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Fonds consists of records created and accumulated by Frank Zingrone pertaining to his university education, his work as a professor of communications at York University, and his activities as a writer and critic. These records include personal and professional correspondence, subject files and notes, memorabilia, conference materials, student papers, lecture and course materials, as well as article drafts and manuscripts for published and unpublished works including "Addiction to illusion" (unpublished), "The media symplex", "Strange attraction" (poetry) "Who was Marshall McLuhan?", "The invisible revolution", "Essential McLuhan" and "Traces" (poetry).

Fonds consists of notes and interview transcripts of Ilda Januário, produced during her research on Portuguese women in Quebec; administrative documents from her work with the Comite Lar dos Idosos and the Portuguese-Canadian Coalition for Better Education and the Toronto Portuguese Parents Association (TPPA).

The fonds consists of material documenting Ben Wicks’s work as a cartoonist, author, public speaker, television personality, humanitarian, and journalist. The records include material related to published books and booklets, original drawings and cartoons, research files, speeches, scrapbooks and clippings, diaries and day planners, published books, and audio recorded oral histories with members of the Jewish diaspora that immigrated to Israel during the 1920s – 1950s. Also included are records pertaining to Ben Wick’s investiture into the Order of Canada and episodes of “Ben Wicks,” an interview format television show that aired on the Canadian Broadcasting Corporation (CBC) channel in the late seventies, early eighties. 

Fonds consists of material related to the professorial career of Paul Herzberg, including course files relating to undergraduate and graduate courses in computer science and psychology and the Keller Plan statistics course. Fonds also includes material that documents other personal and professional activities, including textbook notes and drafts, diaries, personal correspondence and reference letters. Records have been arranged by the donor into the following series:

Fonds consists of records documenting Brian Freeman’s career as a writer and producer of plays, television and film. Records include scripts, script reports, notes, outlines, correspondence, subject files, promotional materials, photographs and moving image recordings.

Fonds consists of project files created by William Wicken through his work as researcher and expert witness in projects and legal cases involving Mi'kmaq treaties, and their rights to hunt, fish, and trade. The files include correspondence with counsel for the Crown and the defense, reports on Mi'kmaq society and land treaties based on original research using archival and published documents, legal and historical opinions on the interpretion of treaties and unexhausted rights under section 35 of the Canadian Constitution, and reproductions of documents used in provincial and appeal courts in Nova Scotia, New Brunswick, Newfoundland, and the Supreme Court of Canada. Some files deal with issues of governance, and negotiations with the federal departments of Indian and Northern Affairs, and Fisheries and Oceans. Other files contain information on aboriginal title research involving the Mi'kmaq of Gaspe and Prince Edward Island. The fonds also includes Wicken's research notebooks from 1994 to 2002, and his daily appointment books from 1993 to 2007. The fonds offers considerable information on research into aboriginal land titles in Atlantic Canada and Quebec, and the major role played by professional historians in addressing issues of legal rights and cultural identities.

Fonds consists of correspondence, manuscripts, typesets, cover art, notebooks, video and audio recordings, research materials, photographs, published journals and copies of articles and interviews about Zolf and her poetry. The records document Zolf's work as a poet, editor, critic and as a documentary and experimental filmmaker. Poetry files provide information about Zolf's work in researching, financing, writing, editing and publishing her poetry and her relationships with other poets. Editing files document Zolf's work as a freelance editor and as the founding poetry editor for The walrus magazine. Video production files document Zolf's work as a researcher, producer and director of documentary and experimental video and film.

Fonds consists of records created by Sig Gerber in his role as producer of several series for the CBC. Gerber's production responsibilities included overseeing the creative aspects involved with story proposals, research, script writing, and direction for each episode, as well as the management of technical components and financial resources. The fonds contains other documents related to the series' production, including reports, correspondence, meeting notes, handwritten notes, scripts, videocassettes, and promotional items, as well as reports on the CBC's broadcasting policies and the network's promotional material. Also included in this fonds are materials pertaining to Gerber's work as a trainer for the CBC Training and Development Department, miscellaneous internal CBC memoranda (1968-1996), and a file of ephemera and photographs from Gerber's time working at CHUM Radio in Toronto (1961-1964).

Collection primarily consists of Witmer's audio-visual field recordings of interviews and musical performances, in addition to students' ethnomusicology research field recordings. His research files as an ethnomusicologist are also included and consist of lists, indexes, musical scores, notes, interview transcripts, programs, essays, newspaper clippings, song books, correspondence, and newsletters.

Fonds consists of records documenting Beverley Salmon's work as an activist and as a North York and Metro Toronto Councillor. Records primarily pertain to subjects including race relations, the Toronto Transit Commission, the building of a subway to York University, and her involvement with the Federation of Canadian Municipalities. Records include correspondence, agenda packages, reports, notes, news clippings, and conference material.

Fonds consists of correspondence, contracts, newspaper articles, and musical arrangements created or accumulated by Jack Kane between 1950 and his death in 1961, with some material added or reproduced in subsequent years. The letters focus on his relationship with his fans across Canada and in the United States, particularly during the late 1950s and early 1960s while Kane was appearing on television. The correspondence deals with the popular reaction to Kane's music (including differences in generational tastes between classical and jazz music) and the aspirations of amateur song writers, performers and often their parents seeking advice on getting into show business; much of it was answered in sometimes lengthy letters that include Kane's insights on composing and his decision to stay in Canada after achieving success in New York. One file contains promotional material and contracts with the CBC for "Music makers '58" and "Music '60"; the contracts list the musicians who played with Kane, such as Moe Kaufman, Ellis McClintock, Murray Ginsberg, and John and Joe Niosi. Photographs include promotional portraits and images of Kane with Steve Lawrence and Duke Ellington. This graphic material is considerably supplemented by a photocopied album of newspaper clippings that trace Kane's career on radio and television from 1950 to 1961, as well as national coverage of his death. Three audio discs capture two of Kane's original compositions in 1950 and 1951, as well as his first and last recordings with commercial labels. The bulk of the fonds consists of Kane's musical arrangements with manuscript annotations, arranged by the title of the score and usually attributed to the television show on which it was performed.

Fonds consists of correspondence, notes, reports, essays, publications, flyers, and other documents created or received by Ellie Prepas while a graduate student in Environment Studies at York University about the Waffle movement within the New Democratic Party, including environmental initiatives, the Mackenzie Valley pipeline, opposition to foreign ownership of Canadian resources and industries, her candidacy for the NDP in the riding of Toronto Trinity and her involvement with the North Metro Waffle, and the Waffle Women.

Fonds consists of records related to the development and activities of the Cephalonia-Ithaca Association of Toronto including correspondence, event planning documents, membership lists, invoices, business records, meeting minutes, newsletters, advertisements and related ephemera.

Fonds contains records which document the advocacy and educational campaigns of the Portuguese Interagency Network, its relationships with community service agencies in the Greater Toronto Area, and its administrative history. Records include: grant applications, membership lists and applications, correspondence, promotional material, advocacy and educational campaign material, newsletters and surveys. The material of each Working, Standing, and Ad-Hoc Committee, such as meeting minutes, agendas, notes, and promotional materials, are also included. Fonds also contains records which document the relationship between PIN and other community service agencies in the Greater Toronto Area, such as meeting minutes, correspondence, reports, and press releases.

Audio-visual material includes advocacy and education campaigns and recordings of national conferences.

Fonds consists of textual and graphic materials, including business records, photographs, artwork and other material, created and accumulated by Patricia (Pat) Fleisher in her capacity as an artist, photographer, art critic, art show organizer, and magazine editor and publisher of "Art Magazine", "Artpost", "Artfocus", "City Art" and the "Artfocus Online Art Magazine". Also included in this fonds are records pertaining to Fleisher's role as a member and treasurer of AICA Canada, her creative and freelance writing, and her work as an independent art appraiser.

The fonds consists of material related to John Smith's personal life and to his professional career as a writer, producer and director. It includes screenplays, draft notes for works in progress, shot lists, story boards, call lists and shooting schedules, casting and contact lists, correspondence, research files, press clippings, financial records, and selected printing elements for 16mm and 35mm productions, rough assemblies, rushes and outs on VHS and Beta videocassettes and DVDs.

The fonds is organized into the following series:

The fonds consists of records documenting Stevie Cameron's career as a journalist and author, and is rich in a wide range of annotated research material including extensive chronologies and detailed notes, records obtained through FOI requests or supplied by interested parties and fellow journalists, correspondence between the author and her peers, members of the public, annotated copies of government documents and clippings, interview and court transcripts, clippings, audio recordings of research interviews conducted by Cameron, sound recordings of some public hearings, drafts and manuscripts for her newspaper articles and in particular her books, including 'Ottawa Inside Out' (1989), ‘On the Take’ (1994), 'Blue Trust' (1998), and 'The Last Amigo' (2001).

Fonds consists of production elements, promotional materials and recorded and transcribed interviews with subjects for the tv cooking series or ''docu-comedy' "Loving Spoonfuls" created and produced by Allan Novak, that aired from 2000-2004. The show featured Canadian grandmothers from various ethnic, cultural and vocational backgrounds.

Fonds consists of Morris's teaching notes; research notes on Canadian filmmakers and Canadian film topics reviews of Morris's books, notes and research files for his book David Cronenberg : A delicate balance; Canadian Encyclopedia of Film files; Film Studies Association of Canada files; original notes, documents and correspondence pertaining to Canadian film in the 1960s; CBC minutes from the 1930s; research material on John Grierson; files on individual Canadian films; notes on his archival research; nots of public film archives in Canada; misc files on Canadian film topics; annotated research files on the Canadian film industry, Canadian film personalities, bureaucrats, independent films, documentaries, censorship, exhibitions, the National Film Board; Canadian film research reports (1939-1953); masters papers by students doing research on Canadian cinema; research file on Nell and Ernest Shipman; John Grierson research files; research files on Canadian television and on the CBC.

Fonds consists of the personal records of Richard O'Hagan documenting his career in the field of journalism, communications, and public relations. It includes personal correspondence; files related to his work as special assistant to Canadian Prime Minister Lester B. Pearson (1963-1966); files related to his work at in the Information Division at the Canadian Embassy in Washington (1966-1976); files related to his work as Prime Minister Pierre Elliott Trudeau's Special Advisor on Communications (ca. 1975-1979); articles written for the Toronto Telegram; diaries; subject files; research files; book research files and drafts; personal and family photographs; and travel and expense reports.

Fonds consists of records created and accumulated by John D. Harbron, his wife Sheila E. Harbron, and some other members of their extended family. The collection mainly consists of John D. Harbron's correspondence, newspaper articles, and his personal, professional, and academic research and writings about Cuba and Latin America. The files also include essays and speeches by Harbron, as well as correspondence with editors and dignitaries, both national and international. The fonds also includes a large number of articles written by John D. Harbron for Canadian and international publications. The files belonging to Sheila Harbron contain personal records as well as genealogical research files, which include records and photographs tracing the Buck, Harbron, Hardy, Lester, Matheson, and Ryerson families.

Additionally, John D. Harbron's Cuban and Latin American book and pamphlet collection has been added to the Special Collections.

Consists of Dosman's project records and research files pertaining to his critically-acclaimed biography of Raul Prebisch. There are project correspondence files including photographs, notebooks, letters and notes from Prebisch's widow, interview files, and secondary biographies; special correspondence files between Prebisch and his colleagues and contemporaries; unpublished transcripts of Prebisch's "conversations" with colleagues; tributes on the occasion of Prebisch's death; manuscript drafts; copies of Prebisch texts and writings; considerable rare secondary source material from Argentina, Chile and other South American countries, CEPAL, critics and scholarly papers; correspondence files; government documents; office correspondence between CEPAL Santiago to Washington (primarily when David Pollock was Director of the Washington office of CEPAL during the period when Prebisch was resident in Washington and advisor to Enrique Iglesias, Executive Secretary of CEPAL); World Bank library documents; IMF library documents; UNCTAD correspondence and documents; Prebisch's office correspondence files; press clippings; and other material.

Fonds consists of records pertaining to Frank Barrett's work as a university professor and his research and writing in the field of geography. These records include undergraduate and graduate essays, published papers, drafts, presentations, grant files, research materials including reproductions of maps and atlases, photographs, audio cassettes, videocassettes, teaching files, course notes, correspondence, raw data and questionnaires from Barrett's housing studies, as well as Atkinson College Geography department newsletters. The fonds also includes correspondence, book proposals and prospectus, drafts, and reviewers' comments for Barrett's "Disease and Geography: The History of an Idea".

Fonds consists of records documenting the organizational structure, development and activites of the Canadian Association for Latin American and Caribbean Studies (CALACS), including its annual Congress (conference) and meetings of its executive committee. Records include minutes, agendas, a constitution, reports, grant applications, correspondence, conference materials, issues of the Association newsletter and other publications.

Fonds consists of records accumulated and retained by Malcolmson and Barber and include copies of the Waffle Newsletter, documents pertaining to the NDP convention in Winnipeg in October 1969, resolutions prepared by the Waffle movement for consideration by riding associations, union locals and youth clubs, minutes of meetings of the National Waffle organization, miscellaneous items pertaining to various Waffle groups from British Columbia, Saskatchewan, Manitoba, Ontario and Toronto in particular, discussion and draft policy papers, correspondence between Wafflers, and an off-air excerpt of a CBC documentary about the challenge from the Waffle at the 1969 NDP Convention. Fonds also includes Barber's research notes pertaining to the Liberal Party of Manitoba during the 1960s, and copies of newsletters and Liberal Party conference delegate lists collected by Barber as a member of the Manitoba Young Liberal Association, and a book on Manitoba politics containing a chapter written by Barber on Manitoba's Liberals, 2010.

Fonds consists of Boughton's research and project files pertaining to her book 'Margaret Laurence : a gift of grace ; a spiritual biography' published in 2006. Records include audio recordings of interviews, transcripts, archival research notes, a final draft, publisher correspondence, congratulatory notes, tour information, clippings, and reviews.

Fonds consists of records documenting Harvey Cashore's work as a journalist, writer and television producer throughout three decades of covering the Airbus story, including work on four books and several documentaries for CBC's "The Fifth Estate," all of which formed a personal storyline documented in his 2010 book, "The Truth shows up," about his experiences investigating Airbus, Karlheinz Schreiber and Brian Mulroney. These records are primarily research files, which include correspondence, newspaper and magazine articles, notes, transcripts, government documents, photographs and audio cassettes, as well as manuscripts for "The Truth shows up."

Fonds consists of Briskin's teaching and personal files and files pertaining to her work as the first coordinator of the York University Faculty Association (YUFA)'s Standing Committee on Equity.

Fonds consists of records pertaining to Daniel Drache’s work as a professor of political science at York University, his role as director of the Robarts Centre for Canadian Studies, his academic writing and research. These records include correspondence, draft and published articles, course materials and student papers, research materials, grant applications, project proposals, as well as audio cassettes and DVDs. A small amount of personal correspondence and photographs are also part of this fonds.

Fonds consists of administrative and organizational files pertaining to the activities of the International Commission for the Coordination of Solidarity Among Sugar Workers (ICCSASW), particularly with regard to national and regional seminars, international sugar workers conferences and solidarity campaigns. It also contains committee meeting minutes, financial records, fundraising files, correspondence with unions and other organizations, newsletters, photographs, videos, taped interviews and publications related to ICCSASW activities. The fonds also includes some items from the Sugar Workers and Industry Education Resource Library (SWIERL).

Fonds consists of film elements and finished products of three documentary films by Marshall Golden (1962-2010), completed while a Film Studies student at York University. Also inculdes photographs of Marshall as a university student and young man.

Fonds consists of records accumulated and created by David Orin Charles pertaining to his involvement in the production of theatre, film and television in Canada and the United States from 1959 to 2011. The records in this fonds document Charles's early work in theatre as an actor, set designer and lighting director, as well as later work as on-set dresser, set decorator, set designer and prop master for films, television and television commercials. These records are primarily scripts and related production materials that were collected or created by Charles, which include photographs, drawings, architectural drawings, crew and cast lists, storyboards, call sheets, research materials, shooting schedules, budget documents, and correspondence.

Fonds consists of notes, edited manuscripts, and research materials related to various published and unpublished works by Hédi Bouraoui, including “La Tour CN,” “La Pharaone,” “Musocktail,” and “Bangkok Blues.” It includes personal and professional correspondence, as well as clippings about Bouraoui and reviews of his work. Also included are several sound and audiovisual recordings of poetry and novel recitals, conferences, and interviews.

Fonds consists of the administrative records of the Caribbean Cultural Committee created and accumulated by Kenneth Shah in his role as a founding member, including material such as correspondence; band registration forms and regulations for band competitions; constitution drafts; financial documents; meeting minutes; Shah’s sketches for parade costume designs; and program proposals. Other materials include issues of newspapers and magazines that provided media coverage of the Caribana Festival each year; Shah’s personal photo and film collection documenting Caribana and other Carnival festivals in Trinidad and Tobago, Toronto, Montreal, and New York; Shah’s mas bands throughout the years; and promotional material for Caribana such as brochures, pamphlets, festival guides, event programmes, and flyers.

The fonds documents John Tupper Saywell' university career as well as his research activities in the field of the Canadian political history. The fonds consists of his professorial files, 1969-1979; sound recordings and transcripts, 1935-1961; his photograph collection; research files, [198-]; and political cartoons, [183-]-1993.

The fonds consists of minutes, annual reports, newsletters, financial records, membership lists, reports, press clippings, briefs and submissions to governments, president's diaries, membership directories, committee reports, scholarship fund reports and correspondence regarding the club's activities, its involvement with York University, and its work to influence provincial and federal government policies on women's issues, education, social reform and the environment. Briefs and submissions deal with a wide range of topics that include fluorination of water, discrimination against women, teaching of French, family law reform, women and the Canadian constitution, early learning and child care, abortion and the Criminal Code, pornography, reproductive technologies, human rights, gun control, affordable housing, and health care.

The fonds consists of material that documents Baldwin's career as a writer and includes correspondence, drafts, manuscripts and edited manuscripts of her books "A Foreign Visitor's Survival Guide to America," "English Lessons and Other Stories," "What the Body Remembers," "The Tiger Claw," "We Are Not in Pakistan," "The Selector of Souls," and her forthcoming novel tentatively titled "Gateway of the World" as well as drafts, correspondence, and promotional material related to the play "We Are So Different Now." Fonds also contains a sound recording of Baldwin reading "The Japji Sahib."

Fonds documents Jeanette Heller's activities as a dancer and career in entertainment with records primarily pertaining to her life as a Roxyette (Rockette), USO troupe dancer during World War II and the Korean War, and employee of many dance companies including the American Repertory Theatre Group. Records consist of photographs, newspaper clippings, programmes, annotated maps, correspondence, contracts, and a collection of Jewish recipes.

Fonds consists of material that documents Pitman’s career as a politician, educator, writer and social activist. It includes personal and professional correspondence, notes and speech materials, newspaper clippings and other material related to his years spent as a Member of Provincial Parliament and as a Member of Parliament as well as his unsuccessful leadership campaign for the federal New Democratic Party in 1971. It also includes his Toronto Star writing files, numerous files pertaining to his education activities both at the provincial and federal levels with a special emphasis on arts education, records that document his tenure as President of Ryerson Polytechnic University, his activities as chairman of Project Ploughshares, his work with the Arts Education Institute of Ontario, as well as an extensive collection of notes, drafts and final copies of speeches delivered by Pitman to a variety of organizations including Elderhostel. The fonds includes correspondence, notes, interview notes, drafts and research material related to his books on Louis Applebaum, Elmer Iseler, the lives of Harry Freedman and Mary Morrison, and Victor Feldbrill, as well as notes and drafts of his as yet unpublished book, "Breakthrough: A Canada For The Twenty-First Century."

Fonds consists of records created and accumulated by the Canadian Speakers' and Writers' Service Ltd. over the course of over 50 years as a literary agency and management company for writers, public speakers, and actors.

The bulk of the records consist of client files which includes correspondence to and from clients; correspondence with publishers, media, sponsors of talks, radio and television producers; publicity material relating to clients including resumes, headshot photographs, schedules, travel arrangements; newspaper clippings; reader's reports; royalty statements; and contracts. There are also audio cassettes and video cassettes of interviews and recordings of the work of some CSWS clients. Notable clients include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

There are also general correspondence files, business records (including office diaries for the period, 1951-1965), manuscripts (from clients and unsolicited), and print materials (publishers' catalogues, anthologies of plays, newsletters, copies of labour agreements between the Canadian Broadcasting Corporation and ACTRA, and clippings). There is a series of records related to CSWS Ltd. founder, Matie Molinaro, documenting her early life in New York and her work as a war correspondent during the Second World War. Also included is a series devoted to records related to Marshall McLuhan and his estate, long-time clients of CSWS Ltd, which includes correspondence, contracts, notes, drafts, clippings, offprints, photographs, and ephemera.

The fonds consists of governance records (bylaws, letters patent, incorporation documents), newsletters, minutes, financial records, Finnish studies scholarship files, cultural activity files (musical events, lectures, film showings, symposia), fundraising files pertaining to CFFEF (Canadian Friends of Finland Education Foundation), miscellaneous files, FINNSTAUT (Finnish Studies Alumni Association at University of Toronto), membership files, CFF branch files, and some photographs.

Fonds consists of records documenting Sheard's activities as an writer, editor, educator and psychotherapist, and includes agendas, personal and professional correspondence, notes, draft manuscripts and resource material related to uncollected short stories, non-fiction writing and to her novels "Almost Japanese", "The Swing Era", "The Hypnotist" and "Krank: love in the new dark times".

Fonds consists of Lindstrom's professorial and scholarly research files throughout her career, as well as records documenting her academic activities. Research files pertain to her publications and monographs such as "Defiant Sisters : A Social History of Finnish Immigrant Women in Canada, 1890-1930" (both the English and Finnish editions), and "From Heroes to Enemies : Finns in Canada, 1937-1947," as well as book chapters, articles, papers, presentations and lectures, and her involvement with the National Film Board production "Letters from Karelia," and subsequent research. The research files span the activities of Finnish and Finnish-Canadian organizations across the political spectrum, such as the Finnish Organization of Canada (left wing), and Loyal Finns in Canada (right wing). Records include oral history interviews (audio cassettes and transcripts), research notes, clippings, a significant and extensive number of photograph and letter collections passed down through generations of Finnish Canadians, diaries, correspondence, publication drafts, academic and professorial notes, microfilm of Finnish language newspapers published in Canada and archival records, financial records of Finnish-Canadian organizations such as newspapers and post-World War II relief funding bodies, scrapbooks, photocopies of rare and unusual documents such as two volumes of a Soviet register of Finnish War Crimes, a list of persons found in the mass grave at Karhumaki, and Soviet lists of North American Finns who journeyed to Karelia to help build a socialist utopia there, academic and professorial files, publicity files, files pertaining to her work with the School of Women's Studies, and her own papers as a university student. The fonds also includes letters written by Lindstrom as a newly-arrived teenaged immigrant to Canada to her best friend in Finland; many of these letters were published in Finnish with English translation in 'Letters from an immigrant teenager' in 2012.

Fonds consists of correspondence between Moss and numerous Canadian literary figures including Margaret Atwood, George Bowering, Matt Cohen, Northrop Frye, Robert Kroetsch, Hugh MacLennan, John Metcalf, Farley Mowat, Michael Ondaatje, James Reaney, Sinclair Ross, Ruby Wiebe, George Woodcock, among others.

The fonds consists of records relating to the Tapestry Pictures/CBC Televison co-production of the programme "Gzowski in Conversation", starring Peter Gzowski, as well as records relating to the production of "Where the Spirit Lives", "Children of My Heart", "By Jeeves", "Tagged: The Jonathan Wamback Story", "Burn: The Robert Wraight Story", "Shattered City: The Halifax Explosion", "The Blue Castle", "The Arrow" and "Spirit Bear". It includes production, administrative and research files, transcripts, production videos and sound recordings related to the production. It also includes publicity material in the form of press kits, posters, reviews, clippings and publicity stills and personal material that documents Leckie's involvement in feature film policy in Canada and her ongoing interest in the activities of the Mountview Alternative School in Toronto.

Fonds consists of material which documents Panitch's long standing interest in British and Canadian labour history including notes, drafts and other material related to his PhD thesis "UK Labour and Incomes Policy" and to his books "The Assault on Trade Union Freedoms: From Consent to Coercion", "The End of Parliamentary Socialism" and “The Making of Global Capitalism”. It also includes research files related to the British Labour Party, new labour left, the Canadian State, political economy and political power, labour in Canada and corporatism, as well as notes and essays from his undergraduate and graduate education, and files pertaining to his editorial work for the Socialist Register.

Fonds consists of records pertaining to the governance and activities of the Canadian Society for the History and Philosophy of Science, including agendas and minutes of the Board and the Annual General Meetings, correspondence by members of the Executive, notes and financial statements from the Secretary-Treasurer, records related to the Society's constitution, Society programs from the Congress of the Social Sciences and Humanities, and membership records.

Fonds consists of 327 letters written by Liisa Lumiala to her friend Terttu Hansen between 1943-1979, ending a few months before Liisa's death from cancer. The first set of letters until 7 March 1948 were written from various places in Finland, as Liisa and her family were moved around by the government from one residence to another. The next set of letters, covering the time period 22 March 1948 to 20 July 1948 were written from various locations in Sweden, where Liisa and her daughter Tytti were waiting to receive their immigration papers to move to Canada.The final set, beginning 30 August 1948 were written in Canada, again from various locations and addresses around Port Arthur, Fort William and Toronto. This collection of letters provides insight into the day-to-day life of a Finnish immigrant woman who moved to Canada to create a new life for herself with her husband and family after World War II.

Fonds consists of material which documents Leckie's career as a writer and director and includes personal and professional correspondence, notes, drafts and outlines of scripts, production files, research files, press clippings, photographs and publicity material of many of the productions that he worked on including related audiovisual material.

Fonds consists of biographical writing, genealogical documents, published and photocopied books, scrapbooks and mementos created, collected and accumulated by Gerald A. Archambeau from various sources,including genealogical information regarding his grandfather Herbert T. Thomas, a police officer in Jamaica who was also a naturalist, lecturer and explorer. Material relating to Herbert T. Thomas is photocopied and scanned pamphlets, online articles and newspaper articles of material originally published from 1881 to about 1927 and relates primarily to Thomas' campaign to eradicate the practice of obeha in Jamaica.

Fonds consists of annotated drafts, continuity notes and revisions from the novels "Moody Food" (published in 2002), "Gently Down The Stream" (2005), "What Happened Later" (2007) and "David" (2009).

The fonds consists of research notes and typescripts for Tyrwhitt's books "The mill," "Bartlett's Canada," "How the Depression hit the West," "The exodus of the Japanese," and "The sinking of the I'm alone"; typescripts, research and correspondence regarding for articles published in Maclean's, Reader's digest, Saturday night, The Star weekly, Canadian living, the Old farmer's almanac, and other magazines; typescripts, research, and correspondence for chapters published in "Alberta in the 20th century"; editorial appraisals for Pierre Berton's manuscripts; notes made as a researcher for "The Pierre Berton show"; reports on manuscripts for Macmillan's, McClelland and Stewart, Longman's, Oberon Press, and other Canadian book publishers; notes as an editor for the Royal Commission on the Status of Women; correspondence with writers (including Pierre Berton, Ernest Buckler, Mark Gayn, Robert Kroetsch, Yves Theriault, Adele Wiseman, Sean O'Faolain, George Ronald, and others), editors, and others.

Fonds consists of publications, professional and personal correspondence, reports, newspaper and magazine articles, pamphlets, greeting cards, postcards, photographs, conference papers, seminar papers, student evaluations, meeting minutes, memos, research articles, curriculum vitae and publications list, and unpublished manuscripts. The fonds documents Mohr's work in the fields of psychiatry, law reform, legal education, criminal justice in Canada, family equality, sentencing standards, and more. The fonds includes: handwritten letters written in German by Mohr to his wife and family during the 1950s when he moved to Canada, as well as letters written in German by friends; draft manuscripts and articles from his colleagues; meeting minutes and memos from law reform organizations; printed online articles about the Law Commission of Canada and its work; correspondence with members of law reform organizations of the Law Commission of Canada regarding reports and upcoming policies. Mohr visited many other universities for lectures, seminars and conferences, in addition to participating in professional organizations. Fonds includes his papers used at these events such as 'Clinical Judgements and Citizen Reviews and the Children's Act,' the 'International Congress on Law and Psychiatry,' and 'National Consultation on Sentencing.' Fonds includes a collection of papers and reports on subjects about the Max Planck Institute, feminism, postmodernism and the law, rhetoric language and the law, psychiatry and medical works, law and theory, and criminal law. Fonds also includes physical and electronic versions of Mohr's unpublished manuscripts, as well as electronic versions of some of Mohr's outgoing correspondence.

Fonds consists of records pertaining to the personal and professional activities of Karen Connelly. These records include manuscripts, in various states of development, for Connelly’s published writing, particularly her books "One room in a castle" (1995), "The border surrounds us" (2000), “The lizard cage” (2005), and “Burmese lessons” (2009), as well as draft poems and stories. Journals from Connelly’s travels through Asia in the mid-to-late 1990s are also part of the fonds , as are personal journals kept between 1984 and 2011, correspondence sent and received, travel and personal photographs, literary memorabilia, and notes for Connelly’s speaking engagements and lectures.

The fonds is comprehensive and extensive in scope, and documents both the creative and business aspects of Abbott-Ferguson Productions. Records include scripts and production files for both the radio and television shows; show logs; sound and video recordings; photographs; press and publicity; business correspondence; audience correspondence; contracts and other legal documentation; memorabilia; and research files including for ratings and audience research. The fonds has been arranged into the following series:

S00613 The Jest Society
S00614 Air Farce - radio - scripts and production files
S00615 Air Farce - television - scripts and production files
S00616 Air Farce - A/V recordings
S00617 Air Farce - sound recordings
S00618 Air Farce - hair and makeup photos
S00619 Air Farce - wardrobe photos
S00620 Air Farce - set design
S00621 Air Farce - gigs
S00622 Air Farce - publicity and press, including photos
S00623 Air Farce - business and legal files
S00624 Air Farce - audience mail
S00625 Air Farce - memorabilia and merchandise
S00626 Air Farce - miscellaneous files
S00627 Dave Broadfoot productions
S00628 Non-Air Farce - XPM
S00629 SketchCom productions
S00630 Air Farce - ratings and audience research
S00687 Johnny Chase files
S00688 Non-Air Farce - miscellaneous files

Fonds consists of records documenting the work and activities of Michael Mandel in his roles as a professor of law at Osgoode Hall Law School, as a writer and lawyer, and as a political activist. These records include draft articles and academic papers, course materials and lecture notes, correspondence, memoranda, research files, newspaper and magazine clippings, posters and event notices.

The fonds documents Paul James Dwyer's activities as a dancer, choreographer, and writer. Records consist mainly of correspondence and subject files relating to various dance companies such as Dance Oremus Danse and the Isadora Duncan School of Modern Dance. There is some documentation on grant applications. Also included are dance programmes, Dwyer's published articles and photographs of colleagues such as Jeanne Bresciani, Lori Belliveau, Nadia Chilkovsky, and Anita Zhan. There are video and audio recordings of interviews and dance performances. Accession 2007-059 includes correspondence with Madeleine Lytton regarding her dance career in the tradition of Isadora Duncan, correspondence and other documentation regarding the collections of books, photographs, and other material pertaining to Duncan owned by Leo and Lillian Loewenthal and Howard Holtzman, Ella Bobrow's book on Irina Odoevtseva, a program for the memorial dance performance for Hortense Kooluris, and promotional material for a wide variety of performers involved in dance, opera, and baroque music.

Fonds consists of records related to the life of Frosini (Frances) Themeliopoulos, including a passport, report cards and certificates from the Greek Community of Metropolitan Toronto’s Greek language school, photographs of association members, and records related to the the Regional Association of Trifylion-Messinias. Fonds also includes a meeting minutes package from a Toronto District School Board designating the month of March as Greek Heritage Month.

Fonds consists of material related to Virginia Rock's research for her doctoral dissertation and other academic writing pertaining to the Twelve Southern Agrarians. Records include research notes and index cards, photocopies of newspaper clippings, book reviews, literary criticism, journal articles, and photocopies of material written by or about the Southern Agrarians regarding their lives and work, as well as their correspondence with Rock. The fonds also contains Rock's personal and professional correspondence, drafts of Rock's final dissertation and articles, records concerning her involvement with the Canadian Women's Studies Association, as well as materials pertaining to Rock's work as a professor at York University, including information about Stong College, syllabi, course kits and reading lists, information about symposiums she attended, and items relating to her work as an instructor and advisor for the Graduate Women's Studies Programme. Also included in the fonds are records pertaining to Rock's experience teaching American literature as a Fulbright visiting professor at Jagiellonian University in Krakow between 1962 and 1964. These records, which include photographs, correspondence and memorabilia, document Rock's activities while in Poland as well as her return visits to Poland in later years and her general interest in the country. An issue of the Polish magazine "Ameryka," featuring an article about Virginia Rock, has been added to Special Collections; an English translation is available in the fonds.

The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:

Fonds consists of records pertaining to the life and work of social scientist Eric Trist. Records include photographs and textual material pertaining to Trist's early life and education in Dover, England, student records from his time at Cambridge and Yale Universities, and material related to his career as a theorist and academic in the fields of psychology and organizational development. These latter records consist of publications, presentations and other writings authored or co-authored by Eric Trist, records pertaining to Trist's teaching career in both the United States and Canada, and material related to the Tavistock Institute of Human Relations, of which Trist was a founding member.

Fonds consists of textual records created and accumulated by Maj. Burke in his role as Secretary of the Gurkha Welfare Appeal (Canada). Files related to the operations of the GWA(C) in Canada include financial statement, reports, audits, meeting minutes. The fonds also contains copies of reports, meeting minutes, newsletters, and promotional material for the Gurkha Welfare Trust in the United Kingdom. Files related to the promotion of the GWA(C) in Canada also include photographs, souvenir items, post cards, and maps and other material related to Nepal tourism. Files related to the projects of the GWA(C) in Nepal, including the Area Welfare Centres, schools for the blind, bridges, and water projects, consist of records such as photographs, maps, and reports. The fonds also contains published material including booklets and pamphlets about the Gurkhas and a copy of a Ph.D. dissertation on Gurkha history. Fonds also contains two medals, a plaque, military lapel pins, and three videocassettes.

The fonds documents John Kastner's career as a filmmaker and producer. Records in this fonds consist of publicity files, which include biographical information, clippings, flyers and other promotional materials related to his productions; administrative and production files, which include correspondence, budgets, proposals, notes, transcripts and scripts; research materials, which include prison records, articles, books, court transcripts, newspaper clippings and news footage; and audiovisual materials, including video cassettes, DVDs, photographs, and audio recordings. These records pertain to the following programs: "Street Comedy", "Ask a Silly Question", "Somebody's Gotta Do It", "Chickens are People Too", "Rage Against the Darkness", "Romance with a Rapist", "Hunting Bobby Oatway", "House of Secrets", "Monster in the Family", "Monster in the Family: The Struggle Continues", "Sinner in Paradise", "Life with Murder", "NCR: Not Criminally Responsible", and "Out of Sight, Out of Mind".

The fonds includes extensive correspondence dealing with Callaghan's personal and family relationships, as well as his active involvement with an international community of poets, writers, and artists. Teaching files include course outlines, essay topics, reading lists and bibliographies on North American and Russian literature, examination questions, and notes regarding his teaching methods at York University from 1970 to 2003. Journalism files include research materials and interview transcripts and deal with his travels with Pierre Elliott Trudeau in 1968, the crisis involving the Front de liberation du Quebec and implementation of the War Measures Act in 1970, culture, politics and economics in Quebec, and Callaghan's works of political and social commentary for CTV and CBC. The records of Exile Editions make up a significant portion of the fonds, and include manuscripts for books, page proofs, and correspondence. These files show the creative process in considerable detail, and in particular Callaghan's work as an editor and translator. Administrative records for the publisher consist of catalogues, promotional material, writers' guidelines, grant applications, financial documents, and reviews of publications. Callaghan's endeavours as a travel journalist are documented through research notes, manuscripts for articles, correspondence, and promotional literature from various attractions at the locations he visited, including museums, theatres, and tracks for horse racing, 1978 to 1995. Manuscripts and annotated page proofs for Callaghan's Hogg poems, short stories, novels, memoir, and non-fiction trace the development of these works, and in particular his skill and attention to detail as a wordsmith. Callaghan's involvement with radio and television is represented by a variety of sound and moving image recordings, including audiotapes of his interviews with Brownie McGhee and Sonny Terry, videotapes of his television shows for CTV's "W5" and CBC's "Weekend," and original film pertaining to the war in Palestine in 1970, his interview with Angela Davis in 1972, youth culture in California in 1974, John Updike, and "The blues." The fonds also includes considerable material created by or involving Morley Callaghan, including literary agreements, royalty statements, stories by and about Morley Callaghan, manuscripts for several books published by Exile Editions ("Joy in heaven," "The lost and found stories," "The man with the coat," and "A passion in Rome") that provide an understanding of the close working relationship between Morley and Barry Callaghan, letters of sympathy and funeral notices following Morley's death in 1990, and scripts for the CBC movie, "Hemingway vs. Callaghan," 2002-2003. Also included are subject files including literary memorabilia and honorary degrees received.

Fonds consists of research materials; committee records; community advocacy documentation and government policy correspondence; curriculum materials; surveys; reports; and other textual material related to the professional, volunteer, and community activities of Dr. Inez Elliston. Material relates to her professional interest in educational curriculum development, particularly in relation to multicultural policies developed at the federal and provincial levels, and how such policies were implemented in local school boards.

Fonds consists of records documenting Terrill Maguire’s dance and choreography career, the formation and management of her dance and music festival, Inde, as well as her work as an instructor in the dance department of York University’s Faculty of Fine Arts. These records include correspondence, day planners, grant applications, proposals, course materials, contracts, memorabilia, photographs, videocassettes, audio reels, cassettes and compact discs.

Fonds consists of Drummond's course notes as a student in Canadian political science including his doctoral thesis; various draft papers and chapter contributions, especially his work on several editions of The Government and Politics of Ontario; records pertaining to Drummond's work on the Task Force on Liberal Arts Education; documentation regarding a conference and festshrift honouring the first Chair of the Department of Political Science Douglas Verney, including proposed papers (the festshrift was not completed); records documenting Drummond's YUFA activities, particularly with regard to retirement and pension issues; conference papers and lecture notes; correspondence pertaining to his work and achievements at York University; and photographs of Drummond taken at York University events. It also includes copies of Drummond's poetic writings pertaining to Robert Burns' dinners, odes to York faculty and staff, and essays and memorabilia from his days as an undergraduate student at York.

Fonds consists of production material, organizational documents, correspondence, grant applications, budget reports, programs, posters, photographs, video recordings, as well as press coverage and reviews of theatre productions, community workshops, fund-raising concerts, public readings and other events organized and hosted by members of Obsidian Theatre Company's board of directors. Includes material from the following productions: The Adventures of a Black Girl in Search of God (2001-2002), The Piano Lesson (2002-2003), Consecrated Ground (2003-2004), Two Can Play (2004-2005), Cast Iron (2004/2005), Born Ready/Pusha Man (2005-2006), The Monument (2005-2006), Hip Hop (Who Stole the Soul?) (2006-2007), The Polished Hoe (2006-2007), Born Ready (2007-2008), Intimate Apparel (2007-2008), Black Medea (2008-2009), Late (2008-2009), Intimate Apparel (2011), Ruined (2011), Caroline, or Change (2012), Topdog/Underdog (2011), Shakespeare's Nigga (2013), The Whipping Man (2013), The Gravitational Pull of Bernice Trimble (2013), dirty butterfly (2013), Nightmare Dream (2014).

Fonds consists of correspondence and subject files, ministerial files relating to Thomas A. Hockin’s activities as the Minister of State (Finance), constituency files, press releases, press clippings, research files, correspondence related to Cape Breton Development Corporation (DEVCO), memoranda to the Minister for International Trade, and chronological and subject correspondence relating to international trade. Accruals to this fonds consist of Hockin’s files from his work as President and Chief Executive Officer of the Investment Funds Institute of Canada, which discuss issues such as sales practices for mutual funds, industry standards and self-regulation, educational initiatives within the industry, and the impact of international events upon the market value of securities. Accession 2015-036 consists of files created by Hockin as Chair of the Expert Panel on Securities Regulation between 2007 and 2009, which include correspondence, research reports, documents on principles, regulatory models, and consultation with stakeholders, working notes, newspaper articles, and draft and final text of the panel’s report. This accession also includes notebooks kept by Hockin while serving on the Executive Board of the International Monetary Fund from 2009 to 2013, containing his notes and personal reflections on global financial stability, income models, quota negotiations, risk management, global liquidity, and other areas of financial policy, as well as the IMF's relationship with countries such as Greece, Germany, and Portugal.

Fonds consists of records that document Principe’s activities as the editor of the Italian Canadian newspaper Forze Nuove, as a political activist and a scholar. The fonds has been arranged into eight series.

Fonds consists of research files, correspondence, scripts, production notes, budgetary material, promotional campaigns, awards, posters and assorted film, music, photographic and graphic material related to Larry Weinstein's creative process as a writer, documentary film director, and producer.

Fonds consists of records pertaining to research and administrative work performed by Janice Newton in her capacity as a PhD student and, later, faculty member in the Department of Political Science at York University. These records, which date from the 1970s until 2014, document research performed by Newton as she completed her 1987 doctoral dissertation and adapted this dissertation into a monograph in 1995, as well as her work as chief editor of the 2001 publication Voices in the Classroom. The records also document research and administrative tasks performed by Newton in her role as a contributing faculty member within the Department of Political Science at York University. Included in the fonds are research materials, correspondence, scrapbooks, administrative records, audio and video recordings, and photographic prints and negatives created or accumulated by Newton.

Fonds consists of the professional records of Peter Flemington including: correspondence, memorandums, reports, CRTC briefs and applications, meeting minutes, research files, film project files including copies of films and scripts, academic writing project files, and files related to his work as Head of Programming and Development of VisionTV. The records in this fonds document his role in the evolution of religious communication and the development of religious broadcasting in Canada, notably the establishment of VisionTV in 1986.

Fonds contains the following series, based on Flemington’s career:
S00689: Religious Television Associates
S00690: Berkeley Studio
S00691: Peter Flemington Broadcast Services (freelance work)
S00692: The Rosewell Group / Canadian Interfaith Network files
S00693: VisionTV

Fonds consists of records pertaining to the writing and literary activities of poet Laurence Hutchman. These records, which include poetry drafts and manuscripts, notebooks, research materials, correspondence, memorabilia, photographs and audio cassettes, document Hutchman’s work as a poet, editor, interviewer and professor of English.

Fonds consists of textual and audiovisual materials pertaining to Seth Feldman’s work as an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries. These records are research files, taped interviews, successive drafts of scripts, transcripts, and recordings of programmes produced for the CBC radio series “Ideas” and his dramatization of Herma Maximo’s “The Ultimate Threshold”, prepared for the CBC radio programme “Vanishing Point”. Also included are film-related subject files maintained by Feldman; notebooks and research notes; material related to the Film Studies Association of Canada; course materials, notes, lecture recordings, correspondence, and student papers pertaining to Feldman’s work as a professor and Dean of Fine Arts at York University; drafts of a screenplay inspired by the George James Grinnell book “A Death on the Barrens”; a collection of film magazines; copies of recent films produced in Turkey; copies of films directed by Allan King; and research materials relating to Feldman’s work on Dziga Vertov.

Fonds consists of records pertaining to the life and work of Canadian-Scottish Jazz musician and Toronto Jazz Festival founder, Jim Galloway. Records include those pertaining to his early life in Scotland, his work as a booking agent and radio host with CKFM, his administrative roles with the Toronto Jazz Festival, and his life as a performing saxophonist. In addition to the administrative contracts, correspondence, notes, travel records, gig and festival memorabilia, sheet music, and other records pertaining to Galloway's career, the fonds includes extensive audio recordings of Galloway's radio show, Toronto Alive, as well as various other recordings created or compiled by Galloway throughout his career.

Fonds consists of records created and accumulated in the 1980s, 1990s and 2000s by Theresa Burke. These records document Burke's research, production and investigative work for "The fifth estate" documentaries airing from 1994 to 2015. Many of these records pertain to the following documentaries: "The trouble with Evan" (1994), "His word against history" (2000), "Terror" (2001), "Nightmare drug" (2002), "A state of denial : the Bill Sampson story" (2002), "Deathrow.com" (2003), "Death of a beauty queen" (2004), "The big break" (2005), "The Steven Truscott story: moment of truth" (2005), "You be the judge" (2005), "The lady vanishes" (2007), "The girl in Saskatoon" (2008), "Someone got away with murder" (2009), "Broken heroes" (2009), "The legacy of Brendan Burke" (2010), “Behind the wall” (2010), "The devil you know" (2011), "A question of innocence" (2011), "Diagnosis murder" (2012), “The last great escape” (2013), “The interrogation room” (2014), and “Mr. Big stings: cops, criminals and confessions” (2015) . Also included are research materials and manuscripts pertaining to Julian Sher's book, "Until you are dead: Steven Truscott's long ride into history" (2001), on which Burke worked as a research associate, as well as manuscripts and other materials relating to Ty Conn and Burke's book, "Who killed Ty Conn" (2000), co-authored with Linden MacIntyre. Records created and accumulated by Burke in the course of her research about the National Parole Board, the subject of witness protection, and the murder conviction of Mason Jenkins are also part of the fonds, as are a number of files relating to other miscellaneous research projects. Records pertaining to Burke's early career in public relations and marketing at Alliance Entertainment and Norstar Entertainment are included in this fonds, as are administrative records and training materials from the CBC, as well as Burke's personal journals, notebooks, letters and university essays. Records in this fonds are predominantly textual records and audiovisual materials arranged by project. These records include correspondence, interview transcripts, memoranda, copies of court transcripts and documents, copies of medical reports, journal articles, notes and notebooks, production materials including draft scripts, newspaper articles, contact lists, copies of police reports, prisoner records and legal documents, video cassettes (in multiple formats), audio cassettes, as well as computer disks and photographs.

Fonds consists of textual materials, published articles, blog posts, correspondence, genealogical records, photographic material and personal items created or accumulated by Lynn Gehl in the process of her work as an academic, scholar and community activist.

Fonds consists of records pertaining to Yvonne Vera’s activities as a prominent African writer of English fiction and as a student and teacher of English literature while in Canada. Records include finished copies, typescripts and drafts of published and unpublished works; copies of articles written by and about Vera; personal and professional correspondence; personal memorabilia. Fonds includes a selection of books both by and belonging to Vera and a copy of the Vera biography, “Petal Thoughts,” by Ericah Gwetai. The fonds consists of items created and accumulated together by Vera and Jose, as well as mementos brought from Zimbabwe by Vera.

Accession consists of material documenting the career of Archie Alleyne as a musician, philanthropist, and influential figure in the Toronto jazz music scene. Material includes collected material on other Toronto-based jazz musicians; posters, photographs, and other memorabilia from performances and events; correspondence; material related to the Archie Alleyne Scholarship Fund; notebooks; and drafts and research material for his memoir, Colour Me Jazz: The Archie Alleyne Story (2015). Audio-visual material includes recordings of jazz-related programming broadcast on television, audio interviews with jazz musicians, and released and unreleased music performances

Fonds consists of materials created and accumulated by George Papadatos in the course of his activities as a member of the Toronto Greek Canadian political, arts and cultural community while living in exile in Canada during the Greek military junta of 1967-1974. It includes records relating to his work as a journalist and newspaper editor (as editor of Metanastis and contributor to Ta Nea, amongst other publications); political activist; music promoter, event organizer and co-owner of the Trojan Horse coffee house; East York community service worker; and as tutor of Modern Greek Studies at the University of Toronto (Scarborough College).

The fonds largely consists of photographs, newspapers, promotional material, posters, sound and video recordings. Many of these items were collected by Papadatos to document the coffee house scene on the Danforth, the Greek musical acts who toured Canada and the United States in the 1970s and 1980s, as well as student organizing and protests related to local opposition to the military dictatorship in Greece. The records reflect the impact that the cultural and political activities of the Greek community in Canada had on political affairs in Greece. The fonds also includes handwritten and typed correspondence and other printed material created or received by George Papadatos, as well as photographic material from Papadatos' later life in Greece, where he operated an antiquarian bookstore. Records in the fonds have been arranged into five series based on record genre. See series level descriptions for details.

Fonds consists of the personal and professional documents of the life and activities of Toronto Star reporter and disability advocate Barbara Turnbull. It includes material relating to her work at the Toronto Star, her various speaking engagements and material related to the 1983 shooting and the subsequent trial. Also includes material from the Turnbull et al. v. Famous Players human rights complaint trial.

Fonds consists of records created and accumulated by Sylvia Woodsworth Campbell, predominantly during her work as a guidance counselor and educator at Atkinson College, focusing on programs for continuing education for women re-entering the workforce or changing careers. Included are submissions and papers she authored, research notes, correspondence both personal and professional, clippings, reports pertaining to the work on the Status of Women, her Masters thesis which she submitted in 1976, and her diplomas. Also included are files pertaining to an educational bursary/scholarship established in her honour at Victoria College, University of Toronto.

Fonds consists of records pertaining to the personal and professional life of Italian-Canadian artist Luigi Nasato. These records, dating from 1931 to 2015, document Nasato’s early life and education in Istrana, Italy, as well as his emigration to first Argentina and then Toronto, Ontario. The records primarily pertain to Nasato’s artistic output and include several hundred drawings, sketches, paintings, and preliminary studies created over the course of his career, as well as a number of awards granted to Nasato on the basis of his artistic contributions. Many of the artistic works included in the fonds relate to projects completed in Toronto and environs, particularly to mosaic projects created by Nasato at a number of churches in the region. Fonds also includes notes on art history and artistic technique created by Nasato as both a student and professional artist, as well as miscellaneous textual and financial records pertaining to the practicalities of his artistic career. Also included in the fonds is an extensive collection of photographs and clippings, compiled by Nasato over the course of his life, most of which document works of art created by Nasato and others.

Fonds consists of correspondence, personal files, photographs and writings by Elizabeth Kilbourn, as well as records related to her community involvement and her professional activities as a priest in the Anglican Church of Canada. The fonds includes family records, photographs and correspondence relating to her parents, William Kilbourn (her first husband) and their extended family, her memoirs, and the writings of her second husband, Richard Mackie.

Fonds consists of records documenting Bruce Allen Powe's work as a writer of fiction, reviews and articles, his work as Executive Director for the Ontario Liberal Association, and his public relations career and freelance work for Powe Communications. Records include journals, day planners, notebooks, correspondence and e-mail, research files, scrapbooks, manuscripts and other draft writing, and career-related memorabilia. Also included in the fonds are family photographs and personal memorabilia; Powe's M.A. diploma, thesis and related research files; files, memorabilia and photographs pertaining to his World War II military service; and photographs, memorabilia and other records pertaining to Powe's trip to Ghana in March 1957 as associate private secretary to the Canadian Minister of Mines and Technical Surveys.

Fonds consists of records created and received by Judith Rudakoff throughout her career as a playwright and professor, including personal and professional correspondence, subject files, note cards related to her PhD thesis, files related to her continued work on Cuban theatre and notes, drafts, correspondence, and other material related to many of her works, among them "Interplay: Sex, Gender and Violence in Canadian Theatre," "Dangerous Traditions: A Passe Muraille Anthology," "Between the Lines: The Process of Dramaturgy," "Revealed by Fire," "The River," and "Soraab-Mirage."

The fonds consists of the records of the President in the following series: Correspondence and papers, 1958-1987; Reports and printed material, 1962-1983; Speeches, 1960-1984; Minutes, 1958-1983; Press releases, 1960-1967; Financial records, 1959-1982; Academic and administrative appointments, 1960-1978; Personal papers, 1959-1986; Appointment books, 1962-1983; Guest books, 1960-1972; Manuals, 1963-1981; Organization charts, 1968-1978; Blueprints and photographs, 1968-1980; Presidential memoranda, 1963-1985; Annual reports, 1965-1988. In addition, the functions that comprise the Office of the President are represented in the records of the Assistant and Special Officer to the President, 1967-1974; the Assistant to the President for Academic Affairs, 1970-1973; the Assistant to the President for Institutional Research, 1968-1974; the President's Art Advisory Committee, 1962-1973; the President's Advisory and Administrative Committee, 1963-1964; the President's Advisory Committee on Recruitment, 1984; the Glendon College Planning Committee, 1964; the President's Commission on Goals and Objectives, 1975-1977; the employee review committee, 1973; the President's Student Affairs Committee, 1963-1964; and the Research Associate and Assistant to the President, 1961-1969.

Fonds consists of Arthurs' records pertaining to his activities including: administrative files for York University and Osgoode Hall Law School, 1961-2006; teaching files, ca. 1961-2009; speeches, 1985-2007; research and writing files, 1957-2008; community service files, 1962-1997; UAW Public Review Board case files, 1967-1977; arbitration case files, 1966-1984; and correspondence, 1958-2007 (predominant 1971-2007). Accession 2007-014 consists of documents for the Federal Labour Standards Review, including correspondence, annotated published and typescript reference material, briefs and notes from the hearings, research projects on labour standards, and drafts of the final report and recommendations. Accession 2009-010 contains records created while with Ontario's Expert Commission on Pensions, including research papers, agendas and submissions for public hearings, briefing notes, and working files.

Fonds consists of Bonnie Burnard’s research material, notes, manuscript and typescript drafts, galley proofs, cover art and other material related to the Canadian and American editions of her novels "A Good house." The fonds also includes story notes, typescript drafts, proofs, correspondence, cover art and other material that pertain to the writing and revision process for Burnard’s novel "Suddenly." The fonds also consists of edited typescripts, notes and proofs for her short story collections "Women of influence" and "Casino and other stories," typescript drafts for several other short stories Burnard has written, including "Evening at the edge of the water," and items related to her role as the editor for "Stag line: Stories by men." Accession 2017-034 consists of records created by Jan Whitford and Jackie Kaiser of Westwood Creative Artists in their role as agents for Bonnie Burnard, including correspondence and contracts with various publishers and the Canadian Broadcasting Corporation regarding the publication and reprinting of Burnard's novels and short stories, and the donation of the Bonnie Burnard fonds to York University.

Fonds consists of personal and professional correspondence including correspondence with fellow writers such as John Metcalf, Guy Vanderhaeghe, Robyn Sarah, Adele Wiseman and Ralph Gustafson among others, academic and teaching files that document his career as a student at the University of Toronto and Cambridge and professorial files for courses taught at York University. It also includes editorial files that document his work with fellow poets at The Banff Centre for the Fine Arts and writing files including notes, drafts and manuscripts related to his own publications. Accession 2011-032 includes correspondence from Northrop Frye giving Coles advice about an academic career, book reviews written by Coles for "The Globe and mail" from the 1970s to 2001, seminar notes for the Humanities course, "Works & days," reviews of his writing, and drafts of the book of poetry, "Where we might have been" (2010).

Fonds consists of the records of the York University Librarian, 1959 1985; Associate University Librarians, 1970-1996; the Assistant Director for Collection Development, 1962 1979; the Assistant Director for Technical Services, 1960 1978; the Libraries Business Officer, 1968 1973; the Catalogue Department, 1964 1979; the Circulation Department, 1980; the Reference GEAC Bibliographic Database Task Force, 1981 1983; the Systems Management Committee, 1980 1981; the Library Operating Committee, 1976 1989; the Ad hoc Lounge Committee, 1983 1984; the Library Council, 1977 1985; the Librarians' Group, 1983 1986; the Bibliographers' Office, 1979-1982.

Fonds consists of records documenting Lynn Crosbie’s work as a writer, journalist and teacher, including manuscripts, draft articles and poems, published copies of her articles and poems, correspondence, videocassettes, audio cassettes, photographs, notebooks, day planners, lecture notes, research materials, course materials and student assignments. Also included in the fonds are personal photographs, correspondence, ephemera, memorabilia, notebooks and sketchbooks.

Fonds consists of records created and accumulated by Marilou McPhedran through her activities as a lawyer, legal reformer, and activist. These records illustrate the breadth and variety of McPhedran's work in the areas of constitutional reform, women's international and national rights, women's health, and violence against women and children. Included in the fonds are administrative records of a number of non-profit organizations and committees of which she was a founder, including the Women's Legal Education Action Fund, the Gerstein Centre, the Metropolitan Action Committee on Violence against Women and Children, and the Ad Hoc Committee of Canadian Women on the Constitution. Other records in this fonds, including subject files, correspondence and conference materials, document McPhedran's academic, research and writing work and her contracted work for women's health organizations.

The fonds consists of records pertaining to Barbara Sternberg's activities as an artist, teacher, writer, and activist. In addition to subject files containing materials related to her films, the fonds includes posters, reviews, catalogues, programmes, research and drafts of unrealized projects, course, project, and grant proposals, as well as publications by and about Sternberg. It also includes conference and workshop materials, pedagogical documents, drafts of Sternberg's Cinema Canada column, materials related to screenings, exhibitions, and festivals, as well as correspondence with friends and colleagues, including contemporary Canadian experimental artist Michael Fernandes and former Canadian Parliamentary Poet Laureate George Elliott Clarke. Records of a personal nature are predominantly limited to correspondence.

Fonds consists of records of Pittman's work in film and television and includes scripts, storyboards, correspondence, financial records, publicity material, shooting schedules, edit sheets, research material, grant applications and other related material. It includes photographs taken during the production of a number of his films and audio-visual records in various formats that document the various stages in the making of film and television productions with which Pittman was involved. There is considerable material relating in particular to "Shattered City." The fonds also includes a series of audio recordings of interviews conducted by Pittman for "Saturday Night at the Movies" with film directors including Bernardo Bertolucci, Robert Altman, and Norman McLaren, among others.

Fonds consists of diaries, journals, professional and personal correspondence, manuscript drafts and other material that document Powe's career as a writer and educator.

Fonds consists of records documenting Susan Swan's personal life and professional activities as a writer, university professor, journalist and advocate for the arts, including correspondence, notebooks, day planners, research materials, photographs, lecture notes, sound recordings, promotional materials and manuscript drafts pertaining to Swan's novels and other writing projects.

Fonds consists of records documenting the writing, editing, publication and promotion of Alison Pick's poetry and novels, including "Far to Go" (2010), "Between Gods" (2014) and "Strangers with the Same Dream" (2017), as well as records pertaining to Pick's personal life. These records include draft manuscripts, page proofs, notes, notebooks, correspondence, photographs, day planners, literary publications, journals and memorabilia.