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Accession 2009-024

Accession consists of administrative records related to the operation of the Obsidian Theatre Company, and includes promotional and production material for plays mounted by the theatre and its associates such as "the Polished Hoe", "Late | Black Medea", "Joyous Celebration", "the Adventures of a Black Girl in Search of God", "the Piano Lesson", "Two Can Play", "the Monument", and "Consecrated Ground."

1991-015

The accession consists of 19 boxes of records. 8 series were established: Subject Files: Correspondence & Clippings, Manuscripts, Audio Tapes, Slides, Videos, Photographs and Framed Material, Posters-Paintings-Scrapbooks, Cartographic Materials.

The first two series, Subject Files and Manuscripts were arranged in file folders entitled by Prof. Pollock. The original order was kept and the documents were put into acid neutral file folders and titles were transcribed verbatim. Manuscripts include Pollock's novel Gabriel, plays, poems and the unpublished After the funferal and Soviet journal.

Audio tapes of interviews conducted by Prof. Pollock were not in any particular order. An effort was made to put the related ones together and the titles assigned by Harry J. Pollock were maintained. There are also audio tapes of music for his plays

Slides consist of those that Prof. Pollock used in the plays Night Boat from Dublin and Giacomo de Trieste, these were removed from the boxes and slide carousels and placed in archival slide sheaths. They are listed by play tittle in the original sequence in which they were shown. Duplicate and additional slides are listed according to subject. Titles given by Harry J. Pollock were kept.
The three videocassettes include one entitled Portrait of the artist-is there one who understands me? and two of Japan.

Accession 1999-076

Accession consists of publicity files which include biographical material, clippings and other promotional material related to John Kastner and his productions; administrative and production files including transcripts and scripts for the television programs Just Kidding and Street Comedy and audio and film reels related to Street Comedy.

Accession 2010-021

The accession consists primarily of Cameron's research files pertaining to her monographs ‘The Blue Trust’, ‘On the Take', and ‘The Last Amigo’; related files from her literary agent Linda McKnight; records pertaining to the Oliphant Commission investigating the Karlheinz Schreiber/Brian Mulroney affair; files of her early writings and a small number of miscellaneous research material for earlier investigative journalism stories.

Accession 2010-043

The accession consists of drafts for, and correspondence related to, Baldwin’s work-in-progress “Gateway of the World,” and the stage play “We Are So Different Now,” as well as promotional brochures for “Draupadi, We Are So Different Now.”

Accession 1977-004

Accession consists of a manuscript of Bakan’s book, “Freud and the tradition of Jewish mysticism,” (1957), which includes handwritten changes to the typescript in pencil and ink.

Accession 2000-043

The accession consists of lecture notes, graduate files, student files, academic and professional correspondence, research notes, course outlines, subject files, and materials related to the Frederic Harrison Collection.

Accession 1996-004

The accession consists of research files, taped interviews and successive drafts of scripts and transcripts prepared for 15 programmes in the CBC radio series, Ideas. There is also his dramatization of Herman Maximov's 'The Ultimate Threshold' prepared for CBC's Vanishing Point.

Accession 1998-026

Accession includes meeting notebooks (1993-1998) and production materials for "Perfect Machines: The Loom", "It ain't Kansas: The myth of New York City" and cassette tapes for other CBC Ideas series programmes.

Accession 2006-029

Accession consists of research notes, interviews, and draft and final scripts for "Inventing dinosaurs," a two-part episode of the CBC Radio program "Ideas" that was broadcast on January 17 and 18, 2006.

Accession 2017-029

Accession consists of photographs of public monuments in cities in Canada, the United States, the United Kingdom, Europe, and Egypt, as well as aerial and landscape views of many of these cities.

Accession 2004-007

Accession consists of dance programs, personal and professional correspondence, subject files related to Dance Oremus Danse, and to various dancers and/or dance companies as well as other material related to Dwyer's career as a dancer, choreographer and writer.

Accession 2018-013

Accession consists of scripts, production materials, photographs, posters, correspondence, and moving image recordings pertaining to Freeman’s work as writer and producer of film and televsion, in particular his roles at the CBC as an executive in charge of creative production and creative head of special projects, drama.

Accession 2008-015

Accession consists of slides providing an overview of Isaac's gallery exhibits over the decades. Most of the slides are shots of artists' works and are annotated with the artist's name, the title of the work, the date the work was created, the medium used, and the dimensions.

Accession 2000-006

Accession consists of files from the Isaacs Gallery including records of bills paid, artists' files, correspondence, Inuit files/Inuit London, photo portfolios and artists' books, and several works of art.

Accession 1999-064

The accession consists of photographs, ephemera, and a vaudeville script entitled "Inbad the Sailor" performed by Arthur Huston.

Accession 2003-012

Accession consists of research files pertaining to Barrett's book "Disease and Geography: The history of an idea".

Accession 2007-040

Accession consists of Barrett's records pertaining to his work as a medical geographer and includes correspondence, research files, papers delivered at conferences and colloquiums, articles written for journals, and photocopies and photographic (prints, negatives, slides) reproductions of rare, and early medical cartography from maps and atlases in England, France and Germany, created or published between 1739-1921.

Accession 2010-010

Accession consists of research files pertaining to Barrett's book about Ernest Ibbetson, including audio recordings of interviews with Ibbetson family members, colour slides of Ibbetson's postcards, photographs and negatives, and memorabilia

Accession 2012-027

Accession consists of copies of Drummond's poetic writings pertaining to Robert Burns' dinners, odes to York faculty and staff, and memorabilia from his days as an undergraduate student at York.

Accession 2011-020

Accession consists of 35 mm colour transparencies taken by Professor John Warkentin while working for the University of Maryland in Thule, Greenland, teaching courses in geography and history to personnel in the United States Air Force. The slides were taken between January and May 1957, and show local Inuit and Danes in the town of Dundas, physical geography of the area, Tuto camp with vehicles to traverse the ice cap, base facilities and activities, and buildings.

Accession 2000-029

Accession consists of material related to the administration of Winters College Fellows' Council.

Accession 2003-050

Accession contains correspondence, notes, and photographs pertaining to the the publication of “The Art of Geography: The Life and Teaching of George Tatham”.

Accession 2011-007

Accession consists of photographs of public art and monuments in Toronto taken by John Warkentin using 35 mm colour transparencies while conducting research for his book, “Creating memory: a guide to outdoor public sculpture in Toronto” (2010), as well as clippings from newspapers and magazines and government documents compiled by Professor Warkentin between 1984 and 2010 to provide contextual information for the book.

Accession 2002-026

Accession consists of material related to Isadora Duncan and to Dance Oremus Danse as well as professional correspondence, press kits, photographs, artist's portfolios and other material.

Accession 2010-027

Accession consists of programmes for events held by cultural organizations, including the Toronto Symphony Orchestra, dance and theatre companies, and photography exhibitions sent to or collected by Paul James Dwyer in connection with his work as founder of Dance Oremus Danse.

Accession 2011-015

Accession consist sof the records of P.J. Dwyer and Dance Oremus Danse, including correspondence, notes, and other documents relating to Dwyer's trip to Japan in November 2010 to give a performance and master class on Isadora Duncan for the Tokyo Dance Association of Advanced Professional Training Colleges, and programmes, newsletters, brochures, and other ephemera for cultural events held in Ontario.

Accession 2018-049

Accession consists of records pertaining to the history and activities of St Mark's Coptic Orthodox Church in Toronto, including photographs documenting the role of Father Marcos A. Marcos and an article written by Father Marcos entitled "The Copts of Canada". Other records in this collection include event programs, pamphlets, booklets, photographs of special visits, and issues of church newsletters "Hosanna", "The Way", "The Word of Life", "The Building", and "Cathedral". Also included is a copy of a site plan of St. Mark's.

1983-003

Accession contains administrative records of the Federal Cultural Policy Review Committee and Cultural Affairs, papers relating to Applebaum's career as a composer and administrator, audio tapes of music by Applebaum, and video tapes of the 'Arthur Miller Special'.

1989-018

Accession consists of scores, correspondence, papers, speeches and reports, scripts, subject files and clippings predominantly pertaining to Stratford and CBC productions, and the Federal Cultural Policy Review Committee and Cultural Affairs.

2002-003

Accession consists of correspondence, programs and musical scores for several Stratford productions, annotated copies of a number of Shakespeare plays, audio recordings of performances of Applebaum's works and recordings of CBC radio programs on which Applebaum was featured as a guest.

Accession 2000-076

The accession consists of committee minutes, committee searches, subject files, and materials related to Victorian Studies and the Centre for Research of Latin America and Caribbean

Accession 2008-004

The accession consists of manuscripts and drafts of Baldwin’s monographs “English Lessons and Other Stories,” and “We Are Not in Pakiston,” as well as some editing correspondence for the latter.

Accession 2001-002

Consists of records of writer and Dean of Fine Arts at York University, Seth Feldman. Includes research materials and drafts for book on Soviet filmmaker Vertov and research materials, audio cassettes, and draft scripts for two 'Ideas' programs on CBC Radio: Dogs and We, The Animals.

Accession 2002-019

Consists of records pertaining to Seth Feldman's documentary "Hunting for Robin Hood", part of the CBC's Ideas programme, including research material, drafts, and scripts.

Accession 1998-035

The accession consists of correspondence, notes and speeches, publications and ephemera relating to the founding of York University, particularly relating to McLaughlin College. Also consists of 5 audio cassette tapes of interviews with the founding members of McLaughlin College.

Accession 1995-028

Accession consists of Bruce Allen Powe's diaries, personal correspondence and correspondence, writings, and other files relating to provincial Liberal politics (1960-1965), journals, his M.A. thesis and research files. There are manuscript drafts for his works "The Ice Eaters," "Expresso 67," "The Mounties Always Gets His," "Killing Ground," "The Last Days of the American Empire", "The Aberhart Summer", and other writings along with related correspondence. Also included are manuscripts for reviews, essays, articles, and press clippings of reviews on his published works. In addition, there is some personal correspondence and World War II papers and military service memorabilia.

Accession 1995-008

Accession consists of day books (1970-1988); chronological day files (1973-1977); speeches (1968-1973) delivered while working for the CBC and the CRTC; personal administrative files and correspondence while chairman of the CRTC and during his tenure at the Banff School of Fine Arts.

Accession 2015-015

Accession consists of records pertaining to Keith Ross Leckie’s work as a writer and/or director for television dramas and documentaries. These records document the various stages of development for projects including “Searching for Romero” (unfinished), “Edenshaw”/”Haida” (not produced), “The Force” (not produced), and “An Officer and a Murderer” (produced for Lifetime and HBO Canada in 2012). Textual records in this accession are proposals, treatments, interview selects, assembly notes, budgets, funding applications, draft scripts, outlines, notes, correspondence, research materials, contracts and court transcripts. Also included are video recordings (VHS, DVCPRO, MiniDV and DVD) pertaining to these projects.

Accession 2007-007

Accession consists of correspondence, reports, photographs, notebooks, and other documents created or received by Mary Young Leckie pertaining to her children's education and financial affairs, real estate, her mother's memorial in 2003, her comments on scripts for "Everest" by Keith Ross Leckie, and images of various film productions.

Accession 2001-059

Accession consists of records pertaining to Barrett’s book, “Disease and Geography: the History of an Idea”. Records include correspondence, book proposals and prospectus, drafts, and reviewers’ comments.

Accession 2002-047

Accession consists of Barrett’s lecture notes, correspondence and supporting materials for his York University course Geography 346, Medical Geography, as well as course notes, syllabi, exam questions and student grades for other courses taught by Barrett at York University. Accession also includes undergraduate papers written by Barrett, hand-drawn maps for his BA thesis, and Atkinson College Geography Department newsletters.

Accession 2012-002

Accession consists of production binders pertaining to five productions, including "ruined", "Yellow Man", "Intimate Apparel, who knew grannie: a dub aria", and "Late". Also includes news clippings, promotional material, posters, and programs for said productions.

Accession 2014-004

Accession consists of records pertaining to the operations of the Obsidian Theatre Company and its productions between 2011 and 2014. Records include production agreements, forms and invoices; correspondence; a 2012 strategic plan; grant applications; programs, flyers and posters; Board of Directors agendas, minutes and reports; costume drawings; photographs and video recordings of performances.

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