- 1987-014
- Accession
Part of John Tupper Saywell fonds
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Part of John Tupper Saywell fonds
Part of John Tupper Saywell fonds
Part of J.D. Keehn fonds
Part of Marion Andre fonds
Part of Harry W. Arthurs fonds
Part of Bonnie Burnard fonds
Part of Harry Pollock fonds
The series of correspondence and clippings relate to Pollock's many interests, particularly in Temple Sinai, the James Joyce Society, and travel. The manuscripts are of plays that he wrote and directed, including multiple copies annotated for different purposes. Published material consists of 9 volumes of Thom's Directory (1852-1950) and one volume of The Dublin Almanac and General Register of Ireland (1847). The 15 watercolour paintings are by Jane Golden.
Part of Robert A. Kenedy fonds
Part of Harry W. Arthurs fonds
Part of B. W. Powe fonds
Part of Didi Khayatt fonds
Part of David Wurfel fonds
Part of Janice Tyrwhitt fonds
Part of Hédi Bouraoui fonds
The accession consists of notes, edited manuscripts, and research materials related to various published and unpublished works by Hédi Bouraoui, including “La Tour CN,” “La Pharaone,” “Musocktail,” and “Bangkok Blues.” It includes personal and professional correspondence, as well as clippings about Bouraoui and reviews of his work. This accession also contains several sound and audiovisual recordings of poetry and novel recitals, conferences, and interviews.
Part of Ray Ellenwood fonds
Accession consists of teaching files for Ellenwood’s undergraduate and graduate level courses, files pertaining to the research and writing of his PhD thesis on André Breton and Sigmund Freud, academic files consisting of drafts of papers and talks delivered by Ellenwood at various conferences, translation files consisting of drafts of his translation work and publishing files that document his own writing efforts including correspondence, research material and drafts of "Egregore: The Montréal Automatist Movement".
Part of Rhombus Media fonds
Accession 2008-056 is an accrual to the Rhombus Media fonds and consists of master negatives of some of its finished works, together with textual, photographic, graphic and prop materials relevant to the film production process and the wider context of the company’s activities.
Accession 1998-014 [poster collection]
Part of Avrom Isaacs fonds
Accession consists of posters accumulated by Issacs. A significant portion of the accession, over 200 posters, pertains to local interest including the Royal Ontario Museum, the Art Gallery of Ontario, and local and international shows by artists such as Heather Cooper and Michael Snow. Toronto posters also announce events such as the 10th anniversary of the art collective, General Idea, at the CN Tower; an album-release party of the band, Parachute Club; and a call to arms on behalf of the fight against the Spadina Expressway. Many posters also promote local theatre productions including Keanu Reeves' performance in Brad Fraser's 'Wolfboy' in 1984 at the Theatre Passe Muraile and a series of Toronto Workshop posters by Theo Dimson. Other posters are a cross-section of Canada from the Montreal Olympics series, 'Artists-Athletes', and the 1973 Winnipeg Art Gallery exhibition, the Structure of Comic Books, featuring MArvel Comics characters as Nick Nury and Thor. There are 74 international posters, the largest groups are those from Paris in the 1950s and 1960s including a poster featuring George Bracqu's 'Theogonie.' There are also several gallery posters from Amsterdam, New York, Chicago and Minneapolis representing artists such as Jim Dine, Robert Rauschenberg, Claes Oldenberg and Christo.
Part of Avrom Isaacs fonds
Accession consists of artists correspondence, and correspondence and documentation for miscellaneous special shows.
Part of Maurice Elliott fonds
Part of J. David Wood fonds
Part of Rhombus Media fonds
Accession 1995-034 consists of film elements and related textual and graphic records pertaining to Rhombus Media productions about music, dance and theatre.
Part of Joyce Wieland collection
Part of Joyce Wieland collection
Part of Paul James Dwyer fonds
Accession consists of photographs, books, correspondence and notes created and compiled by dance, choreographer, Paul James Dwyer.
Part of Paul James Dwyer fonds
Part of Paul James Dwyer fonds
Accession consists of records created by Paul James Dwyer during his work with Dance Oremus Danse, including programmes from performances of dance, theatre, and classical music, notes and reference material on fundraising in the arts sector, and operating files for his dance company.
The accession consists of records pertaining to the Avenue-Bay-Cottingham Ratepayers’ Association and their fight against proposed development by CPR and Marathon Realty.
Part of Shauna Singh Baldwin fonds
The accession consists of working drafts of Baldwin’s novel “The Selector of Souls” as well as drafts under various titles, including “Gateway of the World” and “The Unnamed”.
Part of Seth Feldman fonds
Accession consists of records created by Seth Feldman in the course of his activities as a professor of film studies, including research files, course files, copies of graduate theses and dissertations with which he was involved, correspondence with colleagues, notebooks, and material regarding his involvement with productions of TV Ontario and the Canadian Broadcasting Corporation.
Part of Seth Feldman fonds
Accession consists of textual and audiovisual material related to Seth Feldman's an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries, including syllabi, assignments, research files, publications, drafts, and taped interviews; and research materials relating to Feldman's work on Dziga Vertov.
Part of Stevie Cameron fonds
The accession consists of transcripts of interviews, court transcripts, government reports and other government documents, clippings, correspondence, drafts of manuscripts, orders in council, notes and other research material relating to Cameron's work as an investigative journalist including drafts of her books ‘On the Take’, ‘Blue Trust’, and ‘Ottawa Inside and Out’.
Part of Stevie Cameron fonds
The accession consists of research files and/or manuscript material relating to Rosie Perez, Simon Israel, Fletcher Challenge, the Westray Mine disaster, the Devine/Saskatchewan scandal, the Saturday Night/Firestone trial, Donald Ripley, and Alan Eagleson as well as Cameron's book ‘Ottawa Inside Out’.
Part of Stevie Cameron fonds
The accession consists of additional material in the Stevie Cameron fonds including clippings, interview transcripts, correspondence, and research material related to her book ‘On the Take', as well as drafts of her book ‘The Last Amigo’.
Part of Frank Barrett fonds
Accession consists of Barrett's records pertaining to his monograph, "Ernest Ibbetson - military artist and adventure story illustrator". Records include drafts, illustrations and correspondence with prospective publishers.
Part of Frank Barrett fonds
Accession consists of Barrett’s published papers, drafts, presentations, grant and research files, teaching files, course notes and correspondence pertaining to his work as a York University professor and researcher. Also included are raw data and questionnaires from his studies on housing.
Part of David Coombs fonds
The accession consists of a letter to John Warkentin, school song lyrics, and correspondence between David Coombs and George Tatham.
Part of Clayton Ruby fonds
Accession consists of correspondence, speeches, and notes and generally pertains to Amnesty International, the Law Society, the Advocates Society, the Law Reform Commission, the police, and race relations.
Part of Mary Young Leckie fonds
Accession consists of textual material and audiovisual material related to the production work of Mary Young Leckie of Screendoor Productions, including production materials, rushes, promotional material, scripts and correspondence regarding television and film projects such as "By Jeeves", "Prom Queen", "Spirit Bear", "Sanctuary", "Shattered City", "Burn: The Robert Wraight Story" and "Everest".
Part of Mary Young Leckie fonds
Accession consists of archival material from Screendoor Productions, including production files and film elements.
Part of Mary Young Leckie fonds
Accession consists of additional material in the Mary Young Leckie fonds including correspondence, memos, scripts and production files for various films, video cassettes, photographs, compact discs and other audio cassettes that document Leckie's work with Tapestry Pictures Inc.
Part of Mary Young Leckie fonds
Accession consists of additional material in the Mary Young Leckie fonds including scripts, drafts, notes, research material, clippings, reviews, promotional material, contracts and production files related to her work on productions such as The Arrow, Blue Castle, Children of My Heart, Way of a Boy and Tagged. It also includes the creative and corporate development files of Leckie's company Tapestry Pictures.
Part of James Laxer fonds
Part of James Laxer fonds
Part of James Laxer fonds
Part of James Laxer fonds
Part of James Laxer fonds
Part of James Laxer fonds
Part of James Laxer fonds
Part of James Laxer fonds
Part of James Laxer fonds
Part of Giles Endicott fonds
Part of Elizabeth Kilbourn fonds
Accrual to the Carol Malyon fonds
Part of Carol Malyon fonds
Accession consists of the records of Carol Malyon’s activities as an author, including: public readings of her work; her involvement with literary festivals and workshops; correspondence regarding her book, Lovers & Other Strangers (1996); early and final drafts of the short stories published by Inanna Publications & Education Inc. as Under the Water with Fish (2020), accompanied by correspondence; book catalogues; writers' directories; and magazine submissions.
Part of Rick Salutin fonds
Accrual to the Carol Malyon fonds
Part of Carol Malyon fonds
Accession consists of correspondence by Carol Malyon to David Peacock and Elke Inkster of Porcupine's Quill regarding her proposal for the book, Mixed-up Grandmas, Malyon's manuscript for the text, a mock-up of the book and preliminary sketches by Peacock, and illustrations in ink and acrylic paint on board with tissue overlay that were created by Peacock for use in producing the book.
Accrual to the M.G. Vassanji fonds
Part of M.G. Vassanji fonds
Accrual to the M.G. Vassanji fonds
Part of M.G. Vassanji fonds
Accession consists of records from the Dean's Office and includes minutes (1969-1979), subject files (1968-1979), printed material, press clippings, reference files, scripts, and photographs of exhibits.
Accession consists of minutes, correspondence, reports, charts, memoranda, calendars, timetables, posters, exhibition catalogues, news clippings, slides, and tape recordings.
Accession consists of records from the Office of the Dean.
Accession consists of administrative files and includes council secretary files (1967-1991), Associate Dean files (1979-1990), Executive officer files (1985-1990), Departmental files (1969-1992), Awards committees (1982-1989)
Accession consists of records from the Dean's Office.
Accession consists of records of the Office of the Dean, Faculty of Fine Arts. Transfer predominantly consists of subject files pertaining to matters such as academic planning, budget, honorary degrees, scholarships, space, and visiting artists.
Accession consists of records of the Office of the Dean and Office of the Associate Dean, Faculty of Fine Arts.
Part of Leo Panitch fonds
Accrual to the Rohinton Mistry fonds
Part of Rohinton Mistry fonds
The accession consists of literary papers including personal and professional correspondence, short stories, travel essays and manuscripts, photographs from filming the movie adaptation of “Such a Long Journey,” and photographs from award ceremonies and convocations for several honorary doctorate degrees. Included are records pertaining to Mistry’s investiture in the Order of Canada, research material, financial records, and contributions to journals and literary periodicals plus short stories, essays, excerpts published in various anthologies, and bound galley proofs written by other authors requesting testimonials.
Part of Judith Cowan fonds
Accession consists of an issue of The Globe (Toronto), 1 July 1867; annotated manuscript of an unfinished science fiction story, “Non-lieu,” written in the 1990s; a copy of Stephen Crane’s The Red Badge of Courage annotated with Judith Cowan’s teaching notes for Québécois students; and correspondence sent by email and surface mail, 2021.
Part of Inez Elliston fonds
Accession includes material related to Elliston's involvement in local, municipal, provincial, national and international organizations and committees involved in social issues related to women's rights, (particularly immigrant women, ethnic and cultural minorities, women of colour and Indigenous women, issues of gender in urban communities, domestic violence, safety and accessibility), immigrant school children (particularly in the area of assessment, anti-racist, cultural interrelation, vocational training, and children's rights), adult learners (particularly in the areas of vocational training, anti-racist programming and policies for adult immigrant learners) and citizenship (in particular areas of multiculturalism, inter-cultural dialogue, tolerance, anti-hate group community efforts, political organization and celebration of diversity).
Part of Communist Party of Canada fonds
Part of Leo Panitch fonds
Part of B. W. Powe fonds
Part of B. W. Powe fonds
Part of Harry Pollock fonds
The accession consists of 19 boxes of records. 8 series were established: Subject Files: Correspondence & Clippings, Manuscripts, Audio Tapes, Slides, Videos, Photographs and Framed Material, Posters-Paintings-Scrapbooks, Cartographic Materials.
The first two series, Subject Files and Manuscripts were arranged in file folders entitled by Prof. Pollock. The original order was kept and the documents were put into acid neutral file folders and titles were transcribed verbatim. Manuscripts include Pollock's novel Gabriel, plays, poems and the unpublished After the funferal and Soviet journal.
Audio tapes of interviews conducted by Prof. Pollock were not in any particular order. An effort was made to put the related ones together and the titles assigned by Harry J. Pollock were maintained. There are also audio tapes of music for his plays
Slides consist of those that Prof. Pollock used in the plays Night Boat from Dublin and Giacomo de Trieste, these were removed from the boxes and slide carousels and placed in archival slide sheaths. They are listed by play tittle in the original sequence in which they were shown. Duplicate and additional slides are listed according to subject. Titles given by Harry J. Pollock were kept.
The three videocassettes include one entitled Portrait of the artist-is there one who understands me? and two of Japan.
Part of Harry Pollock fonds
Part of Edward Snowden collection
Part of Robert A. Kenedy fonds
Part of Childbirth by Choice Trust fonds
Part of David Wurfel fonds
Part of David Wurfel fonds
Part of Janice Tyrwhitt fonds
Part of Joyce Wieland collection
Part of Joyce Wieland collection
Part of Joyce Wieland collection
Part of Avrom Isaacs fonds
Accession consists of files from the Isaacs Gallery including records of bills paid, artists' files, correspondence, Inuit files/Inuit London, photo portfolios and artists' books, and several works of art.
Part of Avrom Isaacs fonds
Accession consists of slides providing an overview of Isaac's gallery exhibits over the decades. Most of the slides are shots of artists' works and are annotated with the artist's name, the title of the work, the date the work was created, the medium used, and the dimensions.
Part of Brian Freeman fonds
Accession consists of scripts, production materials, photographs, posters, correspondence, and moving image recordings pertaining to Freeman’s work as writer and producer of film and televsion, in particular his roles at the CBC as an executive in charge of creative production and creative head of special projects, drama.
Part of Paul James Dwyer fonds
Accession consists of dance programs, personal and professional correspondence, subject files related to Dance Oremus Danse, and to various dancers and/or dance companies as well as other material related to Dwyer's career as a dancer, choreographer and writer.
Part of Shauna Singh Baldwin fonds
The accession consists of drafts for, and correspondence related to, Baldwin’s work-in-progress “Gateway of the World,” and the stage play “We Are So Different Now,” as well as promotional brochures for “Draupadi, We Are So Different Now.”
Part of Stevie Cameron fonds
The accession consists primarily of Cameron's research files pertaining to her monographs ‘The Blue Trust’, ‘On the Take', and ‘The Last Amigo’; related files from her literary agent Linda McKnight; records pertaining to the Oliphant Commission investigating the Karlheinz Schreiber/Brian Mulroney affair; files of her early writings and a small number of miscellaneous research material for earlier investigative journalism stories.
Part of Seth Feldman fonds
The accession consists of research files, taped interviews and successive drafts of scripts and transcripts prepared for 15 programmes in the CBC radio series, Ideas. There is also his dramatization of Herman Maximov's 'The Ultimate Threshold' prepared for CBC's Vanishing Point.
Part of Seth Feldman fonds
Accession includes meeting notebooks (1993-1998) and production materials for "Perfect Machines: The Loom", "It ain't Kansas: The myth of New York City" and cassette tapes for other CBC Ideas series programmes.
Part of Seth Feldman fonds
Accession consists of research notes, interviews, and draft and final scripts for "Inventing dinosaurs," a two-part episode of the CBC Radio program "Ideas" that was broadcast on January 17 and 18, 2006.
Part of John Tupper Saywell fonds
Part of John Tupper Saywell fonds
Part of John Tupper Saywell fonds
Part of John Tupper Saywell fonds
Part of John Tupper Saywell fonds
Part of Thomas A. Hockin fonds