Identifier
|
Title
|
Level of description
|
Date
|
Digital object |
|
|
1998-038/011(02) |
Performances of music by James Tenney |
File |
1979 |
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1998-038/011(04) |
Performances of music by James Tenney |
File |
1978 |
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1998-038/011(05) |
Performances of others' music by James Tenney |
File |
1977 |
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|
1998-038/011(12) |
Performances of others' music by James Tenney |
File |
1973 |
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1998-038/011(14) |
Performances of others' music by James Tenney |
File |
1972 |
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1998-038/011(17) |
Performances of James Tenney's music |
File |
1971 |
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|
1998-038/011(20) |
Performances of others' music by James Tenney |
File |
1969 |
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|
|
1998-038/011(21) |
Performances of James Tenney's music |
File |
1969 |
|
|
|
1998-038/011(24) |
Performances of works by James Tenney |
File |
1965 |
|
|
|
1998-038/011(27) |
Performances, James Tenney, composer/conductor |
File |
1960 |
|
|
|
1998-038/011(28) |
Performances, James Tenney, composer/performer |
File |
1957 |
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|
1998-038/012(02) |
Performances/reviews, awards of James Tenney |
File |
1993 |
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|
1998-038/012(05) |
Performances, Cagewake |
File |
30 Nov. 1992 |
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|
|
1998-038/012(07) |
Performances of others' by James Tenney |
File |
1990 |
|
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|
1998-038/012(08) |
Performances of James Tenney's music |
File |
1990 |
|
|
|
1998-038/012(09) |
Performances, Darmstadt |
File |
1990 |
|
|
|
1998-038/012(12) |
Performances of James Tenney's music |
File |
1987 |
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|
|
1998-038/012(16) |
Performances of James Tenney's music |
File |
1984 |
|
|
|
1998-038/012(20) |
Performances of James Tenney's music |
File |
1981 |
|
|
|
1998-038/013(03) |
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy |
File |
1981-1983 |
|
|
|
ASC17115 |
The first of three improvisations from Medea, Collage #1, Blue Suede |
Item |
1961 |
|
|
|
1998-038/025(06) |
Audio recordings : "Ergodos/2" |
File |
|
|
|
|
ASC17119 |
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses |
Item |
4 Apr. 1964 |
|
|
|
1998-038/026(05) |
Audio recordings : "Ergodos II (18 min.) (reverse) |
File |
|
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1998-038/027(04) |
Audio recordings : "Quiet Fan for Erik Satie" whoops! |
File |
|
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1998-038/027(05) |
Audio recordings : "Clang Composition #1" |
File |
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1998-038/027(06) |
Audio recordings : "Clang" |
File |
|
|
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|
1998-038/028(01) |
Audio recordings : "Orchestral Studies," "Three Harmonic Studies", University of South Florida |
Item |
1974 |
|
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|
1998-038/028(05) |
Audio recordings : "Harmonium 4" |
File |
|
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|
1998-038/028(08) |
Audio recordings : "Saxony" final tapes dub, version sent to CRI (Composers Recordings Inc.) |
File |
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|
1998-038/029(01) |
Audio recordings : "Saxony 2" |
Item |
|
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|
1998-038/029(02) |
Audio recordings : "Harmonium #3" |
Item |
24 Nov. 1981 |
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|
1998-038/030(01) |
Audio recordings : "Bridge", dub from the Dolby C cassette of the best version so far |
File |
1 June 1984 |
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1998-038/030(06) |
Audio recordings : "In the Lydian Mode" |
Item |
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|
1998-038/031(03) |
Audio recordings : "Quiet Fan for Erik Satie" |
File |
May 1970 |
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1998-038/032(01) |
Audio recordings : "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel |
File |
6 Nov. 1978 |
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|
1998-038/032(03) |
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting |
File |
Oct. 1985 |
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|
|
ASC17133 |
Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting |
Item |
Oct. 1985 |
|
|
|
1998-038/032(06) |
Audio recordings : Bismillahi Rrahmahi Rrahim, 1974 tape ; "Butterfly Sunday," 1973 ; "Let us go into the house of the Lord," 1974 ; "Lirio," 1971 ; "Dragonfly Cymbal," 1973 ; "Sweet Earth Flying," Marion Brown, 1974 |
File |
23 Feb. 1977 |
|
|
|
1998-038/032(08) |
Audio recordings : "Metal Meditations" three sections for Merce Cunningham dancers, aired on KUSP-FM |
File |
18 Apr. 1976 |
|
|
|
1998-038/033(03) |
Audio recordings : "Harmonium #2", Larry Polansky, Carla Scalatti (harp), University of Illinois |
File |
Dec. 13, 1979 |
|
|
|
1998-038/033(04) |
Audio recordings : "Saxony", David Mott studio recording May 1984, dub of "Voice(s)" but poor quality |
File |
May 1984 |
|
|
|
1998-038/033(07) |
Audio recordings : Charles Ives #1-13 songs Norma Marder, soprano; James Tenney, pianist, #2-"Hawthorne", James Tenney, pianist; Bell labs concert |
File |
8 Mar. 1963 |
|
|
|
1998-038/034(03) |
Audio recordings : Charles Ives "Sonata #2" movements 3 and 4 |
File |
|
|
|
|
1998-038/035(01) |
Audio recordings : Tone Roads West Percussion concert conducted by James Tenney : 1) Cage-"First Construction(in Metal)" 2) John Adams-"Always Very Soft" 3) Lou Harrison-"Canticle #3" |
File |
|
|
|
|
1998-038/036(02) |
Audio recordings : 1)1 KHZ tone C 2) "Spectral Canon" for Conlon Nancarrow, 1974 3) "Music for Player Piano," 1964 |
Item |
1964 |
|
|
|
1998-038/036(03) |
Audio recordings : Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese |
Item |
1961-1963 |
|
|
|
1998-038/036(04) |
Audio recordings : Electronic and computer music 1) "Noise Study," 1961 2) "Stochastic Studies," 1962 3) "Dialogue," 1963 4) "Phases," 1963 |
Item |
1961-1963 |
|
|
|
1998-038/036(07) |
Audio recordings : Electronic and computer music, 1961-1969 1) "Ergodos I," 1963 2) "Ergodos II," 1964 |
File |
1961-1964 |
|
|
|
1998-038/037(05) |
Audio recordings : 1) "Quintext" (1972)(string quartet and bass) 2) "Wake for Charles Ives (1974) 3) "Chorales for Orchestra" (1974) |
File |
1972 |
|
|
|
1998-038/038(08) |
Audio recordings : Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles) |
Item |
1956-1959 |
|
|
|
1998-038/039(01) |
Audio recordings : 1) "Collage #1" 2) "Analog #1" (first noise study) Two track version but without reverberation 3) "Dialogue" |
File |
22 Apr. 1963 |
|
|
|
1998-038/039(05) |
Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61) |
Item |
1962 |
|
|
|
1998-038/039(06) |
Audio recordings : Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.) |
Item |
1961-1969 |
|
|
|
1998-038/040(09) |
Audio recordings : John Cage - Lecture in 014 Steacie, tape 2 |
File |
27 Jan. 1982 |
|
|
|
1998-038/041(02) |
Audio recordings : Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre" |
File |
20 Dec. 1963 |
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|
|
1998-038/042(02) |
Audio recordings : Nancarrow Studies 49(a,b,c), 50, 2b, "Tango" |
File |
|
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|
|
1998-038/042(07) |
Audio recordings : Nancarrow "Studies for Player Piano" #20-#27 |
File |
|
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|
|
1998-038/043(04) |
Audio recordings : Tenney - "Chorales for Percussion" |
Item |
|
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|
1998-038/044(05) |
Audio recordings : Tenney "Fabric" work tapes #34 and LO-2 |
Item |
|
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1998-038/045(06) |
Audio recordings : Second half of Tenney concert |
File |
|
|
|
|
1998-038/045(07) |
Audio recordings : Contemporary Music Ensemble, "Three Pieces for Flute Duet" (1935) ; John Cage, "Two Songs for E. E. Cummings" ; Jon Siddall, "Allegretto Sombreoso"-Charles Ives, "Yosha's Morning Song Extended"- Malcolm Goldstein, "Projection 2"-Morton Feldman, "Three Rimbaud Settings"-Larry Polansky, "Homage to Ferico Garcia Lorca"- Silvestre Reveultas [program inside reel case] |
File |
7 Dec. 1977 |
|
|
|
1998-038/046(05) |
Audio recordings : #4B Friday night in Albuquerque with Steve and Carol |
File |
|
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1998-038/046(16) |
Audio recordings : Phoenix party at Dad's July 17th |
File |
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1998-038/047(05) |
Audio recordings : 9-E, Phoenix, July 19, fifth tape |
File |
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1998-038/047(08) |
Audio recordings : #3 |
File |
|
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1998-038/047(11) |
Audio recordings : #6 |
File |
|
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1998-038/048(01) |
Audio recordings : #12 |
Item |
|
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1998-038/048(03) |
Audio recordings : Toy Specialist, Jim; Ridino, Ballet One |
Item |
|
|
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1978-018/005(03) |
Typescripts, 1954-1975 : Audience Piece #1 (audience as performer) |
File |
1965 |
|
|
|
1998-038/004(05) |
About composers : Conlon Nancarrow, Arch St. liner notes original writing |
File |
1977 |
|
|
|
1998-038/004(08) |
About composers : Conlon Nancarrow, general notes, charts, etc. |
File |
|
|
|
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1998-038/004(15) |
About composers : Charles Ives |
File |
1974-1988 |
|
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1998-038/004(18) |
About composers : Analytical notes re: Carl Ruggles |
File |
1977 |
|
|
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1998-038/005(02) |
Theory : Bell clang |
File |
1963 |
|
|
|
1998-038/005(06) |
Theory : National Science Foundation Grant Report, draft |
File |
1966-1977 |
|
|
|
1998-038/005(08) |
Theory : Scherchen Proposal |
File |
1959 |
|
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1998-038/005(10) |
Theory : Timbre notes |
File |
|
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|
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1998-038/005(11) |
Theory : Timbre project-sound analysis programs |
File |
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1998-038/005(14) |
Theory : Violin perception |
File |
1959-1976 |
|
|
|
1998-038/006(03) |
Theory : "Hierarchical Temporal Gestalt Perception in Music: A "Metric Space" Model" and "Model" paper has been sent to... |
File |
1978 |
|
|
|
1998-038/006(08) |
Theory : Materials planned as examples for "META Meta + Hodos", but not used |
File |
1961-1969 |
|
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|
1998-038/006(11) |
Theory : Book review by James Tenney on "Music as Heard: A Study in Applied Phenomenology", written by Thomas Clifton |
File |
1984 |
|
|
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1998-038/007(09) |
Research : Computer projects |
File |
1964 |
|
|
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1998-038/007(15) |
York University : Grad Program |
File |
1984-1993 |
|
|
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1998-038/007(17) |
York University : Library : reserves, music program, new recordings |
File |
|
|
|
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1998-038/008(05) |
Electronic Music : Electronic music studio, Tulane University |
File |
1966 |
|
|
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1998-038/008(06) |
Electronic Music : Electronic music instrument schematics |
File |
|
|
|
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1998-038/009(04) |
"A History of 'Consonance' and 'Dissonance'", Part two |
File |
1980 |
|
|
|
1998-038/009(06) |
"A History of 'Consonance' and 'Dissonance'", revision pages |
File |
|
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|
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1998-038/001(01) |
Personal and professional correspondence : Last Supper picture [photograph] |
File |
|
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|
1998-038/001(07) |
Professional correspondence |
File |
1976-1978 |
|
|
|
1998-038/001(09) |
Personal correspondence [indcludes correspondence with Harry Partch, Edgard Varese, George Brecht, John Pierce, John Kirkpatrick and John Cage among others] |
File |
1954-1969 |
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|
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1998-038/001(11) |
Personal and professional correspondence : Letters from Annie [Ann Holloway], personal |
File |
1973-1977 |
|
|
|
1998-038/001(15) |
Personal and professional correspondence : Phil Corner |
File |
1972-1979 |
|
|
|
1998-038/001(20) |
Personal and professional correspondence : Brakhage, letters |
File |
1953-1970 |
|
|
|
1998-038/003(02) |
Alphabetical correspondence and subject files : American Musical Festival of Microtonal Music |
File |
1982-1988 |
|
|
|
1998-038/003(10) |
Alphabetical correspondence and subject files : Bennington College Chorus |
File |
1984-1985 |
|
|
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1998-038/003(27) |
Alphabetical correspondence and subject files : International Symposium on Electronic Art |
File |
1988 |
|
|
|
1998-038/003(35) |
Alphabetical correspondence and subject files : Perspectives of New Music |
File |
1983-1988 |
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|
