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Fonds consists of research notes, newspaper clippings, reports, publications, correspondence, and photographs pertaining to Portuguese emigration and the Portuguese experience in Canada compiled by Professor Higgs in connection with his scholarly work and teaching on Portuguese history and his collaborative work with Grace Anderson.

Fonds consists of handwritten and typescript manuscripts for Falek Zolf's memoirs, handwritten notes for his memoirs, newspaper articles about Zolf and the Jewish literary community in Winnipeg, a report that quotes from his work in a review of the historical context associated with the Canada Post Corporation's Rural Conversion Program in Saskatchewan, a review of the Yiddish edition of Zolf's autobiography, "On foreign soil," and information regarding its publication in English.

Fonds consists of correspondence, notes, reports, essays, publications, flyers, and other documents created or received by Ellie Prepas while a graduate student in Environment Studies at York University about the Waffle movement within the New Democratic Party, including environmental initiatives, the Mackenzie Valley pipeline, opposition to foreign ownership of Canadian resources and industries, her candidacy for the NDP in the riding of Toronto Trinity and her involvement with the North Metro Waffle, and the Waffle Women.

Fonds consists of administrative and promotional material documenting the Regent Park Film Festival's outreach programs including the annual film festival, the Home Made Visible project, and outdoor summer screenings.

The fonds is comprehensive and extensive in scope, and documents both the creative and business aspects of Abbott-Ferguson Productions. Records include scripts and production files for both the radio and television shows; show logs; sound and video recordings; photographs; press and publicity; business correspondence; audience correspondence; contracts and other legal documentation; memorabilia; and research files including for ratings and audience research. The fonds has been arranged into the following series:

S00613 The Jest Society
S00614 Air Farce - radio - scripts and production files
S00615 Air Farce - television - scripts and production files
S00616 Air Farce - A/V recordings
S00617 Air Farce - sound recordings
S00618 Air Farce - hair and makeup photos
S00619 Air Farce - wardrobe photos
S00620 Air Farce - set design
S00621 Air Farce - gigs
S00622 Air Farce - publicity and press, including photos
S00623 Air Farce - business and legal files
S00624 Air Farce - audience mail
S00625 Air Farce - memorabilia and merchandise
S00626 Air Farce - miscellaneous files
S00627 Dave Broadfoot productions
S00628 Non-Air Farce - XPM
S00629 SketchCom productions
S00630 Air Farce - ratings and audience research
S00687 Johnny Chase files
S00688 Non-Air Farce - miscellaneous files

Fonds consists of records documenting the writing, editing, publication and promotion of Alison Pick's poetry and novels, including "Far to Go" (2010), "Between Gods" (2014) and "Strangers with the Same Dream" (2017), as well as records pertaining to Pick's personal life. These records include draft manuscripts, page proofs, notes, notebooks, correspondence, photographs, day planners, literary publications, journals and memorabilia.

Fonds documents Jeanette Heller's activities as a dancer and career in entertainment with records primarily pertaining to her life as a Roxyette (Rockette), USO troupe dancer during World War II and the Korean War, and employee of many dance companies including the American Repertory Theatre Group. Records consist of photographs, newspaper clippings, programmes, annotated maps, correspondence, contracts, and a collection of Jewish recipes.

Fonds consists of records pertaining to research and administrative work performed by Janice Newton in her capacity as a PhD student and, later, faculty member in the Department of Political Science at York University. These records, which date from the 1970s until 2014, document research performed by Newton as she completed her 1987 doctoral dissertation and adapted this dissertation into a monograph in 1995, as well as her work as chief editor of the 2001 publication Voices in the Classroom. The records also document research and administrative tasks performed by Newton in her role as a contributing faculty member within the Department of Political Science at York University. Included in the fonds are research materials, correspondence, scrapbooks, administrative records, audio and video recordings, and photographic prints and negatives created or accumulated by Newton.

Fonds consists of records created by Carl James in the course of his activities as a sociologist and a university professor, including research data, publications, teaching material, and administrative records for the York Centre for Education and Community.

Fonds consists of materials created and accumulated by George Papadatos in the course of his activities as a member of the Toronto Greek Canadian political, arts and cultural community while living in exile in Canada during the Greek military junta of 1967-1974. It includes records relating to his work as a journalist and newspaper editor (as editor of Metanastis and contributor to Ta Nea, amongst other publications); political activist; music promoter, event organizer and co-owner of the Trojan Horse coffee house; East York community service worker; and as tutor of Modern Greek Studies at the University of Toronto (Scarborough College).

The fonds largely consists of photographs, newspapers, promotional material, posters, sound and video recordings. Many of these items were collected by Papadatos to document the coffee house scene on the Danforth, the Greek musical acts who toured Canada and the United States in the 1970s and 1980s, as well as student organizing and protests related to local opposition to the military dictatorship in Greece. The records reflect the impact that the cultural and political activities of the Greek community in Canada had on political affairs in Greece. The fonds also includes handwritten and typed correspondence and other printed material created or received by George Papadatos, as well as photographic material from Papadatos' later life in Greece, where he operated an antiquarian bookstore. Records in the fonds have been arranged into five series based on record genre. See series level descriptions for details.

Fonds consists of the personal and professional documents of the life and activities of Toronto Star reporter and disability advocate Barbara Turnbull. It includes material relating to her work at the Toronto Star, her various speaking engagements and material related to the 1983 shooting and the subsequent trial. Also includes material from the Turnbull et al. v. Famous Players human rights complaint trial.

Fonds consists of records pertaining to Deborah Barndt’s work as a researcher, photographer, writer, activist and York University professor. These records document the research and writing of Women Working the NAFTA Food Chain (1999), Tangled Routes: Women, Work and Globalization on the Tomato Trail (2002), and VIVA! Community Arts and Popular Education in the Americas (2011), her research focus on popular education, globalization, community arts, and her involvement with equity and diversity initiatives at York University. Records in this fonds include research materials such as journal articles, papers, reports, newsletters, government documents, pamphlets, brochures, as well as audio recordings of interviews and interview transcripts, correspondence, manuscripts, video cassettes, notes, e-mail, proposals, workshop materials, and photographs.

Fonds consists of the business records of The Isaacs Gallery (TIG), the Inuit Gallery and the Isaacs/Inuit Gallery which include personal and professional correspondence, exhibition catalogues, mailings, financial records, and artist files consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs such as Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow and Joyce Wieland, Robert Markle, Greg Curnoe, Gordon Rayner and John Ivor Smith, among others. It also includes artist portfolio files consisting of press clippings and catalogues of their works, a comprehensive slide collection documenting an overview of his gallery exhibits, and promotional files relating to his galleries. The fonds includes Isaacs' poster collection as well as notes written by Isaacs, collected correspondence and reminiscences, drafts, mock-ups and other material related to the writing and creation of the artist's scrapbook 'Isaacs seen.'

Fonds consists of low-level oblique aerial photographs of water sheds and conservation areas in southern Ontario, taken by Wise.

Areas include the Oak Ridges Moraine, Albion Hills, Scarborough Bluffs, the Don River and other areas. Some photographs accompanied by maps with flight paths plotted by Wise.

Fonds consists of the professional records of Jean Augustine, including documents, reports, speech notes, press releases and publications relating to her activities as a community activist and volunteer; a elementary school teacher; her administration of the Metro Toronto Housing Authority; her participation on various international, national, provincial and municipal advocacy boards organizations and associations; and her activities as a federal politician and member of cabinet.

Fonds consists of correspondence, speeches, handwritten and typescript notes, photographs, programs and flyers for cultural and political events, newspaper and magazine articles, booklets, and ephemera created or accumulated by Sam and Manya Lipshitz regarding their professional activities and family life. Handwritten letters trace their courtship while Sam worked in Montreal and Manya studied in New York during the late 1920s. Many subsequent documents pertain to their involvement with Jewish organizations, particularly the Labour League, United Jewish Peoples Order, the New Fraternal Jewish Association, and the Canadian Jewish Congress. Sam Lipshitz's work as editor and writer is a major theme throughout the fonds, which includes correspondence and draft articles for "Vochenblatt," "Morning freiheit," and "Fraternally yours," as well as clipped stories and entire issues of these periodicals. Sam's trip to Poland in 1945 with H.M. Caiserman on behalf of the Canadian Jewish Congress is well documented through his letters to Manya, published reports, and photographs. Similar records are available for his trips to Europe, Israel, and the Soviet Union, with considerable information regarding the communist parties in these countries (such as a photograph album devoted to the Congress of the Israel Communist Party in 1949). The fonds includes correspondence, reports, speeches, photographs, and other documents pertaining to Sam's involvement with the Labor-Progressive Party, the careers of prominent communists including J.B. Salsberg, Tim Buck, Sam Carr, Fred Rose, and Albert Alexander MacLeod, tensions within the Canadian Jewish Congress over the relationship between communism and Zionism, the Lipshitzs' resignation from the communist party in 1957, Manya's campaign for a seat on the board of education in 1956, and Sam's campaign for alderman in North York in 1974 (both unsuccessful). The fonds also deals with international issues facing the Canadian Jewish community from the 1940s to the 1990s, including: the Warsaw Ghetto uprising in 1943, Nazi concentration camps in Poland during World War II, the Polish resistance movement, relief work after the war and efforts to improve living conditions and cultural life among Poland's Jews, efforts by Jews in Canada to find relatives among the survivors of concentration camps, trials of Nazi war criminals, Canada's post-war immigration policy and the campaign for Jewish emigration to Canada, the survival of anti-Semitism after the war, Palestine and an independent Israel, politics and conflict in the Middle East, the case of Julius and Ethel Rosenberg, the plight of Jews in the Soviet Union, Holocaust memorials, and the work of Jewish mutual benefit societies. The Lipshitzs' strong interest in literary affairs is evident through many files pertaining to Jewish writers between 1943 and 1997, which contain correspondence, biographical articles, samples of these writers' work, and speeches extolling their accomplishments made by Sam when they visited Toronto. This material also deals with the visit of writers Solomon Michoels and Itzik Feffer to New York and Toronto in 1943 to promote relations with the Soviet Union, and memorials to the Soviet writers executed in 1952 under orders from Joseph Stalin. The Lipshtizs promoted the Yiddish language and Jewish culture through their written work. The fonds includes copies of three issues of the handwritten journal, "Komunar," edited by Manya between 1922 and 1923 while living on the commune in Russia, as well as poetry written by Manya throughout her life. Her teaching notes document Manya's work at the Morris Winchevsky School, and her interest in Jewish history, song, and festivals. Photographs provide additional information on the school's activities, including the visit by singer and activist Paul Robeson in 1947. Other images in the fonds show Sam speaking at rallies, Manya's campaign for "mayor" of Camp Naivelt, and members of the Lipshitzs' extended family in various settings. The fonds also contains material about work of Trade Typesetting, and testimonials to Sam and Manya Lipshitz added to the fonds after their deaths.

Fonds consists of personal files containing correspondence, articles, photographs, certificates, etc. relating to Ernest Bartlett’s family and career with the Toronto Telegram.

Fonds consists of correspondence between Captain James R. Allan and Vivien Beer of Strathroy, Ontario before Captain Allan, was killed; press clippings and photographs of Captain Allan and Private Walter Beer while serving in World War I and scenes of various members of the Beer family.

Fonds consists of records related to the development and activities of the Cephalonia-Ithaca Association of Toronto including correspondence, event planning documents, membership lists, invoices, business records, meeting minutes, newsletters, advertisements and related ephemera.

Fonds consists of documents created or received by Mark W.P. Cann during his career as a physicist with the Illinois Institute of Technology Research Institute in Chicago and with York University’s Centre for Research in Experimental Space Science, including research notes, proposals for projects, reports, spectrum graphs, wave line profiles, computer program printouts, tables and graphs, transparencies for presentations, and three infrared transmission studies on 35 mm film.

The fonds partially documents Merle Shain's activities as an author as well as her personal life.

The fonds consist of television and film scripts in which Lionel Siegel played a part, either as script writer, author of the story on which the script was based, or in some production capacity. There are also scripts of productions by others which Siegel has collected, some because he was writing scripts for subsequent episodes of the program. The scripts are arranged alphabetically by title and include, 'Ben Casey', 'From here to eternity,' (1979) on which Siegel worked with several others, 'The last westerner,' with a screenplay by Jack Elam and Siegel, several episodes of 'Peyton Place,' 'Rawhide,' (including script for "Corporal Dasovik," for which Siegel was awarded 'Best western TV drama of the year, 1964,) 'Then came Bronson, (1969), episodes of 'The Waltons,' (1972), 'The bold ones,' 'Hoover versus the Kennedys the second civil war,' (1987) and others. There are also story outlines for possible productions, including movies-of-the-week on American network television.

The fonds consists of a carbon typescript of Sir Osbert Sitwell's 'Miracle on Sinai,' under the working title, 'The new commandments or, make up your minds' as well as revisions in handwritten form, and carbon typescript pages of re-written passages.

The fonds consists of a taped interview of Denis Smith by Paul Axelrod, a graduate student at York University, concerning the early history of the university, and the dispute between the then-president, Murray Ross and the faculty in 1963. It also includes a transcript of the interview.

The fonds consists of research materials of Joseph Starobin on American radicalism and European socialism and includes several newspapers from France, Italy and North America, as well as off-prints, typescripts and photocopies of articles by colleagues and writers on the left (Harrington, Marcuse, Earl Bowder). It also includes some holograph notes of lectures attended by Starobin in 1963 in New York (classes in his graduate studies at Columbia?), and correspondence and photocopies of chapters of a thesis from a doctoral committee at York University on which he sat (1975).

The fonds consists of records relating to the Canadian Poetry Association, League of Canadian Poets and the HMS Press, as well as personal papers and manuscripts of Wayne Scott Ray.

The fonds documents Pauline Elizabeth Rhind's activities with the Kakabeka Press as well as her activities as a writer and artist for the period 1945-1978.

Fonds consists of correspondence, minutes, reports and newsletters from various men's rights organizations such as 'Fathers for Justice', newspaper clippings documenting issues of interest to the movement as well as other related material that documents Kenedy's ongoing research into the men's rights movement. Fonds also includes copies of presentations made at the annual conferences of the National Orientation Directors Associations, as well as samples of orientation literature that was published by universities in Canada and the United States for first-year students and their parents.

Fonds consists of correspondence with fellow Crosby collectors and enthusiasts, drafts of essays and articles concerning Crosby written by Vogt, scrapbooks dedicated to Crosby, lists of Crosby recordings, publicity photos and movie stills, magazines, newsletters and other material that documents Vogt's ongoing interest in Bing Crosby's music and work.

The fonds consists of McInnis' publication files, including scholarly articles and correspondence, drafts, research notes, photographs, and other material for "The Long Cold Peace: Treaty Making after World War II", "The East", "Canada: A Political and Social History", "North American Nations", and other works. Fonds also includes professorial files documenting his teaching at the University of Toronto and York University; Canadian Institute of International Affairs files; research files; and other material reflecting his varied interests in history, current events and world politics.

The collection consists of bound typescripts of diaries, many with photographs included, of Stephen McKenna's travels in South America, the Caribbean, North Africa, France and other countries (1921-1933). There are also typescripts and carbon copies of four plays he composed, including 'Ninety-six hours' leave,' (1917), short stories and articles, some in draft form, other clipped from magazines, and scrapbooks of serialized novels which appeared in newspapers and magazines. In addition, there are photographs of locales he had visited.

The fonds consists of records accumulated by Roy Merrens as a result of his activities as a geographer, professor, and member of various associations, authorities, and boards. The records have been physically arranged by the creator by subject; the original order has been maintained. They include maps, correspondence, minutes and agenda of meetings, mailing lists, reports, drafts, notes, press releases, proposals, copies of legislation, affidavits, telegrams, statistical data tables, newspaper clippings, journal articles, photographs, slides and a postcard. Also included is a file containing articles and reports about the geography, landscape and architecture of York University.

Fonds consists of records documenting the career of George Bell as a university administrator and professor, founding director of CIIPS, and President of the CISS. Also includes minutes of meetings, correspondence, working papers, reports, and reference and research materials.

The fonds consists of Fred Matthews Young's working files for his legislative responsibilities. The largest part of the fonds contains files related to transportation and especially highway traffic, which reflects Young's role on the Select Committee on Highway Traffic. The files are divided into subjects related to transportation (safety, lighting, re-sale of automobiles, automobile prices, alternatives to the automobile), and include reports of government agencies, briefs to the Select Committee and other committees, copies of bills, copies of Hansard (Ontario), advertisements, press releases and background material. In addition, there is material on several other issues before the Legislative Assembly including smoking, housing (including public housing), election expenses, reformatories, municipal affairs, and material relating to the Revenue Ministry, including material on land transfer taxes, provincial income taxes, the government estimates, securities law, the Corporations Act and related subjects. This material includes reports, submissions, statements of ministers and members, copies of speeches, Hansard, copies of bills and amendments and related material.

Fonds consists of material related to Virginia Rock's research for her doctoral dissertation and other academic writing pertaining to the Twelve Southern Agrarians. Records include research notes and index cards, photocopies of newspaper clippings, book reviews, literary criticism, journal articles, and photocopies of material written by or about the Southern Agrarians regarding their lives and work, as well as their correspondence with Rock. The fonds also contains Rock's personal and professional correspondence, drafts of Rock's final dissertation and articles, records concerning her involvement with the Canadian Women's Studies Association, as well as materials pertaining to Rock's work as a professor at York University, including information about Stong College, syllabi, course kits and reading lists, information about symposiums she attended, and items relating to her work as an instructor and advisor for the Graduate Women's Studies Programme. Also included in the fonds are records pertaining to Rock's experience teaching American literature as a Fulbright visiting professor at Jagiellonian University in Krakow between 1962 and 1964. These records, which include photographs, correspondence and memorabilia, document Rock's activities while in Poland as well as her return visits to Poland in later years and her general interest in the country. An issue of the Polish magazine "Ameryka," featuring an article about Virginia Rock, has been added to Special Collections; an English translation is available in the fonds.

Fonds consists of records created by Marc Stein in the course of his activities as a teacher and administrator, including a draft history of gay, lesbian, bisexual, transgender and queer activities at York University from the 1960s to 1979, articles clipped from the student newspaper, Excalibur, concerning police harassment, women’s liberation and homophiles, student and media attitudes toward gays, and campus housing, and newsletters of the York University Homophile Association, 1970-1971, that were given to Stein when he was appointed Sexuality Studies Coordinator; records of the Sexuality Studies Committee pertaining to support for the program proposal, governance of the program, status of courses, proposal for certificate and minor programs, course enrolment, course instruction and designations, special events such as lectures and film nights, development of a course rubric, supplemental calendars for 2006-2010, minutes of Council meetings, a bibliography of faculty publications and productions, printed email correspondence, course proposal forms, award proposal forms for student academic performance, student lists, statements of revenue and expenses, the proposal to develop an option to major in Sexuality Studies; and course syllabi.

Fonds consists of records created by Sig Gerber in his role as producer of several series for the CBC. Gerber's production responsibilities included overseeing the creative aspects involved with story proposals, research, script writing, and direction for each episode, as well as the management of technical components and financial resources. The fonds contains other documents related to the series' production, including reports, correspondence, meeting notes, handwritten notes, scripts, videocassettes, and promotional items, as well as reports on the CBC's broadcasting policies and the network's promotional material. Also included in this fonds are materials pertaining to Gerber's work as a trainer for the CBC Training and Development Department, miscellaneous internal CBC memoranda (1968-1996), and a file of ephemera and photographs from Gerber's time working at CHUM Radio in Toronto (1961-1964).

Fonds consists of records created and accumulated by the Canadian Speakers' and Writers' Service Ltd. over the course of over 50 years as a literary agency and management company for writers, public speakers, and actors.

The bulk of the records consist of client files which includes correspondence to and from clients; correspondence with publishers, media, sponsors of talks, radio and television producers; publicity material relating to clients including resumes, headshot photographs, schedules, travel arrangements; newspaper clippings; reader's reports; royalty statements; and contracts. There are also audio cassettes and video cassettes of interviews and recordings of the work of some CSWS clients. Notable clients include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

There are also general correspondence files, business records (including office diaries for the period, 1951-1965), manuscripts (from clients and unsolicited), and print materials (publishers' catalogues, anthologies of plays, newsletters, copies of labour agreements between the Canadian Broadcasting Corporation and ACTRA, and clippings). There is a series of records related to CSWS Ltd. founder, Matie Molinaro, documenting her early life in New York and her work as a war correspondent during the Second World War. Also included is a series devoted to records related to Marshall McLuhan and his estate, long-time clients of CSWS Ltd, which includes correspondence, contracts, notes, drafts, clippings, offprints, photographs, and ephemera.

The fonds consists of governance records (bylaws, letters patent, incorporation documents), newsletters, minutes, financial records, Finnish studies scholarship files, cultural activity files (musical events, lectures, film showings, symposia), fundraising files pertaining to CFFEF (Canadian Friends of Finland Education Foundation), miscellaneous files, FINNSTAUT (Finnish Studies Alumni Association at University of Toronto), membership files, CFF branch files, and some photographs.

Fonds consists of dance notations recorded using Labanotation or Kinetography Laban, created or acquired by Mary Jane Warner and used in her work as a professor of dance. The notations take the form of manuscript symbols hand-drawn by Warner while a student at Ohio State University (including Labanotation for her dissertation), photocopies of works produced by other notators, and printed works published by the Dance Notation Bureau and the Royal Academy of Dancing. The notations are grouped according to elementary, intermediate, and advanced readings, with titles that often include the name of the choreographer and, in some cases, the notator. The works of Doris Humphrey, Ray Cook, Anthony Tudor, George Balanchine, Muriel Topaz, and Ann Hutchinson Guest figure prominently among the notations. The fonds also includes Warner’s lecture notes on the history of dance notation and Labanotation, material on teaching dance, notes for a lecture on E.A. Theleur’s "Letters on dancing : reducing this elegent and healthful exercise to easy scientific principles" (London, 1831), and programs and proceedings from various international conferences on Labanotation and Kinetography Laban.

Fonds consists of 327 letters written by Liisa Lumiala to her friend Terttu Hansen between 1943-1979, ending a few months before Liisa's death from cancer. The first set of letters until 7 March 1948 were written from various places in Finland, as Liisa and her family were moved around by the government from one residence to another. The next set of letters, covering the time period 22 March 1948 to 20 July 1948 were written from various locations in Sweden, where Liisa and her daughter Tytti were waiting to receive their immigration papers to move to Canada.The final set, beginning 30 August 1948 were written in Canada, again from various locations and addresses around Port Arthur, Fort William and Toronto. This collection of letters provides insight into the day-to-day life of a Finnish immigrant woman who moved to Canada to create a new life for herself with her husband and family after World War II.

The fonds consists of some typescript, corrected reports and research papers by Edith Ferguson (1948-1977), as well as published copies of some of them. There are also several volumes dealing with immigrant, integration and multiculturalism issues, novels, and reports from research institutes, government organizations, charitable bodies, and others involved in the immigration and integration fields (1929-1983). There are also some newspaper clippings relating to immigration and multiculturalism in Canada.

Fonds consists of music used by the Rex Battle Orchestra, including a series of envelopes arranged alphabetically by song title that contain published scores and lyrics, as well as original arrangements by Rex Battle. Notes written on the envelopes show names of songs, composers and publishers, as well as the music’s key, performance dates, costs of the published music and the breakdown of the scores by instrument. This fonds also consists of orchestral scores and sheet music for the piano, organ, violin, viola, clarinet, and other instruments.

The fonds consists of eight audio reels which contain the papers read and proceedings of the seventh annual seminar of the Canadian Association for Irish Studies held at York University in March, 1974. Included on the tapes are a poetry panel of Seamus Heaney and Michael Longley, proceedings of the Yeats Evening, a concert of traditional Irish music, and related material.

Fonds consists of transcripts of interviews with Portuguese immigrants, collected ephemera, notes, research material and photographs related to Domingos Marques' activities as a activist, newspaper editor and municipal politician within the Portuguese community of Toronto. Includes issues of the Portuguese community newspaper "Comunidade".

The fonds consists of records pertaining to Henry Silton Harris' activities as author and educator. It includes his manuscripts, correspondence, research and lecture notes, teaching files, and his graduate and undergraduate studies files.

The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:

The fonds consists of records pertaining to Barbara Sternberg's activities as an artist, teacher, writer, and activist. In addition to subject files containing materials related to her films, the fonds includes posters, reviews, catalogues, programmes, research and drafts of unrealized projects, course, project, and grant proposals, as well as publications by and about Sternberg. It also includes conference and workshop materials, pedagogical documents, drafts of Sternberg's Cinema Canada column, materials related to screenings, exhibitions, and festivals, as well as correspondence with friends and colleagues, including contemporary Canadian experimental artist Michael Fernandes and former Canadian Parliamentary Poet Laureate George Elliott Clarke. Records of a personal nature are predominantly limited to correspondence.

Fonds consists of records documenting Sheard's activities as an writer, editor, educator and psychotherapist, and includes agendas, personal and professional correspondence, notes, draft manuscripts and resource material related to uncollected short stories, non-fiction writing and to her novels "Almost Japanese", "The Swing Era", "The Hypnotist" and "Krank: love in the new dark times".

Fonds consists of files relating to Earle Beattie's involvement with the formation and maintenance of the publication, Media Probe (1972-1976), which was renamed the Canadian Journal of Communication (1977-1982).

Fonds consists of records pertaining primarily to Paul Axelrod's academic writing and career as a university professor and administrator. These records include personal and professional correspondence, draft manuscripts and articles, academic papers, course materials, audio recordings, photographs and other research materials.

Fonds consists of a single letter from Frederick Debartzch Monk, Conservative Party member of the House of Commons and Minister of Public Works in the Borden government to Boucher de la Bruere on political questions of the day (1911).

The fonds consists of a copy of transcripts of taped interviews conducted by John Reynolds for the Canadian Broadcasting Corporation in 1964. The interviews were never broadcast. The material from these interviews and the transcripts formed the basis for Buck's memoir, 'Yours in the struggle,'and covers the rise of the Communist Party of Canada, Buck's relations with Communists in the Soviet Union and other places, and the denunciation of Stalin in 1956 at the 20th International Congress.

The fonds documents Ellen C. Adams' political activities at municipal level in the Toronto area for the period 1956-1975, including her involvement with the Avenue Bay Cottingham Ratepayers' Association and the Confederation of Resident and Ratepayer Associations (CORRA). Records include subject files pertaining to the City of Toronto Council, the City of Toronto Planning Board, Toronto municipal elections, transportation and the waterfront, as well as meeting minutes, periodicals, books, newspaper clippings, pamphlets, a map and directory, reports, papers and briefs.

The fonds consists of Jerome Ch'en's collection of statements of delegates to the Geneva Conference in 1954 [1955?], along with newspaper clippings and related material concerning the Korean War.

The collection consists of photocopies of newspaper clippings, one audio tape cassette which contains an interview with Jules Heller, first dean of the Faculty of Fine Arts at York, and three copies of the transcript of the tape.

The fonds consists of correspondence, readers' reviews, printed articles and submissions, all pertaining to 'Co-ordination chemistry reviews,' of which Alfred Beverly Philip Lever was editor, 1965-1971. The files are arranged alphabetically by name of correspondent/author/critic.

Fonds consists of Lindstrom's professorial and scholarly research files throughout her career, as well as records documenting her academic activities. Research files pertain to her publications and monographs such as "Defiant Sisters : A Social History of Finnish Immigrant Women in Canada, 1890-1930" (both the English and Finnish editions), and "From Heroes to Enemies : Finns in Canada, 1937-1947," as well as book chapters, articles, papers, presentations and lectures, and her involvement with the National Film Board production "Letters from Karelia," and subsequent research. The research files span the activities of Finnish and Finnish-Canadian organizations across the political spectrum, such as the Finnish Organization of Canada (left wing), and Loyal Finns in Canada (right wing). Records include oral history interviews (audio cassettes and transcripts), research notes, clippings, a significant and extensive number of photograph and letter collections passed down through generations of Finnish Canadians, diaries, correspondence, publication drafts, academic and professorial notes, microfilm of Finnish language newspapers published in Canada and archival records, financial records of Finnish-Canadian organizations such as newspapers and post-World War II relief funding bodies, scrapbooks, photocopies of rare and unusual documents such as two volumes of a Soviet register of Finnish War Crimes, a list of persons found in the mass grave at Karhumaki, and Soviet lists of North American Finns who journeyed to Karelia to help build a socialist utopia there, academic and professorial files, publicity files, files pertaining to her work with the School of Women's Studies, and her own papers as a university student. The fonds also includes letters written by Lindstrom as a newly-arrived teenaged immigrant to Canada to her best friend in Finland; many of these letters were published in Finnish with English translation in 'Letters from an immigrant teenager' in 2012.

The fonds consists of records documenting Stevie Cameron's career as a journalist and author, and is rich in a wide range of annotated research material including extensive chronologies and detailed notes, records obtained through FOI requests or supplied by interested parties and fellow journalists, correspondence between the author and her peers, members of the public, annotated copies of government documents and clippings, interview and court transcripts, clippings, audio recordings of research interviews conducted by Cameron, sound recordings of some public hearings, drafts and manuscripts for her newspaper articles and in particular her books, including 'Ottawa Inside Out' (1989), ‘On the Take’ (1994), 'Blue Trust' (1998), and 'The Last Amigo' (2001).

The fonds documents Edward Arthur Beder’s activities as political activist and author and includes manuscripts, 1921-1972; correspondence, 1923-1972; membership lists; files of the Socialist Party of Canada; files of the League for Social Reconstruction, ca. 1933; files of the Canadian League Against War and Fascism, 1934-1937; project outlines files, 1935-1936; lecture notes and abstracts, 1934-1965; notes, 1935-1946; printed material, 1930-1972; and news clippings, 1921-1972.

Fonds consists of textual and audiovisual materials pertaining to Seth Feldman’s work as an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries. These records are research files, taped interviews, successive drafts of scripts, transcripts, and recordings of programmes produced for the CBC radio series “Ideas” and his dramatization of Herma Maximo’s “The Ultimate Threshold”, prepared for the CBC radio programme “Vanishing Point”. Also included are film-related subject files maintained by Feldman; notebooks and research notes; material related to the Film Studies Association of Canada; course materials, notes, lecture recordings, correspondence, and student papers pertaining to Feldman’s work as a professor and Dean of Fine Arts at York University; drafts of a screenplay inspired by the George James Grinnell book “A Death on the Barrens”; a collection of film magazines; copies of recent films produced in Turkey; copies of films directed by Allan King; and research materials relating to Feldman’s work on Dziga Vertov.

The fonds consists of agendas of meetings of SSSOCCC, correspondence and reports of organizations that pre-dated Stop Spadina, records relating to Metropolitan Toronto Council, the City of Toronto Council and city departments, and the Province of Ontario, including correspondence with politicians, speeches, minutes of meetings, transportation studies of Toronto and other jurisdictions, and related material. There are financial records and receipts from Stop Spadina, briefs presented by it and others to the Metropolitan Toronto Council Transportation Committee and Executive Committee, reports on planning from city and metropolitan departments (Roads, Public Works, etc.), membership applications and membership lists of Stop Spadina, press releases and newspaper clippings, newsletters of Stop Spadina and community groups, brochures, leaflets and related paraphernalia from Stop Spadina. There are audio recordings of Stop Spadina meetings, interviews with news media, speeches and lectures, and of meetings of city and metropolitan councils. There is also a filmed statement by Jane Jacobs and Marshall McLuhan on Spadina titled, 'The burning would,' (1970).

Fonds illustrates Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time span. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Fonds contains notes and notebooks, pamphlets, programmes, correspondence, clippings and scrapbooks, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

Fonds consists of records created and accumulated by Frank Zingrone pertaining to his university education, his work as a professor of communications at York University, and his activities as a writer and critic. These records include personal and professional correspondence, subject files and notes, memorabilia, conference materials, student papers, lecture and course materials, as well as article drafts and manuscripts for published and unpublished works including "Addiction to illusion" (unpublished), "The media symplex", "Strange attraction" (poetry) "Who was Marshall McLuhan?", "The invisible revolution", "Essential McLuhan" and "Traces" (poetry).

Fonds consists of minutes of meetings, correspondence, research notes, and audio-visual material concerning Daniel Cappon's administrative activities as professor at the University of Toronto and his research in psychiatry.

The fonds consists of transcripts of interviews conducted with several leading lights of the Canadian socialist and Canadian Co-operative Federation movements. Included are interviews with Hazen Argue, William Irvine, David Lewis, Tommy Douglas, Grace McInness, Frank Underhill, and Tim Buck. The interviews were conducted in 1961 for a Canadian Broadcasting Corporation radio broadcast, titled “Socialism in Canada,” and was broadcast in July, 1961.

Fonds consists of script drafts, outlines, pitches, research notes, oral history interviews, personal material and correspondence created and accumulated by Rob Forsyth, related to his activities as a script writer for television, film and radio.

Highlights include research material and drafts for Forsyth's writing projects, many which focused on social issues, including : homelessness, unemployment, racism, Indigenous culture and land rights, labour and mental illness. Also includes historical research, photographs and oral history interviews made with WWII veterans for his film projects "Gunners", "D'Artois", and "P.O.W./U.S.A."; research material on John Williamson, founder of the Williamson David Diamond Mine in Mwadui, Tanganyika (now Tanzania); material regarding John Ware, a former slave who established successful cattle ranches in Alberta at the turn of the century; and photographs and research regarding Dr. Lucille Teasdale and St. Mary's Hospital in Lacor, Uganda. Also includes scripts submitted to Forsyth for editing, script-doctoring and appraisal by other writers, producers and directors; personal day journals; teaching materials; creative writing and video recordings of pre-production filming and network broadcasts of his work.

Fonds consists of a transcript of an interview conducted by Mary Reid with the artist Graham Coughtry which is prefaced by an introductory essay and a chronology of Coughtry's life. This "artist profile" was prepared for Professor Joyce Zemans as part of one of her art history courses.

Fonds consists of records of Pittman's work in film and television and includes scripts, storyboards, correspondence, financial records, publicity material, shooting schedules, edit sheets, research material, grant applications and other related material. It includes photographs taken during the production of a number of his films and audio-visual records in various formats that document the various stages in the making of film and television productions with which Pittman was involved. There is considerable material relating in particular to "Shattered City." The fonds also includes a series of audio recordings of interviews conducted by Pittman for "Saturday Night at the Movies" with film directors including Bernardo Bertolucci, Robert Altman, and Norman McLaren, among others.

Fonds consists of photographs documenting the journalistic activities of Excalibur at York University.

Fonds consists of records documenting Doob’s activities as a professor at York University and scholar of medieval studies, dance, and medicine. A small amount of personal memorabilia and ephemera of her early life related to her education are included.

Fonds consists of material that documents Hoffert's career as a composer, musician, author and arts administrator and includes musical scores from the 1950s to the 1990s, audio-visual recordings, administrative files, photographs, clipping and other memorabilia, copies of awards, diaries, e-mail correspondence, drafts of his books and other material.

Fonds consists of files from various positions Lewis held throughout his career, including correspondence, research documents and clippings covering a wide range of political issues, draft articles, and notes from his reporting days for Time Magazine and Maclean's, as well as editorial planning and management-related operational files from Maclean's. Also included are correspondence files, reports, budget files and strategic planning documents from his content development position with Rogers Media. The fonds also contains minutes and notes from York University's Board of Governors committee meetings. Personal files and speeches, including notes and drafts, are also part of the fonds, which includes 187 notebooks and planners used by Lewis for his research, note-taking, and scheduling. Press and magazine clippings that Lewis collected from various print and online publications are dispersed throughout the fonds. The fonds includes episodes of Maclean's and OMNI television, and other moving image recordings on videocassette.

Fonds consists of VHS videocassettes containing raw footage of interviews with Portuguese Canadians about the Portuguese-Canadian immigrant experience.

Fonds consists of records pertaining to the life and work of social scientist Eric Trist. Records include photographs and textual material pertaining to Trist's early life and education in Dover, England, student records from his time at Cambridge and Yale Universities, and material related to his career as a theorist and academic in the fields of psychology and organizational development. These latter records consist of publications, presentations and other writings authored or co-authored by Eric Trist, records pertaining to Trist's teaching career in both the United States and Canada, and material related to the Tavistock Institute of Human Relations, of which Trist was a founding member.

Fonds consists of professional and personal records created and accumulated by Lawrence ‘Larry’ Grossman as Member of Provincial Parliament for the Toronto riding of St. Andrew-St. Patrick (1975-1987), leader of the Progressive Conservative Party of Ontario (1985-1987), and his career activities following his exit from political office. Includes: correspondence; meeting minutes; research notes; briefing notes; reports; subject and clippings files; campaign materials and schedules; speeches; portraits and event photographs; audiovisual recordings of his television and radio appearances and interviews.

The records in this fonds document his contribution and involvement in the “Big Blue Machine” of the Progressive Conservative Party of Ontario, the numerous Cabinet portfolios he held in the governments of Premier William ‘Bill’ Davis, his two campaigns for leader of the Party, and the end of the Progressive Conservative Party of Ontario’s forty-two years in government (1943-1985) and the adjustment of the Party’s new role as Official Opposition.

The fonds also includes materials belonging to his father, Allan Grossman, kept by Larry following his father’s death in 1991.

Fonds contains the following series:
S00698: Political files
S00699: Progressive Conservative Party of Ontario files
S00700: Personal files
S00701: Allan Grossman materials
S00702: Audiovisual materials

Fonds consists of research material created and collected by Wenona Giles as part of her anthropological studies of Portuguese migrant women in London, United Kingdom, and Toronto, Canada. Fonds includes, field notes, interview transcripts, questionnaires, reports and other collected research material.

Fonds consists of records documenting Bruce Allen Powe's work as a writer of fiction, reviews and articles, his work as Executive Director for the Ontario Liberal Association, and his public relations career and freelance work for Powe Communications. Records include journals, day planners, notebooks, correspondence and e-mail, research files, scrapbooks, manuscripts and other draft writing, and career-related memorabilia. Also included in the fonds are family photographs and personal memorabilia; Powe's M.A. diploma, thesis and related research files; files, memorabilia and photographs pertaining to his World War II military service; and photographs, memorabilia and other records pertaining to Powe's trip to Ghana in March 1957 as associate private secretary to the Canadian Minister of Mines and Technical Surveys.