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Accession 1995-028

Accession consists of Bruce Allen Powe's diaries, personal correspondence and correspondence, writings, and other files relating to provincial Liberal politics (1960-1965), journals, his M.A. thesis and research files. There are manuscript drafts for his works "The Ice Eaters," "Expresso 67," "The Mounties Always Gets His," "Killing Ground," "The Last Days of the American Empire", "The Aberhart Summer", and other writings along with related correspondence. Also included are manuscripts for reviews, essays, articles, and press clippings of reviews on his published works. In addition, there is some personal correspondence and World War II papers and military service memorabilia.

Accession 2017-041

  • 2017-041
  • Accession
  • [188-?]-2016, predominant 1990-2006
  • Part of Bruce Powe fonds

Accession consists of records documenting Powe's writing career in the 1990s and 2000s, particularly the writing, editing, publication and promotion of his novel "Aldershot 1945" and the reprint and stage productions of "The Aberhart Summer", as well as records pertaining to his freelance work for Powe Communications and his personal life and family. Records in this accession include manuscripts and other draft writing, photographs of Powe and his family, research files, notebooks and day planners, memorabilia (including newspaper and magazine clippings), printed e-mail and correspondence, posters, drawings, scrapbooks and videocassettes.

Accession 2018-041

Accession consists of records mainly pertaining to Joyce Wieland's personal life and family. Records include photographs of Wieland, Michael Snow, Phyllis Lambert, Pierre Elliot Trudeau, friends and family; photographs of scenery and landscapes; correspondence; personal ephemera including identity cards and birth certificates; Wieland's astrological chart; a photo album created by Phyllis Lambert for Wieland's 60th birthday in 1990; a wall hanging entitled "Ode to Joyce" featuring circular embroidered pieces with symbols and expressions relevant to Wieland's life; newspaper clippings of articles by Wendy Michener; and a catalog for "In search of the far shore: the films of Joyce Wieland" (Canada House, Jan.-Feb. 1988).

Accession 1995-034

Accession 1995-034 consists of film elements and related textual and graphic records pertaining to Rhombus Media productions about music, dance and theatre.

Accession 1999-031

Accession 1999-031 consists of master negatives of the finished works of all its film productions to date (1999), together with textual records relevant to the film production process. In addition to the master elements, selected production elements from “Yo-Yo Ma, Inspired by Bach: Suites #1, 3, 5,”, “Hong Kong Symphony: Heaven Earth, Mankind” (1997), “A Tale of Tanglewood: Peter Grimes Reborn” (1997), “The War Symphonies: Shastokovich Against Stalin” (1996-1997) have been retained for their additional archival and research value.

Accession 2001-036

Accession 2001-036 consists of correspondence, financial documents and research files for several Rhombus productions including those concerning Weill, Falla, Shostakovich, Ravel and Schoenberg.

Accession 2008-056

Accession 2008-056 is an accrual to the Rhombus Media fonds and consists of master negatives of some of its finished works, together with textual, photographic, graphic and prop materials relevant to the film production process and the wider context of the company’s activities.

Accession 1996-036

Accession consists of business records of The Isaacs Gallery (TIG) (1942-1991), consisting of correspondence, exhibition, catalogues, mailings, financial records (1984-1986); artist files (1961-1988), consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs (e.g., Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow, and Joyce Wieland) and some who were not represented by him; artist portfolio files (1955-1988), consisting of press clippings and catalogues of their works; and promotional files (ca. 1960-1989) relating to the Isaacs Gallery.

Accession 1997-034

Accession consists of correspondence, audio tape interviews and biographical information on William Kurelek and other artists; Isaacs Gallery Artist files (7 reels 35 mm microfilm).

Accession 1998-014 [poster collection]

Accession consists of posters accumulated by Issacs. A significant portion of the accession, over 200 posters, pertains to local interest including the Royal Ontario Museum, the Art Gallery of Ontario, and local and international shows by artists such as Heather Cooper and Michael Snow. Toronto posters also announce events such as the 10th anniversary of the art collective, General Idea, at the CN Tower; an album-release party of the band, Parachute Club; and a call to arms on behalf of the fight against the Spadina Expressway. Many posters also promote local theatre productions including Keanu Reeves' performance in Brad Fraser's 'Wolfboy' in 1984 at the Theatre Passe Muraile and a series of Toronto Workshop posters by Theo Dimson. Other posters are a cross-section of Canada from the Montreal Olympics series, 'Artists-Athletes', and the 1973 Winnipeg Art Gallery exhibition, the Structure of Comic Books, featuring MArvel Comics characters as Nick Nury and Thor. There are 74 international posters, the largest groups are those from Paris in the 1950s and 1960s including a poster featuring George Bracqu's 'Theogonie.' There are also several gallery posters from Amsterdam, New York, Chicago and Minneapolis representing artists such as Jim Dine, Robert Rauschenberg, Claes Oldenberg and Christo.

Accession 1999-020

Accession consists of artists correspondence, and correspondence and documentation for miscellaneous special shows.

Accession 2000-006

Accession consists of files from the Isaacs Gallery including records of bills paid, artists' files, correspondence, Inuit files/Inuit London, photo portfolios and artists' books, and several works of art.

Accession 2006-012

Accession consists of correspondence and artists' files from the Isaacs/Inuit Art Gallery and the Isaacs Gallery, brochures form the Inuit Gallery of Eskimo Art, newspaper clippings documenting Isaac's career as an art dealer, floor plans for the Isaacs Gallery at 832 Yonge Street and drafts of 'Isaacs seen: 50 years on the art front, a gallery scrapbook' (2005).

Accession 2008-015

Accession consists of slides providing an overview of Isaac's gallery exhibits over the decades. Most of the slides are shots of artists' works and are annotated with the artist's name, the title of the work, the date the work was created, the medium used, and the dimensions.

Accession 2000-048

Accession consists of photographs, books, correspondence and notes created and compiled by dance, choreographer, Paul James Dwyer.

Accession 2001-014

Accession consists of 27 publications, photographs, correspondence and notes created and/or compiled by dancer, choreographer Paul James Dwyer.

Accession 2002-026

Accession consists of material related to Isadora Duncan and to Dance Oremus Danse as well as professional correspondence, press kits, photographs, artist's portfolios and other material.

Accession 2003-037

Accession consists of dance programs, personal and professional correspondence, subject files related to Dance Oremus Danse's tour of Japan and to various dancers and/or dance companies as well as other material related to Dwyer's career, choreographer and writer.

Accession 2004-007

Accession consists of dance programs, personal and professional correspondence, subject files related to Dance Oremus Danse, and to various dancers and/or dance companies as well as other material related to Dwyer's career as a dancer, choreographer and writer.

Accession 2007-059

Accession consists of correspondence with several individuals involved in the international dance community on topics that include research on teh career of Isadora Duncan, the purchase of Lillian Loewenthal's collection by York University Libraries, the Howard Holtzman collection, and the memorial performance for Hortense Kooluris in October 2007. Accession also includes performance programmes and other promotional literature from a wide range of organizations involved with dance, baroque music, and opera.

Accession 2009-033

Accession consists of records created by Paul James Dwyer during his work with Dance Oremus Danse, including programmes from performances of dance, theatre, and classical music, notes and reference material on fundraising in the arts sector, and operating files for his dance company.

Accession 2010-027

Accession consists of programmes for events held by cultural organizations, including the Toronto Symphony Orchestra, dance and theatre companies, and photography exhibitions sent to or collected by Paul James Dwyer in connection with his work as founder of Dance Oremus Danse.

Accession 2011-015

Accession consist sof the records of P.J. Dwyer and Dance Oremus Danse, including correspondence, notes, and other documents relating to Dwyer's trip to Japan in November 2010 to give a performance and master class on Isadora Duncan for the Tokyo Dance Association of Advanced Professional Training Colleges, and programmes, newsletters, brochures, and other ephemera for cultural events held in Ontario.

Accession 2012-050

Accession consists of financial records from Dance Oremus Danse including donation receipt books, dance programmes, as well as related ephemera, including a mounted poster.

Accession 2000-029

Accession consists of material related to the administration of Winters College Fellows' Council.

Accession 2003-050

Accession contains correspondence, notes, and photographs pertaining to the the publication of “The Art of Geography: The Life and Teaching of George Tatham”.

Accession 2006-033

Accession consists of colour slides showing rural and urban conditions across Canada and particularly in Ontario that were photography by John Warkentin for use in his lectures and publications.

Accession 2009-029

Accession consists of research and teaching material created by John Warkentin, including: field notes, interview notes, and population maps for the Prairies, and Manitoba in particular, 1962-1965; correspondence regarding research and promotion of colleagues in historical geography, 1991-2000; the final report for the Historical Atlas of Canada Project, 1995; correspondence regarding Warkentin's appointment as Honorary President of the Champlain Society, 2000; material on George Tatham, including Warkentin's notes from Tatham's lectures on human geograph, 1951-1952; and 35 mm colour slides taken by Warkentin between 1956-1999 of Greenland, Goose Bay and other parts of Newfoundland and Labrador, the earliest depictions of landscapes in each of Canada's major regions, and especialy of Manitoba, including various aspects of rural and urban geography as well as Mennonite settlement patterns n southern Manitoba.

Accession 2011-007

Accession consists of photographs of public art and monuments in Toronto taken by John Warkentin using 35 mm colour transparencies while conducting research for his book, “Creating memory: a guide to outdoor public sculpture in Toronto” (2010), as well as clippings from newspapers and magazines and government documents compiled by Professor Warkentin between 1984 and 2010 to provide contextual information for the book.

Accession 2011-020

Accession consists of 35 mm colour transparencies taken by Professor John Warkentin while working for the University of Maryland in Thule, Greenland, teaching courses in geography and history to personnel in the United States Air Force. The slides were taken between January and May 1957, and show local Inuit and Danes in the town of Dundas, physical geography of the area, Tuto camp with vehicles to traverse the ice cap, base facilities and activities, and buildings.

Accession 2017-029

Accession consists of photographs of public monuments in cities in Canada, the United States, the United Kingdom, Europe, and Egypt, as well as aerial and landscape views of many of these cities.

Accession 2015-015

Accession consists of records pertaining to Keith Ross Leckie’s work as a writer and/or director for television dramas and documentaries. These records document the various stages of development for projects including “Searching for Romero” (unfinished), “Edenshaw”/”Haida” (not produced), “The Force” (not produced), and “An Officer and a Murderer” (produced for Lifetime and HBO Canada in 2012). Textual records in this accession are proposals, treatments, interview selects, assembly notes, budgets, funding applications, draft scripts, outlines, notes, correspondence, research materials, contracts and court transcripts. Also included are video recordings (VHS, DVCPRO, MiniDV and DVD) pertaining to these projects.

1983-003

Accession contains administrative records of the Federal Cultural Policy Review Committee and Cultural Affairs, papers relating to Applebaum's career as a composer and administrator, audio tapes of music by Applebaum, and video tapes of the 'Arthur Miller Special'.

1985-006

Accession consists of scores and scripts pertaining to the production of 'The National Dream.'

1989-018

Accession consists of scores, correspondence, papers, speeches and reports, scripts, subject files and clippings predominantly pertaining to Stratford and CBC productions, and the Federal Cultural Policy Review Committee and Cultural Affairs.

2000-009

Consists of records documenting Applebaum's work as a composer, and with numerous organizations including the Canada Council, SOCAN, the Ontairo Arts Council and CAPAC. Records include correspondence, musical scores, sound recording, audio-visual records, printed material, financial records, collected reports and other material. These records document the theatrical music composition process, as well as the roles of arts administration and advocacy, and together with the balance of the Applebaum fonds, support teaching and research in various aspects of film, theatre, and music studies.

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