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Official Opening Mariposa Folk Festival (For Broadcast)

Radio station recording of the opening ceremonies of the Mariposa Folk Festival, August 17, 1961, featuring an introduction by Orillia's mayor and performances on bagpipes. (ASCA00089)

Recording of final concert performance of 1961 festival by The Travellers, including the songs "This Land", "Black Flies", Jacques Labreque's "The Road to Ol' Grandmere", two unknown Spanish songs, and unknown song in English, "Old Swansea Town Once More", "The Squid-Jiggin' Ground", "The Frozen Logger", "Zemerl?" (an Israeli harvest song), "Sita Ram?", the Puerto Rican song "Que Bonita Bandera", a medley of South African folk songs and closing the concert (and the 1961 festival) with "The Quilting Bee". There are occassional pauses in the recording and several songs are cut-off or faded out prematurely. (ASCA00090)

Recording of an unknown duo or trio of male and female singers [Mary Jane and Winston Young? Finvola Redden?] singing Irish folk songs at the 1961 Mariposa Festival, including "Eggs and Marrow Bones | There Was An Old Woman In Our Town", Go From My Window", "Whiskey In The Jar", "Liverpool Gals". (ASCA00091)

Recording of a bluegrass group (The York County Boys?) performing several songs at the 1961 Mariposa Folk Festival. (ASCA00091)

Recording of a square dance (held Friday August 18, 1961?) with a caller. (ASCA00091)

Recording of a performance by a male singer (Omar Blondahl?), including "Lots Of Fish In Bonavist' Harbour" an unknown ballad and "Cod Liver Oil". (ASCA00091)

Recording of a performance by a female performing a Mexican song in Spanish at the 1961 Folk Music Festival. May be Bonny Dobson, Sylvia Tyson or Mary Jane Young. (ASCA00091)

Recording by male and female duo (Mary Jane and Winston Young?) on banjo performing the Australian folk song ""On The Road. (ASCA00091)

Recording of a female singer performing "Jam on Gerry's Rock". May be Bonnie Dobson, Finvola Redden, Mary Jane Young or Sylvia Tyson. (ASCA00091)

Recording of a female singer performing "The Blues Jumped The Rabbit". May be Bonnie Dobson, Finvola Redden, Mary Jane Young or Sylvia Tyson. (ASCA00091)

Audio recordings : 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963

Recording of five recordings of computer music made between 1961 and 1964. Annotations on audio reel case include: 1)Analog #1 (Noise Study) Dec., 1961 2) Five Stochastic Studies - Oct. - Dec. 1962 3) Stochastic Quartet - Geb. 1963 L=R = 1 : 30 4) Radio Piece July 1963 5) Dialogue (monophonic version) April 1963

Audio recordings : 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967

Consists of an audio recording of electronic music by James Tenney. The tracks consist of "Analog #1 (Noise Study)," from December, 1961; "Five Stochastic Studies," December, 1962; "Collage #2 (Viet-Flakes)," from February, 1967, made for the film by Carolee Schneemann; and Fabric, written for Che Guevera, from November, 1967. There is a card attached to the reel case which reads: "Jerry Bruck Designing Services, Home Music Systems, Professional Tape Recording 185 Ave 'C' NY 9 NY OR 7-4082"

Mariposa Folk Festival

Item consists of a folded program for the first Mariposa Folk Festival, held 18-19 August, 1961. Also includes festival envelope and ticket reservation for admission and accommodation.

Tape Music - 1961

Consists of an audio recording of "The First of Three Improvisations from Medea." from February, 1961 and "Collage #1 - Blue Suede," from April, 1961 by James Tenney.

Audio recordings : "Medea"-organized sound

Item consists of #1 Prelude 1st Act and Nurse's Monologue / James Tenney. -- #2a Medea`s voice Death... Destruction... Let me die. / James Tenney. -- #2b "Ai....Ai" / James Tenney. -- #2c "Hear me...die" / James Tenney. -- #2d - "I will not be mocked.... Death (pp. 15-16) / James Tenney. -- Trumpet for Creon / James Tenney. -- #5 Thunder / James Tenney. -- #6 End of Act 1 / James Tenney. -- #7 Prelude to 2nd Act and Medea's Monologue / James Tenney. -- #8 From "I have heard evil" (p. 62) to "someone will bring us news" (p. 64) / James Tenney. -- #9 - Trumpet (p. 68) / James Tenney. -- #10 - Trumpets (p. 73) / James Tenney. -- #11 - Children's screams / James Tenney. -- #12 Opening of the doors on the children's bodies (p. 79) / James Tenney. -- #13 From "no, they are mine", thru end of play / James Tenney. -- Medea Tail end / James Tenney.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

Lydian Mode/Phrygian Mode

Consists of "Lydian Mode" and "Phrygian Mode" James Tenney. Originally recorded at a concert on May 27, 1973 at the California Institute of the Arts.

Audio recordings : Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese

Consists of an audio recording of Computer Music, 1961 by James Tenney. There are four tracks: "Analog #1 - Noise Study," from December, 1961; "Five Stochastic Studies," December, 1962; "Dialogue," from April, 1963; and "Phases," from December, 1963 for Edgard Varese.

Audio recordings : 1) "Koan" for solo violin (Yoko Matsuda) 2) "August Harp" (Susan Allen) 3) "Beast for String Bass" ( Nick Pap) 4) "Having Never Written a Note for Percussion" (John Bergamo)

Consists of a live recording of four solo orchestral pieces by composer James Tenney, labelled as "Four Koans" performed by Yoko Matsuda (violin), Susan Allen (harp), BEAST by Nick Pap (string bass) and John Bergamo (percussion). Final piece is very low and difficult to discern.

Print by Stephan von Huene [16 of 21]

Print 16 of 21 by Stephan von Huene in collaboration with James Tenney for a sound sculpture art installation. They were created to go with the mechanical drum in a sound sculpture. Signed by both Stephan von Huene and James Tenney.

Print by Stephan von Huene [5 of 21]

Print 5 of 21 by Stephan von Huene in collaboration with James Tenney for an sound sculpture art installation. They were created to go with the mechanical drum in a sound sculpture. Signed by both Stephan von Huene and James Tenney.

Audio recordings : Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.)

Recording consists of eight pieces recorded by James Tenney. Annotations on case read: Tenney - Computer Music Work-tapes (analog #1 - Noise Study Dialogue). all at 7 1/2 (full track escept as noted). Computer Music Work Tapes James Tenney 1) Analog #1 - Noise Study - December 1961 a)original (full track) b) dubbings at half and double speed (two-track, timed) 2) Dialogue - April 1963 a) tonal stratum (original, converted in Dec. 63 b) noise stratum original, conversted in Dec. 63 (not as good as C and E below) c) tonal strtum (original of April, 63) d) noise [crossed out] tonal [crossed out] stratum with reverberation (2 track, col. lab.) e) noise stratum (original of April 63) f) tonal [crossed out] noise [crossed out] stratum with reverberation (2-track, Col. lab.) LP#6.

Audio recordings : Second and beginning of Third day

Item consists of a recording made by James Tenney while on a road trip across the United States, through Winchester, Virginia towards Tennessee in which he comments on various topics throughout the day while driving or in his motel room. Annotations on cover include: Notes on case: 2nd (+ beg 3rd) day Notes on inside of case: #2 July 9 Winchester Va to (Tennessee) I.D. / music / re. landscape in Va. / section at bad [scratched out] can be skipped at bad speed (comprehendible at 7 1/2) beginning of 3rd day, Robersville, Tennesee re beard begins again at 3 3/4 - repeats approx. then more on landscape, bear (mask, image) on the music (singing).

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

Audio recordings : "Clang"

Consists of a musical composition by James Tenney. Note on inside of case reads: L.A. Philharmonic, C. Lawrence Smith. Rec. surreptitiously by HK on 1 June 1972 at Bovard Hall, USC, behind a pair of verbose Music Lovers from Westwood. 2 out of 4 tracks (quarter-track pseudo stereo).

Audio recordings : 1) "Improvisations for Medea," 1961 2) "Collage #1 Blue Suede," 1961 3) Stochastic String Quartet, 1963 4) "Collage #2 Viet-Flakes," 1966

Consists of audio recording of electronic and computer music composed by James Tenney. The tracks are "Improvisations for 'Medea'" from 1961, "Collage #1 (Blue Suede)" from 1961, "Stochastic String Quartet" from 1963, "Music for Player Piano from 1964", and "Collage #2 -(Viet Flakes)" from 1966.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

Print by Stephan von Huene [15 of 21]

Print 15 of 21 by Stephan von Huene in collaboration with James Tenney for a sound sculpture art installation. They were created to go with the mechanical drum in a sound sculpture. Signed by both Stephan von Huene and James Tenney.

Audio recordings : Tenney "Fabric" work tapes #34 and LO-2

Consists of audio recording of samples for "Fabric" a work by James Tenney. Annotations on case include: "1. work-tape #34 (#3 + #4 normal speed - repeated 20 min. at 7 1/2 ips 2. work-tape L0-2 (2nd half of 12 + 34 +68 at normal (slow) speed) 10 min. at 7 1/2 ips."

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

Audio recordings : Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966

Consists of five recordings of musical compositions by James Tenney. Annotations on case include: "James Tenney - Electronic and Computer Music. 1) Improvisations for "Medea" (1961). 2) Collage #1 "Blue Suede" (1961) 3'20" 3) Stochastic String Quartet (1963) 2' 50" 4) Music for Player Piano (1964) 6' 15" 5) Collage #2 "Viet Flakes" (1966) 10' "

Audio recordings : 1) "Seeds" (I-IV) for six instruments, 1956, Henry Brant-Bennington Composers Conference 2) "From the 'Blue Books'"-Bennington, 1956 3) "Dance Trio"-Bennington, 1957 4) "Essay #3 for Chamber Orchestra"-Brant, Bennington Composers Conference, 1957 5) "13 Ways of Looking at a Blackbird" (Wallace Stevens)-1958-Tenney-Bennington Composers Conference 6) "Sonata for Ten Wind Instruments," 1959 (revised version)-Tenney-Midwestern Composers Symposium 7) "Sonata ( for nine wind instruments)"-Paul Wolfe-Bennington Composers Conference, 1959

Consists of an audio recording of instrumental music between the years 1956 and 1959. The first track is "Seeds" (I-IV) for six instruments by Henry Brant and "From the 'Blue Books,'" performed in 1956 at the Bennington Composers' Conference. Next is "Dance Trio" and "Essay #3" for chamber orchestra by [Henry] Brant, performed at the Bennington Composers' Conference in 1957. This is followed by "13 Ways of Looking at a Blackbird" by James Tenney and based on a poem by Wallace Stevens, performed in 1958 at the Bennington Composers' Conference; then "Sonata for Ten Wind Instruments" (revised version) by James Tenney, performed in 1959 at the Midwestern Composers' Symposium. Lastly, is "Sonata for Nine Wind Instruments" (first version) by Paul Wolfe, performed at the Bennington Composers' Conference in 1959.

Audio recordings : Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles)

Consists of recordings of five performances featuring music composed by James Tenney. Case notes include: Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles).

Audio recordings : Tenney - "Chorales for Percussion"

Consists of audio recording of "Chorales for Percussion" by James Tenney. There is a folded note in side the reel case which reads: "Jim - As I recall you wanted a 1/2 trk mono copy. I made it, but there is a tiny bit of speed fluctuation in the 1/2-trk machine downstairs, so I added a 1/4-stereo version as well. It's all on one side of the tape. Hope it works out. Carl 1st dub no good (some voice is on)."

Audio recordings : Third- Knoxville to Little Rock

Item consists of a recording made by James Tenney during a cross-country road trip. Annotations on case include: #3 - middle 3rd day (July 10) - Tennessee to Little Rock landscape, Indians, etc. / music (Nashville) re paranoia / radio + TV - selling, "fantasy" re. trip alon / "bugged" by others sign of zodiac and IChing trigrams singing ("39 Miles to Memphis") 4th day (Arkansas) re landscape.

Audio recordings : #4A Thurs. before Little Rock - Albuquerque

Item consists of a recording made by James Tenney during a road trip, passing through Albuquerque, New Mexico. Annotations on audio reel case include: Notes on outside of case: #4A Thurs Fri before Little Rock - Alberquerque Notes by Tenney in case "#4 July 11 near Little Rock, Arkansas to Alberquerque spray (bird) mistaken for woman re. taping short bad speed section : re anticipation; present time - Oklahoma (speed ok) re landscape/hair sun/ Friday June 12 7 am west of Okla City trading post/landscape, language bad speed - Texas (immed corrected) landscape/sign of zodiac ("sign of conception")here's dessert 17 miles from N.M. border N.M. music/thunderstorm, distance, skyjacking earth "anaimistic concepts are really true" Steve + Carol".

Results 2201 to 2284 of 2284