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Series consists of records pertaining to Drache’s academic writing and research project work. These records include drafts and published copies of his writing for journals, books and other publications, research and subject files on political economics, free trade and globalization, project files for initiatives undertaken while director of the Robarts Centre for Canadian Studies, and files pertaining to his research about Harold Innis and his role in the organization of Innis centenary activities held in 1994. Also included in this series are correspondence, conference materials, notebooks, proposals and grant applications.

Series consists of records pertaining to the administration, activities and interests of the CIBPA in Toronto. These records document the CIBPA's involvement with fundraising and community engagement projects, with other Italian-Canadian organizations, and with Canadian politics. Also included in this series are records pertaining to the management of the CIBPA office and staff, the creation of the association's directory, membership initiatives, as well as research about potential dinner meeting guest speakers and other topics. The files in this series consist of correspondence, minutes, reports, newspaper clippings, press releases, surveys, forms, and financial statements.

Series contains documents generated from performances, including educational initiatives, performed primarily in Toronto and tours across Canada and the north-eastern United States. Also, includes work by other choreographers produced by the company. Series consists of programming targeting primary and secondary schools in the form of curricula, teaching materials, educational marketing kits, feedback forms. Majority of records refer to Noondance and Curriculum in Motion educational initiatives.

Documents include itineraries, newspaper clippings, correspondence, programs, press releases, grant applications, contracts, feedback/participant surveys, and lobby displays. Few choreographic notations appear in this series (those that appear are in the Benesh Movement Notation (BWN) style).

Additional material related to the company's public engagement can be found in the correspondence and organisational records series. Aside from lobby displays, research and creative material used to develop repertoires do not appear in this series.

Series consists of home movies from a Japanese-Canadian family including footage of a boy in a cub scout uniform, a visit to a farm in Cooksville, Ontario, and games of catching mochi balls at community picnics in Toronto.

Series consists of records pertaining to a CIBPA Toronto history project about the origins of the association and other Italian-Canadian organizations in Toronto. The records in this series document interviews conducted with prominent members and associates of the CIPBA Toronto about the formation of the association, its relationship to other organizations, and the role of particular individuals in its development. These records include interview transcripts (in Italian and in English), draft essays regarding a number of Italian-Canadian organizations or clubs, notes and reports.

Series consists of scripts, cue sheets and correspondence, in some cases, for film, stage and radio productions for which Applebaum was to compose the music. These include 'Ballade' a musical play by Arthur Samuels (1968), 'The fool killer,' (c. 1961), 'Three sisters,' (Stratford production, 1976), and others. Also includes scripts of poems.

Series consists of Endicott’s research files pertaining to his books Red Earth: Revolution in a Sichuan Village (1988), and The Red Dragon: China 1949-1990 (1990). These files include interview transcripts, annotated photocopies of archival records, village account books (in Chinese with English translation), and interviews at the village, brigade, commune, and county levels; articles, clippings, chronologies, personality files, graphic material, pamphlets, project outlines, manuscript drafts, correspondence, conference papers, etc.

Series consists of records pertaining to the membership of the CIBPA Toronto from its beginnings in the 1950s to the 2000s. The records in this series include non-active member files, letters sent to members, membership lists and directories, membership fee invoices, surveys and questionnaires, and membership certificates. These records document the growth of the organization, the nature of its membership, membership fee payments and the CIBPA Toronto's membership recruitment efforts.

Series consists of day planners maintained by Rita Greer Allen and documenting her appointments, telephone numbers, and other personal information. Also included in the series are expense books kept by Rita pertaining to her management of household and professional expenses.

Series consists of project and writing files that are not specifically Open College files, or other named projects. These files are primarily related to Norquay's interests in adult education, cross-cultural interaction and communication, communication styles, diversity training and management styles, and include workshop notes and course handouts, correspondence, guides, exercises and quizzes, assessment tools, reference materials, readings, and reports either written by or accumulated by Norquay.

Series consists clippings, note books, journals, photographs, publications, ephemera and other material which documents bissett's personal life and interests including his material that documents his years as an undergraduate at the University of British Columbia. It includes collected memorabilia such as buttons and name plates, identification cards and expired passports, a vest worn by bissett when giving poetry readings, tee shirts designed by bissett and a rattle used in poetry readings.

The series consists of chronologically arranged files of correspondence that document Wiseman's professional life and includes correspondence with publishers, grant applications and inquiries, letters of inquiry related to employment, material that documents her affiliation with various organizations such as ACTRA, The League of Canadian Poets and The Writers' Union of Canada, correspondence and material related to universities where she served as writer-in-residence, appraisals and recommendations for writers including Susan Musgrave, Joy Kogawa, Ruth Johnson and others and correspondence related to travel and to her tenure as an instructer at the Banff Centre.

The series consists of correspondence, notes, clippings and other material which documents the career of Friedlander's father Curt Borchardt, himself a theatre critic.

The series consists of personal and professional correspondence, research material, interview transcripts, newspaper clippings, drafts of speeches and lectures given by Friedlander, copies of resumes, material related to the Sears Ontario Drama Festival and other material which documents Friedlander's career as a theatre critic and writer and which illustrates her involvement in the arts community in Ontario.

Series consists of bound copies of Simpson's Masters and Ph.D. theses and other records collected during his years at school. His 1964 M.A. thesis was called "British radicals and the New Imperialism 1880-1886." His Ph.D. grew from his research for the Black community in Buxton, Ontario, which was working to build the country's first museum of Black Canadian history. Simpson completed this thesis in 1971 under the title "Negroes in Ontario from early times to 1870." The records in the series include yearbooks from Mimico High School, 1948-1952; souvenir football programmes and magazines, most of them for games between the Varsity Blues of the University of Toronto and the Western (UWO) Mustangs, for which Don was a fullback and a guard; a UWO student handbook; research proposals; clippings; American graduate school information and applications; and programmes and photographs of the Kappa Alpha Society, a fraternity to which Simpson belonged as an undergraduate.

Series consists of a variety of records pertaining to Scheier's childhood, her family, her education, her personal life, and her career. These records include newspaper clippings, correspondence and forms, resumes, photographs, diaries and notebooks, books written by family members, high school and university lecture notes and essays, and objects including baby shoes, Scheier's smoking pipe, and a collection of political pins.

Series consists of manuscripts, typescripts, and printed materials written by or about other writers. Much of the typescript material was given to Wiseman while she was an instructor at the Banff School of the Arts. It includes clean copies of work by Caroline Adderson, Carol Bolt, Marian Engel, Sylvia Fraser, Gary Geddes, Anne Michaels, Michael Redhill, Anne Carson and others. It also contains copies of articles or reviews written by or about other authors that were collected by Wiseman.

Series contains essays from his Oxford undergraduate days as well as notes and essays from Northwestern University (Master's degree), and typescript copies of his doctoral thesis at the University of Illinois, 1953.

Series consists of Toyomasa Fusé’s professional files and media appearances related to his study and publication of research on sociological issues in the 1960s and 1970s and his contributions to the study of suicide and methods for suicide prevention. Series also includes two framed awards relating to his achievements in the field of suicidology.

The series consists of research material, notes, manuscript and typescript drafts of Wiseman's novels, short stories, poetry, plays, works of non-fiction, book reviews, speeches and scripts, many of which were written for CBC radio. It also includes publicity material, reviews of her work and copies of articles written about her by others. It contains material related to her novels "The Sacrifice" and "Crackpot", to the plays "Testimonial Dinner", "The Lovebound" and "Someday Sam: A Play, Libretto or Puppet Opera for Children of All Ages" as well as other material that documents her writing process.

Series contains reports from the Canada Council (annual-1978-1979), 'Economic aspects of the arts in Ontario,'(1972), and reports related to arts and artistic organizations.

Series consists of sheet music performed by the big band styled the Rex Battle Orchestra. The music sheets are stored in envelopes with writing on them detailing performance dates, the music's key, names of songs, composers and publishers, and other information. These music sheets are arranged alphabetically.

The series consists of vocal and instrument catalogues from manufacturers and music publishers, Faculty of Music programmes, calendars, and related material.

Series consists of correspondence, scripts, music scores, reviews, posters, programmes, newspaper clippings, sketches and photographs relating to 'The optimist,' 'Who's who,' and other productions of the New Play Society. In particular, it contains correspondence related to contracts, Actors' Equity, royalty payments, the Crest Theatre Foundation, press, publicity and other material related to 'Spring Thaw.' It includes financial records such as invoices, receipts, bank statements, payroll and cash disbursements. There is a collection of general scripts for the show as well as scripts for individual skits arranged alphabetically. There are prompt books, music scores, newspaper clippings, programmes, posters and scrapbooks as well as sound recordings of many of the productions.

Series consists of thematic research files accumulated and organized by Barndt pertaining to education-related subjects including indigenous education, environmental education, feminist pedagogy, anti-racism education, gender and development, participatory research, popular economics, labour education, sexual diversity and curriculum diversity. Files in this series include journal articles, conference materials, pamphlets and brochures, reports, newsletters, manuals, catalogues, teaching materials (workbooks, kits, guide books), flyers, a poster and an audio cassette.

Series consists of pamphlets and other publications collected by Pocock and relating to various aspects of the peace movement and other social concerns.

Series contains recordings of various performers. Live performances includes performances at the National Women's Music Festival, Berkeley World Music Festival, and the Michigan Women's Music Festival. Recordings also refer to Womynly Ways Productions which is a non-profit organization producing professional concerts, dance, comedy and theatrical performances featuring primarily women artists.

Series consists of clippings, Jazz magazines and newsletters, and festival programs compiled by Galloway over the course of his career.

Series consists of material that documents Tenney's ongoing academic and professional interest in the field of music including material that documents his years as a professor of music at York University. It includes research material consisting of clippings, notes, drafts of articles and other material related to the the work of fellow composers such as John Cage, Edgard Varese, Harry Partch as well as Conlon Noncarrow. It also contains material that documents his interest in musical theory including drafts of articles written by Tenney as well as material related to his books "META-HODOS : a phenomenology of 20th century musical materials and an approach to the study of form" and "A history of 'consonance' and 'dissonance.'"

The series consists of personal and professional correspondence including manuscript and typescript copies of letters received by Wiseman and, in many cases, copies of letters written by Wiseman herself. It includes correspondence with friends, readers and fellow writers including Margaret Laurence, bill bissett, Don Coles, Marian Engel, Timothy Findley, Frances Itani, Jay McPherson, Mordecai Richler, Malcolm Ross, Jane Rule, Phyllis Grosskurth, Steven Heighton, Gwendolyn McEwen, Don McKay, Tillie Olsen, P.K. Page, Carol Shield and Christopher Wiseman among others.

Series consists of research files pertaining to Caribana and calypso music. Additional related material can be located in the Field Collections series.

Series consists of Wittenberg's hand-written notes and course work from his time as a student at the Eidgenössische Technische Hochschule Zurich (Swiss Federal Institute of Technology in Zurich).

Series consists of records pertaining to Steven Truscott's murder conviction and appeals, Fifth Estate documentary projects, and Julian Sher's 2001 book, "Until you are dead: Steven Truscott's long ride into history". These records were created and accumulated by Theresa Burke in her role as a researcher for Sher and later as a producer of "Fifth estate" Steven Truscott programs "His word against history" (2000) and "The Steven Truscott story: moment of truth" (2005). The records in this series document the extent of her investigative and archival research work on this subject, the details of the police investigation, Truscott's court cases and appeals, as well as her work to locate subjects and conduct interviews. Records in this series are correspondence, copies of court transcripts, police records and other archival documents, newspaper and journal articles, interview transcripts, photographs, contact lists, and audio and video cassettes.

Series consists of correspondence, clippings, journals, notebooks, photographs, publications, ephemera, day planners, address books and other material documenting Swan's personal life and interests, in particular her early years as a student at Havergal College, as well as files pertaining to Swan's family. Some notebooks contain notes on Swan’s writing projects as well as personal diary entries.

This series consists of John D. Harbron's original notes, several notebooks and booklets, writing plans, index cards, and sample chapters for books and articles.

Also included are class notes and memorabilia from the University of Toronto and the University of Havana; cheque stubs and freelancing schedules; and material from his naval career including Royal Roads University.

Series primarily consists of Dini Petty’s professional records pertaining to her show including audience member waiver contracts, binders listing episode information and promotional photographs of Dini Petty with various guests including local, Canadian and international celebrities, public figures, journalists, actors, musicians, artists, politicians and performers. Additional professional records include her work as a journalist and on-air personality at CITY TV, promotional photographs, news clippings and magazine articles, CVs, promotional material; production tapes for documentaries on incest, "Having a Baby" and other news casts and television documentaries; her children’s book "The Queen, The Bear and the Bumblebee"; script and production material related to Petty's one woman show, contracts and tapes of Petty's work on Pear's shampoo commercials; and poetry; and plaques, awards and tributes.

The series also includes personal records pertaining to her family, memoirs, and her training as a helicopter pilot, biographical information, and legal documents.

The series consists of material that documents Wiseman's career as an academic, both as a student and as a professor. It includes lecture notes, essays, examinations, assignments and other material related to her years as a student at the University of Manitoba and student submissions, publications, catalogues, minutes, notes, brochures, resumes and other material related to her years as a teacher at the University of Windsor. It also conatins materil related to her years as a writing instructor at the Banff Centre and, as such, contains correspondence with colleagus including Don Coles, Mavis Gallant, Don McKay, P.K. Page, Jay Ruzesky, Miriam Waddington, Rudy Wiebe, Chris Wiseman and Rachel Wyatt among others.

Series consists of scripts, notes, photographs, articles and clippings related to various theatre productions, television and radio shows with which Christie was involved. It includes material related to productions of "The dream," "Here lies Sarah Binks," "Sweeney Todd" and "Sir John A. MacDonald." It also contains published copies of plays annotated by Christie that demonstrate stage directions and other comments related to his portrayal of his characters in these plays.

Series consists of Endicott's research files pertaining to his Series 4: United States Biological Warfare. Records include textual material including photocopies of previously classified documents, correspondence, and photographs relating to United States biological warfare activities during the Korean war period 1950-1953. These materials collected over a twenty-five year period, beginning in 1976, are the product of research in the national archives and several military archives of the United States, Canada, the Peoples’ Republic of China, and interviews in the Democratic Peoples’ Republic of Korea, Japan and Britain. Based upon this research Endicott and his colleague Edward Hagerman, also of York University, collaborated to produce the book The United States Biological Warfare: Secrets from the Early Cold War and Korea (Indiana University Press, 1998) in which they conclude that the United States secretly engaged in large-scale field tests of biological weapons in Korea and China, committing an international war crime. The book has been translated into Korean in South Korea. At the time these records were donated, Endicott maintained that American authorities continue to deny biological warfare activities during the Korean War, and he believed the topic to be the most closely guarded Cold War secret of the United States government.

Series consists of correspondence with other philosophers, individuals, several educational institutions as well as learned societies (Hegel Institute of America), publishers, and letters of recommendation.

Series consists of material created by Archie Alleyne in his professional roles as a musician and memoirist, and through his involvement with projects such as Evolution of Jazz Ensemble and the Syncopation Series, and his personal collection of material which reflect his interest in music and African-Canadian history.

Series consists of personal correspondence and academic correspondence.

Series consists for the most part of publicity stills for productions in which Applebaum was involved, at Stratford, on CBC, Hollywood, etc. The photographs are sub-divided by form of productions (drama, music, film). In addition, there are photographs (arranged by subject) of people and events, and a photographic plate for a portrait of Applebaum (1950s).

Series consists of files of correspondence, newspaper clippings, articles and reference material related to Lee and Grace Lorch's activities as social activists and community organizers. These include detailed legal case files and correspondence transferred from law firms who represented Prof. Lorch in various court cases in the 1950s regarding charges laid by the House Committee on Un-American Activities and his dismissal from Penn State and Fisk University. Also includes material regarding Grace Lorch's case against the Boston School Board in 1944-1945 and her activities during the Little Rock Crisis of 1957.

Also includes subject files and correspondence accumulated by Prof. Lorch in later years regarding various subjects including racism, sexism and political discrimination in academia; political prisoners and academic freedom; mandatory retirement; socialist movements in Latin America and Africa; the civil rights movement; peace efforts and nuclear disarmament; Chile ; Cuba ; The German Democratic Republic (GDR) ; Lituania; South Africa; the USSR; Vietnam; First Nations rights in Canada; Canadian socialist organizations and unions; and his research on the first African-American to receive a PhD (in physics) in the United States, Edward Alexander Bouchet (1852-1918).

Also includes correspondence, meeting minutes and reports from various committees, local events, societies and community organizations in which Lorch was active.

Series primarily consists of teaching material including her lecture notes, syllabi, student assignments, course readings, reference material, and course evaluations. Material also contains reports, newsletters, agenda packages, and correspondence pertaining to her administrative roles at York University and a small amount of personal memorabilia and ephemera from her undergraduate and graduate studies.

Series consists of articles written by Nash as a student, a writer for British United Press, and a freelance journalist. They were clipped from the newspapers and pasted into scrapbooks in chronological order until 1954, when the clippings were arranged by the newspaper in which they were published. The initial articles were written when Nash attended Forest Hill High School, and were published in Canadian High News. They deal with Ontario politics in 1944, and potential careers in medicine and politics in 1945. Topics covered for British United Press pertain to events in Toronto, Atlantic Canada, and British Columbia, including: crime; sports, particularly National Hockey League games and horseracing; weather; politics; the death of local noteworthies; the demise of the five-cent cup of coffee, 1947; economic development; labour unrest; ships lost at sea; negotiations for Newfoundland's entry into Confederation; the impact of the railway strike in Newfoundland and labour relations in Nova Scotia's steel industry and seamen's union, 1949; the state of the tuna industry on Canada's west coast in November 1949; unrest among the Doukhobors in Nelson, British Columbia, 1949-1951; and labour unrest among loggers and longshoremen. Nash's articles and columns for the Windsor star, Financial post, Vancounver sun, and Commercial review reflect his interest in political and commercial issues as a correspondent based in Washington, D.C. Topics include: trade and tariffs; demand for Canadian wheat and farm surplus; relations between Canada and the United States; the administrations of Dwight Eisenhower, John Kennedy, and Lyndon Johnson; defence issues, including NORAD and the Distant Early Warning (DEW) Line, missile defence plans involving nuclear warheads, and the decision to cancel the CF-105 Arrow; imports of Canadian natural gas and oil; United States' foreign policy; the wane of McCarthyism, 1955-1957; the impact of sea lampreys on the Great Lakes and the commercial fishing fleet, 1955; racial integration, 1956-1957; United States' firms looking for engineering talent on Canadian university campuses, 1956; the United States' policy of protectionism and the demand for Canadian potash, nickel, plywood, uranium, and rye whiskey; U.S. ambassadors to Canada; Middle East diplomacy, 1957; the election of Jimmy Hoffa as president of the Teamsters Union in 1957, his influence during the ensuing years, and his potential involvement in Canadian labour relations by 1961; the political aspirations of John and Robert Kennedy in 1957; American attitudes toward the election of John Diefenbaker; tolls on the St. Lawrence Seaway and Welland Canal; control of water resources and the Columbia River; the United States' policy on China in 1959; diversion of water from Lake Michigan; Nikita Krushchev's visit to the United States in 1959; the election campaign involving John Kennedy and Richard Nixon, their views on Canadian issues, and the impact of Kennedy's election in Canada, 1960; Canadian lobbying of Congress; foreign investment in Canada, and Canadian investment in the United States, 1959-1961; Russian affairs and trade; Canadian relations with Cuba, and efforts to curb trade with Cuba through stricter control of U.S. subsidiaries in Canada, 1960-1962; the rise and fall of AVRO's flying saucer in U.S. defence plans; the highway to Alaska; the Seamen's International Union and labour on the Great Lakes, 1963; and American response to terrorist activity in Canada and the Front de liberation du Quebec.

The series includes notes, drafts and resource material related to Norquay's M.A. Thesis, "A Study of a Community Recreation Council as an Agent of Social Change" as well as the completed thesis, original correspondence, photographs and clippings created and/or accumulated while Norquay was recreation director of the Dunville Recreational Council. Series also includes minutes of that council. Norquay's thesis was successfully submitted to the University of Toronto in partial fulfillment of her Master's degree but at the direction of her thesis supervisor was not deposited in the University of Toronto library on the grounds that it would be considered libelous.

Series consists of Toyomasa Fusé’s unpublished manuscripts for a book on Indian nationalist leader Subhas Chandra Bose and the Greater East Asia Conference of 1943, his autobiography “Going My Way,” and “Marginal Man’s Perspective,” Fusé’s semi-autobiographical examination of his worldview and identity, which he believed was shaped by his existence as a ‘bicultural’ individual living between two different cultures.

The series consists of reports and correspondence with the Banff School, music festivals, the Royal Conservatory, and related bodies.

Series includes copies of films for which Applebaum provided scores including, 'Coal face Canada,' 'A man and his job,' 'Thirteen platoon,' 'This is Canada,' ‘The Story of G.I. Joe’ and other titles.

Series consists of records documenting Abbott-Ferguson Productions projects that were not part of the Royal Canadian Air Farce series, or otherwise described in their own series, such as Dave Broadfoot projects, or XPM, or SketchCom, etc. Records pertain to miscellaneous productions both realized and proposed, for example Sports Com, 50th anniversary special, comedy homecoming, CBC comedy wall of fame, CBC comedy archive show, Comedy Classics, Mary and Michael for Global TV, King of Kensington, and miscellaneous research files.

The series consists of Ernesto Vinci's notes and announcements of recitals given by his students as well as his lecture notes.

Series consists of material that documents the early music career of Paul Hoffert and includes clippings, reviews and programmes of his early performances as well as a number of composition notebooks from his studies with Gordon Delamont and his contact book for Toronton musicians, organized by instrument. It also includes a complete five-volume set of "Modern Arranging and Composing" written by Delamont.

Series includes includes appointment books (1958-1978), calendars (1970-1972), a cash book (1942-1948) and day timers (1987-1998).

Series consists of audio discs of Applebaum's works, including glass discs, some with Applebaum playing the score, many for which there are also scripts in Series 1. The recordings include, 'Coal face,' 'Dollar dance,' 'Thirteen platoon,' 'Welcome soldier,' 'Juno and the paycock,' 'The rape of Lucretia,' and other titles. In addition, there are recordings that formed part of Applebaum's private collection.

This series consists of records created and accumulated by CSWS Ltd. in relation to management of the day-to-day operations and business of the agency. Files include: correspondence (inquiries, invitations); union files (ACTRA, Writers Guild of Canada, Writers Guild of America); template contracts/agreements for writers, actors, and speakers; mailing lists; information about conferences, seminars and book fairs; and subject and clippings files, primarily on the topic of copyright.

Also included are the office’s Diaries and Day Books from 1951-1965, which provide a daily record of incoming and outgoing correspondence, phone calls, and notes about day-to-day business.

Series consists of three sub-divisions: Scores for films; Scores for radio and television; Scores for theatre. Some of the scores include sketches, shooting scripts, parts, music cues, correspondence with directors and producers. The scores for films contains scores for National Film Board productions, including 'Alexis Tremblay, habitant' (1942) 'Arctic saga,' (1952), 'Athabasca,' (1967), 'Canadian profile,' (1956), 'The forest,' (1965), 'Krieghoff,' (1955), 'Paddle to the sea,' (1966), 'Royal journey,' (1951 Royal Tour), and 'Varley,' (1952). In addition, there is a good deal of NFB stock music composed by Applebaum. There are also scores for American government agencies (United States Army Reorientation Branch, United States Navy, Georgia Department of Health, Mississippi Department of Public Health). As well, there are Hollywood scores for 'Lost boundaries, '(1949), 'Story of G.I. Joe.' (1945), 'Tomorrow the world,' (1944), and scores for American productions including the Hans Richter film 'Dreams that money can buy,' (1952) with music by John Cage, Paul Bowles, and Applebaum. For radio and television there are scores for 'And then we wrote,' (1967), the CBC National News theme (1966-1967), scores for the CBC Television programmes "Camera Canada," ('Campus in the clouds,' 'Hockey,' etc), 'The discoverers,' (1972) "First performance" ('Black of the moon,' 'O'Brien,' 'Time lock,'), 'Images of Canada,' (1972), 'The journal of Susanna Moodie,' (1971), 'Mr. Piper,'[children's programme] (1961-1963), 'Peer Gynt,' (1957), "CBC playhouse," ('The ghost in the corpse,' 'The girl queen at the world's end,' 'How the Tongans came to Fiji,' 'The McAndrew family,' 'The viking and the vixen,')(1952), "Purple playhouse" ('The bells,' 'Corsican brothers,' 'Dracula,' 'Sweeney Todd,' 'Used up,') (1973), 'Scope' (1955), 'Seven days of victory' (1955), and several more. There are also scores for the Columbia Broadcasting System programme "Twentieth Century," and scores for the United Nations radio service. For CBC - Radio there are scores for "Summer stage" ('Always a librarian--never a bride,' 'Burlap bags,' 'For whom the horses run,' 'Prophecy at dawn,' 'Tidewater morning,'), "Wednesday night" ('Antigone,' 'Hamlet,' 'Juno and the paycock,' 'The playboy of the western world,' 'The shaking tent,' 'Words & music,'), and others. For theatre there are scores for Stratford productions including 'Anthony and Cleopatra' (1967, 1976), 'Coriolanus,' (1961), 'Cyrano,' (1963), 'Hamlet,' (1957, 1969) 'King Lear,' (1964) 'Much ado about nothing,' (1958, 1980, 1987) 'Twelfth night,' (1966, 1985), 'Macbeth,' (1978), 'Cymberline,' (1986), 'Mystery of Henry Moore,' (1984), 'The man who hid Anne Frank,' (1980), as well as other theatre productions in Toronto and New York.

Series consists of newspaper and magazine clippings, arranged by year, in the first instance, and then arranged by subject (Duke Ellington, National Film Board, Stratford Festival).

Series consists of newspaper clippings, some arranged chronologically, others by subject (Stratford, Canadian League of Composers), as well as printed material, correspondence, speeches, sketches, scores, drafts, catalogues and calendars of festivals. There are also programmes for performances, which are arranged by cultural activity (dance, music, theatre, etc). There are printed materials, including periodicals, arranged by title, including 'Bulletin from the Canadian Conference of the Arts,' 'Artscanada','Canadian composer,''Musicanada,' and reports of cultural institutions and agencies, and academic and government studies, including those in which Applebaum was a participant. Also included are records related to the creation of his last opera Errowhon (1996-1999).

Series consists of records created and accumulated by Katherine Packer, including personal letters from William Packer, her diploma from the University of Michigan, transcripts, and personal correspondence.

The series consists of personal photographs of Vinci and family and friends. Also included are photographs of Vinci and students at Banff and several unidentified photographs.

Series consists of correspondence sent and received by Robert Greer Allen pertaining to his personal life and to work-related topics. Correspondents documented in this series include writer Earle Birney, theatrical agent Elspeth Cochrane, Rita Greer Allen, British television executives Cecil Clarke and Michael Berry, and others.

Series consists of draft articles, correspondence and reference material related to Lorch's published mathematical research as well as his numerous letters-to-the-editor, speeches and published articles on such subjects as academic freedom; racism, sexism and discrimination in academia; the civil rights movement; the international mathematical community and anti-Soviet bias in the Western scientific community. Also includes some material reviewed and edited by Lorch.

Series consists of photographic prints and negatives, with some accompanying textual records, created or compiled by Luigi Nasato over the course of his life and career as an artist. Primarily includes photographs of works of art, some of which were created by Nasato himself, as well as family and travel photographs. Series also contains computer printouts of works of art, as well as postcards and other graphic material.

Series consists of recordings pertaining to Doob’s research and scholarship interest in medieval studies, dance, and medicine. Series contains interview transcripts and notes, manuscripts, notes, drafts and publications, lectures, grant applications, research-related photographs, and reference material including dance programmes.

A significant portion of the series pertains to the National Ballet of Canada including research material for over thirty repertoires; interview material with Rudolf Nureyev, Celia Franca, Karen Kain, Erik Bruhn, James Kudelka, Rex Harrington, Dominique Dumais, and Glen Tetley; and the manuscripts of Karen Kain and Rex Harrington’s autobiography drafts.

Series also includes the draft manuscript of ‘Nebauchadnezzar’s Children: Conventions of Madness in Middle English Literature,’ and research material related to labyrinths in the middle ages and Chaucer.

Series consists of materials pertaining to the artistic life and career of Luigi Nasato. Includes drawings, sketches, paintings, technical drawings, art objects, and other material created or compiled by Nasato, including extensive artwork related to his role as a mosaicist for various churches in and around Toronto, Ontario. Series also includes: notes on art history and artistic technique created by Nasato as both a student and professional artist; product catalogues and price lists; invoices and other financial documents; and other material.

Series consists of records created and maintained by Pat Fleisher from 1940 to 2007. The records in this series pertain to Fleisher's production of paintings, drawings and photographs and her accumulation of personal memorabilia relating to her life, work, and art shows. Files in this series include photographs, portfolios, CVs and artist statements, newspaper clippings, a sketchbook, a scrapbook, and an art appraisal.

Series consists of records created and maintained by Pat Fleisher between 1940 and 2008. The records in this series pertain to Fleisher's creative and freelance art writing. These records include Fleisher's early poetry and fiction, personal memoirs, and article drafts for freelance and magazine projects. Also part of the series are files consisting of background research for Fleisher's non-fiction writing, which include newspaper and magazine articles, artist bios and CVs, as well as correspondence and notes relating to her freelance and creative writing.

Series consists of photographs collected by Archie Alleyne. Material includes personal and professional photographs of Alleyne and his colleagues; photographs collected of various jazz musicians in history; and photographs of emerging artists.

Series contains the designs, artwork and photography of George E.A. Reid created during his studies at the Ontario College of Art until the end of his professional career. Material includes paintings, pencil and charcoal sketches and drawings, animation cells and designs on tracing paper, cartoon illustrations, regular and large-format colour transparencies, graphic prints, and designs for annual reports, business cards and pamphlets.

Series consists mainly of photographs depicting Norman Campbell, Elaine Campbell and actors, dancers, crew and other colleagues from productions on which he worked. Many photographs were taken by Campbell. Also included are some textual records that accompanied the photographs, newspaper clippings pertaining to Campbell’s death, an audio recording of an interview with Elaine Campbell, and posters.

This series consists of John D. Harbron's personal correspondence from during his professional career as a journalist, author, and academic. This series also contains correspondence received from family and friends. Included are letters on naval and defence affairs, Latin American affairs, letters-to-the-editor, as well as photographs and newspaper clippings.

Series consists of personal and professional correspondence with leading scientists, mathematicians and education specialists from across Europe and North America. As Wittenberg did not maintain copies of his letters, for the most part the series only contains the incoming letters. The series includes correspondence with scholars such as Paul Bernays, Alexander Calandara, Tatiana Ehrenfest Afanasyeva, Ferdinand Gonseth, Ahron Katchalsky (Katzir), Thomas Kuhn, Imre Lakatos, Georges Polya, Michael Polanyi and many other colleagues and acquaintances. There are several files pertaining to Wittenberg’s involvement with councils, associations and other initiatives that aimed to promote mathematical and scientific education across Canada and North America. The series also contains materials of more personal nature pertaining to matters such as trips, children schools, post-Holocaust restitution claims, and involvement in Canadian Jewish community life.

Series consists of records pertaining to Rita Greer Allen's career as a freelance researcher, screenwriter, producer and broadcaster for Canadian radio and television between the 1940s and the 1970s. The records in this series include scripts written by Rita, research materials, notes, newspaper clippings, interview transcripts, correspondence, photographs and production materials used in the creation of and pertaining to programs for Canadian Broadcasting Corporation (CBC) radio and television and for the National Film Board of Canada (NFB). Also included in this series are manuscripts for Greer Allen's chapter written for the Marion Woodman book "Leaving my father's house: a journey to conscious femininity"(1993). Programs documented in this series include "As children see us", a CBC radio program; "Barometer rising", a CBC radio adaptation of Hugh MacLennan's novel that was later written as a television script; educational radio plays for in-school listening, created for the Departments of Education of the Provinces of British Columbia and Ontario in co-operation with the CBC and for the British Broadcasting Corporation (BBC); CBC television programs "CBC Thursday night", "Of all people", and "Take 30"; original television drama "The raku fire" (1976); as well as many one-off drama adaptation or documentary projects for radio and television. Many radio scripts written in the 1940s were co-authored with Rita's husband, Robert Greer Allen, and correspondence and writing by Robert appear in some files in this series.

Series consists of clippings, art prints and art reproductions compiled by Luigi Nasato for reference or inspiration over the course of his career. Primarily includes graphic material collected from various English-language and Italian serial publications.

Series contains announcements and articles concerning Applebaum's life and work, and related material, arranged by subject (dance, festivals, film, music, opera, theatre, Stratford).

Series consists of field recording and research files pertaining to a variety of musical genres.

The series consists of programmes, pamphlets and notes for examinations, concerts and single performances, for the Faculty of Music, the Banff Centre, Dalhousie University musical auditorium, Royal Conservatory performance night, Toronto Symphony Orchestra, the Modern Library, Teatro Alla Scala, the New Music Concerts and others.

Series consist of day planners used by Robert Greer Allen to record names, daily appointments and phone numbers pertaining to his personal and professional activities. Also included is an undated address and phone book.

Series consists of records created and maintained by Robert Greer Allen from his early days as a wartime radio scriptwriter for "Serviceman's forum" in the 1940s through his 40 years as a producer for Canadian Broadcasting Corporation (CBC) radio and television drama. Though some scripts in this series were written by Robert, many were accumulated by him in his role as producer or executive producer for CBC programs including "General Motors theatre", "Ford startime", "Folio", "Festival", "Performance", "CBC summer theatre", "Seeing things" and others. Other records in this series include set photographs and drawings, videocassettes, correspondence, memoranda, notes, and assorted production materials, such as filming schedules and requisition forms.

The series consists of Ernesto Vinci's diaries for the period (incomplete), as well as memoranda, address books and related material.

The series consists of programmes for concerts and recitals in several venues, as well as those for the University of Toronto, Faculty of Music concerts, Massey Hall, the Royal Alexandra Theatre, the Metropolitan Opera House (New York), and others.

Series consists of correspondence written and received by Lee Lorch in his capacity as a mathematician, scholar, social activist, father and spouse. Also includes some correspondence received by his wife, Grace Lorch.

Series consists of files comprised of correspondence, articles, photographs, ephemera and other materials created, accumulated and grouped together by Jeanne Randolph and organized by date. These files pertain to Randolph's personal and domestic life, her activities as a writer, lecturer and critic, as well as her work as a psychiatrist.

Series consists of contracts signed by Christie for engagements in theatre, television, radio and advertising as well as copies of Christie's income tax returns for the years 1937 to 1986.

Series consists of records created and accumulated by Silverman primarily between 1969 and 1970, when she conducted field research in Bush Lot, Guyana, for her PhD thesis entitled “Resource change and village factionalism in an East Indian community, Guyana”. The results of this research were also published in her book, Rich people and rice: factional politics in rural Guyana, 1900-1970. This ethnographic and historical research examined local-level politics and the effect of economic resources on politics in Bush Lot, an East Indian rice-farming community on the coast of Guyana. These records document Silverman’s approach to research, which included casual conversation, participant observation, attendance at political events, formal interviews, primary source research and household surveys, and her process of aggregating the resulting data, as well as providing a comprehensive history of the village of Bush Lot and its inhabitants in the early- to mid-20th century. The records in this series are notes, copies of village council minutes and letter books, court documents, surveys and household questionnaires, government reports, census records, audio recordings, interview transcripts and notes, card indices and computer printouts, research reports, maps of Bush Lot and greater Guyana, correspondence, and a copy of Silverman’s PhD dissertation.

Series consists of greeting cards, postcards, correspondence, personal notebooks, photographs and a guestbook from Ingeborg's art exhibits. Greeting cards express holiday and birthday messages, in addition to remarks on Mohr's 50th wedding anniversary and condolences on Ingeborg's death in 2004. The postcards were sent to Mohr from family and friends with images of European cities such as Dresden, Vienna, Edinburgh, Paris, and Athens, as well as Canadian cities such as Montreal and Vancouver. In addition, the series includes two handwritten personal notebooks by Mohr in German from the 1950s, two notebooks of early poetry, and handwritten correspondence between Mohr and his friends from when he travelled to Canada.

Series consists of financial records, correspondence,family photographs, stamps postcards and memorabilia accumulated by Lee Lorch for personal reasons. Also includes tributes and awards received by Lorch as well as his CV and published articles regarding his accomplishments and activities.

Series consists of 69 bound journals kept by Mackenzie from 1935 to 2005 (excluding the years of 1942-1943), ephemera and two schoolroom photographs that include Mackenzie. The majority of the diaries consist of accounts of daily events, particularly international wars, revolutions, political events; the activities of celebrities, statesmen and royalty; natural disasters; and cultural and social issues. These entries include minimal personal opinion and are formatted similar to newspaper articles. Events of particular relevance to Mackenzie are often embellished with marginal illustrations and rubrication.

Mackenzie also records more personal notes on his daily activities; his employment history, wages, housing and work environment; his socializing in taverns and cocktail bars; films and plays he attended; his efforts to improve his education; the progress of his various writing projects; the health and activities of himself, family members and friends; his relationships with other gay men; as well as detailed accounts of his travels abroad. He records important events and dates for other individuals, particularly his parents, his sister, and close friends.

Most volumes of the diaries contain a synopsis of the year's events in the final pages of the bound volume. Beginning in the early 1970s, Mackenzie begins to write more reflectively in his diaries and provides his own opinions and insights into the events he records. There are introspective entries on diary writing in the beginning of several volumes of diaries written after 1975, and the entry for March 7, 1972 contains a reflection on his lifestyle choices and his atheism.

There are also reflective and critical entries on Canadian and American politics, homophobia, generational conflicts within the gay community, American foreign policy, Quebec sovereignty and other major social and political events of the late twentieth century.

Series consists of correspondence and cards received by Rita Greer Allen as well as copies of her outgoing correspondence and photographs. Much of the correspondence in this series is personal in nature, organized by the surname of the correspondent. Correspondents include Earle and Esther Birney, theatrical agent Elspeth Cochrane, Reva and Leonard Brooks, members of the Weyman family, Jack Shadbolt, Hugh MacLennan, Lady Susan Tweedsmuir, Charles Wassermann, and many others.

Series consists of material that documents Moore's academic career and courses of study at the University of Toronto and includes essays, notes, and exams as well as material that documents his interest in student theatre. It includes various student publications and contains copies of 'The Twig' and 'The Undergraduate.' It also contains material related to his tenure as a professor at York University in Toronto and includes correspondence relating to the Theatre Department and to the Faculty of Fine Arts, copies of minutes of the University Senate and other bodies within the University on which Moore sat, scripts and musical scores for 'Review of revues,' a Theatre Department production of satirical sketches based on 'Spring Thaw' (1977), as well as rare photographs of theatre productions at York.

Series consists of material documenting Lorch's academic career as a mathematician, including his work at the institutions of York University, the University of Alberta, Fisk University, Penn State College, Philander Smith College, City College of New York and Wesleyan University. Includes lecture notes, exam questions, student evaluations and assignments. Also includes lectures notes, teaching material and administrative records related to Lorch's academic exchanges in other North American and European institutions, his participation in conferences, and administrative involvement in professional organizations, committees and grant-funding bodies. Also includes some student material from his time as an undergraduate and doctoral candidate at Cornell University and the University of Cincinnati.

Series consists of material that documents Coles' academic career at the University of Toronto and Cambridge University, as well as his years spent as a professor in the Department of Humanities at York University in Toronto. It includes copies of essays, as well as manuscript and typescript notes taken by Coles while he was a student. Included are notes taken by Coles while completing course work with Northrop Frye, advice from Frye regarding an academic career in 1964, his rough first draft of his M.A. thesis, and columns and reports for the University of Toronto Daily Press. It also contains course files related to Coles' work as professor. These files consist of course outlines, reading lists, lecture notes, clippings related to course material, correspondence related to his teaching and other material that documents the ongoing development and delivery of the courses Man in Search, Concepts of Love, Early Times : Literature and the Imagination of the Child, Myth and the Arts and Works & Days. Records also include annotated working copies of monographs used in his courses and certificates received pertaining to his academics and teaching.

This series consists of records relating to CSWS Ltd. founder Matie Molinaro. The records in this series provide insight into Molinaro’s early life growing up in New York, her student days at Barnard College, and her work as a war correspondent during the Second World War. Types of records in this series include personal memorabilia, correspondence, writing samples, clippings, and biographical material.

Files in this series consist of materials belonging to Larry Grossman’s father, Allan Grossman. The materials were kept by Larry following his father’s death on 1 Sep. 1991. Includes: research notes, interview transcripts and promotional materials for the book by Peter Oliver "Unlikely Tory : the life and politics of Allan Grossman" (Toronto : Lester & Orpen Dennys, 1985); subject and clipping files; correspondence; appointment diaries; ephemera and photographs from special events in Allan's career and life.

This series contains John D. Harbron's reseach and resources, including notes, reports, essays, various publications and newspaper clippings, covering topics related to Cuba and Latin America. Harbron's files concentrate on various aspects and the affairs relating to pre-revolutionary Cuba, revolutionary Cuba, and post-revolutionary Cuba, and Latin America. There are several files with research on Canada-Cuba and Canada-Latin America relations. The files in this series also contain correspondence, photographs, items from a trade development mission to Cuba, and information on Cuban exiles and armed forces, and Latin America's military forces.