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Series contains digital records consisting of drafts, manuscripts, research data, correspondence, and research material primarily pertaining to publication of books, articles, and reports.

Series consists of records pertaining to the writing of Morley Callaghan, particularly his short non-fiction writing, collected and re-published by Barry Callaghan in the Exile Editions monograph, A Literary Life : Reflections and Reminiscences 1928-1990 (2009). These records include newspaper clippings, short stories published in magazines and photocopies of radio scripts written by Morley from the 1930s to the 1980s, as well as word-processed copies of these materials, edited by Barry. Photocopies of the original typescripts for Morley's early unpublished novel, The Imposters, and for many of his short stories are part of the series, as are a manuscript for his novel, A Passion in Rome, and page proofs for an Exile Editions reprint of A Time for Judas.

Series consists of live performance recordings created by George Papadatos at cultural and political events in Canada as well as recordings of interviews and oral histories created in the course of his work as a journalist. A number of the recordings are of musical performances organized by Papadatos, mostly at Toronto venues such as coffee houses including the Trojan Horse, as well as larger venues in Toronto and Montreal. Titles have been supplied in English based on donor information - see file 2014-044/001(17) for archivist-created photocopies of this information. Most recordings are of good quality. See item level descriptions for exceptions.  Series also includes some commercially produced CDs and DVDs.

Series consists of records created and accumulated by Theresa Burke in her capacity as a producer for a 2009 CBC Fifth Estate documentary titled "Someone got away with murder," about Andy Rose, a Canadian man convicted of the 1983 murder of German tourists Bernd Goericke and Andrea Scherp. These records document both Burke's research, interview and production work for the documentary as well as the details of Rose's two murder trials and his involvement in a "Mr. Big" police sting operation. The records in this series include correspondence, memoranda, transcripts, court documents, newspaper articles, scripts, travel itineraries, journal articles, notes, photographs, audio and video cassettes, identity cards, a poster, a CD-R, and DVD-Rs.

Series consists of Kulyk Keefer’s personal and professional correspondence, largely with other Canadian writers, as well as subject files pertaining to her literary career, including research materials, publicity materials, book reviews, newspaper clippings and magazine articles.

Series consists of pre-publication or draft versions of writing by Mandel for academic periodicals, newspapers and magazines, conferences, public lectures and speeches, on a wide variety of legal and political topics, particularly constitutional law, prison reform, and Canadian and international politics. Included in this series are reference materials and notebooks, as well as scripts co-written with Harry J. Glasbeek for their radio program, “A taste of justice”, and scripts and transcripts pertaining to Mandel’s contributions to a 1983 CBC Radio “Ideas” program.

Series consists of records relating to Simpson's interest in environmental issues, in particular the intersection between the environment and business and development. Series includes general records containing articles, clippings and other resource material on various issues, such as the ozone layer and climate change, and particular regions. These also include records relating to discussions of sustainable development at the Western Business School, including course outlines. Series also contains records relating specifically to sustainable development, in particular speech notes, research, articles, clippings, reports, bibliographies and conference material. Lastly, series consists of records relating to Simpson's work with the Canadian-based International Institute for Sustainable Development (IISD), including interview notes, minutes, reports and papers.

Series consists of personal records created and maintained by Theresa Burke from the 1970s to the 2000s. These records include personal letters, journals, day planners, resumes and covering letters, university essays and notes, poetry, and photographs.

Series consists of home movies documenting the everyday life of a Sikh family, including footage of weddings, graduation ceremonies and celebrations, birthdays, religious education, picnics, and parties. Footage captured by Pritam and Amrita Singh.

Series consists of home videos including footage of donor's Jamaican-Guyanese family including Christmas in 1992 and their vacation in England in 1990. Footage captured by Leah Burke and other members of the Burke family.

Series consists of sheet music, scores, musical instruction books, and other related material created or compiled by Galloway over the course of his career.

The series consists of correspondence, certificates, articles, contracts and other financial documents, clippings, newsletters, diaries, note books and photographs created and/or accumulated by John Smith and relating to his personal life and interests.

Series consists of personal and professional correspondence including manuscript and typescript letters as well as e-mail received by Sheard and, in many cases, copies of letters written by Sheard herself. Among the correspondents are Michael Ondaatje, Margaret Dragu, Griffin Ondaatje, Margaret Atwood, Alberto Manguel, Susan Swan, Ann Ireland, Daphne Marlatt, Phyllis Webb, Jan Kudelka, Audrey Thomas, Brian Fawcett, David Young, Marian Engel, Seiji Ozawa, John Metcalf, Robert Kroetsch, Libby Sheier, Timothy Findley and Roy Kiyooka. The subject files consist of correspondence, notes and other collected material that document Sheard's writing career including grant applications and contact letters. Also included are materials that document her association with the National Book Festival and the Zen Buddhist Temple in Toronto, as well as her training and work as a psychotherapist.

Series consists of records documenting Simpson's mentoring work in the 1990s, through the mentoring group at the International Institute for Innovation (Triple i), then the Global Mentoring Team of Axia/Lifeskills International, and most recently, the Innovation Expedition. Simpson's work included projects with corporate, non-profit, government and individual clients such as James Orbinski of Doctors Without Borders. The records in this series include Powerpoint presentation print-outs, overhead transparencies, clippings, magazines, correspondence and memoranda. There are also knowledge products such as workshop manuals, toolkits, workbooks and "mind thumpers" of the Innovation Expedition -- concise learning resources focused on a particular topic. The second part of the series consists of theme files. These were resource files used by Simpson to create mentoring toolkits in the mid-1990s and cover\ business, economical and innovation issues such as education, change management, strategic planning and the new knowledge economy. The theme files contain articles, papers, reports, speeches, publications, clippings, toolkits, exercises and tools, presentations, overhead transparencies, notes, University of Western Ontario course syllabi and papers, memoranda, and cartoons. Some theme files relate to specific projects, such as AVCO and the Canada-Kenya Executive Management Program.

Series consists of audio-visual recordings and some audio elements of television episodes in various formats. Records include tape inventories, rundowns and cue sheets. The series also includes recordings pertaining to specials, video yearbooks, Live at the Bayview, the Comedy channel, etc.

Series consists of records created and accumulated by Theresa Burke in her capacity as a producer of two CBC Fifth Estate documentaries pertaining to the 1962 murder of Alexandra Wiwcharuk: "Death of a beauty queen" (2004) and "The girl in Saskatoon" (2008). These records document Burke's process of conducting research, locating and interviewing subjects, editing scripts, and producing location shoots. The records in this series include correspondence, interview transcripts, notes, newspaper clippings, school yearbooks, copies of prison records, production materials, notebooks, audio and video cassettes, optical disks, DVDs and photographs.

Series consists of t-shirts and buttons accumulated by Marilou McPhedran and pertaining to her activities, associations and interests, particularly women's rights. Included in this series are t-shirts produced by the Women's Legal Education Action Fund (LEAF), Healthy City Toronto, and the National Action Committee on the Status of Women. The buttons in this series are personal, made using family photographs, and protest/organizational buttons.

Series consists of home videos documenting her friends and Guyanese family in Toronto and Guyana including the Mahaica Market and Kaieteur Falls.

Series consists of records created and accumulated by Pat Fleisher between 1977 and 2008. The records in this series pertain to Pat Fleisher's involvement with the administration, curation and promotion of a number of ongoing group art shows, as well as art shows featuring her own photography. Documented in this series is Fleisher's work for annual group shows including the Art Expo Toronto, the Toronto Indoor Art Show, and the Artfocus Fall Annual Artists' Show, as well as solo shows she curated for herself and for other artists at Sassafraz Restaurant, Cantine, Starbucks, and Holy Blossom Temple in Toronto. Files in this series consist of correspondence, notices, flyers, pamphlets, photographs, computer disks, press releases, and posters.

Consists of Herzberg's files related to his research on the memoir he wrote about his mother, astrophysicist Luise Herzberg. Records include research notes, book proposal, correspondence with relatives, colleagues, publishers, photocopies of certificates, translations, genealogical notes, photocopies of original diaries, letters, etc., working files and a few photographs.

Series consists of wardrobe continuity reference photographs for the television series, and for Farce Films. Most photographs are Polaroids. Photographs are arranged primarily chronologically by broadcast season.

Series contains textual records created and accumulated by John D. Harbron's father, Tom Habron, and mother, Sarah Lilliane Peace, in their roles in the military as a doctor and dietician. Records in the form of correspondence, newspaper clippings, notes, reports, and ephemera include documentation on promotion within the military, the medical corps and military hospitals, war and remembrance files, nutrition in military diets, and wartime food production in Canada.

Series consists of manuscripts, typesets, cover art, research materials, photographic prints and negatives, correspondence and notebooks. Series documents how Rachel Zolf researched, wrote and edited her poetry. Series also contains information about Zolf's efforts to have her work funded and published. In addition, series includes reviews of Zolf's published works. Correspondence includes letters written by or to Rachel Zolf on the subject of her poetry. Correspondents include Di Brandt, Betsy Warland, Beverley Daurio, Nathalie Stephens, Margaret Christakos, M.NourbeSe Philip, Erin Moure and Charles Berstein.

Series primarily consists of Dini Petty’s professional records pertaining to her show including audience member waiver contracts, binders listing episode information and promotional photographs of Dini Petty with various guests including local, Canadian and international celebrities, public figures, journalists, actors, musicians, artists, politicians and performers. Additional professional records include her work as a journalist and on-air personality at CITY TV, promotional photographs, news clippings and magazine articles, CVs, promotional material; production tapes for documentaries on incest, "Having a Baby" and other news casts and television documentaries; her children’s book "The Queen, The Bear and the Bumblebee"; script and production material related to Petty's one woman show, contracts and tapes of Petty's work on Pear's shampoo commercials; and poetry; and plaques, awards and tributes.

The series also includes personal records pertaining to her family, memoirs, and her training as a helicopter pilot, biographical information, and legal documents.

Series consists of records created and maintained by Pat Fleisher between 1940 and 2008. The records in this series pertain to Fleisher's creative and freelance art writing. These records include Fleisher's early poetry and fiction, personal memoirs, and article drafts for freelance and magazine projects. Also part of the series are files consisting of background research for Fleisher's non-fiction writing, which include newspaper and magazine articles, artist bios and CVs, as well as correspondence and notes relating to her freelance and creative writing.

Series consists of dance, theatre, music and other performing arts programs, brochures, flyers, magazines, and newsletters collected by Selma Odom from 1972 to 2008. Materials represent dance performances, events, and venues primarily in North America and Europe, with strong representation of the Toronto dance scene.

Series consists of four day planners used by Alison Pick between 2005 and 2008, as well as two childhood journals from 1988 and 1989.

Series consists of set design reference photographs, studio floor plans, and supporting documentation such as budgets, show run-downs, and gaphics, etc., organized by television episode.

Series consists of original drawings for Ben Wicks’s published books and single frame syndicated cartoons. Series also contains cartoons and drawings with watercolour, a holiday bulb, and photographic slides pertaining to images used in published books and travel.

Series consists of records pertaining to Gentles’ research and publishing in the field of English history. Includes files pertaining to: the publishing of various articles and book reviews, as well as his monograph, The New Model Army in England, Ireland and Scotland, 1645-1653 (Blackwell, 1992); the Toronto Research Group in Early Modern British History; and various research trips dating from the late 1970s to the 1990s. Series also includes records related to the publishing of a Festschrift in honour of British historian Austin Woolrych, with whom Gentles had a longstanding relationship. The volume, Soldiers, Writers and Statesmen in the English Revolution (Cambridge University Press, 1998), was co-edited by Gentles. Series also includes several files of correspondence related to Gentles’ history research activities, as well as one file of personal correspondence.

Series consists of correspondence sent and received by Mandel pertaining to a wide variety of topics, but it primarily concerns his professional life, including his writing, political activism and media appearances. Many files include copies of Mandel’s outgoing letters as well as incoming correspondence.

Series consists of records created and maintained by Pat Fleisher between 1971 and 2008. The records in this series pertain to Fleisher's work as a freelance art consultant and a leader of Toronto Board of Education art tours, her research for and work as an art magazine publisher, and other assorted projects. These records include notebooks and day planners, photographs, video cassettes, computer disks, an audio cassette, notes, articles, business and financial records, contracts, contact lists, and research and promotional materials.

Series consists of records accumulated and created by Pat Fleisher between 1975 and 2008. The records in this series pertain to Fleisher's work as an art magazine publisher and her acquisition of content for those publications, specifically relating to artist profiles and the promotion of art shows. These records include unsolicited artist portfolios, materials submitted to Fleisher for use in her Artfocus "cybergallery", and photographs of artwork and artist biographical materials accumulated by Fleisher for use in her magazines and/or for the production of Fleisher's freelance art-related writing. Files in this series consist of artist bios and CVs, art cards, newspaper and magazine articles, photographs, computer disks, and art show promotional materials.

Series consists of hair and makeup photographs for the television series, and arranged primarily chronologically by broadcast season. Most photographs are Polaroids.

Series pertains to the organization and development of the Inde Festival of New Music and Dance, which was created in 1985 by Maguire and ran until 1992. These records include correspondence, financial statements, photographs, press releases, programmes, grant applications, proposals, contracts, notes and promotional materials. Also included in this series are administrative files pertaining to Maguire’s subsequent organization, Inde Multidisciplinary Arts Projects.

Series contains correspondence, financial information and other records of the Sugar Workers and Industry Education Resource Library (SWIERL), including bibliographies, acquisitions, records of incorporation, and other administrative information such as storage space rentals and plans for eventual disposition of materials to the archives. Series also contains some videocassettes from the SWIERL collection.

In an effort to broaden its base of potential support, in 1992 ICCSASW officially incorporated its documentation centre as SWIERL. The SWIERL corporate embossing seal can be found in box 2006-060/061 - item 2006-060/061(01). ICCSASW itself was never incorporated, but operated under the umbrella of the Anglican Church of Canada. When ICCSASW ceased to function in 1998, SWIERL continued to maintain the documentation left over from the project, until 2006 when it was transferred to the Centre for Research on Latin America and the Caribbean (CERLAC) at York University.

Series consists of proprosals and appraisal reports for the graduate program offered by York University, Department of Dance.

Series consists of files related to George E.A. Reid's personal life, including material relevant to his adolescent, teenage and adult years. Material related to Reid's academic life includes classroom lecture notes, yearbooks, and some textbooks used by Reid. Correspondence pertains to Reid's professional activities, as well as the activities of his family including his parents, his brother, his wife, and children.

Series contains knowledge products (learning tools) created by Simpson as a partner in AXIA NetMedia and Innovation Expedition in the 1990s, as well as secondary resource materials and operational records documenting his work in knowledge management. The Innovation Expedition defined knowledge management as "a comprehensive approach for linking an organization's strategic plan, people skills, information base, operational (business) processes, and information and communication technologies." The records in the series include "travel guides" to aspects of the knowledge economy, workbooks, and basic and customized toolkits (compilations of a variety of resources to help people improve their knowledge, skills and personal competencies). Toolkits contain process maps, conceptual frameworks, success stories, how to's and other resources. Innovation Expedition's unique tools include Diagnostix(TM), group dialogues, "reflective resources," implementation tools, assessment tools, simulations, games, case studies, and challenge papers. In addition to workbooks, toolkits and travel guides, record types in the series include articles and papers, memoranda, correspondence, overhead transparencies, presentation slides (Microsoft PowerPoint print-outs), clippings, project progress tables and product lists, notes, drafts, and book chapters. The records also include project files and documents from partnerships with Bayer Healthcare, Textron, Alberta Economic Development, Human Resources Development Canada (HRDC) and the Knowledge Works(TM) initiative in London, Ontario. Elements of AXIA's business highlighted in the records include the AXIA Performance Centre and its Design Centre; the "knowledge products project" of 1995; the Global Mentoring Team; AXIA's online assessment, mentoring and learning management systems -- KMAP and PDS; and the Renaissance Leadership Program piloted in 2008.

Series consists of Greek language newspapers, magazines and journals accumulated by George Papadatos primarily during his time in Canada and relating to his work as a journalist and editor as well as to his interest in politics and his position as an active member of the Greek Canadian community cultural and political scene. The majority of the newspapers in the series were produced by and for the Greek Canadian community in Toronto and include a number of political and satirical publications as well as ones providing local news. Series includes issues of the newspaper Metanastis (The Immigrant), owned and produced by Papadatos, as well as Ta Nea, to which he contributed articles and served as editor for a time. A number of the newspapers in the collection were published by Deca printing house (owned by Dimitrius Aivalis) who played an important role in the Toronto Greek Canadian community as printer of many publications and ephemera relating to cultural and political, anti-dictatorship, events. Series also includes a variety of publications relating to the Greek diaspora across Canada and globally, including a few English-language publications that contain articles relating to Greek politics and culture, particularly items relating to the Trojan Horse coffee house. 

Series consists of records pertaining to research, writing and editing for two book projects by Barndt, Women Working the NAFTA Food Chain (1999) and Tangled Routes: Women, Work and Globalization on the Tomato Trail (2002). The records in this series document Barndt’s primary research including interviews with Mexican agriculture workers and managers, academics, and workers and managers in the grocery and fast food industries. Records in this series include audio cassettes of interviews, video recordings, annotated interview transcripts, book manuscripts and reader feedback, correspondence and memoranda, as well as secondary research materials including articles, reports and papers.

Series consists of twelve photo albums created by Lloyd Mackenzie and seven of his Canadian passports. Photographs document Lloyd Mackenzie's childhood and adolescence in Toronto, as well as some photographs of his parents, family and friends; his military service as a clerk during World War II; his daily life, friendships and living arrangements in Toronto, England and Australia; and his extensive travels within Canada, the United States, Europe, the Mediterranean, the Caribbean and Australia.

Series consists of physical and electronic versions of manuscripts written by Mohr.

Series consists of article, reports, lectures, and presentations written by Mohr throughout his career on topics such as psychiatry, mental health, homosexuality, family equality, children's rights, sentencing, criminology, criminal law, legal reform, legal education, and sociology, as well as copies of his book reviews. Many of his articles are original annotated drafts, final editions or in offprint format. Series includes seminar papers on his course about structuralism, his course "Sociology 92-456 : The sociology of law," "Law 324 : Children and the law," his seminar on "Theory and empiricism in law," and his graduate seminar "Legal research, policy and reform." Series also includes evaluations written in 1981 by students in courses "Social foundations of law" and "Law and psychiatry." In addition, series includes drafts of conference papers and articles written by friends and colleagues such as Peter Fitzpatrick, Harry W. Arthurs, Roderick A. Macdonald, Kurt Wolff, and Marie Andree Bertrand. Some of these drafts have annotations made by Mohr. Series also includes: offprints inscribed to Mohr by friends and colleagues such as Alan Hunt, Douglas Hay and Charles David Axelrod; newspaper articles about Mohr and his work with law, psychiatry, sentencing, criminal law, and law reforms; and a collection of research articles on similar topics.

The series consists of newsletters edited by Margaret Norquay, research notes and drafts of articles for the newsletters.

Series consists of financial records, correspondence,family photographs, stamps postcards and memorabilia accumulated by Lee Lorch for personal reasons. Also includes tributes and awards received by Lorch as well as his CV and published articles regarding his accomplishments and activities.

Series consists of records created and accumulated by Peter Flemington as co-founder and Head of Programming and Development of VisionTV. Vision TV was the world’s first multifaith and multicultural national television channel which went on air in September 1988. Records in this series document the transition from the Canadian Interfaith Network, preparation for the successful application to the CRTC for a television license in 1987, planning for the channel’s launch in the fall of 1988 and subsequent day-to-day operations of the channel.

Includes: minutes, briefs, memos, policy documents, correspondence; programming files; CRTC applications and submissions; promotional materials including posters, press kits, viewer guides, press releases, and clippings; and files related to external partnerships and collaborations including the development of a new channel named Wisdom (“Canada’s Body, Mind, and Spirit”), later renamed ONE.

Series consists of records created and maintained by Pat Fleisher from 1940 to 2007. The records in this series pertain to Fleisher's production of paintings, drawings and photographs and her accumulation of personal memorabilia relating to her life, work, and art shows. Files in this series include photographs, portfolios, CVs and artist statements, newspaper clippings, a sketchbook, a scrapbook, and an art appraisal.

Series consists of files of correspondence, newspaper clippings, articles and reference material related to Lee and Grace Lorch's activities as social activists and community organizers. These include detailed legal case files and correspondence transferred from law firms who represented Prof. Lorch in various court cases in the 1950s regarding charges laid by the House Committee on Un-American Activities and his dismissal from Penn State and Fisk University. Also includes material regarding Grace Lorch's case against the Boston School Board in 1944-1945 and her activities during the Little Rock Crisis of 1957.

Also includes subject files and correspondence accumulated by Prof. Lorch in later years regarding various subjects including racism, sexism and political discrimination in academia; political prisoners and academic freedom; mandatory retirement; socialist movements in Latin America and Africa; the civil rights movement; peace efforts and nuclear disarmament; Chile ; Cuba ; The German Democratic Republic (GDR) ; Lituania; South Africa; the USSR; Vietnam; First Nations rights in Canada; Canadian socialist organizations and unions; and his research on the first African-American to receive a PhD (in physics) in the United States, Edward Alexander Bouchet (1852-1918).

Also includes correspondence, meeting minutes and reports from various committees, local events, societies and community organizations in which Lorch was active.

Series consists of files pertaining to a variety of topics, including Callaghan's awards, tributes and honorary degrees, articles written about him, his personal life, his travels and his literary readings.

Series primarily consists of posters promoting the Mariposa Folk Festival, in addition to including festival maps and posters of artists and other folk festivals.

Series consists of records created and accumulated by Theresa Burke in her role as a producer for the CBC's The Fifth Estate. These records pertain specifically to a 2007 program titled "The lady vanishes," which examines the relationship and separation of Nova Scotia couple Helena and Sandy Munroe, and document Burke's research work, interviews conducted, and travel plans made for the production of this program. Also included are viewer complaint letters sent to the CBC after the program aired. Records in this series include interview transcripts, newspaper articles, production materials, scripts, correspondence, copies of legal documents, travel itineraries, police records and audiovisual materials.

Series consists of records created and accumulated by Flemington in his work with Berkeley Studio, the media production centre for the United Church of Canada. Includes: correspondence; meeting minutes; memorandums; workshop and training materials; research and production files for film projects including, “Covenant” about the 6th Assembly of the World Council of Churches, in Vancouver (1983) and “These Things We Share” (1981), a United Church of Canada national television special.

Series consists of submissions, manuscripts, correspondence, notes and published materials related to Rachel Zolf's work as a literary and poetry editor. Series documents Zolf's approaches to editing as a freelance editor and in her capacity as poetry editor of The Walrus magazine. Files include information about the submission and editing process at The Walrus during Zolf's tenure. Records document Zolf's correspondence and editorial work with numerous poets, including Leonard Cohen, Lynn Crosbie, Dennis Lee, George Elliott Clarke, M.NourbeSe Philip, Christopher Dewdney, Michael Turner, P. K. Page, Robert Kroetsch, Sharon Thesen, Marilyn Hacker, Juliana Spahr, Billy Collins, Robert Creeley and Nicole Brossard.

Series consists of records pertaining to the CIBPA Toronto's special and social events. The records in this series document planning and organization for and attendance at the association's regularly scheduled annual events, such as its golf and tennis tournaments, Inaugural/President's Balls and family Christmas parties, as well as anniversary dinners, special receptions, dragon boat races, art gallery tours, picnics, Monte Carlo nights, costume balls, fashion shows, and dinner dances. Files in this series consist of correspondence, invoices, financial records, press releases, invitations, guest lists, agendas, certificates, programs, tickets, notices, newsletters, pamphlets and seating plans.

Series consists of correspondence written and received by Lee Lorch in his capacity as a mathematician, scholar, social activist, father and spouse. Also includes some correspondence received by his wife, Grace Lorch.

This series consists of John D. Harbron's personal correspondence from during his professional career as a journalist, author, and academic. This series also contains correspondence received from family and friends. Included are letters on naval and defence affairs, Latin American affairs, letters-to-the-editor, as well as photographs and newspaper clippings.

The series consists of course/lecture notes, research materials, correspondence, course syllabi, teaching proposals, course evaluations, official York University publications and other material related to Powe's instruction of courses at York University and Humber College, his position as Academic Advisor at Winter's College, the completion of his PhD, his applications for tenure and promotion, and his work as coordinator of the Creative Writing Program at York University. Also documented in this series are Powe's activities while a visiting scholar at IN3, University of Catalunya, Barcelona.

Series consists of records created and maintained by Pat Fleisher pertaining to her four art publications: Art Magazine (1969-1982), Artpost (1983-1992), Artfocus (1992-2004), and City Art (2004-2005), as well as her website, Artfocus Online (1996-2009). These records document Fleisher's work in the production of these publications, including magazine printing, article research and creation, procurement of advertisements and subscriptions, and magazine finances. Files in this series consist of correspondence, article drafts, photographs, artist bios and CVs, grant applications, invoices and financial statements, notes, art show notices, and audio cassettes. Also included in this series are copies of Society of Canadian Artists (SCA) newsletters from 1965 to 1968, edited by Fleisher.

Series consists of off-prints, photocopies and drafts of mathematical articles collected and preserved by Lorch for reference and research purposes. Some articles have correspondence and notes by Lorch attached.

Series consists of records created and accumulated by Theresa Burke in her role as a producer for a Fifth Estate program titled "Deathrow.com," which aired in 2003, and a program update that aired in 2006. These records, which include court documents, correspondence, production materials, newspaper and magazine articles, interview transcripts, prison records, reports, notes, and audiovisual materials, document Burke's research work, interviews conducted and her involvement in the production of film shoots.

Series consists of records pertaining to Steven Truscott's murder conviction and appeals, Fifth Estate documentary projects, and Julian Sher's 2001 book, "Until you are dead: Steven Truscott's long ride into history". These records were created and accumulated by Theresa Burke in her role as a researcher for Sher and later as a producer of "Fifth estate" Steven Truscott programs "His word against history" (2000) and "The Steven Truscott story: moment of truth" (2005). The records in this series document the extent of her investigative and archival research work on this subject, the details of the police investigation, Truscott's court cases and appeals, as well as her work to locate subjects and conduct interviews. Records in this series are correspondence, copies of court transcripts, police records and other archival documents, newspaper and journal articles, interview transcripts, photographs, contact lists, and audio and video cassettes.

Series consists of records created by Sig Gerber as a result of his work as a producer with the Canadian Broadcasting Corporation (CBC). These records include training manuals, booking calendars, show run-downs, production files, reports on broadcasting policy, press releases, producers' and directors' magazines, internal CBC memoranda and correspondence, program outlines, reports, promotional materials, scripts, photographs, and newspaper clippings about programs produced by Gerber. Also included in this series is a file of ephemera and photographs from Gerber's time at CHUM radio station in Toronto, where he worked before he joined the CBC.

Series consists of scripts, interview scripts, research material and original film and audio elements of a “light-hearted tribute” to Mozart. Directed by Larry Weinstein, the project was also known during production as “Mozart Balls” and “Mozart Lives!”. The documentary interviews eccentric and unique individuals, including a retired Swiss school teacher, an ex-pop musician in Oklahoma who believes her body is inhabited by Mozart’s spirit, an Austrian astronaut who carried a score of “The Magic Flute” and a chocolate Mozartkugein into space
and a computer genius whose software has created a new Mozart cello concerto. Produced by Rhombus Media.

Series consists of scripts, production documentation, props, set designs, promotional material and original film and audio elements (including episode masters, original film and dialogue overdubs) of the Rhombus-produced television series “Slings & Arrows”. Early drafts of scripts by Susan Coyen, Bob Martin and Mark Mckinney refer to the project as “St. Ratford” and “Shakespeareville”. Other writing credits are attributed to Tecca Crosby and Sean Reycraft for Season 3 of the production.
Directed by Peter Wellington, the plot revolved around “legendary theatrical madman” Geoffrey Tennant (Paul Gross) who returns to the New Burbage Theatre Festival (a thinly veiled Stratford Festival) to assume the Artistic Directorship after the sudden death of his mentor Oliver Welles (Stephen Ouimette). Geoffrey is haunted by Oliver throughout all three seasons of Slings & Arrows in which he stages and directs Hamlet, Macbeth and King Lear. Also starring Martha Burns as Geoffrey’s former flame/problematic lead actress Ellen Fanshaw and Mark McKinney as the festival’s scheming General Manager Richard Smith-Jones. Also stars Geraint Wyn Davies, William Hutt, Colm Feore, Sarah Polley, Rachel McAdams, Luke Kirby, Sean Cullen and Don McKellar.
Each season featured a musical number sung written by Lisa Lambert and Greg Morrison by actors Michael Polley and Graham Harley.
Slings & Arrows was broadcast in Canada on Movie Central and The Movie Network channels in 2003, 2005 and 2006. It was later broadcast on the Sundance Channel in the United States.
The production received Gemini Awards for the best dramatic series and best writing in a dramatic series in 2006 and 2007, best direction in a dramatic series for Peter Wellington in 2006, and acting awards for Paul Gross (2004 and 2007), Martha Burns (2006), Susan Coyne (2006), Rachel McAdams (2004), Mark McKinney (2006) and Stephen Ouimette (2007). The series also received awards from the Writers Guild of Canada Awarded for best drama series in 2004, 2006 and 2007 and awards from the Directors Guild of Canada for picture editing (2006 and 2007), sound editing (2004) and outstanding television series drama (2006).

Series consists of records pertaining to gigs outside the regular broadcast season. For example, Live at the Bayview; stage show scripts; "symphony show" files including orchestral scores; tribute events; Farce Stage tour, etc.

Series consists of records pertaining to Barndt’s involvement with a number of York University/Faculty of Environmental Studies projects, including the YUFA Women's Testimonies Project, curriculum diversity and equity workshops, and the Transforming Space into Place project. These records include research materials, correspondence, reports, notes, proposals, e-mail, memoranda, workshop materials, meeting minutes and agendas, budgets, transcripts, photographs and video cassettes.

Series consists of records created and accumulated by Marilou McPhedran pertaining to the activities of the Ad Hoc Committee of Canadian Women on the Constitution, a national non-profit organization of Canadian women's groups and individuals formed in January 1981 to ensure equality rights for women were included in the new Canadian Charter of Rights and Freedoms. Records in this series document McPhedran's involvement as co-founder, organizer and participant with the committee and its activities, including the National Workshop on the Charter in 1981; Conference of Canadian Women and the Constitution in 1982; Critical Perspectives on the Constitution in 1983; and the National Symposium on Equality Rights in 1985. Also documented in this series is the committee's re-emergence in the late 1980s and early 1990s to challenge constitutional amendments proposed in the Meech Lake and Charlottetown Accords, and to celebrate the 25th anniversary of the Ad Hoc Committee in 2006, commemorated with a conference, the Canadian Forum on Women's Activism. Files include reports, journal articles, newspaper clippings, notes, pamphlets, government publications, legal documents, transcripts, affidavits, grant applications, photographs, financial statements, memoranda, correspondence, day planners, and assorted ephemera.

Series consists of records pertaining to a libel lawsuit brought against Marilou McPhedran by the Ontario Medical Association (OMA) regarding a 2001 article titled "First, do no harm", written by McPhedran for the "Globe and Mail" newspaper. These records document the court appeal of Dr. Anil Mussani, who was found guilty of the sexual abuse of a patient by the College of Physicians and Surgeons, and the OMA's role as intervenor, the nature of McPhedran's response to the lawsuit, and negotiations for the settlement of the case. Included in the series are research and preparatory materials for the lawsuit, some pertaining to McPhedran's work as chair of the Task Force on the Sexual Abuse of Patients, which she headed in 1991 and 2000. The records in this series include legal documents and transcripts; reports; journal, magazine and newspaper articles; correspondence and memoranda.

Series consists of documents created or accumulated by Knowlton Nash in the course of his work with the Canadian Broadcasting Corporation. The records are generally arranged in chronological order (files with the title, "CBC," in the file list), but many documents were pulled together into subject files on a particular topic. The series includes letters and memoranda involving programming and journalism issues, including the evolving nature of television news coverage, the impact of ratings, and journalistic appointments, as well as mementos from political conventions covered by Nash. These records cover a wide range of topics, including: contract negotiations between Nash and the CBC; Nash's proposals for changes to news reporting; the CBC Correspondents Association; the federal government's control over news coverage during the October Crisis, 1970; protection of sources, including legal action against Nash; the impact of controversial programs, such as the hearings over "Air of death" that dealt with air pollution in 1967 to 1968, and libel actions involving various CBC correspondents; the departure of Lloyd Robertson for CTV News in 1976; the policy governing access by prime ministers to the CBC for broadcasts; Nash's statement to the Canadian Radio and Television Commission regarding the CBC's application to renew its license in 1978; the action by the Canadian Union of Public Employees against the CBC and Knowlton Nash in an attempt to stop journalists from reading the news on television, 1978 to 1980; development of The National and The Journal and the move of nightly news to 10:00 p.m.; Nash's decision to step down as Chief Correspondent in 1988 and his retirement in 1992; news specials on the 50th anniversary of D-Day in 1994; presentations to the CBC Board of Directors on the future on television news reporting during retreats from 1996 to 2001; and an unpublished manuscript on the news show, The Fifth estate. The series also includes several published reports on the CBC, its history, mandate, policies, and future.

Series consists of story outlines, edited scripts, lists of film and sound rolls, interview questions, travel documents, promotional material, budgets, research notes, and correspondence for episodes of the series that involved Sig Gerber. The episodes deal with spiritualism within First Nations communities, musicians such as Mac Davis, Ocean, the Perth County Conspiracy and Bruce Cockburn, reproduction and the question of what it means to be human, genetics and the scientific control of evolution, population explosion and the global food crisis, the struggle to overcome physical disabilities, religious faith in Cuba, exploitation of Caribbean countries by tourism, and the work of theologian Hans Kung. Also included in the series are files pertaining to awards won by Gerber-produced "Man alive" episodes.

This series contains John D. Harbron's reseach and resources, including notes, reports, essays, various publications and newspaper clippings, covering topics related to Cuba and Latin America. Harbron's files concentrate on various aspects and the affairs relating to pre-revolutionary Cuba, revolutionary Cuba, and post-revolutionary Cuba, and Latin America. There are several files with research on Canada-Cuba and Canada-Latin America relations. The files in this series also contain correspondence, photographs, items from a trade development mission to Cuba, and information on Cuban exiles and armed forces, and Latin America's military forces.

Series consists of records relating to Don Simpson's involvement in various projects relating to Aboriginal people in Canada. Series contains general resource material, such as reports, articles, and brochures/information from various organizations. Series also consists of records relating to CBC Project North, a Native broadcasting system for the North, including notes, drafts, reports, correspondence, brochures, information sheets and other records. Series also consists of various records relating to land claims in the 1970s, most particularly Simpson's involvement with the Indian Brotherhood of the Northwest Territories, the Southern Support Group, and the Dene Nation's opposition to the construction of the Mackenzie Valley Pipeline. Simpson served for 4 years as co-chairman (with Peter Russell) of the Southern Support Group of the Dene Nation and delivered a presentation to Mr. Justice Thomas R. Berger, Commissioner of the Mackenzie Valley Pipelines Inquiry in Yellowknife in April 1976. Records relating to land claim issues include copies of treaties and agreements, news clippings and media coverage, reports, correspondence, speeches, government publications, posters and buttons. Series also includes records relating to the activities of the Northwest Territories Education Task Force, a major research project in the 1980s, for which Simpson served as Director of Research. Records include reports, notes from meetings and community hearings, and other records.

Series consists of records created and accumulated by Theresa Burke as producer for a Fifth Estate program titled "You be the judge" (2006) about Wayne Carlson, a convicted bank robber and thief, his rehabilitation and re-arrest, and his appearance before the National Parole Board. These records, which include correspondence, scripts, interview transcripts, production materials, and video cassettes, pertain to Burke's research and interview work for this project and the production of the program.

Series consists of files pertaining to courses taught by Forer at York University’s Department of Biology. These files include course materials such as syllabi, outlines, reading lists, handouts, examinations and tests, as well as correspondence and Forer’s lecture notes.

The series contains John D. Harbron's published and unpublished writings, including articles, essays and story proposals. Article clippings and correspondence are available from Business Week, as well as film scripts written for the National Film Board, speeches, editorials, and selected Thomson column clippings. Also included is the complete record of Dr. Harbron's column in The Miami Herald (1969-1999), the longest continuous column to date on Canada in American newspapers, concentrated on Canada's various relations with the USA, Latin America, and Canada-Cuban relations, and readers' correspondence. Articles written for Canadian newspapers, such as The Globe and Mail (1960s-1990s), The Financial Post (1950s-1970s), and The Toronto Telegram, also form part of this series. The series also includes articles written for Christian Science Monitor, the New York Times, and various other American newspapers. As well, the series includes several tear sheets of articles by Harbron from Spanish publications. The articles in this series cover a wide range of topics in Canadian business and politics, as well as international affairs, with articles about Europe, USA, Cuba and Latin America.

Series consists of personal and professional letters and cards received by J.W. (Hans) Mohr from friends and colleagues including Harry W. Arthurs, Roderick A. Macdonald, Robert (Bob) Siemens, Michel Silberfeld, Bob Glossop, Istvan Anhalt, Peter Bieselt, Richard Cullen, and Cyril Greenland discussing philosophy, law reform, law and education, the effects of law on society from the 1960s to the late 1990s, upcoming publications, criminology, sociology, publishing, current events, political theory, legal theory, psychiatry, psychology, conferences, seminars, university policies and academic standards, history, religion, perspectives on educating university students, and events in their personal lives. File also consists of correspondence regarding publication of Hans Mohr’s manuscripts, the death of Ingeborg Mohr, Hans Mohr’s illness, condolences to the Mohr family on Hans’s death, and personal notes and revisions of articles

Series consists of greeting cards, postcards, correspondence, personal notebooks, photographs and a guestbook from Ingeborg's art exhibits. Greeting cards express holiday and birthday messages, in addition to remarks on Mohr's 50th wedding anniversary and condolences on Ingeborg's death in 2004. The postcards were sent to Mohr from family and friends with images of European cities such as Dresden, Vienna, Edinburgh, Paris, and Athens, as well as Canadian cities such as Montreal and Vancouver. In addition, the series includes two handwritten personal notebooks by Mohr in German from the 1950s, two notebooks of early poetry, and handwritten correspondence between Mohr and his friends from when he travelled to Canada.

Series consists of scripts, posters and audiovisual material of Toronto casting interviews, a promotional kit and a Turkish dub of the film “Snowcake”. Directed by Marc Evans, “Snow Cake” is a story of love and the unorthodox friendship that develops between an autistic woman Linda (Sigourney Weaver) and Alex Hughes (Alan Rickman) who is responsible for the death of her daughter. Also stars Carrie Ann Moss. Co-Produced by Rhombus and Revolution Films.

Series consist of works written, translated or adapted by Moore including typescripts and drafts for radio plays such as 'Ottawa man' (1960), 'Three enigmas' (1969-1970), and 'The store' (1972), as well as a series of 'Ontario School broadcasts' for the CBC on ancient and Canadian history, literature and the arts. There are also typescripts and drafts of scripts for television both by Moore and by others including, 'Getting in' (1971), 'Catch my death,' 'Crime lab,' as well as various literary works turned into scripts by Moore such as 'The fall' (Camus), 'To tell the truth' (Morley Callaghan), and 'Yesterday the children were dancing' (Gratien Gelinas, translated by Moore). There are files of correspondence, notes, scripts, and background material related to productions with which Moore was associated (1948-1963) and there are audio recordings of various productions including 'Belinda 75,' 'Louis Riel,' and 'Sunshine town.' The series also includes correspondence, newspaper clippings, programmes and other material related to Moore's treatment of 'Johnny Belinda' (based on a play by Elmer Harris), staged at the Charlottetown Festival, as well as scripts, correspondence, musical scores, posters, photographs and other material related to the writing of 'Sunshine town.' The series contains six scrapbooks of Moore's column, 'About the theatre,' from the Toronto Telegram (1959-1960), notes, drafts and manuscripts of Moore's memoirs entitled 'Re-Inventing Myself' and extensive documentation of Mavor Moore and Louis Applebaum's collaboration on the opera 'Erewhon.' It also contains records of Moore's production company Mavor Moore Productions.

Series consists of documents created or accumulated by Knowlton Nash as a result of his involvement with various organizations, or his work as a journalist before and after his career with the CBC. Files pertain to: Washington through Canadian eyes, a newsletter written and published by Nash from 1958 to 1959; the United States election of 1966 and the last electoral campaign of Robert Kennedy in June 1968; job offers during the 1960s; the Canadian Business Hall of Fame; relations between Canada and the United States during the 1990s; Quebec sovereignty between 1991 and 1995; the Canadian Institute of International Affairs; Nash's work as Chair of the Advisory Council for the Canadian Organization for Development Through Education (CODE); correspondence regarding Christmas functions held by Knowlton and Lorraine Thomson Nash; his work as spokesperson for the Cystic Fibrosis Foundation and the Developing Countries Farm Radio Network; Nash's work as a Director of the Gordon Sinclair Foundation; creation of the Knowlton Nash Prize in Journalism, 2000; his involvement with the National Speakers Bureau from 1987 to 2006; the Toronto Arts Award and Word on the Street; columns for the Osprey Media Group and The Globe and Mail; Nash's relationship with the University of Regina, School of Journalism and Communications from 1981 to 2005 (including his teaching notes for 1992-1993); awards presented to Knowlton Nash, including his honorary doctorate from York University in 2005; and general research notes on media.

Series consists mainly of photographs depicting Norman Campbell, Elaine Campbell and actors, dancers, crew and other colleagues from productions on which he worked. Many photographs were taken by Campbell. Also included are some textual records that accompanied the photographs, newspaper clippings pertaining to Campbell’s death, an audio recording of an interview with Elaine Campbell, and posters.

Series consists of records accumulated by Marilou McPhedran pertaining to the work of the Program Advisory Committee of the Canadian Firearms Program, formed in February 2003, on which McPhedran served as a member until its disbandment in 2005. The records in this series document the general activities of the committee, particularly its quarterly meetings held in Ottawa, Ontario. Also included in this series are records pertaining to the Coalition for Gun Control, with which McPhedran was associated prior to and during her time on the Program Advisory Committee. These records include correspondence, reports, government documents, agendas, notes, news releases, fact sheets, briefs, newspaper clippings, and presentation slides (paper version).

A retrospective of the life and work of Glenn Gould, the film draws heavily on archival material from various sources, some previously unreleased. Made as if narrated by Gould himself. Directed by Bruno Monsaingeon and 106 minutes long, the documentary was co-produced by Rhombus and Idéale Audience.

Series consists of scripts and one digital betacam tape relating to François Girard’s adaptation “Silk”. Based on the novel by Alessandro’s Baricco’s novel, Silk follows to struggles of Herve Joncour (Michael Pitt) a nineteenth century French silkworm smuggler, who is caught between his wife Helene (Keira Knightely) and the Japanese concubine (Sei Ashina) he encounters while traveling in Japan. Also stars Koji Yakusho. Co-produced by Rhombus, Fandango, and Bee Vine Pictures.

Series consists of the text of speeches delivered by Knowlton Nash to a wide variety of audiences across Canada. The speeches focus on broadcast journalism and television news services, either in the general context of CBC programming, or tailored to reflect the content of a book written by Nash. Themes include the importance, standards, and ethics of journalism, its relationship with politics, and the role of television news reporting in developing a democratic society, a national identity, and national unity. Many of the speeches were arranged by CBC officials, in order to raise the profile of its news and information services and to develop connections between operations based in Toronto and Canadians at a local or regional level.

Series consists of documents created or received by Knowlton Nash in his capacity as founding Chairman of the Canadian Journalism Foundation, an organization created in 1990 to promote excellence in journalism through education, dissemination of information, and recognition. These records trace the origins of the Foundation at the Niagara Institute in 1989, as well as its development until Nash left the Board of Governors in 2002. The files contain minutes of the Executive and Awards committees and the Board of Governors, financial statements, correspondence and reports that pertain to all aspects of the Foundation's activities, including strategic planning, fund-raising, and the recognition of outstanding Canadian journalists. The series concludes with a file devoted to the presentation of the Foundation's Lifetime Achievement Award to Nash in 2006.

Series consists of records pertaining to Marilou McPhedran's involvement with the International Women's Rights Project (IWRP), founded in 1998 and initially based at the Centre for Refugee Studies at York University. The records in this series document McPhedran's work as founding director to fulfill the project's mandate, which was to strengthen the capacity of women's non-government organizations through research and activism to influence the implementation of international human rights standards. These records reflect IWRP's initial primary focus on the Convention on the Elimination of Discrimination Against Women (CEDAW) Impact Study and Report, but also document projects that emerged from the CEDAW project, including initiatives regarding women's rights in Afghanistan and a project with the Kharvik Centre for Women's Studies in the Ukraine. Records in this series span the period of McPhedran's involvement with IWRP as founder, director and co-director, both at York University and at the Centre for Global Studies at the University of Victoria, from 1998 to 2005. Records in this series include reports, correspondence, papers, newsletters, notes, memoranda, journal articles, photographs, fact sheets, grant proposals, notebooks, budgets, electronic records, audio cassettes, and grant proposals.

Series consists of footage captured by an African Nova Scotian/Indigenous Black family documenting the celebrations of and interviews about Kwanza, New Years, and a Christmas tree lighting. Footage captured by LeMeia Reddick.

Series contains various general information and correspondence related to sugar-producing countries, including notes, newspaper clippings, photographs, pamphlets and reports. Files are organized alphabetically by country name. Some photographs may be disturbing.

Series consists of correspondence and cards received by Rita Greer Allen as well as copies of her outgoing correspondence and photographs. Much of the correspondence in this series is personal in nature, organized by the surname of the correspondent. Correspondents include Earle and Esther Birney, theatrical agent Elspeth Cochrane, Reva and Leonard Brooks, members of the Weyman family, Jack Shadbolt, Hugh MacLennan, Lady Susan Tweedsmuir, Charles Wassermann, and many others.

Series consists of production notes, post-production ADR reports, production stills, posters, a ‘making-of’ featurette and original film elements of the 2004 feature film “Childstar”. Written and directed by Don McKellar, the film centers on sitcom icon Taylor Brandon Burns (Mark Rendall), the world’s most famous child actor who disappears while filming in Canada. Don McKellar stars as Rick, the boy’s driver and Jennifer Jason Leigh as ruthless stage mother.

Series consists of videocassettes created or accumulated by the Toronto CIBPA. These videocassettes document association events, such as dinner meetings and the President's Ball, awards and conferences, and include video footage of interviews with CIBPA members and leaders. Some of the items in this series are copies of news coverage from local multicultural television channels OMNI News and CFMT Television.

Consists of ratings information and audience research tracking the popularity of Air Farce radio and television programs.

Series consists of records created and accumulated by Theresa Burke in her role as a producer for the CBC program The Fifth Estate. These records pertain to the family history of Gerry Clark, son of Sanford Clark, the Saskatchewan-born boy involved in the Gordon Stewart Northcott serial murders in California. The files in this series consist of copies of court transcripts from the 1929 murder trial of Gordon Stewart Northcott as well as copies of Northcott's prison correspondence and appeal documents. Other records in this series are interview transcripts and notes, correspondence, travel itineraries, production materials, newspaper articles, and notes pertaining to Burke's research about Gerry Clark, who was considered a possible suspect in the 1962 murder of Alexandra Wiwcharuk. The materials in this series may be connected to Burke's work as producer for Fifth Estate documentaries about Wiwcharuk's murder, "Death of a beauty queen" and "The girl from Saskatoon."

Series consists of records pertaining to Gilbert’s attendance at conferences and his professional and personal associations, as well as miscellaneous subject files. Records in these files include conference materials and papers, correspondence, and photographs.

Series consists of two scripts and one oversize European poster of the 2004 feature film “Clean” written and directed by Olivier Assayas
The film follows the efforts of Emily Wang (Maggie Cheung) to rebuild her fractured life after the death by overdose of her washed-up rock star lover Lee Hauser (James Johnston), and her imprisonment on charges of drug possession. She returns to Vancouver where her son Jay lives with Lee’s parents Albrecht (Nick Nolte) and Rosemary (Martha Henry).

Series consists of scripts, interview transcripts, research material and correspondence, as well as original film elements of the 2005 documentary “Beethoven’s Hair”. Directed by Larry Weinstein, the 84 minute film traces the journey of a lock of hair cut from Beethoven’s corpse and efforts of two enthusiasts Ira Brilliant and Che Guevara to reveal medical evidence to explain the composer’s tortured life and death. Set to score of some of Beethoven’s best compositions, the film explores forensic testing, 19th Century Vienna and 20th century Nazi Germany. Based on Russel Martin’s best selling book, “Beethoven’s Hair” was co-produced by Rhombus and Dor Films and includes archival footage of Nazi-era Germany and Denmark.