Showing 163 results

Archival description
Text
Print preview View:

163 results with digital objects Show results with digital objects

1983-003

Accession contains administrative records of the Federal Cultural Policy Review Committee and Cultural Affairs, papers relating to Applebaum's career as a composer and administrator, audio tapes of music by Applebaum, and video tapes of the 'Arthur Miller Special'.

1985-006

Accession consists of scores and scripts pertaining to the production of 'The National Dream.'

1989-018

Accession consists of scores, correspondence, papers, speeches and reports, scripts, subject files and clippings predominantly pertaining to Stratford and CBC productions, and the Federal Cultural Policy Review Committee and Cultural Affairs.

1991-015

The accession consists of 19 boxes of records. 8 series were established: Subject Files: Correspondence & Clippings, Manuscripts, Audio Tapes, Slides, Videos, Photographs and Framed Material, Posters-Paintings-Scrapbooks, Cartographic Materials.

The first two series, Subject Files and Manuscripts were arranged in file folders entitled by Prof. Pollock. The original order was kept and the documents were put into acid neutral file folders and titles were transcribed verbatim. Manuscripts include Pollock's novel Gabriel, plays, poems and the unpublished After the funferal and Soviet journal.

Audio tapes of interviews conducted by Prof. Pollock were not in any particular order. An effort was made to put the related ones together and the titles assigned by Harry J. Pollock were maintained. There are also audio tapes of music for his plays

Slides consist of those that Prof. Pollock used in the plays Night Boat from Dublin and Giacomo de Trieste, these were removed from the boxes and slide carousels and placed in archival slide sheaths. They are listed by play tittle in the original sequence in which they were shown. Duplicate and additional slides are listed according to subject. Titles given by Harry J. Pollock were kept.
The three videocassettes include one entitled Portrait of the artist-is there one who understands me? and two of Japan.

1991-032

Pollock's interests including, James Joyce and Temple Sinai. Most of the file titles in this series were simply transferred from there original folders. The rest of the material in this series came from one file which had no detectable order. This file was sorted by subject, the subject headings were used as file titles.

Two photographs included in this accession make up series 2. One of the photographs was removed from its frame, it is included with its frame backing.

1992-027

The series of correspondence and clippings relate to Pollock's many interests, particularly in Temple Sinai, the James Joyce Society, and travel. The manuscripts are of plays that he wrote and directed, including multiple copies annotated for different purposes. Published material consists of 9 volumes of Thom's Directory (1852-1950) and one volume of The Dublin Almanac and General Register of Ireland (1847). The 15 watercolour paintings are by Jane Golden.

2000-009

Consists of records documenting Applebaum's work as a composer, and with numerous organizations including the Canada Council, SOCAN, the Ontairo Arts Council and CAPAC. Records include correspondence, musical scores, sound recording, audio-visual records, printed material, financial records, collected reports and other material. These records document the theatrical music composition process, as well as the roles of arts administration and advocacy, and together with the balance of the Applebaum fonds, support teaching and research in various aspects of film, theatre, and music studies.

2002-003

Accession consists of correspondence, programs and musical scores for several Stratford productions, annotated copies of a number of Shakespeare plays, audio recordings of performances of Applebaum's works and recordings of CBC radio programs on which Applebaum was featured as a guest.

2002-012

Accession consists of certificates and awards honouring Applebaum, and posters from the Stratford Festival.

Accession 1995-028

Accession consists of Bruce Allen Powe's diaries, personal correspondence and correspondence, writings, and other files relating to provincial Liberal politics (1960-1965), journals, his M.A. thesis and research files. There are manuscript drafts for his works "The Ice Eaters," "Expresso 67," "The Mounties Always Gets His," "Killing Ground," "The Last Days of the American Empire", "The Aberhart Summer", and other writings along with related correspondence. Also included are manuscripts for reviews, essays, articles, and press clippings of reviews on his published works. In addition, there is some personal correspondence and World War II papers and military service memorabilia.

Accession 1995-034

Accession 1995-034 consists of film elements and related textual and graphic records pertaining to Rhombus Media productions about music, dance and theatre.

Accession 1998-014 [poster collection]

Accession consists of posters accumulated by Issacs. A significant portion of the accession, over 200 posters, pertains to local interest including the Royal Ontario Museum, the Art Gallery of Ontario, and local and international shows by artists such as Heather Cooper and Michael Snow. Toronto posters also announce events such as the 10th anniversary of the art collective, General Idea, at the CN Tower; an album-release party of the band, Parachute Club; and a call to arms on behalf of the fight against the Spadina Expressway. Many posters also promote local theatre productions including Keanu Reeves' performance in Brad Fraser's 'Wolfboy' in 1984 at the Theatre Passe Muraile and a series of Toronto Workshop posters by Theo Dimson. Other posters are a cross-section of Canada from the Montreal Olympics series, 'Artists-Athletes', and the 1973 Winnipeg Art Gallery exhibition, the Structure of Comic Books, featuring MArvel Comics characters as Nick Nury and Thor. There are 74 international posters, the largest groups are those from Paris in the 1950s and 1960s including a poster featuring George Bracqu's 'Theogonie.' There are also several gallery posters from Amsterdam, New York, Chicago and Minneapolis representing artists such as Jim Dine, Robert Rauschenberg, Claes Oldenberg and Christo.

Accession 1999-031

Accession 1999-031 consists of master negatives of the finished works of all its film productions to date (1999), together with textual records relevant to the film production process. In addition to the master elements, selected production elements from “Yo-Yo Ma, Inspired by Bach: Suites #1, 3, 5,”, “Hong Kong Symphony: Heaven Earth, Mankind” (1997), “A Tale of Tanglewood: Peter Grimes Reborn” (1997), “The War Symphonies: Shastokovich Against Stalin” (1996-1997) have been retained for their additional archival and research value.

Accession 2007-055

Accession consists of documents created or accumulated by Barry Callaghan that reflect most aspects of his personal life and literary career. Exercise books, manuscript music scores, research notes on modern drama, poetry and literature, and letters written to his mother pertain to his education at the secondary, post-secondary, and graduate levels, while manuscripts for short stories, poetry, and a novel represent his early creative endeavours. The fonds includes extensive correspondence dealing with his personal and family relationships, as well as his active involvement with an international community of poets, writers, and artists. Teaching files include course outlines, essay topics, reading lists and bibliographies on North American and Russian literature, examination questions, and notes regarding his teaching methods at York University from 1970 to 2003. Journalism files deal with his travels with Pierre Elliott Trudeau in 1968, the crisis involving the Front de liberation du Quebec and implementation of the War Measures Act in 1970, culture, politics and economics in Quebec, and Callaghan's works of political and social commentary for CTV and CBC. The records of Exile Editions make up a significant portion of the fonds, and include manuscripts for books, page proofs, and correspondence. These files show the creative process in considerable detail, and in particular Callaghan's work as an editor and translator. Administrative records for the publisher consist of catalogues, promotional material, writers' guidelines, grant applications, financial documents, and reviews of publications. Callaghan's endeavours as a travel journalist are documented through research notes, manuscripts for articles, correspondence, and promotional literature from various attractions at the locations he visited, including museums, theatres, and tracks for horse racing, 1978 to 1995. Manuscripts and annotated page proofs for Callaghan's Hogg poems, short stories, novels, memoir, and non-fiction trace the development of these works, and in particular his skill and attention to detail as a wordsmith. Callaghan's involvement with radio and television is represented by a variety of sound and moving image recordings, including audiotapes of his interviews with Brownie McGhee and Sonny Terry, videotapes of his television shows for CTV's "W5" and CBC's "Weekend," and original film pertaining to the war in Palestine in 1970, his interview with Angela Davis in 1972, youth culture in California in 1974, John Updike, and "The blues." The fonds also includes considerable material created by or involving Morley Callaghan, including literary agreements, royalty statements, stories by and about Morley Callaghan, manuscripts for several books published by Exile Editions ("Joy in heaven," "The lost and found stories," "The man with the coat," and "A passion in Rome") that provide an understanding of the close working relationship between Morley and Barry Callaghan, letters of sympathy and funeral notices following Morley's death in 1990, and scripts for the CBC movie, "Hemingway vs. Callaghan," 2002-2003.

Accession 2009-024

Accession consists of administrative records related to the operation of the Obsidian Theatre Company, and includes promotional and production material for plays mounted by the theatre and its associates such as "the Polished Hoe", "Late | Black Medea", "Joyous Celebration", "the Adventures of a Black Girl in Search of God", "the Piano Lesson", "Two Can Play", "the Monument", and "Consecrated Ground."

Accession 2012-002

Accession consists of production binders pertaining to five productions, including "ruined", "Yellow Man", "Intimate Apparel, who knew grannie: a dub aria", and "Late". Also includes news clippings, promotional material, posters, and programs for said productions.

Accession notes

Item consists of detailed notes about the contents of the John Watt Lennox memorial scrapbook, provided by the donor, John W. Lennox (his nephew). A PDF of this item is attached to this description.

Accession notes

Item consists of one page of contextual notes about the items in this accession, provided by the donor. A PDF of this item is attached to this description.

Albert Tucker fonds

  • F0604
  • Fonds
  • 1876-1989

Fonds consists of research notes and historical documents related to the creation of an official history of the John Labatt Brewing Company of Canada.

Tucker, Albert

Arthur C. Johnson fonds

  • F0334
  • Fonds
  • 1960-1984

The fonds mainly documents Arthur C. Johnson's professional activities as a university administrator. Records consist of press releases, speeches, correspondence, and reports relating to the planning and development of York University's Keele and Glendon campuses.

Johnson, Arthur C., 1923-

Atkinson College fonds

  • F0001
  • Fonds
  • 1961-1995

The fonds consists of the records of the Atkinson College Council, 1961-1991; the Assistant Dean, 1966-1972; the Associate Dean, 1968-1969; the Counseling Centre, 1967-1973; the Director, Division of Humanities, 1969-1972; and the Atkinson College Students' Association, 1963-1983.

Atkinson College

Bernard Ostry fonds

  • F0370
  • Fonds
  • 1940-1990

The fonds documents Bernard Ostry's education and personal life as well as his activities as public servant and author for the period 1940-1990.

Ostry, Bernard, 1927-

Canada Dance Festival fonds

  • F0199
  • Fonds
  • 1984-1998

The fonds documents the Canada Dance Festival's operational and administrative activities. Records consist of financial records and contracts; grant applications, sponsorship and fund raising files; correspondence and other administrative records including reports; and publicity, special event and marketing records. Also included are posters used in the advertising and marketing of the festival.

Canada Dance Festival

Canadian Association for Women in Science (CAWIS) fonds

  • F0459
  • Fonds
  • 1975-1993

Fonds consists of the records pertaining to the activities of the Canadian Association for Women in Science (CAWIS) and includes CAWIS administration records, 1981-1992; CAFWEST records, 1983-1989; Task Force on the Status of Women Graduate Students records, 1985-1991; Women's Studies Working Group records, 1985-1989; York Women's Centre records, 1975-1991.

Canadian Association for Women in Science

Canadian Association of Professional Dance Organizations fonds

  • F0172
  • Fonds
  • 1977-1993

Fonds consists of an accumulation of files kept by several different members of the Canadian Association of Professional Dance Organizations which have been maintained in the manner in which they were received. They contain correspondence, minutes, reports, financial records, items used for publicity, resource material and other material.

Canadian Association of Professional Dance Organizations

Canadian Theatre Review fonds

  • F0281
  • Fonds
  • 1974-1982

The fonds consists of typescripts of articles, galleys, art-work, editorials and related material from the production of the Review. There is also a great deal of correspondence with Canadian theatre companies and theatres, concerning productions, which includes playbills, programs, press releases and related material. There are also financial documents, including invoices for products published by CTR Publications, as well as some budget material.

Canadian Theatre Review

Centre for Experimental Art and Communication fonds

  • F0285
  • Fonds
  • 1973-1980

The fonds consists of printed material, correspondence, photographs, slides, and related material of the Centre for Experimental Art and Design. The correspondence includes: correspondence with artists, galleries and other arts groups in Canada and overseas, dealing with CEAC exhibitions, CEAC-sponsored travelling shows, and communications concerning gallery events. There is also material dealing with granting agencies, including the Ontario Arts Council and the Canada Council. Also included is correspondence relating to the OCA and CC decisions to suspend funding to CEAC, letters of reaction from CEAC members and supporters. The fonds also has grant proposals and covering documentation, and other material. The fonds also contains various documents written by members of the collective defining the 'new ideology' which would usurp the cultural and political elites, define a post-modern aesthetic. There is also material on related artistic and intellectual ideas. There are newspaper clippings of CEAC events and exhibitions both from Canadian and foreign newspapers, invitations to events, flyers and other announcements of forthcoming events, and clippings about other performance and avant-garde arts in other cities and countries. The photographs and slides concern performances at CEAC, including material related to 'Crash and burn'.

Centre for Experimental Art and Communication (Toronto, Ont.)

Correspondence

Series consists of correspondence to and from Margaret Laurence and is arranged in nine subseries:

S00006.01: Correspondence with friends and family
S00006.02: Business correspondence
S00006.03: Correspondence with other writers
S00006.04: Correspondence with artists
S00006.05: General correspondence
S00006.06: Subject files
S00006.07: Correspondence outward
S00006.08: Correspondence relating to the censorship controversy.
S00006.09: Correspondence regarding the death of Margaret Laurence

D. McCormack Smyth fonds

  • F0412
  • Fonds
  • 1947-1986

The fonds documents D. McCormack Smyth's career as an administrator both in private corporation and in academic institutions as well as his teaching activities in administration for the period 1947-1986.

Smyth, D. McCormack (Delmar McCormack)

Dame Edith Sitwell fonds

  • F0408
  • Fonds
  • 1922-1977

The fonds consists of correspondence, financial records, notebooks, galleys, and typescripts of Dame Edith Sitwell.

Sitwell, Edith, Dame

Ellen Baar fonds

  • F0226
  • Fonds
  • 1975-1998

Fonds consists of Ellen Baar's course readings, research materials, drafts of published works, committee minutes and supporting documents, notes, and correspondence relating to her work on government regulation, compliance and environmental issues.

Baar, Ellen

Financial records

Series consists of financial statements, correspondence with banks and insurance companies, royalty statements and other income statements, household budgets including mortgage statements and insurance payments, and extensive income tax information for each year including anything deemed by Margaret Laurence to be of relevance for tax purposes.

Frank Morriss fonds

  • F0361
  • Fonds
  • 1944-1971

The fonds consists of a typescript of an autobiography by Frank Morriss composed in 1971. In addition, there are notes for an article on the "Winnipeg Free Press", newspaper clippings of articles by Morriss in the "Free Press", and copies of magazines with articles by Morriss.

Morriss, Frank, 1906-

Gladys Forrester fonds

  • F0189
  • Fonds
  • 1937-1998

The fonds consists of programmes, choreographic and production notes, clippings, photographs, newsletters, awards and certificates, financial documents and notebooks which document the career of Gladys Forrester in Canadian theatre and dance.

Forrester, Gladys

Goldfarb Consultants fonds

  • F0152
  • Fonds
  • 1966-1992

The fonds consists of records pertaining to the activities of Goldfarb Consultants and include research reports, printouts, questionnaires and administrative files. They can be used in conjunction with each other: the responses in the questionnaires are analysed in the research reports; the printouts are the raw data results of the questionnaires; and the administrative files provide additional documentation related to a particular research topic. With a few exceptions the projects included in the fonds were undertaken for federal or provincial political parties or governments.

The fonds is organized into the following series:

Goldfarb Consultants

Graphic materials

Series consists of photographs of Margaret Laurence, family snapshots and other various subjects, artwork consisting of illustrations for children's books, drawings sent to Laurence, postcards of artists' works, and posters. The photographs represent the majority of the photographs found among the Laurence papers; however, some photographs do appear in other series of the fonds.

H. Ian Macdonald fonds

  • F0150
  • Fonds
  • 1958-1995

Fonds consists of Hugh Ian Macdonald's Ontario government economist files, his speeches, correspondence, day books, York University Presidential files, Community service files, Ontario Advisory Committee on Confederation files, York International files, and his IDEA Corporation files.

Macdonald, Hugh Ian,1929-

Harry S. Crowe fonds

  • F0297
  • Fonds
  • 1941-1979

The fonds consists of correspondence, typescripts, reports, publications, research materials, legal documents, course materials, student essays, and administrative material relating Harry S. Crowe activities at York University and Atkinson College, at the Canadian Brotherhood of Railway, Transport and General Workers, with the Royal Commission on Bilingualism and Biculturalism and related subjects.

Crowe, Harry Sherman, 1922-1981

Helen Lucas fonds

  • F0100
  • Fonds
  • [1971]-1981

The fonds consists of Helen Lucas' correspondence, scrapbooks, photographs, The Diary Series (1971-1978), and Relationship Drawings (1978-1981) (both of which include 246 charcoal drawings, 40 sketches, 34 drawings, 5 etchings, 47 lithographs, 3 framed serigraphs, 1 sketchbook, and 1 pastel on paper); preliminary drawings for Angelica (Toronto: Kakabeka Publishing Co.,1973) and Genesis; twelve original collage drawings for the book co-authored by Helen Lucas and Margaret Laurence entitled The Christmas Birthday Story (1981) complemented with letters from Laurence while they were collaborating on the book; original prints (1970s); a sketchbook (1971); and Drawing Dedicated to my Daughter. Lucas provides an accompanying narrative to many of the drawings, giving a context for the works and an account of their evolution between 1971 and 1979. The initial sketchbook pages are also included, portraying intimate personal images which she likens to 'finding the achievement of my own voice'.

Lucas, Helen

Herman Arthur Voaden fonds

  • F0440
  • Fonds
  • 1854-1991

Fonds consists of records pertaining to Herman Voaden's family life, education, teaching, play writing, directing and cultural lobbying activities. Also included are the private records of his wife, Violet Kilpatrick Voaden. Types of records include: correspondence, personal diaries, teaching notes, production notes, playbills, and photographs. Some material has been sorted and arranged according to subject by Anton Wagner, theatre historian and executor of Herman Voaden's literary estate.

The fonds is arranged in the following series:

Voaden, Herman Arthur, 1903-1991

Isadora Duncan collection

  • F0194
  • Collection
  • 1917-1998

The collection consists of programmes, correspondence, articles and press clippings relating to the life and career of Isadora Duncan. Also included are research notes and interview transcripts used by Lillian Loewenthal in support of her book, The Search for Isadora Duncan (1993).

Duncan, Isadora, 1877-1927

J. Roby Kidd collection

  • F0337
  • Fonds
  • 1958-1961

The collection consists of photocopied correspondence, papers, agendas, minutes of the Organizing Committee of York University, and of the Provisional and regular Board of Governors of the same institution, 1958-1961.

Kidd, J.R. (James Robbins), 1915-1982

James B. Milner fonds

  • F0357
  • Fonds
  • 1909-1982, predominant 1939-1969

The fonds consists of articles, correspondence, records of bodies that James Bryce Milner was a member of, reports, and research material.

Milner, J.B. (James Bryce),1918-1969.

James and Margaret Beveridge fonds

  • F0099
  • Fonds
  • [ca. 1954]-1990

Fonds consists of personal correspondence (1932-1990), project files (1926-1981), slides, photographs, films, videos, and publications by or about the Beveridges.

Beveridge, Margaret

Joyce Wieland fonds

  • F0445
  • Fonds
  • 1911-1999, predominant 1973-1992

Fonds consists of material which documents Joyce Wieland's career as an artist and filmmaker.

Wieland, Joyce, 1930-1998

Kennetha McArthur fonds

  • F0143
  • Fonds
  • 1977-1997

Fonds consists of administrative files relating to the activities of DanceSpace and includes correspondence, posters, photographs, and various published materials relating to dance.

O'Heany, Kennatha Rose

Results 1 to 100 of 163