Identifier
|
Title
|
Level of description
|
Date
|
Digital object |
|
|
1998-038/005(02) |
Theory : Bell clang |
File |
1963 |
|
|
|
1998-038/005(06) |
Theory : National Science Foundation Grant Report, draft |
File |
1966-1977 |
|
|
|
1998-038/005(09) |
Theory : Experimental investigation of timbre |
File |
1964 |
|
|
|
1998-038/006(05) |
Theory : Computer printouts for "Model" paper |
File |
1978 |
|
|
|
1998-038/006(07) |
Theory : Originals for short versions of "Temporal Gestalt Model" paper |
File |
|
|
|
|
1998-038/006(10) |
Theory : Clifton review original |
File |
|
|
|
|
1998-038/006(11) |
Theory : Book review by James Tenney on "Music as Heard: A Study in Applied Phenomenology", written by Thomas Clifton |
File |
1984 |
|
|
|
1998-038/007(05) |
Research : Biology, Reich-Negentropy |
File |
1963-1965 |
|
|
|
1998-038/007(09) |
Research : Computer projects |
File |
1964 |
|
|
|
1998-038/007(10) |
Research : 6x6 to 1" graph paper, timbre instruments materials |
File |
|
|
|
|
1998-038/007(16) |
York University : memos re. music studies |
File |
1988-1989 |
|
|
|
1998-038/007(19) |
York University : 4110 (fourth year composition course) |
File |
1982-1989 |
|
|
|
1998-038/007(20) |
Note : Politics |
File |
1967 |
|
|
|
1998-038/008(05) |
Electronic Music : Electronic music studio, Tulane University |
File |
1966 |
|
|
|
1998-038/009(07) |
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy |
File |
1980 |
|
|
|
1998-038/024(01) |
Nancarrow, notes |
File |
|
|
|
|
1998-038/024(03) |
Analytical notes, Cage works |
File |
|
|
|
|
1998-038/024(06) |
Schoenberg, "Suite Op. 25" |
File |
|
|
|
|
1998-038/024(07) |
Notes for research reports and article: "Hierarchical Temporal Gestalt Perception" |
File |
[1976-1978?] |
|
|
|
1998-038/001(02) |
Personal and professional correspondence : The List : Independent Curators Incorporated |
File |
1976-1980 |
|
|
|
1998-038/001(03) |
Personal and professional correspondence : Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories, John Pierce and the National Science Foundation as well as a draft of "An Experimental Investigation of Timbre" by Tenney] |
File |
1961-1964 |
|
|
|
1998-038/001(06) |
Professional correspondence [includes correspondence with the Kronos Quartet, York University, Gavin Bryars and others] |
File |
1970-1976 |
|
|
|
1998-038/001(08) |
Professional correspondence [includes correspondence with Steve Reich, Reich Music Foundation, York University among others] |
File |
1978-1980 |
|
|
|
1998-038/001(10) |
Personal correspondence [includes correspondence with John Kirkpatrick, John Pierce, Stever Reich and John Cage among others] |
File |
1970-1980 |
|
|
|
1998-038/001(17) |
Personal and professional correspondence : Nancarrow-Amirkhanian |
File |
1978-1989 |
|
|
|
1998-038/001(19) |
Personal and professional correspondence : Letters from ex-students |
File |
|
|
|
|
1998-038/001(20) |
Personal and professional correspondence : Brakhage, letters |
File |
1953-1970 |
|
|
|
1998-038/002(01) |
Peter Garland, correspondence and writings |
File |
1984-1990 |
|
|
|
1998-038/003(13) |
Alphabetical correspondence and subject files : Canadian Music Centre |
File |
1982-1989 |
|
|
|
1998-038/003(14) |
Alphabetical correspondence and subject files : Cold Blue |
File |
1983 |
|
|
|
1998-038/003(16) |
Alphabetical correspondence and subject files : CRI (Composers Recordings Inc.) |
File |
1982-1985 |
|
|
|
1998-038/003(18) |
Alphabetical correspondence and subject files : Anita Feldman |
File |
1983-1985 |
|
|
|
1998-038/003(21) |
Alphabetical correspondence and subject files : Frog Peak Music |
File |
1987-1988 |
|
|
|
1998-038/003(22) |
Alphabetical correspondence and subject files : Fromm Foundation |
File |
1983-1985 |
|
|
|
1998-038/003(23) |
Alphabetical correspondence and subject files : Fernando Grillo |
File |
1990 |
|
|
|
1998-038/003(27) |
Alphabetical correspondence and subject files : International Symposium on Electronic Art |
File |
1988 |
|
|
|
1998-038/003(28) |
Alphabetical correspondence and subject files : Journal of Music Theory |
File |
1981-1988 |
|
|
|
1998-038/003(33) |
Alphabetical correspondence and subject files : Newcomp Big |
File |
1988-1989 |
|
|
|
1998-038/003(36) |
Alphabetical correspondence and subject files : Princeton University |
File |
1984-1985 |
|
|
|
1998-038/003(41) |
Alphabetical correspondence and subject files : Tom Johnson |
File |
1994 |
|
|
|
1998-038/003(42) |
Alphabetical correspondence and subject files : Daniel Wolf |
File |
1984-1985 |
|
|
|
1998-038/050(09) |
Oversize : "Rune" for Lauren and the Nexus Percussion Ensemble ; 40p (21 sheets of vellum) |
File |
Sept. 1988 |
|
|
|
2000-045/001(01) |
Correspondence [includes correspondence with Carolee Schneemann, Lionel Nowak and John Pierce among others] |
File |
1976-1985 |
|
|
|
2000-045/001(06) |
Letters |
File |
1989-1992 |
|
|
|
2000-045/001(13) |
Phil Corner |
File |
1998 |
|
|
|
2000-045/001(14) |
For Jim |
File |
1987 |
|
|
|
2000-045/001(19) |
Larry Polansky |
File |
1981-1992 |
|
|
|
2000-045/001(20) |
Carollee Schneemann |
File |
1982-1998 |
|
|
|
2000-045/001(22) |
James Tenney playing the kithara [scanned photograph] |
File |
|
|
|
|
2000-045/001(25) |
The Chalmers Awards |
File |
1993 |
|
|
|
2006-047/001(08) |
"IS" : correction copy of manuscript draft by Carl Tenney |
File |
|
|
|
|
1978-018/001(02) |
Music Scores by Tenney : Alkibiades by Robert Kelly, music by James Tenney |
File |
|
|
|
|
1978-018/001(06) |
Music Scores by Tenney : Motet for flute, oboe, cello |
File |
|
|
|
|
1978-018/001(10) |
Music Scores by Tenney : for Viola |
File |
|
|
|
|
1978-018/001(13) |
Music Scores by Tenney : Poem for a flute |
File |
1955 |
|
|
|
1978-018/001(18) |
Music Scores by Tenney : Improvisation for cello |
File |
1956 |
|
|
|
1978-018/001(20) |
Music Scores by Tenney : Essay #2 for chamber orchestra |
File |
[1956?] |
|
|
|
1978-018/002(06) |
Music Scores by Tenney : For viola |
File |
1959 |
|
|
|
1978-018/002(11) |
Music Scores by Tenney : Sonata for Ten Wind Instruments |
File |
1959-1960 |
|
|
|
1978-018/003(01) |
Music Scores by Tenney : Postal pieces : sketches, proof, negatives |
File |
[197-] |
|
|
|
1978-018/003(15) |
Music Scores by Tenney : Harmonium #1 for large orchestra |
File |
1976 |
|
|
|
1978-018/003(16) |
Music Scores by Tenney : Blues : first York version |
File |
1976-1977 |
|
|
|
1978-018/004(01) |
Music Scores by Tenney (oversize) : Beast for String Bass (transparency) |
File |
1971 |
|
|
|
1978-018/004(02) |
Music Scores by Tenney (oversize) : Chorales for Orchestra |
File |
1974 |
|
|
|
1978-018/004(07) |
Music Scores by Tenney (oversize) : String Complement (text and pattern in mirror image) |
File |
1964 |
|
|
|
1978-018/005(06) |
Typescripts, 1954-1975 : In the Aeolian Mode |
File |
1973 |
|
|
|
1978-018/005(07) |
Typescripts, 1954-1975 : Symphony for Woodwind Quintet and Tape-delay System |
File |
1975 |
|
|
|
1978-018/005(08) |
Typescripts, 1954-1975 : Meta-Hodos |
File |
1975 |
|
|
|
1998-038/014(04) |
Notes and computer outputs : "Bridge" programs |
File |
|
|
|
|
1998-038/014(08) |
Notes and computer outputs : Nexus composition, notes for "Rune" |
File |
[1988?] |
|
|
|
1998-038/014(10) |
Notes and computer outputs : Unfinished pieces |
File |
[1963-1964?] |
|
|
|
1998-038/014(11) |
Notes and computer outputs : Unfinished pieces, notes |
File |
|
|
|
|
1998-038/015(13) |
Computer outputs leading to study #9 using hexagrams 36 and 29 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(15) |
Computer outputs leading to study #11 using hexagrams 25 and 62 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(18) |
Computer outputs leading to study #14 using hexagrams 11 and 32 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(22) |
Computer outputs leading to study #18 using hexagrams 7 and 22 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(23) |
Computer outputs leading to study #19 using hexagrams 5 and 42 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(24) |
Computer outputs leading to study #20 using hexagrams 14 and 6 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(25) |
Computer outputs leading to study #21 using hexagrams 20 and 44 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(29) |
Computer outputs leading to study #25 using hexagrams 54 and 8 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(33) |
Computer outputs leading to study #29 using hexagrams 6 and 35 of "Changes" |
File |
1985 |
|
|
|
1998-038/015(35) |
Computer outputs leading to study #31 using hexagrams 46 and 11 of "Changes" |
File |
1985 |
|
|
|
1998-038/016(02) |
Computer Outputs, "Changes", Studies #41 and #42 |
File |
1985 |
|
|
|
1998-038/016(13) |
Computer Outputs, "Changes", Studies #63 and #64 |
File |
1985 |
|
|
|
1998-038/017(02) |
Computer Outputs, TPC "Spectrum 1" notes |
File |
|
|
|
|
1998-038/017(03) |
Computer Outputs, "Spectrum 2" |
File |
|
|
|
