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Series consists of Toyomasa Fusé’s professional files and media appearances related to his study and publication of research on sociological issues in the 1960s and 1970s and his contributions to the study of suicide and methods for suicide prevention. Series also includes two framed awards relating to his achievements in the field of suicidology.

Series primarily consists of George Papadatos’ professional records pertaining to his various activities as an engaged member of the Toronto Greek-Canadian cultural and political community, including materials relating to his involvement with organizations such as the Greek-Canadian Cultural Association, the Greek-Canadian Cultural Workshop of Toronto, the Greek Community of Metropolitan Toronto, the Greek-Canadian Democratic Organization and the Hellenic Canadian Organization, amongst others. Series also includes records relating to Papadatos teaching career at Scarborough College (University of Toronto), employment assisting new Greek immigrants at Eastminster Community Services and activities performed as a music promoter and as owner of the Trojan Horse café. Series includes correspondence, legal and business documents, reports, meeting minutes and agenda, news clippings, scrapbooks, writing and research materials such as journal articles, papers, newsletters, proposals, government and education-related documents, pamphlets and brochures. While consisting predominantly of collected ephemera, file 2014-044/001(04) also contains a number of professional records relating to political organizing.  Very few personal records are included, however the series does contain some records relating to Papadatos’ immigrant status and employment. Other items relating to personal events such as invitations to his birthday party and to a farewell event prior to his return to Greece in 1984 can be found in 2014-044/001(02) and 2014-044/001(06).  

Series consists of oral histories conducted by Egypt Migrations. These interviews explore the experiences of first- and second-generation immigrants from Egypt. Records include video and audio oral histories, transcripts, photographs, and consent forms.

Series consists of finished and draft copies of speeches, conference materials, press releases and other promotional material, and some correspondence pertaining to Armstrong's involvement as a presenter for conference panels, keynote addresses, public presentations, and workshops.

Series consists of research notes, correspondence, reports, meeting notes, speaking notes for presentations, and grant applications pertaining to Armstrong’s role as either Principal Investigator or Co-Principal Investigator of the following grant-funded, large-scale research projects: “Voices from the Ward” (1992), “Managed Care vs. Managing Care” (1998-2001), “Long-term Care Workers and Workplaces: Comparing Canada and Nordic Europe” (2005-2006), “What Does Quality Health Care Mean to Women? A National Study” (2010-2012), "Nurses at Risk: Exploring gender and race in workplace illness, injury and violence” (2008-2011), “Re-imagining Long-Term Residential Care: An International Study of Promising Practices” (2010-2017), “Healthy Aging in Residential Places” (2012-2015), "Changing Places: Paid and Unpaid Work in Public Places" (2018-2021). This series also consists of research documents pertaining to Armstrong's work on smaller research projects including books, book chapters, articles, and reports.

Series consists of correspondence, research notes, papers prepared for the Human Rights Commission, and media coverage pertaining to Armstrong serving as an expert witness on women’s work, in particular on cases related to pay equity, before bodies ranging from the Federal Court to the federal Human Rights Tribunals and the Ontario Pay Equity Tribunal.

Series consists of research notes, reports, academic papers and dissertations, meeting notes, books, presentation slides, speeches, correspondence, and exhibition text. It is arranged by research focus as compiled by the creator in the process of writing the book "By Us! For Us!" The focus of the first section is the history of the Jane-Finch neighbourhood from the first Indigenous settlements to the development of housing and infrastructure by settler Canadians. The second section focuses on demographic information about Jane-Finch through census results and academic research into the construction and development of housing in Jane-Finch. The third section focuses on the diversity of community residents and the socio-economic impacts that governing policies and public perception have had on their lives. The fourth section focuses on youth experiences and includes community-based programming for anti-drug and crime prevention initiatives for this age group. The fifth section focuses on assessments of the Toronto Metropolitan Police’s actions and residents’ resistance to cuts in community services, 1997 amalgamation of the City of Toronto and the Toronto Strong Neighbourhoods Strategy. The sixth section focuses on community organizations and community voices. The seventh section focuses on community-based initiatives to improve infrastructure and the standard of living and the community’s relationship with York University and its researchers. The eighth section includes books and a videocassette tape of the movie Teen Moms: Our Stories, produced by the Black Creek Community Health Centre.

Series consists of records pertaining to the administration, activities, and interests of Egypt Migrations. These records document Egypt Migration’s transition from the Coptic Canadian History Project, involvement with outreach activities such as conferences and exhibits, and management of the project including incorporation, affliliations, banking resolutions, and member register.

Series predominantly contains artist files and genre research files which include biographical sheets, press clippings, promotional material, photographs, and correspondence. It also documents the production process of compiling the Encyclopedia of Native Music which contains over 1,800 entries spanning more than 100 years, and is accompanied by a 3-set CD album. First published in 2005, the book focuses on early performers of traditional songs, jazz and blues, contemporary performers, as well as film soundtracks and compilation albums, in addition to spoken-word recordings including audio books, comedy, interviews, and poetry.

Series consists of lecture notes, correspondence, reports, meeting minutes, and award nominations pertaining to Armstrong's academic career, holding positions at York University, Sir Sandford Fleming College and Vanier College, as well as a Student Information Officer at the University of Toronto Students' Administrative Council.

Series consists of correspondence, draft applications, and final copies of grant applications for research projects that Armstrong lead as principal investigator or participated in as part of the research team.

Series consists of correspondence, draft applications, and final copies of grant applications for research projects that Armstrong lead as principal investigator or participated in as part of the research team.

Series consists of production files, computer disks, audio and video cassettes, and other audiovisual media pertaining to completed film and music projects created by Larry Weinstein. Projects documented include the following:

1. All that Bach (1985): Records pertaining to the 1985 TV movie All That Bach, directed by Larry Weinstein.
2. Beethoven’s Hair (2005): Records pertaining to the production, release, and reception of the 2005 documentary film Beethoven's Hair, directed by Larry Weinstein and co-produced by Weinstein, Jody Shapiro, and Jessica Daniel. Also includes records related to the interactive new media site of the same name (www.beethovenshair.ca), a project produced collaboratively by Rhombus Media and Xenophile Media. Records include notes, correspondence, reference and research material, proposals, scripts, treatments, applications, agreements, cast and crew records, music and interview recordings, video recordings, award and festival records, press and reviews, photographs, and other material.
3. Burnt Toast (2005): Records pertaining to the 2005 television opera Burnt Toast, a series of comedic shorts written and directed by Larry Weinstein. Includes notes, correspondence, proposals, overviews, scripts, budgets, call sheets, sound recordings, set drawings, schedules, cast and crew records, storyboards, sheet music, promotional material, festival records, and other material.
4. Concerto! (1993): Records pertaining to the 1993 television series Concerto! co-directed by Larry Weinstein, Niv Fichman, and Barbara Willis Sweete. Includes schedules, minutes, synopses and other material
5. Devil’s Delight (2010): Records pertaining to the 2010 short film Devil's Delight, for which Larry Weinstein was the executive producer. Includes notes, correspondence, reference material, synopses, funding applications, agreements, casting records, and schedules.
6. For the Whales (1989): Records pertaining to the 1989 documentary For the Whales, directed by Larry Weinstein, featuring artists such as John Cage, Margaret Atwood, Bill Reid, and others. Includes notes, interview transcripts, sheet music, photographs, reviews and other material.
7. Greta Kraus [198-?]: Records pertaining to the 1980s Arts Council short Greta Kraus, created by Larry Weinstein. Includes notes, reference material and photographs.
8. Hong Kong Symphony: Heaven-Earth-Mankind (1997): Records pertaining to the 1997 documentary Hong Kong Symphony: Heaven-Earth-Mankind, directed by Larry Weinstein and featuring a performance by cellist Yo-Yo Ma. Includes notes, correspondence, scripts, proposals, photographs, press, and festival records.
9. Inside Hana’s Suitcase (2009): Records pertaining to the production, release and reception of the 2009 documentary Inside Hana's Suitcase, directed and produced by Larry Weinstein. Includes research and reference material, correspondence, production notes, scripts, budgets, proposals, agreements, schedules, casting records, interview transcripts, promotional and educational material, press and reviews, film festival records, and other material. Records also include photographs and video recordings pertaining to the film, including stock and raw footage, dailies, and animation samples.
10. Joaquin Rodrigo: Shadows and Light : Joaquin Rodrigo at 90 (1993); Concierto de Aranjuez (1993): Records pertaining to two films directed by Larry Weinstein on the life and music of Joaquin Rodrigo: Shadows and Light : Joaquin Rodrigo at 90 (1993) and Concierto de Aranjuez (1993). Includes notes, correspondence, scripts, photographs, press, festival and award records, and other material.
11. Making Overtures: The Story of a Community Orchestra (1985): Records pertaining to the 1985 short documentary film Making Overtures: The Story of a Community Orchestra, directed by Larry Weinstein. The film was nominated for an Oscar for best documentary short in 1986. Includes scripts, reviews, credits, and music cues.
12. Manuel de Falla: Master Peter’s Puppet Show; Nights in the Garden of Spain; When the Fire Burns [198-?]: Records pertaining to three films created in the 1980s by Larry Weinstein about the Spanish composer Manuel de Falla: Nights in the Gardens of Spain, Master Peter's Puppet Show and When the Fire Burns. Includes notes, correspondence, reference material, outlines, photographs, promotional material, reviews, and other material.
13. Mozartballs (2006): Records pertaining to the 2006 TV movie Mozartballs, directed by Larry Weinstein. Includes notes, correspondence, research materials, proposals, stock footage records, cast and crew records, sheet music, audio recordings, interview transcripts, press and reviews, festival and workshop records, and other material.
14. Mulroney: The Opera (2011): Records pertaining to the musical film Mulroney: The Opera, directed and co-produced by Larry Weinstein. Includes agreements, lists, and press.
15. My War Years: Arnold Schoenberg (1992): Records pertaining to the 1992 film My War Years: Arnold Schoenberg, directed by Larry Weinstein and co-written by Weinstein and Thomas Wallner. Includes research and reference material, correspondence, scripts, music cues, credits, photographs, press and reviews, award and festival records, and other material.
16. The Radical Romantic: John Weinzweig (1990): Records pertaining to the 1990 TV documentary The Radical Romantic: John Weinzweig, written and directed by Larry Weinstein. Includes notes, correspondence, reference material, scripts, photographs, and other material.
17. Ravel (1987): Records pertaining to the 1987 documentary Ravel, written and directed by Larry Weinstein. Includes notes, correspondence, outlines, budgets, scripts, reference material, photographs, festival records, press, and other material. Also contains some material related to the 2001 film Ravel’s Brain.
18. Ravel’s Brain (2001): Records pertaining to the production, release and reception of the 2001 film Ravel's Brain, written and directed by Larry Weinstein and co-produced by Weinstein, Pierre-Olivier Bardet, and Niv Fichman. Includes notes, correspondence, research materials, scripts, treatments, agreements, fundraising records, interview transcripts, schedules, call sheets, travel records, drawings, prop and costume records, casting and location material, sheet music, audio recordings, photographs, promotional material, festival records, press and other material.
19. Satie and Suzanne (1994): Photographs pertaining to the 1994 film Satie and Suzanne.
20. September Songs: The Music of Kurt Weill (1994): Records pertaining to the production, release, and reception of the 1994 tribute film September Songs: The Music of Kurt Weill, directed by Larry Weinstein and co-written by Weinstein and David Morton, as well as to the film's 1997 soundtrack of the same name released by Sony Classical. The film and soundtrack feature performances by Lou Reed, Teresa Stratas, Elvis Costello, Nick Cave, William S. Burroughs, and others. Records include reference and research material, notes, correspondence, outlines, casting records, sheet music and song lyrics, set drawings, mockups, promotional material, festival records, licensing agreements, distribution records. File also includes sound recordings and photographs taken while on the set of the film.
21. Solidarity Song : The Hanns Eisler Story (1995): Records pertaining to the production, release and reception of the 1995 documentary film Solidarity Song: The Hanns Eisler Story, written by Larry Weinstein and Thomas Wallner. Includes notes, correspondence, research material, sheet music, scripts, schedules, photographs, audio recordings, financial records, casting material, distribution records, promotional material, press and reviews, award and festival records, and other material.
22. Stormy Weather: The Music of Harold Arlen (2003): Records pertaining to the production, release and reception of the 2003 tribute film Stormy Weather: The Music of Harold Arlen, directed by Larry Weinstein and co-produced by Weinstein, Daniel Iron, and Niv Fichman, as well as to the film's 2003 soundtrack of the same name released by Sony. Records include research and reference material, notes, correspondence, historic and contemporary photographs, proposals, treatments, budgets, casting and talent records, audition footage, archival footage, schedules, call sheets, sheet music, album mockups, audio mixes and other sound recordings, press and reviews, festival records, and other material.
23. Toothpaste (2002): Records pertaining to the 2002 short comedic film Toothpaste, directed by Larry Weinstein, starring Barbara Hannigan, Mark McKinney, and Doug MacNaughton. Includes notes, correspondence, proposals, scripts, budgets, agreements, sheet music, photographs, press and reviews, award and festival records, and other material.
24. Toscanini in His Own Words (2009): Records pertaining to the production, release and reception of the 2009 TV movie Toscanini in His Own Words, directed by Larry Weinstein and co-written by Weinstein and Harvey Sachs. Includes reference and research material, notes, correspondence, proposals and treatments, scripts, contracts and agreements, budgets, production schedules, promotional material, press and reviews, and other material. Also contains photographs, sound recordings and video recordings, including rushes, archival footage, and casting material.
25. Tuscan Skies: Andrea Bocelli (2001): Records pertaining to the 2001 TV special Tuscan Skies: Andrea Bocelli, directed by Larry Weinstein and co-written by Weinstein and David Mortin. Includes correspondence, reference material, synopses, scripts, call sheets, lyrics, music cues, photographs, award and festival records, and other material.
26. The War Symphonies: Shostakovich against Stalin (1997): Records pertaining to the production, release and reception of the 1997 film The War Symphonies: Shostakovich against Stalin, directed by Larry Weinstein and co-written by Weinstein, David New, and Gemma van Zeventer. Includes notes, correspondence, research material, scripts, overviews, budgets, photographs, promotional material, interview transcripts, casting records, sheet music, award and festival records, press and other material.
27. Wrath (2011): Records pertaining to the 2011 short film Wrath, directed by Larry Weinstein as part of Seven Sins film project. Includes correspondence, synopses, licensing agreements and other material.
28. The 13th Man (2012): Records pertaining to the research and production of a short documentary, which was an episode in the series Engraved on a Nation, produced by Frantic Films, directed by Weinstein and broadcast on TSN. Focuses on the fan
    culture surrounded the Saskatchewan Roughriders and the 2009 Grey Cup loss to the Montreal Allouettes. Includes research material, detailed and annotated transcripts, casting records, correspondence and shot lists.

The series consists of correspondence, research material, notes, contracts, and manuscript and typescript drafts of Sherman's plays including "A Place Like Pamela," "Three in the Back, Two in the Head," "The League of Nathans," "Patience," "To Cry is Not So," "What the Russian's Say," "Field," "The Merchant of Showboat," "Quirt," "Reading Hebron," "The Retreat" and "It's All True," "An Acre of Time," "The Brothers Karamazov," "The Message," and others. It also includes copies of scripts containing revisions made during the production of his plays, correspondence and financial records related to these productions, and programs and reviews of the rehearsals and performances of these works. The series also includes correspondence, story ideas and outlines, proposals, research material, contracts, and typescript draft scripts for radio and television programmes including "P.M.O.", "National Affairs", "The Hard Wood," "Graf," "ReGenesis," "Afghanada," "Rosendorf Quartet," "Galileo," "Badlands," "After the Orchard," "Between Two Worlds," "Jonestown," "Murdoch Mysteries," "Zone of Separation," "Wrecking Ball," "Abbatoir," "Flashpoint," "Mind," "Last Hope," "The Rules," "Invectus," "Spadina," "Colder in the Suburbs," "Ronde-et-vous," "Blueprint," and "The Public Health," among others. The records pertaining to the production "Bloodletting and miraculous cures," based on the critically-acclaimed novel by Vincent Lam, are particularly comprehensive and include drafts, notes, correspondence, research files, and digital recordings of dailies, director's, producer's, and various other cuts of individual episodes. Among the earlier writings represented in this series can be found copies of essays, articles and plays written by Sherman during his years in the Creative Writing Program at York University as well as typescript copies and clippings of several of his articles and reviews which have appeared in The Globe and Mail, The Toronto Star, Books in Canada and other publications.

Series consists of Toyomasa Fusé’s personal records, which detail his childhood in Sapporo, academic life, hobbies The records in this series include correspondence, interview responses in newspaper articles, diaries, school yearbooks, notebooks and photographs.

Series predominantly focuses on musical performances by Indigenous artists from North America, as well as Indigenous artists from across the globe. Collection was arranged by the creator into broad categories such as genre (traditional, sing society, tribal songs, pow wow, traditional, ceremonial, classical, metal, rap, jazz, spoken word, contemporary, flute, fiddle, compilations) and geographical region (ex: arctic, mid-west, Hawaii, South American, Australia, and New Zealand). This information was captured in the archival description where possible. Researchers should also reference the Encyclopedia of Native Music to confirm genres and categories. Collection may also include non-musical recordings such as audio books and educational material.

Series consists of home videos documenting this Haitian family in New York City during Christmas in 1969 and digging out their home in the St. Leonard, Montreal after the 1971 snow storm. Footage was captured by André and Ginette Valcin.

Series consists of a variety of records, including files pertaining to Jarrell's involvement with the Markham Environmental Alliance, his academic publishing company, Scientia Press, and his university education at Indiana University and the University of Toronto. Records include financial statements, correspondence (including printed e-mail), newsletters, agendas, notices, pamphlets, membership lists, notebooks, essays, book reviews, and photographic slides.

Series consists of home videos documenting an Argentine-Chilean family and friends in everyday life and at events such as picnics, parties, Christmas, and visiting the CN Tower and Niagara Falls.

Series predominantly consists of press clippings, magazines, and other documents pertaining to Indigenous artists and music. It also contains a poster collection predominantly featuring themes of political and cultural activism.

Series contains drafts, manuscripts, correspondence, and research material pertaining to the lectures, conferences, and workshop presentations.

Additional material regarding presentations, including research data, drafts, and correspondence can be found in the Research series.

Background research and literature may also be located in the Subject File series.

Related correspondence may also be found in the Professional and Professorial series.

Series contains documents related to James' professional interactions (community service, honours and awards, and correspondence) and professorial engagement (course development; graduate student supervision on topics such urban education, sports, practitioner research, and race and diversity; and university service).

His community service includes involvement with the Anti-Discriminatory Advisory Group; UNICEF: discrimination against ethnic minorities, immigrants, and indigenous peoples; Toronto District School Board (TDSB); Toronto Police Services; and the Youth Challenge Fund.

Professorial documents include syllabi, lecture notes, proposals, letters of recommendation, and submitted thesis and dissertations. A substantial portion of the teaching material focuses on James’ teaching and research in Sweden. Additional information regarding teaching and research in Sweden may be found in the Research and Publications series. James' scholarship and additional records related to community services primarily arranged in the Articles and Published Reports, and Lectures, Conference and Workshop Presentations series.

Additional correspondence can be found in the Books; Articles and Published Reports; Lectures, Conference and Workshop Presentations; Research; Subject Files; and York Centre on Education and Community series.

Series consists of records pertaining to administrative operations including development (correspondence, donor and marketing research, and grant applications), promotional material (programs, newspaper clippings, announcements, newsletters, magazine articles, press releases), and activism in the dance community through professional associations, government councils, and conferences (correspondence, transcripts, and speeches).

Additional business correspondence is located in the correspondence series. The public engagement series contains documents generated from organising to tours and documents from grants that funded specific repertoires.

Series contains proposals, grant applications, reports, data, and administrative documents related to James’ research projects. A significant portion of the series pertains to the following two projects:

The “Bridging the Solitudes” project ([2001?]-2005) examined the racial, ethnic, cultural and financial barriers faced in post-secondary education by students from traditionally marginalized groups. Thirty students participated at York University and Seneca College during the project and regularly met during the ‘common hour’ to discuss their ongoing experiences, expectations, and aspirations for university and life.

The “Racism, Violence and Health Project” (2002-2007) was a $1.25 million study funded by the Canadian Institute for Health Research. Over 900 individuals participated in the study through surveys, in-depth interviews, two-year micro-ethnographies, annual community forums, and smaller community meetings. The goal of the project was to determine perceptions of both global and racism-related stress in the Indigenous African Nova Scotian community, the Caribbean Canadian community in Toronto, and the African immigrant community in Alberta; and to document the first voice accounts of Black men, their families, and communities about their experiences of violence (including the violence of racism). The research team comprised of Dr. Wanda Thomas Bernand (leader), Dr. Dave Este, Dr. Carl James, Dr. Akua Benjamin, Dr. Carol Amaratunga, Dr. Fred Wien, research trainees, and collaborators (including the Health Association of African Canadians, Nova Scotia Association of Black Social Workers, Victoria Road United Baptist Church, Women's Health in Women's Hands, Tropicana Community Services, Calgary African Community Association, Calgary Immigrant Aid Society, Edmonton Immigrant Association, Calgary Catholic Immigration Society, and Calgary African Caribbean Advisory Council).

Publications based on research findings may be found in the Books; Articles and Published Reports; Lectures, Conference and Workshop Presentations series.

Background research and literature can also be located in the Subject File series.

Related correspondence may also be found in the Professional and Professorial series.

Series consists of Toyomasa Fusé’s unpublished manuscripts for a book on Indian nationalist leader Subhas Chandra Bose and the Greater East Asia Conference of 1943, his autobiography “Going My Way,” and “Marginal Man’s Perspective,” Fusé’s semi-autobiographical examination of his worldview and identity, which he believed was shaped by his existence as a ‘bicultural’ individual living between two different cultures.

Series contains live performance recordings of festival performances. Some performances are only partially documented and others omitted completely. This may be due to technical issues or resource constraints. Stage names might not align with the published schedule due to weather complications.

Series contains drafts, manuscripts, and correspondence pertaining to the publication of authored and edited books and book chapters by James. A significant portion of the material focuses on “Seeing Ourselves: Exploring Race, Ethnicity & Culture” (1989) which uses a collection of personal comments and essays, written by students from a wide variety of ethnic backgrounds, to examine what it means to participate in the cultural and ethnic "mosaic" that comprises contemporary Canada) and “Life at the Intersection: Community, Class, and Schooling” (2012) which examines schooling and the education experience of youth in the Jane and Finch neighbourhood. Related correspondence may also be found in the Professional and Professorial series.

Additional material regarding publications in books, including research data, drafts, and correspondence can be found in associated files in the Articles and Published Reports; Lectures, Conference and Workshop Presentations; and Research series.

Records pertaining to background research and literature may also be found in the Subject Files series.

Series primarily consists of teaching material including her lecture notes, syllabi, student assignments, course readings, reference material, and course evaluations. Material also contains reports, newsletters, agenda packages, and correspondence pertaining to her administrative roles at York University and a small amount of personal memorabilia and ephemera from her undergraduate and graduate studies.

Series consists of Endicott's research files pertaining to his Series 4: United States Biological Warfare. Records include textual material including photocopies of previously classified documents, correspondence, and photographs relating to United States biological warfare activities during the Korean war period 1950-1953. These materials collected over a twenty-five year period, beginning in 1976, are the product of research in the national archives and several military archives of the United States, Canada, the Peoples’ Republic of China, and interviews in the Democratic Peoples’ Republic of Korea, Japan and Britain. Based upon this research Endicott and his colleague Edward Hagerman, also of York University, collaborated to produce the book The United States Biological Warfare: Secrets from the Early Cold War and Korea (Indiana University Press, 1998) in which they conclude that the United States secretly engaged in large-scale field tests of biological weapons in Korea and China, committing an international war crime. The book has been translated into Korean in South Korea. At the time these records were donated, Endicott maintained that American authorities continue to deny biological warfare activities during the Korean War, and he believed the topic to be the most closely guarded Cold War secret of the United States government.

Series contains collected and accumulated academic literature, newspaper clippings, and correspondence pertaining to areas of research interest.

Series consists of film elements, b-roll, and full unedited interviews related to the documentary film production "Listen to the Land: The Naskapi Nation Invests in Mining." Arrangement based on the chronological sequence of the film's shooting schedule which took place between 2016 and 2017. Interviews with members of Naskapi Nation of Kawawachikamach (NNK) are separated out. For this film shoot, the film crew included Director of Photography, Shane Belcourt, sound engineer Tony Wallace, and two graduate research assistants, Alesha Moffatt and Melissa Blimkie. Once the production was complete and the documentary produced, Celia Haig-Brown worked with editors Jordan O’Connor and John Hryszkiewicz to prepare the raw footage of interviews and and b-roll material to be archived. Additional descriptions, subject tagging, translations and contextual information provided by Loretta Robinson and Leona Pien of NNK and Heather Bergen and Ryan Koelwyn, two graduate research assistants.

Series predominantly consists of photographs taken by Deborah Barndt that document the breadth and scope of her interdisciplinary work as an educator, activist, academic and artist. These photographs pertain specifically to her political activism, her research trips to Asia, Peru and Nicaragua, her involvement with community-based arts and popular education projects, her work as a professor in York University's Faculty of Environmental Studies, and her research in the area of food sovereignty and agriculture. Also included are textual materials that illustrate some of the ways her photographs were used in her work, including course kits, monographs and other publications, as well as related audio cassettes (with transcripts) of interviews with tomato workers and video recordings of special events.

Series contains drafts, manuscripts, correspondence, and research material pertaining to the publication of articles and reports.

Additional material regarding articles and published reports; including research data, drafts, and correspondence can be found in associated files in the Research series and the Lectures, Conference and Workshop Presentations series.

Background research and literature may also be found in the Subject Files series.

Correspondence pertaining to articles and published reports may also be located the Professional and Professorial series.

Series consists of pro-life literature and other records pertaining to Gentles’ research on bioethical issues, primarily abortion and assisted suicide. Also includes administrative and research records related to the deVeber Institute for Bioethics and Social Research (formerly the Human Life Research Institute), a pro-life think-tank of which Gentles is Vice-President and Research Director. Contains notes, correspondence, drafts, articles, clippings, meeting minutes, agendas, reports, financial statements, and other material.

Series consists of personal and professional correspondence sent and received by Alison Pick. These records include handwritten letters and greeting cards but are predominantly e-mail correspondence. Most of the e-mail correspondence in this series was exchanged between Pick and a number of other Canadian writers and poets, her editor, literary agent and publishers. These records pertain to personal topics as well as Pick's literary career, including the writing, editing, publication, promotion and sale of Pick's 2010 novel, "Far to Go", her 2014 memoir, "Between Gods", and her 2017 novel, "Strangers with the Same Dream".

Series consists of records accumulated by Alison Pick pertaining to her literary career, including reviews of her books, interviews she gave about her writing, items from literary events and workshops she attended, and awards she received. Some personal memorabilia is also part of this series.The records in this series are magazine and newspaper articles, book reviews, invitations, event programs and name tags, speaking notes, correspondence, e-mail, certificates and plaques, an audio cassette, compact discs, a DVD, medals, posters, a photograph, and Pick's high school yearbooks.

The series consists of personal and professional correspondence including manuscript and typescript copies of letters received by Powe, copies of letters written by Powe, as well as printed copies of incoming and outgoing e-mail. It includes correspondence with friends, students, publishers, fellow writers and academics, among them R. Murray Shafer, Don DeLillo, Gary Geddes, Susan Swan, John Ralston Saul, Joe Keogh, John Robert Colombo, Eric McLuhan and Pierre Trudeau. Series also consists of subject files containing clippings, publicity material, audio recordings, video cassettes, photographs, brochures, notes and other material pertaining to speaking engagements, conferences such as the "Trudeau Era Conference" and "Rethinking McLuhan", and York University's Living Literacies Initiative, Foundation and Endeavour (LLIFE).

The series consists of research material, notes, drafts and manuscripts of Powe's published and unpublished works including his books "A Climate Changed" (1984), "Noise of Time" (1989), "A Tremendous Canada of Light" (1993), "Outage: A Journey Into Electric City" (1995), "The Solitary Outlaw: Trudeau, Lewis, Gould, Canetti, McLuhan", "Mystic Trudeau" (1997), "Towards a Canada of Light" (2006), "These Shadows Remain" (2011), his 2009 PhD thesis, "Apocalypse and alchemy: visions of Marshall McLuhan and Northrop Frye", the reworked and published version of his PhD thesis, "Marshall McLuhan and Northrop Frye: Apocalypse and Alchemy" (2014), "Where Seas and Fables Meet" (2015), and "Decoding Dust" (2016). It also includes drafts and/or printed copies of numerous reviews, essays and articles written by or about him, and drafts pertaining to the "Opening Time: On the Energy Threshold" collaborative project. Series also includes correspondence with publishers and fellow writers such as Irving Layton, Hugh Kenner and J.G. Ballard in reference to his work, publicity material for several of his books, and copies of journals and magazines in which Powe's work appeared.

Series consists primarily of textual records documenting Sternberg's professorial and professional careers. These records include curation and course proposals, notes, and ephemera; resumes; conference materials; interviews; research; copies, typescripts, and drafts of published and unpublished works; screening, talks, and tour records; writings related to screening introductions; exhibition records; film festival programs and publications; posters; and film periodicals and newsletters. Also included are materials pertaining to Sternberg's work with the Community Arts Centre, a selection of published works by or belonging to Sternberg, and a copy of George Clark's essay "To the Distant Observer: On the Films of Barbara Sternberg." In addition to textual records, this series includes posters, DVDs, photographs, and 35mm slides.

Series consists of records created or accumulated by Sternberg in the course of her political activities. The series contains materials relating to Sternberg's arts education and feminist activism, as well as a file containing Association for Film Art records. Series is comprised of textual records, photographs, videocassettes, a compact disc, and a poster.

Series consists of records pertaining to the research for and writing, editing and promotion of Alison Pick's published works, including novels "The Sweet Edge" (2005), "Far to Go" (2010) and "Strangers with the Same Dream" (2017), poetry collections "Question & Answer" (2002) and "The Dream World" (2008), and her memoir "Between Gods" (2014). Also included in this series are records relating to Pick's work as a freelance writer of articles, interviews and literary reviews, her artist residencies and participation at literary events, her submissions to poetry journals, her writing while a student at the University of Guelph, and her work as a creative writing instructor. The records in this series include notebooks, notes, poetry drafts, draft and edited manuscripts, galley and page proofs, computer disks, a DVD, correspondence, speaking notes, royalty statements, invoices, research materials and grant application materials. Editorial commentary from Pick's editor Lynn Henry is included with some manuscripts. Copies of manuscripts and uncorrected novel proofs by other authors and sent to Pick are also included in this series.

Series consists of Forer’s professional correspondence, which includes correspondence and forms pertaining to grant and fellowship applications, correspondence with other scientists and colleagues, correspondence pertaining to the submission of articles for publication in scholarly journals, and his work-related correspondence managed by the Department of Biology secretary at York University. Included in some files are photographs and drawings of cells from Forer’s experiments.

Series consists of personal and professional correspondence and e-mail, sent and received by Swan.

The series consists of material which documents Powe's personal life and his relationship with his family. It includes correspondence, photographs, legal and medical records and other collected ephemera.

Series contains textual records and photographs pertaining to Sternberg's personal life, including medical information and personal correspondence. Included in the series is a file of Sternberg's correspondence with Canadian experimental artist and art educator Michael Fernandes.

Series consists of records created or accumulated by Sternberg in the process of her activities as an experimental filmmaker, performer, and artist. Records include project files on complete and incomplete works, including but not limited to "A Story," "Transitions," "Like a Dream That Vanishes," and "Beating," and consist of notes, scripts, shot lists, research materials, grant applications, and correspondence. This series is primarily comprised of 35mm slides and photographs of varying dimensions. The series also includes multiple moving image formats, as well as an envelope of pressed leaves and a box of cloth figures.

Series consists of photographs of or by Alison Pick, taken in the 1990s and 2000s. These photographs pertain to canoe trips taken by Pick; her attendance at literary workshops, writing retreats and readings; publicity photographs; research for her book "The Sweet Edge"; and social gatherings with Canadian writers including Michael Crummey, Michael Winter, Christine Pountney, Steven Heighton, David Seymour, Karen Solie, and many others.

Series consists of records pertaining to York and external correspondence between 1973-2017 including tenure and promotion files; the 1975-1976 Senior Killam Award; the Joint Centre for Asia Pacific Affairs sponsored by the University of Toronto and York University; the ‘Sasakawa Scholarship Affair’; and a series of book reviews, mainly for Pacific Affairs. There are also letters relating to Endicott’s book publications, researched papers presented by Endicott at forums and colloquia, texts published in journals, papers and more informal notes for talks at public libraries, schools, church groups, continuing education programs, TV and radio, on topics of contemporary interest. Finally, there are a number of files from Canadian and international China friendship associations.

Series predominantly contains published articles written by Wright-McLeod work, as well as press clippings and advertisements pertaining to his work. It also includes records documenting the activities of the First Nations Composer Initiative grant program, Canadian Aboriginal Festival’s Canadian Aboriginal Music Awards, and other awards initiatives

Series consists of records pertaining to Crosbie’s career as a writer, reviewer and editor. Records include draft manuscripts, poems and articles, research materials, page proofs, notes, invoices, correspondence, speaking notes, programmes, posters and photographs. These records document the writing, publication and promotion of Crosbie’s books of poetry, prose and non-fiction, including Miss Pamela’s Mercy (1992), The Girl Wants To (1993), VillainElle (1994), Pearl (1995), Paul’s Case (1997), Click: Becoming Feminists (1997), Queen Rat (1998), Dorothy L’Amour (1999), Missing Children (2003), Liar (2006), Life Is About Losing Everything (2012) and Where Did You Sleep Last Night (2015), as well as her writing for newspapers, magazines and literary journals. Also included in this series are reviews of Crosbie’s books, manuscripts by other writers sent to Crosbie for comment or review, and copies of her published poems, literary reviews, newspaper and magazine articles.

Accession consists of records pertaining to the history and activities of St Mark's Coptic Orthodox Church in Toronto, including photographs documenting the role of Father Marcos A. Marcos and an article written by Father Marcos entitled "The Copts of Canada". Other records in this collection include event programs, pamphlets, booklets, photographs of special visits, and issues of church newsletters "Hosanna", "The Way", "The Word of Life", "The Building", and "Cathedral". Also included is a copy of a site plan of St. Mark's.

Series consists of photographs and personal memorabilia accumulated by and pertaining to Marilou McPhedran. The photographs in this series are predominantly commissioned portraits of McPhedran used for publication and biographical materials, but also include photographs taken at special events. Memorabilia in this series consists of autographed copies of books written by McPhedran's friends and colleagues.

Series consists of records documenting the scope of Rahder’s work as a planning consultant and academic and her involvement with professional organizations and groups. These records include conference materials, papers and reports written by Rahder, project proposals, technical drawings, photographic slides and reports relating to her consultancy work, research materials, drawings, correspondence and notes.

Series pertains to Rahder’s work teaching urban planning and environmental studies courses at the University of Toronto, Ryerson Polytechnical Institute, Queen’s University and York University. Records in this series include course syllabi, reading lists, bibliographies, lecture notes, course handouts, teaching evaluations, student reports, memoranda, and a SSHRC grant application file.

Series consists of a variety of items created or accumulated by Crosbie pertaining to her personal and professional life, including photographs, miscellaneous ephemera, event notices and programmes, award certificates, a diploma, posters, drawings, a painting, an art print, t-shirts, and a sweater belonging to Mordecai Richler.

The series consists of notes, drafts and proofs of collected and uncollected poems written by Coles including manuscript drafts of his collections "K in love," "The prinzhorn collection," "Forest of the medieval world," "Kurgan," and "How we all swiftly," among others. It contains research material, notes and drafts of his novel "Doctor Bloom's story," his autobiographical work "A dropped glove in Regent Street," a poetry collection "Where we might have been," correspondence with publishers, interviews with Coles, reviews of his work, publicity material related to his writing, and book reviews written for "The Globe and mail." It also includes the manuscript for Tomas Transtomer's "For the living and the dead," which Coles translated from Swedish as well as correspondence between Coles and Tomas and Monica Transtromer regarding this work.

Series contains documents generated from performances, including educational initiatives, performed primarily in Toronto and tours across Canada and the north-eastern United States. Also, includes work by other choreographers produced by the company. Series consists of programming targeting primary and secondary schools in the form of curricula, teaching materials, educational marketing kits, feedback forms. Majority of records refer to Noondance and Curriculum in Motion educational initiatives.

Documents include itineraries, newspaper clippings, correspondence, programs, press releases, grant applications, contracts, feedback/participant surveys, and lobby displays. Few choreographic notations appear in this series (those that appear are in the Benesh Movement Notation (BWN) style).

Additional material related to the company's public engagement can be found in the correspondence and organisational records series. Aside from lobby displays, research and creative material used to develop repertoires do not appear in this series.

Series consists of drafts and proofs of articles, poems, plays, short stories, essays and novels written by Swan, including "Unfit for Paradise", "The Biggest Modern Woman of the World", "The Last of the Golden Girls", "The Wives of Bath", "Stupid Boys Are Good to Relax With", "What Casanova Told Me", "The Western Light" (previously titled "Black Ships" and "The Hockey Killer"), and "The Dead Celebrities Club". Series also includes research material and notes pertaining to Swan's writing projects, correspondence with publishers and collaborators, lecture notes pertaining to Swan's book tours, promotional material for several of her books, as well as screenplays for the proposed and/or produced films of "The Biggest Modern Woman of the World" and "The Wives of Bath".

Series consists of records pertaining to Gentles’ teaching duties as a professor of history at York University. Includes course syllabi, lecture notes, exam and essay questions, roll books, correspondence with students, reference letters, and other material.

The series consists of notebooks and journals kept by Powe in which he documented his thoughts and reflected on both his personal life and on works in progress. Also included are calendars on which Powe recorded appointments and other scheduled events.

Series consists of notebooks, day planners and sketchbooks created and/or used by Crosbie, as well as a number of calendars and an address book. The notebooks in this series include a variety of writing, including general notes, lists, notes pertaining to Crosbie’s writing projects and PhD research, as well as personal writing and drawings. Some items in this series contain loose ephemeral items, notes, letters, and photographs.

Series primarily consists of letters, cards, and printed emails written to Danny Grossman on a personal nature from industry professionals and friends, family, mentors, and former company members. Some files are subject files containing only photos, newspaper clippings and/or works created by the individual.

Business correspondence is located in this series include letters of support, thanks, and congratulations for the company. Some letters written on behalf of the company are primarily letters of recommendation for dancers. Additional business correspondence is located in the organisation records series.

Series consists of records documenting Axelrod's career as a university professor and administrator. Many records pertain in particular to his role as Dean of the Faculty of Education at York University between 2001 and 2008, as well as his work on committees (Ontario Association of Deans of Education, Ontario Confederation of University Faculty Associations). Included are correspondence, job applications, course outlines and student evaluations for courses taught by Axelrod, copies of research grant applications, past tenure files, photographs, reports, speeches, assessments, conference materials, newspaper and magazine articles.

Series consists of promotional materials and ephemera relating to Toronto Greek-Canadian community political and cultural events organized or attended by George Papadatos during his time in Toronto.  Series includes materials relating to the coffee house scene in Toronto; concert tours featuring Greek musicians, for which Papadatos acted as promoter; political events by various pro-democracy groups such as PAK, EAM and Rigas Fereos; theatrical events; exhibitions and cultural festivals (such as The Images of Greece festival, organized by Papadatos); as well as Annual Dances and sporting events. Materials include posters, event tickets, invitations, flyers and programmes. Some items of ephemera can also be found in 2014-044/001(05), 2014-044/001(10) and 2014-044/001(12).

Series consists of material created by Archie Alleyne in his professional roles as a musician and memoirist, and through his involvement with projects such as Evolution of Jazz Ensemble and the Syncopation Series, and his personal collection of material which reflect his interest in music and African-Canadian history.

Series consists of clippings, Jazz magazines and newsletters, and festival programs compiled by Galloway over the course of his career.

Series consists of draft and published versions of Kulyk Keefer’s writing, including notes, poems, short stories, journal and magazine articles, book reviews, as well as novels and books of poetry including "Travelling ladies" (1992), "Rest harrow" (1992), "The green library" (1996), "Marrying the sea" (1998), "Honey and ashes" (1998), "Thieves" (2004), "The ladies’ lending library" (2007), and "Foreign relations" (2010). Also included in the series are notebooks, photographs from a trip to Ukraine, speaking notes from lectures, and her undergraduate essays.

Series consists of records pertaining to Gentles’ administrative duties at York University, particularly his work on the convocation committee, the faculty council, and the senior common room committee. Includes minutes, correspondence, financial statements, notes, and other material.

Series consists of materials pertaining to the artistic life and career of Luigi Nasato. Includes drawings, sketches, paintings, technical drawings, art objects, and other material created or compiled by Nasato, including extensive artwork related to his role as a mosaicist for various churches in and around Toronto, Ontario. Series also includes: notes on art history and artistic technique created by Nasato as both a student and professional artist; product catalogues and price lists; invoices and other financial documents; and other material.

Series consists of annual reports, proposals, and correspondence pertaining to Armstrong’s role as CHSRF/CIHR Chair in Health Services and Nursing Research, Canadian Health Services Research Foundation/Canadian Institutes of Health Research.

Series consists of records pertaining to Archie Alleyne's role as the sponsor of the Archie Alleyne Scholarship Fund, which provides funding for music students in post-secondary studies.

Series pertains to Swan's work as an instructor at York University and her tenure process, her position as the Millennial Robarts Chair in Canadian Studies for 1999-2000, her work for the Writers' Union of Canada, and her public lectures. Records in this series include course materials, teaching proposals, official York University publications, and lecture notes.

Series consists of Jean Augustine's collections of artwork, portraits, posters, social activist and political buttons and pins, campaign promotional material and other three dimensional items and ephemera accumulated during her professional life. Item lists are available upon request.

Series consists of records pertaining to the career of Jim Galloway, including those related to his work as a teacher, touring Jazz musician, radio host, booking agent and Toronto Jazz festival co-founder and administrator. Records include notes, correspondence, promotional material, financial records, festival and gig memorabilia, set lists and song lyrics, records related to specific creative projects, various music union records, draft articles, award documentation, records pertaining to Galloway's agent and record label, grant applications, and other material.

Series consists of Crosbie’s incoming personal and professional correspondence as well as copies of some of her outgoing correspondence. Correspondents include Al Purdy, Michael Holmes, Tony Burgess, Steven Heighton, Bruce McDonald, Jeffery Conway, David Trinidad, David McGimpsey, Michael Turner and others. Photographs included with correspondence are also part of this series.

Series consists of records pertaining to Crosbie’s work as a university professor and writing instructor. The records in this series are notebooks, lecture notes, correspondence, course descriptions and syllabi, assignments, student evaluations, and samples of her students’ projects.

Series consists of 144 notebooks created by Barry Callaghan to record his creative ideas for poems, articles, and books, and reflections on social and professional events involving family, friends, and other authors. In addition to handwritten text, the notebooks contain many printed photographs pasted onto pages or inserted loosely, occasional sketches by Callaghan, and textual documents from various events inserted at related passages.

Series consists of the administrative records created and accumulated by Jean Augustine in the course of her activities as a community advocate, activist and volunteer; in her role as an administrator and chair of various local, municipal, provincial, federal and international organizations, associations, boards, committees and conferences; as a federal politician representing the constituency of Etobicoke-Lakeshore in Ontario; and in her role as Ontario's Fairness Commissioner. Series is organized into several functional categories used by Augustine herself, including Community Action files ; Parliamentarian files ; Correspondence and subject files ; Trips and conferences; Canadian Association of Parliamentarians on Population and Development; Canada Africa Parliamentary Group; Special Advisor for Grenada; Secretary of State (Multiculturalism); Women's Issues; Schedules from the daily operations of the Office of the Fairness Commissioner; and Status of Women Canada. Series also includes groups of records related to her election campaign strategies; the Congress of Black Women of Canada; the Ontario Bicentenary Commemorative Committee; Black History Month celebrations and promotions; the Sugar Caucus; Anti-racism efforts; her work as a school principal and teacher; her official correspondence, business contacts and the contents of several briefcases.

Series consists of records created and accumulated by McPhedran during her tenure as Principal of the University of Winnipeg’s Global College (2008-2012) and as a faculty member at Global College. Records in this series document her involvement with the work of the College, including special events and conferences, include audiovisual materials, conference materials, photographs, a transcript and correspondence.

Series consists of records created and accumulated by Theresa Burke, a producer for the CBC investigative show “The fifth estate,” and the episode, “Mr. Big stings: cops, criminals and confessions,” that aired on January 16, 2015. Files consist of interview transcripts, draft scripts, research and production material, notebooks and background research and scripts from previous “Fifth estate” episodes of individuals involved in Mr. Big cases, an investigative technique whereby an undercover member of law enforcement befriends a suspect in hopes of eliciting information or a confession on a particular crime.

Series consists of material relating to Barbara Turnbull’s personal life. It includes personal and academic files from childhood, high school, and post-secondary education at the University of Toronto and the University of Arizona. The series also consists of personal letters and cards received by Turnbull in the aftermath of the 1983 shooting which resulted in her quadriplegia. Many of the letters are from people who also resided in the Greater Toronto Area, who heard about the shooting through various media sources. The letters come from people of all ages, and occasionally are accompanied by a photograph of themselves, or their pets.

Series consists of files documenting Gilbert’s work and activities as a lecturer and professor of philosophy at the University of Toronto and York University, as an undergraduate program director and administrator in the Department of Philosophy at York University, and as a speaker on the subject of cross dressing and transgender theory. Files pertaining to Gilbert’s consultancy work (through his company Effective Dispute Management) and talks on argumentation theory are also part of this series. Records in this series include course materials, lecture notes, notes, correspondence, memoranda, presentation slides, grant application materials, newsletters, enrollment statistics, course lists and calendars.

Series consists of manuscript notebooks and diaries created and compiled by Larry Weinstein over the course of his career.

Series primarily consists of incoming correspondence to Hutchman from friends, colleagues, publishers and other writers. Correspondents include Margaret Avison, Brian Bartlett, Clark Blaise, Robert Bly, Roo Borson, Fred Cogswell, Barry Dempster, Louis Dudek, Gary Geddes, Ralph Gustafson, Don Hensley, George Johnston, P.K. Page, Al Purdy, James Reaney, and many others. A number of these letters concern interviews conducted by Hutchman with prominent Canadian poets, later published in his non-fiction book, In the Writers' Words: Conversations with Eight Canadian Poets. Some files consisting of Hutchman’s outgoing correspondence are also included in this series, and many files consist of printed e-mail correspondence created and maintained by Hutchman.

Series consists of materials accumulated by Hutchman primarily pertaining to his early life, family, travels and career as a poet. These records include an award certificate, posters and notices for his poetry readings, newspaper and magazine clippings featuring his published poems, essays and reviews about his work, notes from presentations given, ephemera, and copies of publishers’ catalogues featuring his books. Included in this series are personal photographs of Hutchman, his family and friends, as well as other poets and writers.

Series consists of photographic prints and negatives, with some accompanying textual records, created or compiled by Luigi Nasato over the course of his life and career as an artist. Primarily includes photographs of works of art, some of which were created by Nasato himself, as well as family and travel photographs. Series also contains computer printouts of works of art, as well as postcards and other graphic material.

Series consists of documents related to Barbara Turnbull’s professional activity as a Toronto Star reporter, including clippings of written articles; documents, photographs and audio recordings related to Turnbull’s advocacy work, awards, speaking engagements and other events Turnbull attended.

Series consists of records pertaining to Trist's early life, education and biography. Early life records include family photographs, elementary school records, student records from Cambridge and Yale Universities, drawings and poetry created by Trist, and other material. Biographical records include: writings about Trist by others; curricula vitae; records related to Trist's honorary LLD from York University; obituaries and memorial records; and records pertaining to Trist's biography, Behavior, Technology, and Organizational Development: Eric Trist and the Tavistock Institute, by Richard Trahair (Transaction, 2015).

Series primarily consists of manuscripts, in varying stages of development, for monographs published by Exile Editions between 1990 and 2014. Included in this sub-series are manuscripts by writers Austin Clarke, Vladimir Azarov, Joe Rosenblatt, Larry Zolf, Leon Rooke, Marilyn Bowering and others.

Series consists of files related primarily to Norquay and her family. Records include her grandfather's notes for his Saturday Night Debating Society activities, her father's Sunday Bible talks, letters to and from her husband, parents and grandparents, records pertaining to Norquay's military service during and after World War II (Canadian Women's Army Corps), a scrapbook created by Norquay as a child, dance cards, some photographs, Norquay's creative writing notes and drafts of her family memoirs, diplomas, family genealogical clippings, Norquay's husband's Chelan Mission Field notes as a new United Church minister, correspondence with friends and admirers, and miscellaneous memorabilia.

Series consists of records pertaining to Marilou McPhedran's speaking engagements and speeches given by McPhedran at conferences and other events in Canada between 1984 and 2005. These records reflect the scope of McPhedran's areas of interest and knowledge, including topics involving constitutional issues, women's health and legal rights, and sexual abuse and harassment. Files in this series include correspondence, transcripts of speeches, pamphlets, conference materials, newspaper clippings and magazine articles, notes, memoranda, brochures, a photograph, an audio cassette and a video recording.

Series consists of photographs collected by Archie Alleyne. Material includes personal and professional photographs of Alleyne and his colleagues; photographs collected of various jazz musicians in history; and photographs of emerging artists.

Series consists of correspondence received by Jeanne Randolph as well as some copies of her outgoing correspondence. Most of the correspondence is personal in nature, exchanged between Randolph, her family and friends in letter, postcard or e-mail formats. Correspondents include Suzanne Mantell, Alan J. Berger, Sigrid Dahle, Vera Frenkel, Christopher Lefler, and Elizabeth, Carol and Amy Randolph.

Series consists of files documenting Jeanne Randolph's writing in the area of art theory and criticism. Included in this series are notes, research materials, photographs and annotated draft manuscripts pertaining to articles published in journals and exhibition catalogues and her books "Psychoanalysis and synchronized swimming", "Symbolism and its discontents", "Why stoics box" and "Ethics of luxury". Samples of Randolph's early creative writing are also part of this series, as are notes and promotional materials pertaining to lectures and readings given by Randolph in the 1990s and 2000s as part of writing residency programs or in promotion of her books.

Series consists of records created or accumulated by Janice Newton in the course of her administrative duties in the Department of Political Science at York University. Records include notes, correspondence, minutes and agendas, proposals, and other documents created as a result of her position on various departmental committees. Series also includes anonymous surveys completed by third-year Political Science students as part of a study administered by Newton, graduate and undergraduate supplemental calendars, and miscellaneous reports and publications created by members of the department.

Series consists of photographs, newspaper and magazine clippings, posters, performance notices and programmes, newsletters, certificates, press releases, CVs and biographies pertaining to Maguire’s career as a dancer, choreographer and teacher.

Series consists of records pertaining to the research, writing, editing, publication and promotion of Axelrod’s books, including his PhD thesis, "The economy, government and the universities of Ontario, 1945-1973”, which was republished as "Scholars and dollars: politics, economics and the universities of Ontario, 1945-1980", "Making a middle class: student life in English Canada during the Thirties", "Transitions: schooling and employment in Canada" (co-editor with Paul Anisef), "The promise of schooling: education in Canada, 1800-1914", "Youth, university and Canadian society: essays in the social history of higher education" (co-editor with John G. Reid), "Opportunity and uncertainty: life course experiences of the class of '73" (co-writer with Paul Anisef), "Values in conflict: the university, the marketplace and the trials of liberal education" and "Knowledge matters: essays in honour of Bernard J. Shapiro" (editor), as well as his various articles, reviews, conference papers, and commentaries. Records in this series are research materials, correspondence, draft manuscripts, audio recordings, photographs, interview transcripts, book proofs, reader reports, publishing contracts, speaking notes and promotional materials.

File consists of correspondence sent and received by Callaghan, including a great deal of printed e-mail correspondence, exchanged with fellow writers, friends and colleagues.

Series consists of personal and professional photographs taken or compiled by Galloway over the course of his life. Subjects include promotional photographs of Galloway and his various musical projects, gig photographs, travel images, photographs of family and friends, and other subjects.