Identifier
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Title
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Level of description
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Date
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Digital object |
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1998-038/041(01) |
Audio recordings : Oct. 28, Nov.6, Nov. 28 "Test of Alternations"; first Tone Roads concert, Ruggles: "Angels," Cage "Concert for eight instruments", Ives: "Scherzo: Over the Pavements" |
File |
20 Dec. 1963 |
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1998-038/041(03) |
Audio recordings : Second Tone Roads concert : 1) Charles Ives "Largo Risoluto #1", "Largo Risoluto #2", "In Re CON MOTO Et Al" 2) Philip Corner-"Brass Orchestra Baby Directors" |
File |
24 Apr. 1964 |
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1998-038/041(05) |
Audio recordings : Tone Roads West Concert Ives: "Scherzo," Joplin : "Showtime" (2 takes) |
File |
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1998-038/041(06) |
Audio recordings : Tone Roads West Concert ; Ives : "Largo", "Hawthorne" |
File |
26 Oct. 1973 |
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1998-038/043(01) |
Audio recordings : Nancarrow "Studies for Player Piano" #28, #29, #30 (Prepared), #31-#36 |
File |
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1998-038/043(02) |
Audio recordings : Nancarrow "Studies for Player Piano" #37, #40a, #40b, #40b (Mumma's "ideal" version), #41a, #41b, #41c (41a +41b) |
File |
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1998-038/043(03) |
Audio recordings : Nancarrow "Studies 42 - 45": #42, #43, #44, #45(a,b,c) |
File |
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1998-038/043(08) |
Audio recordings : C-copy |
Item |
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1998-038/044(01) |
Audio recordings : James Tenney "Fabric" work tape A, Nov. 67 1) Mar. 64 single voice 2) "#1" (=A1 + B2) 3) "#3" (from Mar. 64) 4) "#1" and "#2" mixed 5) "#3" and "#4" mixed at half-speed |
Item |
1967 |
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1998-038/044(02) |
Audio recordings : James Tenney "Fabric" work tape B, Nov. 67 1) Nov. 67 (stereo copy) 2) Nov. 67 (mono original) 3) "#2" (Dec. 64) 4) "#4" (from Mar. 64) 5) "#3" and "#4" mixed |
Item |
1967 |
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1998-038/044(05) |
Audio recordings : Tenney "Fabric" work tapes #34 and LO-2 |
Item |
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1998-038/044(06) |
Audio recordings : Ives "Concord Sonata", Tone Roads at Something Else Gallery |
File |
15 June 1966 |
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1998-038/045(01) |
Audio recordings : James Tenney "For Ann (rising)" |
File |
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1998-038/045(07) |
Audio recordings : Contemporary Music Ensemble, "Three Pieces for Flute Duet" (1935) ; John Cage, "Two Songs for E. E. Cummings" ; Jon Siddall, "Allegretto Sombreoso"-Charles Ives, "Yosha's Morning Song Extended"- Malcolm Goldstein, "Projection 2"-Morton Feldman, "Three Rimbaud Settings"-Larry Polansky, "Homage to Ferico Garcia Lorca"- Silvestre Reveultas [program inside reel case] |
File |
7 Dec. 1977 |
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1998-038/046(06) |
Audio recordings : #5-Saturday and Sunday Albuquerque to Salford |
File |
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1998-038/046(07) |
Audio recordings : #6-Walt and Willie Chandler in Thatcher, Arizona |
File |
15 July 1968 |
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1998-038/046(09) |
Audio recordings : #7 Carl Tenney Mon July 15 |
File |
15 July 1968 |
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1998-038/047(01) |
Audio recordings : 9-A, Phoenix, July 19, first tape |
File |
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1998-038/047(09) |
Audio recordings : #4 |
File |
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1998-038/047(12) |
Audio recordings : #7 |
File |
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1998-038/048(03) |
Audio recordings : Toy Specialist, Jim; Ridino, Ballet One |
Item |
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1998-038/048(04) |
Audio recordings : "In the Aeolian Mode", KPFK, ; "Cornfield Intro" |
Item |
27 May 1973 |
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2000-045/001(26) |
Programmes |
File |
1970-1980 |
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2000-045/002(01) |
Programmes |
File |
1995-2000 |
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2000-045/002(03) |
Programmes |
File |
1995-2000 |
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1978-018/005(01) |
Typescripts, 1954-1975 : Computer Music Experiences |
File |
1961-1964 |
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1978-018/005(03) |
Typescripts, 1954-1975 : Audience Piece #1 (audience as performer) |
File |
1965 |
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1978-018/005(04) |
Typescripts, 1954-1975 : Metabolic Music |
File |
1965 |
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1998-038/004(06) |
About composers : Conlon Nancarrow, liner notes |
File |
1977-1989 |
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1998-038/004(07) |
About composers : Conlon Nancarrow, notes |
File |
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1998-038/004(13) |
About composers : Feldman |
File |
1965-1988 |
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1998-038/004(14) |
About composers : Lou Harrison |
File |
1976-1989 |
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1998-038/004(20) |
About composers : New Music Concerts |
File |
1988-1989 |
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1998-038/005(05) |
Theory : Kerstra |
File |
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1998-038/005(08) |
Theory : Scherchen Proposal |
File |
1959 |
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1998-038/005(11) |
Theory : Timbre project-sound analysis programs |
File |
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1998-038/006(03) |
Theory : "Hierarchical Temporal Gestalt Perception in Music: A "Metric Space" Model" and "Model" paper has been sent to... |
File |
1978 |
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1998-038/006(04) |
Theory : "Metric Space Model", original |
File |
1978 |
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1998-038/006(06) |
Theory : "Temporal Gestalt Perception in Music" original |
File |
1978 |
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1998-038/006(08) |
Theory : Materials planned as examples for "META Meta + Hodos", but not used |
File |
1961-1969 |
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1998-038/006(09) |
Theory : "Meta + Hodos", 1961 ; "META Meta + Hodos", 1975, "originals" for reprinting |
File |
1961, 1975 |
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1998-038/007(02) |
Research : Notes on my music |
File |
1956-1961 |
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1998-038/007(11) |
Garland-Revueltas article (Silvestre Revueltas) |
File |
1988 |
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1998-038/007(14) |
York University : Music Writing Skills Workshop course proposal |
File |
1985-1989 |
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1998-038/007(15) |
York University : Grad Program |
File |
1984-1993 |
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1998-038/007(17) |
York University : Library : reserves, music program, new recordings |
File |
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1998-038/008(04) |
Electronic Music : Papers on electronic music |
File |
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1998-038/009(01) |
"A History of 'Consonance' and 'Dissonance'" |
File |
1980 |
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1998-038/009(03) |
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy |
File |
1980 |
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1998-038/009(05) |
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy |
File |
1980 |
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1998-038/009(06) |
"A History of 'Consonance' and 'Dissonance'", revision pages |
File |
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1998-038/009(08) |
"A History of 'Consonance' and 'Dissonance'", Part two, revision copy |
File |
1980 |
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1998-038/024(04) |
Analytical notes on Debussy, "Syrinx" |
File |
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1998-038/024(05) |
Analytical notes re: Carl Ruggles |
File |
1977 |
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1998-038/001(04) |
Personal and professional correspondence : Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories and others] |
File |
1965-1966 |
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1998-038/001(07) |
Professional correspondence |
File |
1976-1978 |
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1998-038/001(09) |
Personal correspondence [indcludes correspondence with Harry Partch, Edgard Varese, George Brecht, John Pierce, John Kirkpatrick and John Cage among others] |
File |
1954-1969 |
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1998-038/001(12) |
Personal and professional correspondence : Stan Brakhage [includes poems and notes by Brakhage] |
File |
[ca. 1953-1969] |
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1998-038/001(15) |
Personal and professional correspondence : Phil Corner |
File |
1972-1979 |
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1998-038/001(16) |
Personal and professional correspondence : Philip Corner: "Etudes for Non-Pianist" original composition |
File |
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1998-038/003(03) |
Alphabetical correspondence and subject files : American Music Centre |
File |
1986-1989 |
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1998-038/003(04) |
Alphabetical correspondence and subject files : Charles Ames |
File |
1983-1988 |
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1998-038/003(05) |
Alphabetical correspondence and subject files : American Society of Composers, Authors and Publishers |
File |
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1998-038/003(12) |
Alphabetical correspondence and subject files : Canadian Council Jury |
File |
May and Nov. 1989 |
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1998-038/003(19) |
Alphabetical correspondence and subject files : Betty Freeman |
File |
1985-1989 |
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1998-038/003(25) |
Alphabetical correspondence and subject files : Jacqueline Humbert |
File |
1977-1978 |
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1998-038/003(26) |
Alphabetical correspondence and subject files : Institute for Studies in American Music |
File |
1974-1988 |
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1998-038/003(38) |
Alphabetical correspondence and subject files : Relache |
File |
1984-1990 |
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1998-038/003(39) |
Alphabetical correspondence and subject files : Soundings Press |
File |
1980-1988 |
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1998-038/003(40) |
Alphabetical correspondence and subject files : Stuart Smith |
File |
1984-1988 |
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1998-038/003(44) |
Alphabetical correspondence and subject files : Gayle Young |
File |
1985 |
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1998-038/003(45) |
Alphabetical correspondence and subject files : Correspondence, T-Z |
File |
1981-1991 |
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1998-038/049(01) |
[Claudia] correspondence |
File |
1968 |
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1998-038/049(03) |
Carolee Schneemann, writing, published material |
File |
1956-1979 |
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1998-038/050(03) |
Oversize : Large roll of graph paper [ca. 0.7m x 3.0m] with sub-titles : A. Nebular creation and Galactic condensation B. Planetary coolings ; chemical reactions C. Beginnings of life D. no title, a plan or exploration for a composition |
File |
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1998-038/050(04) |
Oversize : "3 Songs (II)" : drawing by Alison Knowles, [ca. 3m x 1m] |
File |
1978 |
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2000-045/001(03) |
Personal correspondence [includes correspondence with Morton Feldman, John Cage, Lionel Nowak, Steve Reich and Gayle Young among others] |
File |
1978-1986 |
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2000-045/001(05) |
Personal correspondence |
File |
1986-1992 |
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2000-045/001(09) |
Personal correspondence |
File |
1994-2000 |
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2000-045/001(10) |
Warren Burt |
File |
1985 |
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2000-045/001(11) |
Phil Corner |
File |
1970-1978 |
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2000-045/001(16) |
Peter Garland |
File |
1987-1994 |
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2000-045/001(17) |
Malcolm Goldstein |
File |
1959-1986 |
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2000-045/001(23) |
Yi Jing Jitterbug |
File |
1989-1992 |
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2000-045/001(24) |
Kasemeb, Yi Jing Jitterbug |
File |
1982-1988 |
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2006-047/001(02) |
Jo Ann Tenney : photograph |
File |
1955 |
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2006-047/001(06) |
Letter from Donovan E. Speaker to Jim Tenney re. the estate of Carl Tenney |
File |
1 Feb. 1970 |
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1978-018/001(01) |
Music Scores by Tenney : Music exercise notebooks |
File |
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1978-018/001(05) |
Music Scores by Tenney : Motet |
File |
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1978-018/001(11) |
Music Scores by Tenney : 4 Inventions for Piano |
File |
1953-1954 |
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1978-018/001(19) |
Music Scores by Tenney : Essay #1 for Ten Wind Instruments |
File |
1955-1956 |
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1978-018/002(04) |
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird, by Wallace Stevens, music by James Tenney |
File |
[ca. 1958] |
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1978-018/002(07) |
Music Scores by Tenney : Monody for solo clarinet |
File |
1959 |
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1978-018/002(09) |
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed with revisions) |
File |
1959 |
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1978-018/002(10) |
Music Scores by Tenney : Sonata for Nine Wind Instruments (manuscript and paste-up) |
File |
1959 |
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1978-018/002(14) |
Music Scores by Tenney : Stockastic Quartet for Strings |
File |
1963 |
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1978-018/003(11) |
Music Scores by Tenney : Crystal Canon for Edgard Varese, for four snare drums |
File |
1974-1975 |
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1978-018/004(06) |
Music Scores by Tenney (oversize) : String Complement (pattern) |
File |
1964 |
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1998-038/014(05) |
Notes and computer outputs : Notes for "Bridge II," unfinished |
File |
1984-1985 |
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1998-038/015(05) |
Notes and computer outputs : Programs and data for "Changes": 64 studies for harp sextet |
File |
1985 |
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