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Accession consists of photographs, books, correspondence and notes created and compiled by dance, choreographer, Paul James Dwyer.

Accession consists of records created by Paul James Dwyer during his work with Dance Oremus Danse, including programmes from performances of dance, theatre, and classical music, notes and reference material on fundraising in the arts sector, and operating files for his dance company.

The accession consists of records pertaining to the Avenue-Bay-Cottingham Ratepayers’ Association and their fight against proposed development by CPR and Marathon Realty.

The accession consists of working drafts of Baldwin’s novel “The Selector of Souls” as well as drafts under various titles, including “Gateway of the World” and “The Unnamed”.

Accession consists of records created by Seth Feldman in the course of his activities as a professor of film studies, including research files, course files, copies of graduate theses and dissertations with which he was involved, correspondence with colleagues, notebooks, and material regarding his involvement with productions of TV Ontario and the Canadian Broadcasting Corporation.

Accession consists of textual and audiovisual material related to Seth Feldman's an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries, including syllabi, assignments, research files, publications, drafts, and taped interviews; and research materials relating to Feldman's work on Dziga Vertov.

The accession consists of transcripts of interviews, court transcripts, government reports and other government documents, clippings, correspondence, drafts of manuscripts, orders in council, notes and other research material relating to Cameron's work as an investigative journalist including drafts of her books ‘On the Take’, ‘Blue Trust’, and ‘Ottawa Inside and Out’.

The accession consists of research files and/or manuscript material relating to Rosie Perez, Simon Israel, Fletcher Challenge, the Westray Mine disaster, the Devine/Saskatchewan scandal, the Saturday Night/Firestone trial, Donald Ripley, and Alan Eagleson as well as Cameron's book ‘Ottawa Inside Out’.

The accession consists of additional material in the Stevie Cameron fonds including clippings, interview transcripts, correspondence, and research material related to her book ‘On the Take', as well as drafts of her book ‘The Last Amigo’.

Accession consists of Barrett's records pertaining to his monograph, "Ernest Ibbetson - military artist and adventure story illustrator". Records include drafts, illustrations and correspondence with prospective publishers.

Accession consists of Barrett’s published papers, drafts, presentations, grant and research files, teaching files, course notes and correspondence pertaining to his work as a York University professor and researcher. Also included are raw data and questionnaires from his studies on housing.

The accession consists of a letter to John Warkentin, school song lyrics, and correspondence between David Coombs and George Tatham.

Accession consists of correspondence, speeches, and notes and generally pertains to Amnesty International, the Law Society, the Advocates Society, the Law Reform Commission, the police, and race relations.

Accession consists of textual material and audiovisual material related to the production work of Mary Young Leckie of Screendoor Productions, including production materials, rushes, promotional material, scripts and correspondence regarding television and film projects such as "By Jeeves", "Prom Queen", "Spirit Bear", "Sanctuary", "Shattered City", "Burn: The Robert Wraight Story" and "Everest".

Accession consists of archival material from Screendoor Productions, including production files and film elements.

Accession consists of additional material in the Mary Young Leckie fonds including correspondence, memos, scripts and production files for various films, video cassettes, photographs, compact discs and other audio cassettes that document Leckie's work with Tapestry Pictures Inc.

Accession consists of additional material in the Mary Young Leckie fonds including scripts, drafts, notes, research material, clippings, reviews, promotional material, contracts and production files related to her work on productions such as The Arrow, Blue Castle, Children of My Heart, Way of a Boy and Tagged. It also includes the creative and corporate development files of Leckie's company Tapestry Pictures.

Accession consists of the records of Carol Malyon’s activities as an author, including: public readings of her work; her involvement with literary festivals and workshops; correspondence regarding her book, Lovers & Other Strangers (1996); early and final drafts of the short stories published by Inanna Publications & Education Inc. as Under the Water with Fish (2020), accompanied by correspondence; book catalogues; writers' directories; and magazine submissions.

Accession consists of correspondence by Carol Malyon to David Peacock and Elke Inkster of Porcupine's Quill regarding her proposal for the book, Mixed-up Grandmas, Malyon's manuscript for the text, a mock-up of the book and preliminary sketches by Peacock, and illustrations in ink and acrylic paint on board with tissue overlay that were created by Peacock for use in producing the book.

The accession consists of literary papers including personal and professional correspondence, short stories, travel essays and manuscripts, photographs from filming the movie adaptation of “Such a Long Journey,” and photographs from award ceremonies and convocations for several honorary doctorate degrees. Included are records pertaining to Mistry’s investiture in the Order of Canada, research material, financial records, and contributions to journals and literary periodicals plus short stories, essays, excerpts published in various anthologies, and bound galley proofs written by other authors requesting testimonials.

Accession consists of an issue of The Globe (Toronto), 1 July 1867; annotated manuscript of an unfinished science fiction story, “Non-lieu,” written in the 1990s; a copy of Stephen Crane’s The Red Badge of Courage annotated with Judith Cowan’s teaching notes for Québécois students; and correspondence sent by email and surface mail, 2021.

Accession includes material related to Elliston's involvement in local, municipal, provincial, national and international organizations and committees involved in social issues related to women's rights, (particularly immigrant women, ethnic and cultural minorities, women of colour and Indigenous women, issues of gender in urban communities, domestic violence, safety and accessibility), immigrant school children (particularly in the area of assessment, anti-racist, cultural interrelation, vocational training, and children's rights), adult learners (particularly in the areas of vocational training, anti-racist programming and policies for adult immigrant learners) and citizenship (in particular areas of multiculturalism, inter-cultural dialogue, tolerance, anti-hate group community efforts, political organization and celebration of diversity).

Accession consists of records mainly pertaining to Joyce Wieland's personal life and family. Records include photographs of Wieland, Michael Snow, Phyllis Lambert, Pierre Elliot Trudeau, friends and family; photographs of scenery and landscapes; correspondence; personal ephemera including identity cards and birth certificates; Wieland's astrological chart; a photo album created by Phyllis Lambert for Wieland's 60th birthday in 1990; a wall hanging entitled "Ode to Joyce" featuring circular embroidered pieces with symbols and expressions relevant to Wieland's life; newspaper clippings of articles by Wendy Michener; and a catalog for "In search of the far shore: the films of Joyce Wieland" (Canada House, Jan.-Feb. 1988).

The accession consists of correspondence with editors and publishers, annotated drafts and edited galleys related to Baldwin’s novels “What the Body Remembers” and “The Tiger Claw” and to the book “A Foreign Visitor’s Guide to Survival in North America,” co-authored with Marilyn M. Levine. It also includes an audio cassette recording of Baldwin’s reading of “The Japji Sahib of Guru Nanak.”

Accession consists of research notes, news articles, drafts of scripts for radio shows and screenplays, and correspondence regarding Professor Feldman's involvement with CBC Radio's Ideas and other creative works, as well as training material for Pro Tools software and documents regarding conference participation.

Consists of additional material in the Seth Feldman fonds including notes, research material and drafts of the Ideas program, "The Case of the Harvard Mouse" co-written by Feldman.

Accession consists of a typescript copy of “And they took themselves wives: the emergence of patriarchy in western civilization,” (1979). It has been copy-edited, showing/the editorial work of more than one hand, as well as handwritten additions to the text.

Accession consists of the records of York University psychology professor David Bakan. Records include drafts of manuscripts, completed writings, correspondence, sound recordings, notes, lecture notes, and other teaching files, all related to Bakan's professorial work and academic research.

Accession consists of business records of The Isaacs Gallery (TIG) (1942-1991), consisting of correspondence, exhibition, catalogues, mailings, financial records (1984-1986); artist files (1961-1988), consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs (e.g., Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow, and Joyce Wieland) and some who were not represented by him; artist portfolio files (1955-1988), consisting of press clippings and catalogues of their works; and promotional files (ca. 1960-1989) relating to the Isaacs Gallery.

Accession consists of correspondence and artists' files from the Isaacs/Inuit Art Gallery and the Isaacs Gallery, brochures form the Inuit Gallery of Eskimo Art, newspaper clippings documenting Isaac's career as an art dealer, floor plans for the Isaacs Gallery at 832 Yonge Street and drafts of 'Isaacs seen: 50 years on the art front, a gallery scrapbook' (2005).

Accession consists of correspondence, audio tape interviews and biographical information on William Kurelek and other artists; Isaacs Gallery Artist files (7 reels 35 mm microfilm).

Accession consists of draft scripts, notes, outlines, correspondence and subject files created and accumulated by Brian Freeman in his capacity as a freelance writer of plays, reviews, television and movie scripts. Also included in the fonds are script reports prepared for the Canadian Broadcasting Corporation, Universal Canada and the Ontario Film Development Corporation (OFDC), as well as files and scripts pertaining to Freeman's work as a development officer for the OFDC in the 1980s and 1990s.

Records in this accession mainly pertain to Robert Drummond’s administrative and academic work as a professor of Political Science and Dean of York University’s Faculty of Arts. Also included are files documenting his early academic work in high school and university. Records include essays and articles, correspondence, photographs, memoranda, reports, course materials and lecture notes.

Accession 2001-036 consists of correspondence, financial documents and research files for several Rhombus productions including those concerning Weill, Falla, Shostakovich, Ravel and Schoenberg.

Accession consists of 27 publications, photographs, correspondence and notes created and/or compiled by dancer, choreographer Paul James Dwyer.

Accession consists of dance programs, personal and professional correspondence, subject files related to Dance Oremus Danse's tour of Japan and to various dancers and/or dance companies as well as other material related to Dwyer's career, choreographer and writer.

Accession consists of correspondence with several individuals involved in the international dance community on topics that include research on teh career of Isadora Duncan, the purchase of Lillian Loewenthal's collection by York University Libraries, the Howard Holtzman collection, and the memorial performance for Hortense Kooluris in October 2007. Accession also includes performance programmes and other promotional literature from a wide range of organizations involved with dance, baroque music, and opera.

Accession consists of financial records from Dance Oremus Danse including donation receipt books, dance programmes, as well as related ephemera, including a mounted poster.

Accession consists of material that documents Connelly's personal and professional life and includes notes and drafts related to published and unpublished poems and short stories as well as complete drafts of her poetry collections 'Grace and poison,' 'This brighter prison,' 'The disorder of love,' and 'The small words in my body,' her travel memoirs 'One room in a castle' and 'Touch the dragon' and her novel 'The lizard cage.' It also includes personal correspondence consisting of letters received by Connelly as well as copies of letters sent by her to friends and family, which were subsequently used in the writing of her works of travel literature. The fonds includes copies of letters of received from Margaret Atwood, Timothy Findley, Dale Zieroth, Don Coles, Michael Redhill, Nino Ricci, Nancy Holmes, Libby Oughton, Silver Donald Cameron, Susan Swan and Steven Heighton, among others. It also includes Connelly's personal journals for the years 1984 to 2003 in which she documents events in her day to day life, her thoughts on literature and art, ideas and sketches for stories and poems and in which she recorded her observations based on her extensive travels through Thailand, Burma, Spain, France, Greece and Canada.

Accession consists of records documenting Powe's writing career in the 1990s and 2000s, particularly the writing, editing, publication and promotion of his novel "Aldershot 1945" and the reprint and stage productions of "The Aberhart Summer", as well as records pertaining to his freelance work for Powe Communications and his personal life and family. Records in this accession include manuscripts and other draft writing, photographs of Powe and his family, research files, notebooks and day planners, memorabilia (including newspaper and magazine clippings), printed e-mail and correspondence, posters, drawings, scrapbooks and videocassettes.

Series includes personal and professional correspondence, drafts of articles and radio plays and draft and manuscripts of plays and novels written by Boyle, photographs, sound and audio visual recordings.

Accession consists of personal and professional correspondence; notes, drafts and research material for articles and publications including "Cold War Canada" and "End of Privacy"; copies of RCMP Bulletins; subject files that reflect his varied interests and involvement with different organizations or activities and other material that documents his career as an academic, author and political commentator.

Accession consists of records of television program 'Gzowski in Conversation' co-produced by Tapestry Pictures and CBC. Includes VHS screening copies, 'Gzowski in Compilation' CD material, production files and story and research files.

Accessions consists of additional material in the Mary Young Leckie fonds including scripts, production files and audio visual material related to her feature films as well as material that documents her personal life such as financial records, photos of her cottage, correspondence and material that documents her involvement with Mountview Alternative School.

Consists of material that documents the work of Cavalluzzo Hayes Shilton McIntyre & Cornish on behalf of the Federation of Women Teachers' Associations of Ontario and includes court transcripts, material gathered from weekly court applications, respondents' records from the divisional court of appeal and appellant's records among other material.

Accession consists of records documenting Reg Whitaker's work as an academic and writer. These records include professional correspondence, lecture/speaking notes, article drafts and proofs, reviews, published copies of articles, clippings and research materials, and publishing agreements and contracts pertaining to his articles and books.

Accession consists of printed copies of the business email correspondence of M.G. Vassanji. Some correspondence pertains to literary submissions and other administrative matters concerning the operations of TSAR Publications (including correspondence sent and received by Nurjehan Aziz), while the majority of correspondence pertains to Vassanji’s own literary career. Also included in this accession is assorted memorabilia about Vassanji’s career as a writer and awards received, including the Order of Canada and the Giller Prize. These records include newspaper and magazine articles about Vassanji; articles written by Vassanji and published in journals, magazines and newspapers; event programs, notices, flyers and menus; award certificates; and posters.

Accession consists of research notes, correspondence, media coverage, and production files for the films by John Kastner, "Monster in the family" and "Sinner in paradise".