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The accession consists of 19 boxes of records. 8 series were established: Subject Files: Correspondence & Clippings, Manuscripts, Audio Tapes, Slides, Videos, Photographs and Framed Material, Posters-Paintings-Scrapbooks, Cartographic Materials.

The first two series, Subject Files and Manuscripts were arranged in file folders entitled by Prof. Pollock. The original order was kept and the documents were put into acid neutral file folders and titles were transcribed verbatim. Manuscripts include Pollock's novel Gabriel, plays, poems and the unpublished After the funferal and Soviet journal.

Audio tapes of interviews conducted by Prof. Pollock were not in any particular order. An effort was made to put the related ones together and the titles assigned by Harry J. Pollock were maintained. There are also audio tapes of music for his plays

Slides consist of those that Prof. Pollock used in the plays Night Boat from Dublin and Giacomo de Trieste, these were removed from the boxes and slide carousels and placed in archival slide sheaths. They are listed by play tittle in the original sequence in which they were shown. Duplicate and additional slides are listed according to subject. Titles given by Harry J. Pollock were kept.
The three videocassettes include one entitled Portrait of the artist-is there one who understands me? and two of Japan.

Pollock's interests including, James Joyce and Temple Sinai. Most of the file titles in this series were simply transferred from there original folders. The rest of the material in this series came from one file which had no detectable order. This file was sorted by subject, the subject headings were used as file titles.

Two photographs included in this accession make up series 2. One of the photographs was removed from its frame, it is included with its frame backing.

The series of correspondence and clippings relate to Pollock's many interests, particularly in Temple Sinai, the James Joyce Society, and travel. The manuscripts are of plays that he wrote and directed, including multiple copies annotated for different purposes. Published material consists of 9 volumes of Thom's Directory (1852-1950) and one volume of The Dublin Almanac and General Register of Ireland (1847). The 15 watercolour paintings are by Jane Golden.

Accession of the records of the Office of the Dean, Faculty of Fine Arts.

Accession consists of records of the Office of the Dean, Faculty of Fine Arts. Transfer predominantly consists of subject files pertaining to matters such as academic planning, budget, honorary degrees, scholarships, space, and visiting artists.

Accession consists of and pertains to minutes from the Council of the Faculty of Fine Arts (1970-1977), correspondence and papers (1969-1980), committee service for York University and external organizations, dance courses, and guest lecturers.

Accession consists records from the Chariman's office for the dance department pertaining to departmental minutes (1973-1981), awards, committees, the Dance in Canada Association (Toronto), faculty and guest lecturers, personnel files for faculty and staff (restricted), scholarships, and curriculum.

Accession primarily consists of the director's office files including administrative records, committee meeting minutes, subject files on campus buildings, and campus planning reference books.

Accessions consists of the records of the chairman of the visual arts dept.

Accession consists of minutes, correspondence, reports, charts, memoranda, calendars, timetables, posters, exhibition catalogues, news clippings, slides, and tape recordings.

Accession consists of records from the Chairman's Office of the Dance Department. It includes minutes (1981-1985), correspondence and papers (1972-1984), personnel files for faculty and staff (restricted), convocation programmes, financial records, reports, and printed material.

Accession consists of records from the Chairman's Office of the Theatre Department. Records predominately pertains to shows but also include student affairs, publications, press releases, news clippings, admissions and advising, curriculum, internal administration, graduate programs, and applications and resumes.

Accession consists of records from the Office of the Dean, Faculty of Fine Arts.

Accession consists of records from the Dean's Office and faculty council minutes, binders, student awards, and grants.

Accession consists of course evaluations arranged by instructors names, then by course number/name.

Accession consists of administrative files and includes council secretary files (1967-1991), Associate Dean files (1979-1990), Executive officer files (1985-1990), Departmental files (1969-1992), Awards committees (1982-1989)

Accession consists of Bruce Allen Powe's diaries, personal correspondence and correspondence, writings, and other files relating to provincial Liberal politics (1960-1965), journals, his M.A. thesis and research files. There are manuscript drafts for his works "The Ice Eaters," "Expresso 67," "The Mounties Always Gets His," "Killing Ground," "The Last Days of the American Empire", "The Aberhart Summer", and other writings along with related correspondence. Also included are manuscripts for reviews, essays, articles, and press clippings of reviews on his published works. In addition, there is some personal correspondence and World War II papers and military service memorabilia.

Accession 1995-034 consists of film elements and related textual and graphic records pertaining to Rhombus Media productions about music, dance and theatre.

Accession consists of the Dean's office files dealing with Fine Arts faculty's student programmes, departments, facilities, and committees.

Accession consists of records from the Visual Arts Department.

Accession consists of records from the Dean's Office.

Accession consists of posters accumulated by Issacs. A significant portion of the accession, over 200 posters, pertains to local interest including the Royal Ontario Museum, the Art Gallery of Ontario, and local and international shows by artists such as Heather Cooper and Michael Snow. Toronto posters also announce events such as the 10th anniversary of the art collective, General Idea, at the CN Tower; an album-release party of the band, Parachute Club; and a call to arms on behalf of the fight against the Spadina Expressway. Many posters also promote local theatre productions including Keanu Reeves' performance in Brad Fraser's 'Wolfboy' in 1984 at the Theatre Passe Muraile and a series of Toronto Workshop posters by Theo Dimson. Other posters are a cross-section of Canada from the Montreal Olympics series, 'Artists-Athletes', and the 1973 Winnipeg Art Gallery exhibition, the Structure of Comic Books, featuring MArvel Comics characters as Nick Nury and Thor. There are 74 international posters, the largest groups are those from Paris in the 1950s and 1960s including a poster featuring George Bracqu's 'Theogonie.' There are also several gallery posters from Amsterdam, New York, Chicago and Minneapolis representing artists such as Jim Dine, Robert Rauschenberg, Claes Oldenberg and Christo.

Accession 1999-031 consists of master negatives of the finished works of all its film productions to date (1999), together with textual records relevant to the film production process. In addition to the master elements, selected production elements from “Yo-Yo Ma, Inspired by Bach: Suites #1, 3, 5,”, “Hong Kong Symphony: Heaven Earth, Mankind” (1997), “A Tale of Tanglewood: Peter Grimes Reborn” (1997), “The War Symphonies: Shastokovich Against Stalin” (1996-1997) have been retained for their additional archival and research value.

The accession consists of photographs, ephemera, and a vaudeville script entitled "Inbad the Sailor" performed by Arthur Huston.