Advisory Committee. These records include correspondence, reports, government documents, agendas, notes, news releases, fact sheets, briefs, newspaper clippings, and presentation slides (paper version).

Series consists of audio recordings of the CCMC's bi weekly performances and includes recordings by such musicians as Peter Anson, Paul Dutton, John Kamevaar, Nobuo Kubotu, Allen Mattes, John Oswald, Michael Snow, Casey Sokol and Jack Vorvis, among others.

Series consists of records created and accumulated by Theresa Burke pertaining to her employment at the Canadian Broadcasting Corporation (CBC). The records in this series document Burke's progression from contract researcher to permanent staff producer for "The fifth estate" as well as the nature and extent of her research and production work. Also included are records documenting her participation in CBC professional training courses, labour union agreements and other human resources topics. These records include contracts, correspondence, memoranda, income tax forms, benefit forms, booklets, handbooks, course materials, and production credits.

Series consists of telecast schedules, correspondence for the Children's Television Department (1982-1987), contractual agreements, files pertaining to the CBC's court case with the Supreme Court of Canada related to "The Boys of St. Vincent" and other material created and or accumulated by John Smith during the course of his work with the Canadian Broadcasting Corporation.

Series consists of applications prepared by the TDT for submission to the Canada Council for grants to support its general operations, to earn funding for its tours or to receive financial assistance for specific projects. Series also includes budgets, post-performance stage managers reports and correspondence related to the grant applications. (Copies of Canada Council applications may appear in the General Manager's and Engagement Files.)

Series consists of correspondence received by John Smith during the course of his career as a director and producer and business records of Smith's company, Dunany Productions Inc., including copies of year end files.

This series consists of records created and accumulated by CSWS Ltd. in relation to management of the day-to-day operations and business of the agency. Files include: correspondence (inquiries, invitations); union files (ACTRA, Writers Guild of Canada, Writers Guild of America); template contracts/agreements for writers, actors, and speakers; mailing lists; information about conferences, seminars and book fairs; and subject and clippings files, primarily on the topic of copyright.

Also included are the office’s Diaries and Day Books from 1951-1965, which provide a daily record of incoming and outgoing correspondence, phone calls, and notes about day-to-day business.

The series consists of chronologically arranged files of correspondence that document Wiseman's professional life and includes correspondence with publishers, grant applications and inquiries, letters of inquiry related to employment, material that documents her affiliation with various organizations such as ACTRA, The League of Canadian Poets and The Writers' Union of Canada, correspondence and material related to universities where she served as writer-in-residence, appraisals and recommendations for writers including Susan Musgrave, Joy Kogawa, Ruth Johnson and others and correspondence related to travel and to her tenure as an instructer at the Banff Centre.

Series consists of records documenting the business activities of the WECT office, as well as the project's accounting. Includes letters patent and charitable status documentation, contracts with authors, editors and office staff, contracts with York University and the projects sponsoring organizations, publishing agreements, staff files, research files, budgets preparation files and audited financial statements.

Series consists of records pertaining to the CIBPA Toronto's bursary program, which began in 1957 to assist Italian-Canadian students attending university. The records in this series, which are primarily correspondence, bursary application forms and program reports, document the volume of bursary applicants, the association's promotion of the program and its criteria for selection, and bursary finances. On 26 August 1976, the CIBPA Toronto's bursary program was incorporated and became the Da Vinci Scholarship Foundation. The files in this series include records created before and after incorporation, including records regarding the formation of the Da Vinci Scholarship Foundation.

Series consists of scripts, casting notes, production materials, film and audio elements, posters and production stills of the 2005 comedic production “Burnt Toast”, directed by Larry Weinstein. The 52 minute production features eight operatic vignettes depicting a different stage of a romantic relationship set in contemporary settings. Developing out of an earlier short film “Toothpaste”, “Burnt Toast” is co-produced by Rhombus and marblemedia, featuring original music and libretti and performances by Mark McKenney, Sean Cullen, Peter Wellington, Dan Redican, Jessica Holmes, Scott Thompson, Leah Pinsent, Colm Feore, Paul Gross, Colin Mochrie, Cathy Jones, and Debra McGrath.

Series consists of home videos including footage of donor's Jamaican-Guyanese family including Christmas in 1992 and their vacation in England in 1990. Footage captured by Leah Burke and other members of the Burke family.

Series consists of notes, research material, drafts of scripts, memos and other material related to Paikin’s work as a private reporter for CHFI radio and as a staff reporter for the CBC. It also contains scripts and other material that documents his work as a host for TVO’s Between the Lines and Fourth Reading . It includes material, including audio recordings of events and interviews, related to his reporting on a number of topics including the 1983 Progressive Conservative leadership convention, the 1984 Liberal leadership convention and other party conventions and/or elections, Pierre Trudeau’s visit to the University of Toronto in 1984, Ernst Zundel and anti-Semitism in Canada, stories related to metro Toronto such as the debates over the construction of its domed stadium and others. It also contains a copy of Paikin’s demo reel created by TVOntario to display many of his journalistic accomplishments.

Series consists of copies of articles written by or about Hoffert as well as notes, drafts, contracts and other legal documents, correspondence with publishers, reviews, publicity material and other documents related to Hoffert's books "The Bagel Effect", "All Together Now" and "The New Client". It also contains drafts of Hoffert's unpublished autobiography and material related to speaking engagements including hard copies of Powerpoint presentations delivered by Hoffert at a number of conferences and symposia.

Series contains drafts, manuscripts, and correspondence pertaining to the publication of authored and edited books and book chapters by James. A significant portion of the material focuses on “Seeing Ourselves: Exploring Race, Ethnicity & Culture” (1989) which uses a collection of personal comments and essays, written by students from a wide variety of ethnic backgrounds, to examine what it means to participate in the cultural and ethnic "mosaic" that comprises contemporary Canada) and “Life at the Intersection: Community, Class, and Schooling” (2012) which examines schooling and the education experience of youth in the Jane and Finch neighbourhood. Related correspondence may also be found in the Professional and Professorial series.

Additional material regarding publications in books, including research data, drafts, and correspondence can be found in associated files in the Articles and Published Reports; Lectures, Conference and Workshop Presentations; and Research series.

Records pertaining to background research and literature may also be found in the Subject Files series.

Series consists of the agendas, minutes and administrative records and reports of the Desh Pardesh Board of Directors.

Series consists of records pertaining to meetings of CIBPA Toronto's board of directors and its executive committee. These records, which include minutes, agendas, correspondence and notes, document topics addressed by these bodies, including planning for dinner meetings and special events, reports from association committees, membership applications and cancellations, office administration, financial management, and fundraising and outreach activities. Files in this series also include minutes of CIBPA general meetings and a board of directors' orientation manual.

Series consists of the blueprints for the National Arts Centre (1965).

Series consists of Haitian Canadian family's home movies documenting a Catholic communion in Verdun, Quebec.

Series consists of research notes, correspondence, and copies of correspondence, abstracts of land titles and other instruments of ownership, property plans, and wills compiled by Sheldon and Judy Godfrey in preparation to write books on Canadian Jewish history and articles for the "Dictionary of Canadian Biography," as well as speeches to various historical and genealogical societies.

The series consists of Vinci's personal documents and correspondence related to his education and immigration to the United States as Ernst Wreszynski. Also includes newspaper clippings about Vinci and biographical sketches ready for publication. Later accessions include personal and family correspondence between Vinci and his wife, and Vinci and his parents and parents-in-law, and other relatives during the 1930s as they tried to escape Germany. There is some correspondence regarding Vinci's efforts to sponsor his sister-in-law and niece after the Second World War.

Series consists of biographical and administrative records pertaining to the life and achievements of Luigi Nasato. Includes: plaques and certificates; birth, marriage, citizenship, immigration and other governmental records; communion and educational documents; biographical statements and resumes; personal and professional correspondence; clippings and articles about Nasato and kin; Nasato's obituary; and other material.