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The series consists of scripts written by others and sent to Bernard Zukerman for his consideration.

The series consists of research files, correspondence, drafts of scripts, casting lists, crew lists, publicity materials, and photographs relating to various television dramas produced by Bernard Zukerman. Projects documented include: "And Then You Die", 1986; "Skate!", 1987; "The Squamish Five", 1988; "Love and Hate: the Story of Colin and JoAnn Thatcher", 1990; "Dieppe", 1994; "Million Dollar Babies", 1994; "Net Worth", 1995; "The Sleep Room", 1998; "Revenge of the Land", 2000; "Heart: The Marily Bell Story", 2001 and others.

The series consists of briefs, memos, questionnaires to teachers, bulletins, statistics, minutes, notices, correspondence, reports and other material related created and/or accumulated by Norquay while she was a member of the Social Planning Council: Community Committee on Immigrant Children.

The series consists of applications, reports, working papers, notes, drafts, correspondence, newsletters, minutes, notebooks, members submissions, audio and video recordings of workshops, and other material created and/or accumulated by Norquay while she served as chair and member of the committee.

The series consists of subject files on various aspects of the project, copies of action plans and progress reports, contracts, correspondence, memorandum, reports, course outlines, minutes, notebooks, journals, publications and student assignments created and/or accumulated by Norquay while she participated in the project.

The series consists of typescript copies of scripts for the CBC program "Take 30" for which Norquay was a writer, researcher and broadcaster.

The series includes notes, drafts and resource material related to Norquay's M.A. Thesis, "A Study of a Community Recreation Council as an Agent of Social Change" as well as the completed thesis, original correspondence, photographs and clippings created and/or accumulated while Norquay was recreation director of the Dunville Recreational Council. Series also includes minutes of that council. Norquay's thesis was successfully submitted to the University of Toronto in partial fulfillment of her Master's degree but at the direction of her thesis supervisor was not deposited in the University of Toronto library on the grounds that it would be considered libelous.

The series consists of personal and administrative files of Open College created and/or accumulated by Margaret Norquay including clippings, student packages, contracts, correspondence, notes, diaries, journals, reports and minutes from various projects and memorabilia documenting her role as its founder and as a professor. Series also includes drafts and scripts for Norquay's course "Ethnic Relations in Canada : Understanding People of Another Culture" and audio recordings, transcripts and notes from interviews conducted by Norquay with various ethnic groups as a part of her course work.

The series consists of correspondence, research material, notes, contracts, and manuscript and typescript drafts of Sherman's plays including "A Place Like Pamela," "Three in the Back, Two in the Head," "The League of Nathans," "Patience," "To Cry is Not So," "What the Russian's Say," "Field," "The Merchant of Showboat," "Quirt," "Reading Hebron," "The Retreat" and "It's All True," "An Acre of Time," "The Brothers Karamazov," "The Message," and others. It also includes copies of scripts containing revisions made during the production of his plays, correspondence and financial records related to these productions, and programs and reviews of the rehearsals and performances of these works. The series also includes correspondence, story ideas and outlines, proposals, research material, contracts, and typescript draft scripts for radio and television programmes including "P.M.O.", "National Affairs", "The Hard Wood," "Graf," "ReGenesis," "Afghanada," "Rosendorf Quartet," "Galileo," "Badlands," "After the Orchard," "Between Two Worlds," "Jonestown," "Murdoch Mysteries," "Zone of Separation," "Wrecking Ball," "Abbatoir," "Flashpoint," "Mind," "Last Hope," "The Rules," "Invectus," "Spadina," "Colder in the Suburbs," "Ronde-et-vous," "Blueprint," and "The Public Health," among others. The records pertaining to the production "Bloodletting and miraculous cures," based on the critically-acclaimed novel by Vincent Lam, are particularly comprehensive and include drafts, notes, correspondence, research files, and digital recordings of dailies, director's, producer's, and various other cuts of individual episodes. Among the earlier writings represented in this series can be found copies of essays, articles and plays written by Sherman during his years in the Creative Writing Program at York University as well as typescript copies and clippings of several of his articles and reviews which have appeared in The Globe and Mail, The Toronto Star, Books in Canada and other publications.

The series consists of the administrative files of 'What', including financial statements and budgets, records of expenses, contracts, advertising information, clippings, correspondence, press releases and other material related to the ongoing operation of the magazine; submissions which includes typescript copies of stories sent to 'What', story ideas, writers' invoices, 'What' guidelines and writer's files which are a series of files arranged alphabetically which contain correspondence, stories and clippings pertaining to particular authors.

The series consists of audio-visual records documenting various elements of Wiseman's career as a writer and public figure. It includes recordings of Wiseman reading her own poetry as well as interviews with her. It also contains recordings of poetry readings by poets including Lillian Allen, bill bissett, Robert Priest, Susan Musgrave, b.p. Nichol and Earle Birney among others.

The series consists of clippings, correspondence, minutes and other material regarding Wiseman's participation in the artist's group Loons. Formed in November 1982, Loons was an initial group of nineteen poets, novelists, composers, painters and sculptors who met informally for a period of about three years to discuss how their respective arts could act as an influence on each other. In addition to Wiseman, it counted Murray Adaskin, Elizabeth Smart, Phyllis Webb, Earle Birney, Timothy Findley, Vera Frenkel, George Johnston, Gwendolyn McEwen, Anne Michaels, P.K. Page and others among its memberhship.

The series consists of journals kept by the author as well as loose material found in journals such as correspondence, notes, fragments of stories and other items. It contains notebooks, bound or unbound, in which Wiseman kept ideas for stories and works as well as drafts of her work, drawings and other thoughts from her daily life. It also includes address books kept by Wiseman over several years.

The series consists of material that documents Wiseman's career as an academic, both as a student and as a professor. It includes lecture notes, essays, examinations, assignments and other material related to her years as a student at the University of Manitoba and student submissions, publications, catalogues, minutes, notes, brochures, resumes and other material related to her years as a teacher at the University of Windsor. It also conatins materil related to her years as a writing instructor at the Banff Centre and, as such, contains correspondence with colleagus including Don Coles, Mavis Gallant, Don McKay, P.K. Page, Jay Ruzesky, Miriam Waddington, Rudy Wiebe, Chris Wiseman and Rachel Wyatt among others.

Series consists of manuscripts, typescripts, and printed materials written by or about other writers. Much of the typescript material was given to Wiseman while she was an instructor at the Banff School of the Arts. It includes clean copies of work by Caroline Adderson, Carol Bolt, Marian Engel, Sylvia Fraser, Gary Geddes, Anne Michaels, Michael Redhill, Anne Carson and others. It also contains copies of articles or reviews written by or about other authors that were collected by Wiseman.

Series consists of a series of files containing information that relates to Wiseman's interests, particularly around social causes such as animal rights, nuclear disarmament, race relations and the environment as well as notebooks, maps, postcards, airline tickets, memorabilia and other material related to Wiseman's travels to China.

Series consists of material that documents Wiseman's finances and, as such, includes income tax returns including statements of all annual expenditures as well as documents related to her banking, records related to the sale of her family's home and other records related to her parents' finances. It also includes contracts and agreements reached between Wiseman and the Canadian Broadcasting Company and various publishers and material related to the finances of various members of her family.

The series consists of personal and professional correspondence including manuscript and typescript copies of letters received by Wiseman and, in many cases, copies of letters written by Wiseman herself. It includes correspondence with friends, readers and fellow writers including Margaret Laurence, bill bissett, Don Coles, Marian Engel, Timothy Findley, Frances Itani, Jay McPherson, Mordecai Richler, Malcolm Ross, Jane Rule, Phyllis Grosskurth, Steven Heighton, Gwendolyn McEwen, Don McKay, Tillie Olsen, P.K. Page, Carol Shield and Christopher Wiseman among others.

The series consists of correspondence and other material that documents Wiseman's relationship to her family and, as such, contains copies of letters received by Wiseman as well as copies of letters sent by her to various members of her family including her husband, Dmitry Stone, her parents, Chaika and Pesach Waisman and her daughter Tamara Stone. It also contains medical records, marriage licenses, divorce papers, wills of various members of the family, photographs, memorabilia as well as collected correspondence exchanged between members of the Wiseman family but not necessarily about the author herself.

The series consists of chronologically arranged files of correspondence that document Wiseman's professional life and includes correspondence with publishers, grant applications and inquiries, letters of inquiry related to employment, material that documents her affiliation with various organizations such as ACTRA, The League of Canadian Poets and The Writers' Union of Canada, correspondence and material related to universities where she served as writer-in-residence, appraisals and recommendations for writers including Susan Musgrave, Joy Kogawa, Ruth Johnson and others and correspondence related to travel and to her tenure as an instructer at the Banff Centre.

The series consists of research material, notes, manuscript and typescript drafts of Wiseman's novels, short stories, poetry, plays, works of non-fiction, book reviews, speeches and scripts, many of which were written for CBC radio. It also includes publicity material, reviews of her work and copies of articles written about her by others. It contains material related to her novels "The Sacrifice" and "Crackpot", to the plays "Testimonial Dinner", "The Lovebound" and "Someday Sam: A Play, Libretto or Puppet Opera for Children of All Ages" as well as other material that documents her writing process.

The series consists of correspondence, certificates, articles, contracts and other financial documents, clippings, newsletters, diaries, note books and photographs created and/or accumulated by John Smith and relating to his personal life and interests.

Series consists of correspondence received by John Smith during the course of his career as a director and producer and business records of Smith's company, Dunany Productions Inc., including copies of year end files.

Series consists of telecast schedules, correspondence for the Children's Television Department (1982-1987), contractual agreements, files pertaining to the CBC's court case with the Supreme Court of Canada related to "The Boys of St. Vincent" and other material created and or accumulated by John Smith during the course of his work with the Canadian Broadcasting Corporation.

The series consists of advertisements, production files, press releases, newsletters, Committee 200 files, reports and staff related files created and or accumulated by John Smith and relating to his work with the National Film Board of Canada.

Series consists of scripts written by others and sent to John Smith in the course of his film making career presumably for his consideration as a director or producer.

The series consists of research files, time lines, successive drafts of scripts with revisions, casting lists, publicity films and other material relating to films produced and/or directed by John Smith including "The Boys of St. Vincent", "Dieppe", "Dangerous Minds", "A Cool Dry Place", "Random Passage" and "Prairie Giant : The Tommy Douglas Story" among others as well as numerous minor productions such as the award winning films as "Bargain Basement" (1976), "Revolution's Orphans" (1979) and "First Winter" (1980).

Series consists of video tape productions of 'Women of Distinction' and 'Mary McEwan' and film reels of 'A and B in Ontario'.

Series consists of interviews, speeches, discussions, and other personal interest recordings.

Series consists of newspaper clippings, exhibition catalogues, invitations, articles, journals, and books collected by Joyce Wieland. Includes material created or authored by Wieland or related to Michael Snow (her former husband), research materials and items collected for personal interest.

Series consists of accounting records, financial values for Michael Snow's drawings, and financial records for A Far Shore.

Series consists of legal agreements and disputes, travel documents, and divorce papers.

Series consists of date books, diaries, report cards, personal memorabilia, biographical and genealogical material and notebooks.

Series consists of scripts by Joyce Wieland and others, Wieland's writings in notebooks, and lecture notes on painting.

Series consists of general, personal, and business correspondence documenting Wieland's work with the art community, social issues, and the honours she received for her work in art and film.

Series consists of portraits and snapshots of Joyce Wieland, personal photographs of family and friends (i.e. Wendy Michener), photos used in the creation of her art pieces, photos of her finished artwork, and stills from film shots (The Far Shore). Some sketches may be found with the photos.

Series consists of original art work by Joyce Wieland including sketches, three-dimensional pieces, drafts of visual ideas, notebooks, and prints of finished pieces. There are photocopies of sketches found in other series included here, as well as some photographs used by Wieland for her artwork.

Series consists of grant program guides, applications, supporting documentation, and correspondence relating to grants received by Wieland from the Canada Council, Ontario Arts Council and Ontario Ministry of Citizenship and Culture.

Fonds consists of records created and/or accumulated by John Jose pertaining to his relationship with writer Yvonne Vera.

Collection consists of records accumulated by the Coptic Canadian History Project (CCHP) pertaining to the history and activities of Coptic immigrants in Canada.

Fonds consists of records documenting Beverley Salmon's work as an activist and as a North York and Metro Toronto Councillor. Records primarily pertain to subjects including race relations, the Toronto Transit Commission, the building of a subway to York University, and her involvement with the Federation of Canadian Municipalities. Records include correspondence, agenda packages, reports, notes, news clippings, and conference material.

Fonds consists of records documenting Doob’s activities as a professor at York University and scholar of medieval studies, dance, and medicine. A small amount of personal memorabilia and ephemera of her early life related to her education are included.

Fonds consists of records pertaining to Michael Davey's work as an artist and professor at York University. Included are course descriptions; exhibition catalogues and invitations; donation agreements; portfolios of drawings, photographs, and paintings; and sculptures of 9 hockey blades and a granite puck sandblasted with the image of Maurice Richard's and Gordie Howe's eye and elbow.

Collection contains digital and analogue home movies submitted to and digitized by Home Made Visible, a nation-wide project by the Regent Park Film Festival. The project collected movies from visible minority families and Indigenous peoples in Canada. Footage consists of everyday life including children playing and family trips, and celebrations including birthdays and holidays.

Fonds consists of records documenting Richard Jarrell's work as an academic and historian of science, his teaching and service activities as a professor at York University, and his interest in environmental conservancy. Records include correspondence and memoranda, research materials and notes, draft articles and manuscripts, copies of published writing, photographs, university notebooks and essays, York University course materials, and textbooks written by Jarrell.

Fonds consists of records created or accumulated by Rishma Dunlop pertaining to her personal life, her work as a university professor, and her literary career. It includes juvenilia, early academic works, and drafts of published and unpublished works (poems, essays, speeches, a novel, and an unpublished memoir). The fonds also includes the edited drafts of submissions and correspondence related to Dunlop’s five published collections of poetry; notes, research and drafts relating to other poems, published and unpublished; personal and professional correspondence; a personal journal; files regarding literary and teaching activities, including grant applications; drafts pertaining to her work as an editor; photographs; and literary ephemera such as posters, programmes, and flyers. The fonds also includes teaching evaluations filled out by Dunlop’s students at York University, as well as some written work and details of final project submissions by graduate students whose work was supervised by Dunlop.

The fonds consists of records pertaining to Barbara Sternberg's activities as an artist, teacher, writer, and activist. In addition to subject files containing materials related to her films, the fonds includes posters, reviews, catalogues, programmes, research and drafts of unrealized projects, course, project, and grant proposals, as well as publications by and about Sternberg. It also includes conference and workshop materials, pedagogical documents, drafts of Sternberg's Cinema Canada column, materials related to screenings, exhibitions, and festivals, as well as correspondence with friends and colleagues, including contemporary Canadian experimental artist Michael Fernandes and former Canadian Parliamentary Poet Laureate George Elliott Clarke. Records of a personal nature are predominantly limited to correspondence.

Collection primarily consists of Witmer's audio-visual field recordings of interviews and musical performances, in addition to students' ethnomusicology research field recordings. His research files as an ethnomusicologist are also included and consist of lists, indexes, musical scores, notes, interview transcripts, programs, essays, newspaper clippings, song books, correspondence, and newsletters.

Fonds consists of drafts, manuscripts, notes, research material, edits, and character sketches created by Alissa York as part of her process creating her short story collection, Any Given Power (1999), and her novels: Mercy (2003), Effigy (2007), Fauna (2010), and The Naturalist (2016).

Fonds consists of research material created and collected by Wenona Giles as part of her anthropological studies of Portuguese migrant women in London, United Kingdom, and Toronto, Canada. Fonds includes, field notes, interview transcripts, questionnaires, reports and other collected research material.

Fonds consists of: personal notebooks, dayplanners, film press kits, reports, agreements, meeting minutes, contracts, correspondence, media clippings, business trip itineraries, audio-visual material, and teaching material, which document James Weyman's career as a producer and manager at the Ontario Media Development Corporation (OMDC), formerly the Ontario Film Development Corporation (OFDC) and as an instructor at Ryerson University's School of Radio and Television Arts.

Fonds consists of two leather-bound albums likely presented to Stephens after his resignation as president of the Saar Governing Commission.

Fonds consists of records created by Carl James in the course of his activities as a sociologist and a university professor, including research data, publications, teaching material, and administrative records for the York Centre for Education and Community.

Fonds consists of records pertaining to the work and activities of Michael A. Gilbert. These records document Gilbert’s work as a professor of philosophy and administrator at York University, as a writer and lecturer in the areas of argumentation theory and transgender theory, and as a writer of literary fiction. Records in this fonds include correspondence and day planners, academic papers and articles, draft manuscripts and screenplays, notes, course materials and lecture notes, photographs, and conference materials.

Fonds consists of the records created and accumulated by Arnold Hoffman as a prospector and stockholder, relating to gold mining operations in Ontario, Quebec, and the Northwest Territories. Records relating to the gold mines at Wright-Rouyn, Arrowhead, and Thompson-Lundmark include: maps and sketches, photographs, geological studies, reports, and assay reports. Files also contain records pertaining to Stadacona Rouyn, Sunset Yellowknife, Junior Frood, Coniaurum, Algood, Pershon, Resenor, Michipicoten, Croydon Rouyn, and El Canada mines, including geological reports, and correspondence. Records related to Hoffman’s stocks and business operations as Secretary of Gold Operators (Canada) Ltd. include stockholder lists, securities lists, annual reports, meeting minutes, correspondence, newspaper clippings, cheques, and contracts.

Accession consists of material documenting the career of Archie Alleyne as a musician, philanthropist, and influential figure in the Toronto jazz music scene. Material includes collected material on other Toronto-based jazz musicians; posters, photographs, and other memorabilia from performances and events; correspondence; material related to the Archie Alleyne Scholarship Fund; notebooks; and drafts and research material for his memoir, Colour Me Jazz: The Archie Alleyne Story (2015). Audio-visual material includes recordings of jazz-related programming broadcast on television, audio interviews with jazz musicians, and released and unreleased music performances

Fonds consists of records pertaining to Deborah Barndt’s work as a researcher, writer, activist and York University professor. These records document the research and writing of Women Working the NAFTA Food Chain (1999), Tangled Routes: Women, Work and Globalization on the Tomato Trail (2002), and VIVA! Community Arts and Popular Education in the Americas (2011), her research focus on popular education, globalization, community arts, and her involvement with equity and diversity initiatives at York University. Records in this fonds include research materials such as journal articles, papers, reports, newsletters, government documents, pamphlets, brochures, as well as audio recordings of interviews and interview transcripts, correspondence, manuscripts, video cassettes, notes, e-mail, proposals, and workshop materials.

Fonds consists of records documenting Barbara Rahder’s graduate studies at the University of Toronto’s Department of Urban and Regional Planning, her work as a professor and member of the Faculty of Environmental Studies at York University, her planning consultancy projects in the 1980s and 1990s, her scholarly writing and participation in conferences and workshops, and her involvement with the activities and conferences of Planners Network and the International Network for Urban Research and Action. Records in this fonds include papers, reports, proposals, notes, notebooks, photographs and photographic slides, research materials, conference materials, technical drawings, correspondence, e-mail, lecture notes, and course materials.

Fonds consists of records pertaining to Yvonne Vera’s activities as a prominent African writer of English fiction and as a student and teacher of English literature while in Canada. Records include finished copies, typescripts and drafts of published and unpublished works; copies of articles written by and about Vera; personal and professional correspondence; personal memorabilia. Fonds includes a selection of books both by and belonging to Vera and a copy of the Vera biography, “Petal Thoughts,” by Ericah Gwetai. The fonds consists of items created and accumulated together by Vera and Jose, as well as mementos brought from Zimbabwe by Vera.

Fonds consists of records documenting Lynn Crosbie’s work as a writer, journalist and teacher, including manuscripts, draft articles and poems, published copies of her articles and poems, correspondence, videocassettes, audio cassettes, photographs, notebooks, day planners, lecture notes, research materials, course materials and student assignments. Also included in the fonds are personal photographs, correspondence, ephemera, memorabilia, notebooks and sketchbooks.

Fonds consists of records pertaining to the life and work of Canadian-Scottish Jazz musician and Toronto Jazz Festival founder, Jim Galloway. Records include those pertaining to his early life in Scotland, his work as a booking agent and radio host with CKFM, his administrative roles with the Toronto Jazz Festival, and his life as a performing saxophonist. In addition to the administrative contracts, correspondence, notes, travel records, gig and festival memorabilia, sheet music, and other records pertaining to Galloway's career, the fonds includes extensive audio recordings of Galloway's radio show, Toronto Alive, as well as various other recordings created or compiled by Galloway throughout his career.

Fonds consists of records pertaining to the governance and activities of the Canadian Society for the History and Philosophy of Science, including agendas and minutes of the Board and the Annual General Meetings, correspondence by members of the Executive, notes and financial statements from the Secretary-Treasurer, records related to the Society's constitution, Society programs from the Congress of the Social Sciences and Humanities, and membership records.

Fonds consists of diaries, account books, crop records, photographs, publications and drafts written by Hunt, correspondence, contracts, receipts, government documents and publications, newspaper and magazine articles, maps, and ephemera. Hunt’s correspondence with various government officials and travel coordinators documents his enrollment in the Settlement Scheme, and the processes involved in migrating from England to Canada. Hunt’s participation in the scheme is further documented by his accumulation of government publications and legal documents, as well as the journals and receipts that pertained to his farming activities. Photographs and maps depict Hedgerows farm and its location. Newspaper and magazine clippings and other printed ephemera collected by Hunt, while in Saskatchewan and after his return to England, record his continued interest in the fates of his fellow settlers. Although Hunt published an essay recounting his experiences positively, his drafts speak of his ultimate discontent with the Settlement Scheme.

Fonds consists of records pertaining to the life and work of social scientist Eric Trist. Records include photographs and textual material pertaining to Trist's early life and education in Dover, England, student records from his time at Cambridge and Yale Universities, and material related to his career as a theorist and academic in the fields of psychology and organizational development. These latter records consist of publications, presentations and other writings authored or co-authored by Eric Trist, records pertaining to Trist's teaching career in both the United States and Canada, and material related to the Tavistock Institute of Human Relations, of which Trist was a founding member.

Fonds consists of the personal records of Richard O'Hagan documenting his career in the field of journalism, communications, and public relations. It includes personal correspondence; files related to his work as special assistant to Canadian Prime Minister Lester B. Pearson (1963-1966); files related to his work at in the Information Division at the Canadian Embassy in Washington (1966-1976); files related to his work as Prime Minister Pierre Elliott Trudeau's Special Advisor on Communications (ca. 1975-1979); articles written for the Toronto Telegram; diaries; subject files; research files; book research files and drafts; personal and family photographs; and travel and expense reports.

Fonds consists of records created and accumulated by Sylvia Woodsworth Campbell, predominantly during her work as a guidance counselor and educator at Atkinson College, focusing on programs for continuing education for women re-entering the workforce or changing careers. Included are submissions and papers she authored, research notes, correspondence both personal and professional, clippings, reports pertaining to the work on the Status of Women, her Masters thesis which she submitted in 1976, and her diplomas. Also included are files pertaining to an educational bursary/scholarship established in her honour at Victoria College, University of Toronto.

Fonds consists of records pertaining to Daniel Drache’s work as a professor of political science at York University, his role as director of the Robarts Centre for Canadian Studies, his academic writing and research. These records include correspondence, draft and published articles, course materials and student papers, research materials, grant applications, project proposals, as well as audio cassettes and DVDs. A small amount of personal correspondence and photographs are also part of this fonds.

Fonds consists of professional and personal records created and accumulated by Lawrence ‘Larry’ Grossman as Member of Provincial Parliament for the Toronto riding of St. Andrew-St. Patrick (1975-1987), leader of the Progressive Conservative Party of Ontario (1985-1987), and his career activities following his exit from political office. Includes: correspondence; meeting minutes; research notes; briefing notes; reports; subject and clippings files; campaign materials and schedules; speeches; portraits and event photographs; audiovisual recordings of his television and radio appearances and interviews.

The records in this fonds document his contribution and involvement in the “Big Blue Machine” of the Progressive Conservative Party of Ontario, the numerous Cabinet portfolios he held in the governments of Premier William ‘Bill’ Davis, his two campaigns for leader of the Party, and the end of the Progressive Conservative Party of Ontario’s forty-two years in government (1943-1985) and the adjustment of the Party’s new role as Official Opposition.

The fonds also includes materials belonging to his father, Allan Grossman, kept by Larry following his father’s death in 1991.

Fonds contains the following series:
S00698: Political files
S00699: Progressive Conservative Party of Ontario files
S00700: Personal files
S00701: Allan Grossman materials
S00702: Audiovisual materials

Fonds consists of records pertaining to the personal and professional life of Italian-Canadian artist Luigi Nasato. These records, dating from 1931 to 2015, document Nasato’s early life and education in Istrana, Italy, as well as his emigration to first Argentina and then Toronto, Ontario. The records primarily pertain to Nasato’s artistic output and include several hundred drawings, sketches, paintings, and preliminary studies created over the course of his career, as well as a number of awards granted to Nasato on the basis of his artistic contributions. Many of the artistic works included in the fonds relate to projects completed in Toronto and environs, particularly to mosaic projects created by Nasato at a number of churches in the region. Fonds also includes notes on art history and artistic technique created by Nasato as both a student and professional artist, as well as miscellaneous textual and financial records pertaining to the practicalities of his artistic career. Also included in the fonds is an extensive collection of photographs and clippings, compiled by Nasato over the course of his life, most of which document works of art created by Nasato and others.

Fonds illustrates Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time span. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Fonds contains notes and notebooks, pamphlets, programmes, correspondence, clippings and scrapbooks, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

Fonds consists of the professional records of Peter Flemington including: correspondence, memorandums, reports, CRTC briefs and applications, meeting minutes, research files, film project files including copies of films and scripts, academic writing project files, and files related to his work as Head of Programming and Development of VisionTV. The records in this fonds document his role in the evolution of religious communication and the development of religious broadcasting in Canada, notably the establishment of VisionTV in 1986.

Fonds contains the following series, based on Flemington’s career:
S00689: Religious Television Associates
S00690: Berkeley Studio
S00691: Peter Flemington Broadcast Services (freelance work)
S00692: The Rosewell Group / Canadian Interfaith Network files
S00693: VisionTV

Fonds consists of records created and accumulated by Marilyn Silverman pertaining to her field research in socio-cultural anthropology. The records in this fonds document in particular her research in Guyana for her MA thesis (1966) and her PhD thesis (1969-1970), as well as a research project on banana production in Ecuador (1978). These records include correspondence, field notes and reports, questionnaires, card indices, interview notes and transcripts, government reports and statistics, police reports, data and work sheets, audio recordings, photographs and maps.

Fonds consists of nine handwritten notebooks containing the sermons written by William Clark for services held in several locations throughout Canada West (later Ontario), including Blenheim, Burford, Plattsville, Port Dover, and Toronto. The sermons created during the 1870s were written in Baldwinsville and Greenpoint, which were likely communities on Long Island, New York. Each sermon begins with a title and the underlying biblical text, and often include the numbers of the hymns sung during the service.

Fonds consists of research files, correspondence, scripts, production notes, budgetary material, promotional campaigns, awards, posters and assorted film, music, photographic and graphic material related to Larry Weinstein's creative process as a writer, documentary film director, and producer.

Fonds consists of records created by Marc Stein in the course of his activities as a teacher and administrator, including a draft history of gay, lesbian, bisexual, transgender and queer activities at York University from the 1960s to 1979, articles clipped from the student newspaper, Excalibur, concerning police harassment, women’s liberation and homophiles, student and media attitudes toward gays, and campus housing, and newsletters of the York University Homophile Association, 1970-1971, that were given to Stein when he was appointed Sexuality Studies Coordinator; records of the Sexuality Studies Committee pertaining to support for the program proposal, governance of the program, status of courses, proposal for certificate and minor programs, course enrolment, course instruction and designations, special events such as lectures and film nights, development of a course rubric, supplemental calendars for 2006-2010, minutes of Council meetings, a bibliography of faculty publications and productions, printed email correspondence, course proposal forms, award proposal forms for student academic performance, student lists, statements of revenue and expenses, the proposal to develop an option to major in Sexuality Studies; and course syllabi.

Fonds consists of records documenting the work and activities of Michael Mandel in his roles as a professor of law at Osgoode Hall Law School, as a writer and lawyer, and as a political activist. These records include draft articles and academic papers, course materials and lecture notes, correspondence, memoranda, research files, newspaper and magazine clippings, posters and event notices.

Fonds consists of registers of British vessels employed in the coasting trade on Canada's Atlantic coast. One volume records vessels that arrived at Bridgetown, Nova Scotia, between 1876 and 1906, and the other volume lists vessels that departed from this port between 1876 and 1910. The registers include date of entry, rig and name of vessel, the master's name, port of departure or destination, whether the vessel was carrying cargo or ballast, and the number of tons and crew permitted under transire or coasting license.

Fonds consists of photographs, news clippings, promotional material, posters, video recordings and documentation related to the political, social and cultural activities of George Papadatos, a Greek citizen who lived in exile in Toronto during the military junta of 1967-1974. Includes materials documenting the coffee house scene on the Danforth, Greek musical acts who toured Canada and the United States in the 1970s and 1980s, as well as student organizing and protests related to local opposition to the military dictatorship in Greece. Also includes photographic material from Papadatos' later life in Greece, where he operated a antiquarian bookstore.

Fonds consists of textual records created and accumulated by Maj. Burke in his role as Secretary of the Gurkha Welfare Appeal (Canada). Files related to the operations of the GWA(C) in Canada include financial statement, reports, audits, meeting minutes. The fonds also contains copies of reports, meeting minutes, newsletters, and promotional material for the Gurkha Welfare Trust in the United Kingdom. Files related to the promotion of the GWA(C) in Canada also include photographs, souvenir items, post cards, and maps and other material related to Nepal tourism. Files related to the projects of the GWA(C) in Nepal, including the Area Welfare Centres, schools for the blind, bridges, and water projects, consist of records such as photographs, maps, and reports. The fonds also contains published material including booklets and pamphlets about the Gurkhas and a copy of a Ph.D. dissertation on Gurkha history. Fonds also contains two medals, a plaque, military lapel pins, and three videocassettes.

Fonds consists of records documenting Terrill Maguire’s dance and choreography career, the formation and management of her dance and music festival, Inde, as well as her work as an instructor in the dance department of York University’s Faculty of Fine Arts. These records include correspondence, day planners, grant applications, proposals, course materials, contracts, memorabilia, photographs, videocassettes, audio reels, cassettes and compact discs.

Collection consists of conference material, documentary film footage, and textual material related to the scholarship, legacy and cultural impact of Barbara Godard, donated to the archives by former students, colleagues, family members and friends.

Fonds consists of records pertaining to research and administrative work performed by Janice Newton in her capacity as a PhD student and, later, faculty member in the Department of Political Science at York University. These records, which date from the 1970s until 2014, document research performed by Newton as she completed her 1987 doctoral dissertation and adapted this dissertation into a monograph in 1995, as well as her work as chief editor of the 2001 publication Voices in the Classroom. The records also document research and administrative tasks performed by Newton in her role as a contributing faculty member within the Department of Political Science at York University. Included in the fonds are research materials, correspondence, scrapbooks, administrative records, audio and video recordings, and photographic prints and negatives created or accumulated by Newton.

Fonds consists of Morris's teaching notes; research notes on Canadian filmmakers and Canadian film topics reviews of Morris's books, notes and research files for his book David Cronenberg : A delicate balance; Canadian Encyclopedia of Film files; Film Studies Association of Canada files; original notes, documents and correspondence pertaining to Canadian film in the 1960s; CBC minutes from the 1930s; research material on John Grierson; files on individual Canadian films; notes on his archival research; nots of public film archives in Canada; misc files on Canadian film topics; annotated research files on the Canadian film industry, Canadian film personalities, bureaucrats, independent films, documentaries, censorship, exhibitions, the National Film Board; Canadian film research reports (1939-1953); masters papers by students doing research on Canadian cinema; research file on Nell and Ernest Shipman; John Grierson research files; research files on Canadian television and on the CBC.

Fonds consists of: an early sketchbook; an exhibit book from the Agnes Etherington Art Centre entitled Notes on dark ground; a magazine with an article about Ingeborg; an invitation to Ingeborg’s 1986 studio show on Howe Island; a collection of magazine articles and clippings of upcoming gallery exhibits, architecture, and art; newspaper clippings on movies, art and entertainment; correspondence from friends, family and colleagues including artist Nina Whiting, writer Daniel Manfredi, painter Peter Bieselt, Thomas Ring-Stiftung, Joan Mackenzie, and gallery owners; a letter from Timothy Findley; artist profiles of Ingeborg Mohr; her curriculum vitae; articles, stories and poems written by friends; and a collection of articles on art, architecture and philosophy.

Collection consists of promotional material, family documents, correspondence, news clippings, recordings of public lectures, television and radio appearances and newsletters created by or regarding Dr. Robert S. Mendelsohn.

Fonds consists of textual materials, published articles, blog posts, correspondence, genealogical records, photographic material and personal items created or accumulated by Lynn Gehl in the process of her work as an academic, scholar and community activist.

Fonds consists of correspondence between Moss and numerous Canadian literary figures including Margaret Atwood, George Bowering, Matt Cohen, Northrop Frye, Robert Kroetsch, Hugh MacLennan, John Metcalf, Farley Mowat, Michael Ondaatje, James Reaney, Sinclair Ross, Ruby Wiebe, George Woodcock, among others.

Fonds consists of publications, professional and personal correspondence, reports, newspaper and magazine articles, pamphlets, greeting cards, postcards, photographs, conference papers, seminar papers, student evaluations, meeting minutes, memos, research articles, curriculum vitae and publications list, and unpublished manuscripts. The fonds documents Mohr's work in the fields of psychiatry, law reform, legal education, criminal justice in Canada, family equality, sentencing standards, and more. The fonds includes: handwritten letters written in German by Mohr to his wife and family during the 1950s when he moved to Canada, as well as letters written in German by friends; draft manuscripts and articles from his colleagues; meeting minutes and memos from law reform organizations; printed online articles about the Law Commission of Canada and its work; correspondence with members of law reform organizations of the Law Commission of Canada regarding reports and upcoming policies. Mohr visited many other universities for lectures, seminars and conferences, in addition to participating in professional organizations. Fonds includes his papers used at these events such as 'Clinical Judgements and Citizen Reviews and the Children's Act,' the 'International Congress on Law and Psychiatry,' and 'National Consultation on Sentencing.' Fonds includes a collection of papers and reports on subjects about the Max Planck Institute, feminism, postmodernism and the law, rhetoric language and the law, psychiatry and medical works, law and theory, and criminal law. Fonds also includes physical and electronic versions of Mohr's unpublished manuscripts, as well as electronic versions of some of Mohr's outgoing correspondence.

Fonds consists of records documenting Brian Freeman’s career as a writer and producer of plays, television and film. Records include scripts, script reports, notes, outlines, correspondence, subject files, promotional materials, photographs and moving image recordings.