The fonds consists of audio recordings in various formats of performances held at The Music Gallery including performances by artists such as James Tenney, Lubomyr Melnyk, Nihilist Spasm Band, Morton Feldman, bp nichol and Casey Sokol, Roy Kiyooka, Gil Evans, Rob Frayne, Nexus, CEE, Ken Vandermark, Michael Brook, Derek Bailey and Ron Sexsmith as well as audio recordings of the CCMC's performances at The Music Gallery and the master recordings for numerous Music Gallery Editions recordings. It also contains office files consisting of financial statements, season reports, contract with performer, sales reports, grant applications, correspondence with outside organizations, programming proposals, publicity material including press releases, programs, media contact lists, clippings, photographs and other material related to the activities and the performances at The Music Gallery.
Fonds consists of records of the Mountain Fund pertaining to its activities, helping Vietnamese refugees in coming to Hamilton, Ontario. The fonds includes minutes of the Board of Directors, correspondence, financial records, publications and photographic materials.
The fonds documents Ellen C. Adams' political activities at municipal level in the Toronto area for the period 1956-1975, including her involvement with the Avenue Bay Cottingham Ratepayers' Association and the Confederation of Resident and Ratepayer Associations (CORRA). Records include subject files pertaining to the City of Toronto Council, the City of Toronto Planning Board, Toronto municipal elections, transportation and the waterfront, as well as meeting minutes, periodicals, books, newspaper clippings, pamphlets, a map and directory, reports, papers and briefs.
The fonds consists of William Kilbourn's records pertaining to his activities as scholar and researcher, and as alderman in the City of Toronto. The fonds includes his research and subject files, his City Hall files and personal files.
The fonds consists of records accumulated by Roy Merrens as a result of his activities as a geographer, professor, and member of various associations, authorities, and boards. The records have been physically arranged by the creator by subject; the original order has been maintained. They include maps, correspondence, minutes and agenda of meetings, mailing lists, reports, drafts, notes, press releases, proposals, copies of legislation, affidavits, telegrams, statistical data tables, newspaper clippings, journal articles, photographs, slides and a postcard. Also included is a file containing articles and reports about the geography, landscape and architecture of York University.
Fonds consists of correspondence between Captain James R. Allan and Vivien Beer of Strathroy, Ontario before Captain Allan, was killed; press clippings and photographs of Captain Allan and Private Walter Beer while serving in World War I and scenes of various members of the Beer family.
The fonds consists of agendas of meetings of SSSOCCC, correspondence and reports of organizations that pre-dated Stop Spadina, records relating to Metropolitan Toronto Council, the City of Toronto Council and city departments, and the Province of Ontario, including correspondence with politicians, speeches, minutes of meetings, transportation studies of Toronto and other jurisdictions, and related material. There are financial records and receipts from Stop Spadina, briefs presented by it and others to the Metropolitan Toronto Council Transportation Committee and Executive Committee, reports on planning from city and metropolitan departments (Roads, Public Works, etc.), membership applications and membership lists of Stop Spadina, press releases and newspaper clippings, newsletters of Stop Spadina and community groups, brochures, leaflets and related paraphernalia from Stop Spadina. There are audio recordings of Stop Spadina meetings, interviews with news media, speeches and lectures, and of meetings of city and metropolitan councils. There is also a filmed statement by Jane Jacobs and Marshall McLuhan on Spadina titled, 'The burning would,' (1970).
Stop Spadina Save Our City Co-ordinating Committee
Fonds consists of the organizational records of the Mariposa Folk Foundation Inc., the volunteer organization established to manage and operate the Mariposa Folk Festival. Also includes donations of material from early organizers of the Mariposa Folk Festival prior to the incorporation of the Mariposa Folk Foundation.
The fonds consists primarily of approximately 50 letters written to Mrs. Thomas Shore, and one to Jennie Shore. Most of the letters were written by Mrs. Shore's son Charles W. Shore, and about thirteen of these were sent to Mrs. Shore by her cousin, Andy Bach. There are also about a dozen letters of recommendations for Ivan Bradshaw Miles Barr.
Fonds consists of records acquired by Selma Odom over the course of her career as a dance scholar and educator. Includes dance, theatre, music and other performing arts programs, brochures, flyers, magazines, and newsletters collected by Odom between 1972 and 2008.
Fonds consists of research materials, committee records, community advocacy documentation and government policy correspondence, curriculum materials, surveys, reports and other textual material related to the professional, volunteer and community activities of Inez Elliston. Material relates to her professional interest in educational curriculum development, particularly in relation to multicultural policies developed at the federal and provincial levels, and how such policies were implemented in local school boards. Other material relates to Elliston's involvement in local, municipal, provincial, national and international organizations and committees involved in social issues related to women's rights, (particularly immigrant women, ethnic and cultural minorities, women of of colour and aboriginal women, issues of gender in urban communities, domestic violence, safety and accessibility), immigrant school children (particularly in the area of assessment, anti-racist, cultural interrelation, vocational training, and children's rights), adult learners (particularly in the areas of vocational training, anti-racist programming and policies for adult immigrant learners) and citizenship (in particular areas of multiculturalism, inter-cultural dialogue, tolerance, anti-Hate Group community efforts, political organization and celebration of diversity).
Fonds consists of registers of British vessels employed in the coasting trade on Canada's Atlantic coast. One volume records vessels that arrived at Bridgetown, Nova Scotia, between 1876 and 1906, and the other volume lists vessels that departed from this port between 1876 and 1910. The registers include date of entry, rig and name of vessel, the master's name, port of departure or destination, whether the vessel was carrying cargo or ballast, and the number of tons and crew permitted under transire or coasting license.
Fonds illustrates Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time span. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Fonds contains notes and notebooks, pamphlets, programmes, correspondence, clippings and scrapbooks, as well as photographs of Lasserre and other members of the Dalcroze and music communities.
Fonds consists of records pertaining to the personal and professional life of Italian-Canadian artist Luigi Nasato. These records, dating from 1931 to 2015, document Nasato’s early life and education in Istrana, Italy, as well as his emigration to first Argentina and then Toronto, Ontario. The records primarily pertain to Nasato’s artistic output and include several hundred drawings, sketches, paintings, and preliminary studies created over the course of his career, as well as a number of awards granted to Nasato on the basis of his artistic contributions. Many of the artistic works included in the fonds relate to projects completed in Toronto and environs, particularly to mosaic projects created by Nasato at a number of churches in the region. Fonds also includes notes on art history and artistic technique created by Nasato as both a student and professional artist, as well as miscellaneous textual and financial records pertaining to the practicalities of his artistic career. Also included in the fonds is an extensive collection of photographs and clippings, compiled by Nasato over the course of his life, most of which document works of art created by Nasato and others.
Fonds consists of diaries, account books, crop records, photographs, publications and drafts written by Hunt, correspondence, contracts, receipts, government documents and publications, newspaper and magazine articles, maps, and ephemera. Hunt’s correspondence with various government officials and travel coordinators documents his enrollment in the Settlement Scheme, and the processes involved in migrating from England to Canada. Hunt’s participation in the scheme is further documented by his accumulation of government publications and legal documents, as well as the journals and receipts that pertained to his farming activities. Photographs and maps depict Hedgerows farm and its location. Newspaper and magazine clippings and other printed ephemera collected by Hunt, while in Saskatchewan and after his return to England, record his continued interest in the fates of his fellow settlers. Although Hunt published an essay recounting his experiences positively, his drafts speak of his ultimate discontent with the Settlement Scheme.
Fonds consists of records pertaining to the life and work of Canadian-Scottish Jazz musician and Toronto Jazz Festival founder, Jim Galloway. Records include those pertaining to his early life in Scotland, his work as a booking agent and radio host with CKFM, his administrative roles with the Toronto Jazz Festival, and his life as a performing saxophonist. In addition to the administrative contracts, correspondence, notes, travel records, gig and festival memorabilia, sheet music, and other records pertaining to Galloway's career, the fonds includes extensive audio recordings of Galloway's radio show, Toronto Alive, as well as various other recordings created or compiled by Galloway throughout his career.
Fonds consists of records documenting Lynn Crosbie’s work as a writer, journalist and teacher, including manuscripts, draft articles and poems, published copies of her articles and poems, correspondence, videocassettes, audio cassettes, photographs, notebooks, day planners, lecture notes, research materials, course materials and student assignments. Also included in the fonds are personal photographs, correspondence, ephemera, memorabilia, notebooks and sketchbooks.
Accession consists of material documenting the career of Archie Alleyne as a musician, philanthropist, and influential figure in the Toronto jazz music scene. Material includes collected material on other Toronto-based jazz musicians; posters, photographs, and other memorabilia from performances and events; correspondence; material related to the Archie Alleyne Scholarship Fund; notebooks; and drafts and research material for his memoir, Colour Me Jazz: The Archie Alleyne Story (2015). Audio-visual material includes recordings of jazz-related programming broadcast on television, audio interviews with jazz musicians, and released and unreleased music performances
Fonds consists of the records created and accumulated by Arnold Hoffman as a prospector and stockholder, relating to gold mining operations in Ontario, Quebec, and the Northwest Territories. Records relating to the gold mines at Wright-Rouyn, Arrowhead, and Thompson-Lundmark include: maps and sketches, photographs, geological studies, reports, and assay reports. Files also contain records pertaining to Stadacona Rouyn, Sunset Yellowknife, Junior Frood, Coniaurum, Algood, Pershon, Resenor, Michipicoten, Croydon Rouyn, and El Canada mines, including geological reports, and correspondence. Records related to Hoffman’s stocks and business operations as Secretary of Gold Operators (Canada) Ltd. include stockholder lists, securities lists, annual reports, meeting minutes, correspondence, newspaper clippings, cheques, and contracts.
Fonds consists of drafts, manuscripts, notes, research material, edits, and character sketches created by Alissa York as part of her process creating her short story collection, Any Given Power (1999), and her novels: Mercy (2003), Effigy (2007), Fauna (2010), and The Naturalist (2016).