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Fonds consists of records created and accumulated by Barry Callaghan pertaining to his time teaching at York University.

Series consists of a home movie from a Moroccan-Canadian family documenting a day trip to La Ronde.

Series consists of a home movie from an Iranian-Canadian family featuring footage of Baghdad. Footage captured by donor's father.

Series consists of home movies documenting the everyday life of a Sikh family, including footage of weddings, graduation ceremonies and celebrations, birthdays, religious education, picnics, and parties. Footage captured by Pritam and Amrita Singh.

Series consists of a Indian-Canadian family's home movies documenting winter in the Laurentian Mountains, the cityscapes of Montreal, and skiing at Chicopee Hill.

Series consists of Haitian Canadian family's home movies documenting a Catholic communion in Verdun, Quebec.

Series consists of home movies featuring footage of an Ojibwe family wedding in Ontario.

Series consists of home movies from an Anishinaabe family in Parry Sound, Ontario. The footage features an annual Pow Wow at the SkyDome in 2001, a book launch for "Nation to Nation: Aboriginal Sovereignty and the Future of Canada," a protest against the First Nations Governance Act (FNGA) at Parliament Hill in 2003 including a speech from Six Nation Chief Roberta Jamieson and the National Chief Matthew Coon Come, a road trip to the United States, and visiting the cabin for the summer.

Series contains recordings of various performers. Live performances includes performances at the National Women's Music Festival, Berkeley World Music Festival, and the Michigan Women's Music Festival. Recordings also refer to Womynly Ways Productions which is a non-profit organization producing professional concerts, dance, comedy and theatrical performances featuring primarily women artists.

Series consists of records that resulted from Ruth Dworin's activities as a music promoter, queer activist, community organizer and business manager, as well as her personal life and interests. Records includes correspondence, diaries, calendars, files related to her production company, Womynly Way, and files related to her work as business manager of This Magazine and Canadian Woman Studies.

Series consists of photographic prints and negatives of the campus, campus events including convocations, graduation photos, faculty and staff taken over the years by the photography staff of the Department of Instructional Aid Resources (DIAR), which during the 1990s became part of the Instructional Technology Centre (ITC). The photography service was discontinued in 2003.

Series consists of photographic prints and negatives of the campus, campus events including convocations, graduation photos, faculty and staff taken over the years by the photography staff of the Department of Instructional Aid Resources (DIAR), which during the 1990s became part of the Instructional Technology Centre (ITC). The photography service was discontinued in 2003.

File consists of recordings (preservation copies and broadcast copies) of "The Dini Petty Show" episodes.

Series primarily consists of Dini Petty’s professional records pertaining to her show including audience member waiver contracts, binders listing episode information and promotional photographs of Dini Petty with various guests including local, Canadian and international celebrities, public figures, journalists, actors, musicians, artists, politicians and performers. Additional professional records include her work as a journalist and on-air personality at CITY TV, promotional photographs, news clippings and magazine articles, CVs, promotional material; production tapes for documentaries on incest, "Having a Baby" and other news casts and television documentaries; her children’s book "The Queen, The Bear and the Bumblebee"; script and production material related to Petty's one woman show, contracts and tapes of Petty's work on Pear's shampoo commercials; and poetry; and plaques, awards and tributes.

The series also includes personal records pertaining to her family, memoirs, and her training as a helicopter pilot, biographical information, and legal documents.

Series consists of home movies from Colombian and Indonesian-Canadian family documenting a family party and a picnic at the Scarborough Bluffs beach. Footage captured by Fariden Piedrahita.

Series consists of a Barbadian- and Guyanese-Canadian family's home movies documenting winter and summer in Sydney, Nova Scotia. Footage captured by Thelma Nobrega.

Series consists of a Punjabi-, Jatt-, and Sikh-Canadian family’s home movies documenting a Sikh wedding in India and a religious pilgrimage to pay respects at the Sri Harmandir Sahib. Footage captured by Jagtar Singh Dhaliwal.

Series consists of home movies documenting the life of a Japanese-Canadian family playing in their backyard, enjoying a neighbourhood parade, and celebrating birthdays and Christmas. Footage was captured by Naoyuki Douglas Ozaki.

Series consists of home movie videos from a Pakistani family in Toronto and includes footage of the subway, visits to Ontario Place, a relative's wedding, breakfast, and Ridley college. Footage captured by Shaheen Khan.

Series consists of videocassettes and film reels documenting Caribana throughout the years. Film reels also document Shah’s life and subsequent immigration from Trinidad and Tobago to Canada.

Series consists of photographs belonging or taken by Shah. They include photographs and negatives of the Caribana mas parades and costumes created by Shah throughout the years, as well as other Carnivals and Mas parades across Canada, New York, and Trinidad and Toabgo. The series also consists of personal photographs of Shah’s family and friends.

Series consists of promotional materials for Caribana events throughout the years, Carnival events in Trinidad and Tobago, as well as other events Shah hosted or attended in both Canada and the Caribbean. Files include flyers, newspapers and magazines catered for the West Indian community in Canada and the Caribbean.

Series consists of the working files belonging to Shah including materials from the Caribbean Cultural Committee, a non-profit organization in charge of planning and running Caribana each year from 1967-2006. Files include material created and accumulated by Shah in his role as mas producer and bandleader for Caribana, including: correspondence, band registration forms, schedules of events, and documents to organize the festival's various mas camps each year.

Series consists of a Filipino-Canadian family’s home movies featuring children playing, fishing on vacations, and playing tennis. Footage captured by Reginaldo Edralin.

Series consists of a Chinese family's home movies documenting a visit to Niagara Falls, the birth of a new family member, travels to parks across Southern Ontario and the Eastern seaboard, piano recitals, and cherry blossoms in High Park.

Series consists of an Indo-Afro-Carribean family’s home movies featuring visits to a family farm and the birth of a younger brother.

Series consists of a Black-Canadian family’s home movies featuring everyday life including Carifesta, picnics in the park, Halloween, Christmas, birthdays, and vacations to the Commonwealth of Dominica. Footage captured by Althea Joseph Charles Seaman and Richard C. Seaman (the donor's parents).

Series consists of home movies documenting the Chinese family's everyday life including footage of children playing, riding horses, and performing at a school recital. Footage captured by Cindy Long and Yong Dong Long (the donor's father).

Series consists of home movies from a Japanese and Indian family in Ottawa documenting children playing in the backyard and singing songs in Japanese and Matrathi. Footage captured by Vijay Jog.

Series consists of home movies from a Japanese-Canadian family including footage of a boy in a cub scout uniform, a visit to a farm in Cooksville, Ontario, and games of catching mochi balls at community picnics in Toronto.

Series consists of home movies documenting a Chinese Canadian family's birthday and Christmas celebrations. Footage captured by Michael Wong and Lin Gee.

Series consists of an Eritrean family's home movies documenting a family meal and the observation of Assumption of St. Mary. Footage captured by Michael Ghebreslassie and Mehret Asfaha.

Series consists of home movies documenting a Tamil family in their home Scarborough and their hometown of Jaffna in Sri Lanka to witness the cultural practice of thuku kavadi. Footage captured by Balachandran Kumarasamy.

Series consists of home movies from a Huron-Wendat family documenting winter in Wendake and a summertime parade in Apache Junction, Arizona. Footage captured by Mr. Alexander Gros-Louis.

Series consists of a home movie from a Pakistani-Indian family featuring a trip to Delhi to attend a family member's wedding. Footage captured by Mariam Zaidi.

Series consists of footage captured by an African Nova Scotian/Indigenous Black family documenting the celebrations of and interviews about Kwanza, New Years, and a Christmas tree lighting. Footage captured by LeMeia Reddick.

Series consists of seven audio reels containing lectures titled 'Education: the unfulfilled promise' which were broadcast on CBC Radio, as well as eight other audio recordings associated with Wittenberg’s research.

Series consists of Wittenberg’s research output – books, articles, conference papers, book reviews, in both published and draft forms - from 1951 to posthumously published materials. Materials are written in German, French and English and for the most part pertain to the need and the ways to treat mathematical education as a foundational element within any humanistic education system.

Series consists of Wittenberg's hand-written notes and course work from his time as a student at the Eidgenössische Technische Hochschule Zurich (Swiss Federal Institute of Technology in Zurich).

Series consists of materials pertaining to Wittenberg’s life as an academic. While the Laval University-related materials consists mostly of course work and administrative matters, the York University files reflect a much more active and engaged involvement in University life and in questions of institutional governance and vision.

Series consists of personal and professional correspondence with leading scientists, mathematicians and education specialists from across Europe and North America. As Wittenberg did not maintain copies of his letters, for the most part the series only contains the incoming letters. The series includes correspondence with scholars such as Paul Bernays, Alexander Calandara, Tatiana Ehrenfest Afanasyeva, Ferdinand Gonseth, Ahron Katchalsky (Katzir), Thomas Kuhn, Imre Lakatos, Georges Polya, Michael Polanyi and many other colleagues and acquaintances. There are several files pertaining to Wittenberg’s involvement with councils, associations and other initiatives that aimed to promote mathematical and scientific education across Canada and North America. The series also contains materials of more personal nature pertaining to matters such as trips, children schools, post-Holocaust restitution claims, and involvement in Canadian Jewish community life.

Series contains digital records consisting of drafts, manuscripts, research data, correspondence, and research material primarily pertaining to publication of books, articles, and reports.

Series primarily consists of recordings submitted by artists.

Series contains live performance recordings of festival performances. Some performances are only partially documented and others omitted completely. This may be due to technical issues or resource constraints. Stage names might not align with the published schedule due to weather complications.

Series primarily consists of posters promoting the Mariposa Folk Festival, in addition to including festival maps and posters of artists and other folk festivals.

Series consists of a Hong Kong-Chinese family’s home movie filmed in Winnipeg documenting a Hong Kong-Chinese family's Red Packet (hóngbāo) ceremony taking place at Mr Wong’s 70th birthday celebration in 2002.

Series consists of home movies pertaining the everyday of a Chinese family in Regina including footage of family visiting from Macau in the wintertime, children playing and receiving Christmas presents, the family picking fruits and vegetables in the backyard. Footage captured by Jacob Chon Tat Lo.

Accession consists of digitized home movies from an Indian family in Canada documenting family members visiting Canada. Project and donor contributed description follows: "Sometime between 1987 and 1988, it's the summer season and the Jabbar family welcomes uncles and aunts over for a visit to Canada, staying at their apartment in Scarborough, ON. Family was always welcome at the Jabbar household and they are happy and willing to stay for weeks at a time despite the small space. The footage shows how multigenerational the gatherings are, which included S's grandmother who recently came to live with the family."

Series consists of digitized home movies documenting an Indian family in Canada communicating via video letters to family in India. Video letters include Indian nursery rhymes, biryani songs, and footage of children practicing Urdu and memorizing the Quran in Arabic.

Project and donor contributed description follows: "In the Javeed family’s apartment in Scarborough ON, two boys aged between 3 and 7 create a video letters to their grandmother who resides overseas in India. Both boys are born and live in Canada. The videos document shifts in communication technologies, at a time prior to the use of communication apps like WhatsApp, used to keep in touch with family. Scarborough was quite diverse by the early 2000s, and the boys generally felt connected to their peers, although their mother remembers they had experienced racism and some issues at school. She attests that they grew up differently than she did as a first generation immigrant, wherein she felt like an outsider in Toronto in the early eighties. The family had a lot of discussions as they were growing up about these issues, and ensured the boys were familiar with current affairs."

Series consists of an Iranian-Canadian family's home video of a father and daughter visiting Iran and includes footage of Shiraz, the Takht-e Lamshid, Isfahan, the Great Mosque (Shah Mosque), and Naghsh-e Jahan Square. Footage captured by Abbas Joudaki.

Series consists of a Haitian and Sudanese family’s home movie documenting a school performance at the École élémentaire catholique du Sacré-Coeur.

Series consists of home movie footage documenting a Chinese family in Vancouver celebrating multiple birthdays.

Series consists of home videos documenting an Argentine-Chilean family and friends in everyday life and at events such as picnics, parties, Christmas, and visiting the CN Tower and Niagara Falls.

Series consists of home videos documenting everyday life of the donor's Chinese-Russian family including footage of four RCMP weddings and a dinner, Christmas, Chinese New Year, and children playing with toys. Footage was captured by Stanley Chan, Kate Azure, and Joyce Raymond.

Series consists of home videos documenting her friends and Guyanese family in Toronto and Guyana including the Mahaica Market and Kaieteur Falls.

Series consists of home videos including footage of donor's Jamaican-Guyanese family including Christmas in 1992 and their vacation in England in 1990. Footage captured by Leah Burke and other members of the Burke family.

Series consists of home videos documenting this Haitian family in New York City during Christmas in 1969 and digging out their home in the St. Leonard, Montreal after the 1971 snow storm. Footage was captured by André and Ginette Valcin.

Series consists of home videos including footage of Khmer-Krom family celebrating a birthday.

Accession consists of home videos documenting Azada Rahi's participation in the Junior Toronto Raptors Dance Pak including rehearsals and performances at the YTV Achievement Awards.

Series consists of records pertaining to York and external correspondence between 1973-2017 including tenure and promotion files; the 1975-1976 Senior Killam Award; the Joint Centre for Asia Pacific Affairs sponsored by the University of Toronto and York University; the ‘Sasakawa Scholarship Affair’; and a series of book reviews, mainly for Pacific Affairs. There are also letters relating to Endicott’s book publications, researched papers presented by Endicott at forums and colloquia, texts published in journals, papers and more informal notes for talks at public libraries, schools, church groups, continuing education programs, TV and radio, on topics of contemporary interest. Finally, there are a number of files from Canadian and international China friendship associations.

Series consists of records pertaining to Endicott's personal education and as an educator. First home-schooled by his mother, Mary Austin, during his childhood in rural China, Endicott continued his education at Vaughan Road Collegiate Institute, Toronto in the 1940s, followed by a summer Bible seminar at Camp Minesing in Algonquin Park, Ontario. From 1945-1949, Endicott earned his BA in the modern history honours program at the University of Toronto, studying under C.B. Macpherson, Northrup Frye, and Frank Underhill among others. In the 1960s, Endicott went on to pursue a teaching degree at the Ontario College of Education while working as secondary school teacher with the South Peel Board of Education. He subsequently completed his MA (History) at the University of Toronto in 1966, and his PhD at the School of Oriental & African Studies at the University of London in 1973. Endicott taught in the history department of Atkinson College at York University for 22 years until his retirement, having spent two sabbaticals teaching in China at Sichuan University, in Chengdu.

Series consists of materials used for the creation and defence of Stephen Endicott’s doctoral thesis on British imperialism in China in the 1930s. It includes interviews conducted during his two-year stay in London and extensive documentation from both governmental and business sources. These sources reveal the intense friction between a cautious Foreign Office (Sir John Simon) and a bold Exchequer (Neville Chamberlain) over what course of action should be taken in East Asia during those volatile years and the success of the large and powerful British capitalist and financial interests (Asiatic Petroleum Company [BP/Shell Oil], Imperial Chemical Industries, Hongkong & Shanghai Banking Corporation [HSBC] et al in the China Association) in pushing a forward policy in China despite the growing displeasure of a heavily armed Japan.

Series consists of records pertaining to a project started by Endicott, Edward Hagerman and John W. (Bill) Powell in 1978. Its purpose, among other things, was to interview surviving Western airmen from the Korean War era about their knowledge of bacteriological warfare, especially the US POWs (Prisoners of War) who had made depositions about their experience to their Chinese and North Korean captors. These records include a typescript and audio recordings of the autobiography of US Army doctor Major-General Crawford W. Sams, a copy of his classified report of a controversial, clandestine raid into North Korea, and an oral interview.

Series consists of Endicott's research files pertaining to his Series 4: United States Biological Warfare. Records include textual material including photocopies of previously classified documents, correspondence, and photographs relating to United States biological warfare activities during the Korean war period 1950-1953. These materials collected over a twenty-five year period, beginning in 1976, are the product of research in the national archives and several military archives of the United States, Canada, the Peoples’ Republic of China, and interviews in the Democratic Peoples’ Republic of Korea, Japan and Britain. Based upon this research Endicott and his colleague Edward Hagerman, also of York University, collaborated to produce the book The United States Biological Warfare: Secrets from the Early Cold War and Korea (Indiana University Press, 1998) in which they conclude that the United States secretly engaged in large-scale field tests of biological weapons in Korea and China, committing an international war crime. The book has been translated into Korean in South Korea. At the time these records were donated, Endicott maintained that American authorities continue to deny biological warfare activities during the Korean War, and he believed the topic to be the most closely guarded Cold War secret of the United States government.

Series consists of Endicott’s research files pertaining to his books Red Earth: Revolution in a Sichuan Village (1988), and The Red Dragon: China 1949-1990 (1990). These files include interview transcripts, annotated photocopies of archival records, village account books (in Chinese with English translation), and interviews at the village, brigade, commune, and county levels; articles, clippings, chronologies, personality files, graphic material, pamphlets, project outlines, manuscript drafts, correspondence, conference papers, etc.

Series consists of Endicott’s detailed and extensive research files pertaining to his book James G. Endicott: Rebel Out of China (1980), as well as his work on the long-running China missionary projects of the University of Toronto-York University JCAPS and of the Canada China Program of the Canadian Council of Churches. These files include interview transcripts, annotated photocopies of archival records (consisting of correspondence, CIA and FBI security files, Canadian Peace Congress records, World Council of Peace records, Canadian government department records, etc.); articles, clippings, chronologies, personality files, graphic material, pamphlets, project outlines, manuscript drafts, correspondence, conference papers, etc.

Series consists of Endicott’s detailed and extensive research files pertaining to his books Bienfait: The Saskatchewan miners’ struggle of ’31 (2002) and Raising the workers’ flag: The Workers’ Unity League of Canada, 1930-1936 (2012). These files include interview transcripts, annotated photocopies of archival records (consisting of correspondence, RCMP and CSIS security files, Communist International (Comintern) files, Canadian government department records, Communist Party of Canada records, etc.), articles, clippings, chronologies, personality files, graphic material, pamphlets, project outlines, manuscript drafts, etc.

Series consists of recordings pertaining to Doob’s research and scholarship interest in medieval studies, dance, and medicine. Series contains interview transcripts and notes, manuscripts, notes, drafts and publications, lectures, grant applications, research-related photographs, and reference material including dance programmes.

A significant portion of the series pertains to the National Ballet of Canada including research material for over thirty repertoires; interview material with Rudolf Nureyev, Celia Franca, Karen Kain, Erik Bruhn, James Kudelka, Rex Harrington, Dominique Dumais, and Glen Tetley; and the manuscripts of Karen Kain and Rex Harrington’s autobiography drafts.

Series also includes the draft manuscript of ‘Nebauchadnezzar’s Children: Conventions of Madness in Middle English Literature,’ and research material related to labyrinths in the middle ages and Chaucer.

Series primarily consists of teaching material including her lecture notes, syllabi, student assignments, course readings, reference material, and course evaluations. Material also contains reports, newsletters, agenda packages, and correspondence pertaining to her administrative roles at York University and a small amount of personal memorabilia and ephemera from her undergraduate and graduate studies.

Series contains maps of Dublin from the Ordnance survey as well as maps of Dublin from the General Post Office Directory. As well, there are copies of the 'Dublin almanac and general register of Ireland', (1847), and several copies of 'Thom's official directory,' for the period (1852-1950).

Series contains fifteen watercolours from the play 'Night boat to Dublin,' collectively titled 'Cat and devil' by Jane Golden; posters advertising Joyce symposia at York University, Dublin, Trieste and other sites, and related Joycean celebrations; and posters advertising Pollock's productions. In addition, there are four scrapbooks of press clippings on the theatre that include notices of Pollock's productions, as well as other material.

Series consists of photographs of actors and scenes from Pollock's productions, 'Yes, I will yes', 'Ulysses in Nighttown,' as well as photographs of Pollock and members of the Joyce family in Trieste, Toronto and Dublin. As well there are newspaper clippings (photographs) that accompany articles on Pollock from Toronto newspapers, and a poster from the Canadian premiere of 'Ulysses in Nighttown'.

Two videocassettes pertain to a trip to Japan by Pollock and the third pertains to a production, 'Portrait of the artist - is there one who understands me?'.

contain slides that were used in Pollock's productions and include stills of street scenes in Ireland, Italy, Paris, that have relevance for Joyce's works. Also included are portraits of personalities of the early twentieth century, intertitles, drawings
and prints (the Seven Deadly Sins, religious images, Joycean characters), posters of World War One, and similar material. As well, there are hundreds of slides that were used in Pollock's productions which are primarily identified by the names of the plays, 'Night boat from Dublin,' and 'Giacomo de Trieste'.

Series contains audio tape reels of interviews Pollock conducted with members of Joyce's family and associates, interviews with members of the Abbey Theatre and with Irish critics and writers, recordings of the proceedings of the James Joyce Symposium at York University (1970), and copies of Canadian Broadcasting Corporation programmes concerning James Joyce ('Tuesday Night', a Joyce Documentary, and others). There are recordings used in Pollock's productions including 'Giacomo de Trieste,' 'Ulysses in Nighttown,'(music, sound effects, etc).

Series consists of handwritten drafts, typescripts, editorial comments and correspondence, photocopies, promotional material and research notes, for several of Pollock's works including 'After the funeral,''Gabriel,' 'Yes, I will yes', 'Up from the pedestal' and unpublished works including his Soviet journal.

Series consists of correspondence and clippings concerning various theatres and theatre companies in Canada and in other countries (Abbey Theatre-Dublin, Royal Shakespeare Company), and with playwrights and authors (Samuel Beckett, Brendan Behan, Anthony Burgess, Ezra Pound). There is also correspondence. official records and some clippings relating to the James Joyce Society of Canada (including accounts, lists and financial material), and with organizers of James Joyce Symposia (York University, Trieste, Dublin, Paris). There is material relating to productions of Pollock's works ('Giacomo de Trieste', 'Night boat from Dublin', 'Ulysses in Nighttown'). There is also some correspondence and related material concerning Temple Sinai (Toronto) and Pollack's travels (Soviet Union, Italy, Japan, Cuba). In addition, there are theatre programs from several theatres in Canada (Hart House Theatre, O'Keefe Centre, Royal Alexandra Theatre, Stratford).

Series consists of records created and accumulated by McPhedran during her tenure as Principal of the University of Winnipeg’s Global College (2008-2012) and as a faculty member at Global College. Records in this series document her involvement with the work of the College, including special events and conferences, include audiovisual materials, conference materials, photographs, a transcript and correspondence.

Series contains textual records and photographs pertaining to Sternberg's personal life, including medical information and personal correspondence. Included in the series is a file of Sternberg's correspondence with Canadian experimental artist and art educator Michael Fernandes.

Series consists of records created or accumulated by Sternberg in the course of her political activities. The series contains materials relating to Sternberg's arts education and feminist activism, as well as a file containing Association for Film Art records. Series is comprised of textual records, photographs, videocassettes, a compact disc, and a poster.

Series consists of draft and published copies of articles, interviews, and book chapters written or co-written by Barbara Sternberg. Also included are materials relating to Sternberg's Cinema Canada column, "On Experimental Film," as well as documents pertaining to an unrealized anthology on Canadian experimental film, and several photographs.

Series consists primarily of textual records documenting Sternberg's professorial and professional careers. These records include curation and course proposals, notes, and ephemera; resumes; conference materials; interviews; research; copies, typescripts, and drafts of published and unpublished works; screening, talks, and tour records; writings related to screening introductions; exhibition records; film festival programs and publications; posters; and film periodicals and newsletters. Also included are materials pertaining to Sternberg's work with the Community Arts Centre, a selection of published works by or belonging to Sternberg, and a copy of George Clark's essay "To the Distant Observer: On the Films of Barbara Sternberg." In addition to textual records, this series includes posters, DVDs, photographs, and 35mm slides.

Series consists of records created or accumulated by Sternberg in the process of her activities as an experimental filmmaker, performer, and artist. Records include project files on complete and incomplete works, including but not limited to "A Story," "Transitions," "Like a Dream That Vanishes," and "Beating," and consist of notes, scripts, shot lists, research materials, grant applications, and correspondence. This series is primarily comprised of 35mm slides and photographs of varying dimensions. The series also includes multiple moving image formats, as well as an envelope of pressed leaves and a box of cloth figures.

Series consists of a variety of records, including files pertaining to Jarrell's involvement with the Markham Environmental Alliance, his academic publishing company, Scientia Press, and his university education at Indiana University and the University of Toronto. Records include financial statements, correspondence (including printed e-mail), newsletters, agendas, notices, pamphlets, membership lists, notebooks, essays, book reviews, and photographic slides.

Series consists of records pertaining to Jarrell's work as a professor and administrator at York University. Records include course syllabi and handouts, examinations and assignments, lecture notes, course evaluations, presentation slides, handbooks, a student cookbook, correspondence, reports, photographs, applications, and forms.

Series consists of records pertaining to Jarrell's various academic research and writing projects, including his book "Educating the Neglected Majority". Records include notes, lists, statistics, draft articles and manuscripts, bibliographies, copies of membership lists and directories, reproductions of archival records, publications, photographs, and Jarrell's research index cards, organized by research subject. Also included in this series are textbooks written and used by Jarrell to teach his classes at York University.

Series consists of Jarrell's professional correspondence and memoranda, including incoming letters and copies of his outgoing correspondence. These records pertain to Jarrell's work as a York University faculty member, his research and writing projects, his work as the editor of "HSTC Bulletin" (later "Scientia Canadensis"), and his participation as a member of the Canadian Science and Technology Historical Association (CSTHA). Some items in this series are photocopies, and some items have been marked according to subject by Martha Jarrell.

Series contains notes for book projects ('Hegel's development', 'Phenomenology of spirit,'), as well as notes for lectures for a seven year seminar on 'Phenomenology', and related Hegel research.

Series contains essays from his Oxford undergraduate days as well as notes and essays from Northwestern University (Master's degree), and typescript copies of his doctoral thesis at the University of Illinois, 1953.

Series consists of lecture notes, reading lists, course outlines, and related material for courses taught at York in Philosophy (Modes of Reasoning, Medieval Philosophy, Phenomenology), Humanities, and Social Science, as well as Philosophy courses taught at the University of Illinois and Ohio State University

Series consists of correspondence with other philosophers, individuals, several educational institutions as well as learned societies (Hegel Institute of America), publishers, and letters of recommendation.

Series contains typescripts of Harris' thesis on Giovanni Gentile, as well as typescripts, corrected drafts, galleys and page proofs of 'Hegel's development' (vols. I and II), 'Between Kant and Hegel: texts in the development of post-Kantian idealism,' (a series of lectures translated and annotated by Harris and George di Giovanni), and for 'Origins and legacies'. There are also typescripts and drafts of translations of works by Hegel ('Difference between Fichte's and Schelling's system of Philosophy,', 'Faith and knowledge', 'Encyclopedia of logic,' ). In addition, there are photocopies of Harris' revision of 'Lectures on the philosophy of religion'. The fonds also includes typescripts and drafts of several articles by written by Harris on Hegel, Croce, Hume, and copies of typescripts and off-prints of reviews written by Harris.