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The collection consists of bound typescripts of diaries, many with photographs included, of Stephen McKenna's travels in South America, the Caribbean, North Africa, France and other countries (1921-1933). There are also typescripts and carbon copies of four plays he composed, including 'Ninety-six hours' leave,' (1917), short stories and articles, some in draft form, other clipped from magazines, and scrapbooks of serialized novels which appeared in newspapers and magazines. In addition, there are photographs of locales he had visited.

The fonds consists of records accumulated by Roy Merrens as a result of his activities as a geographer, professor, and member of various associations, authorities, and boards. The records have been physically arranged by the creator by subject; the original order has been maintained. They include maps, correspondence, minutes and agenda of meetings, mailing lists, reports, drafts, notes, press releases, proposals, copies of legislation, affidavits, telegrams, statistical data tables, newspaper clippings, journal articles, photographs, slides and a postcard. Also included is a file containing articles and reports about the geography, landscape and architecture of York University.

The fonds consists of Fred Matthews Young's working files for his legislative responsibilities. The largest part of the fonds contains files related to transportation and especially highway traffic, which reflects Young's role on the Select Committee on Highway Traffic. The files are divided into subjects related to transportation (safety, lighting, re-sale of automobiles, automobile prices, alternatives to the automobile), and include reports of government agencies, briefs to the Select Committee and other committees, copies of bills, copies of Hansard (Ontario), advertisements, press releases and background material. In addition, there is material on several other issues before the Legislative Assembly including smoking, housing (including public housing), election expenses, reformatories, municipal affairs, and material relating to the Revenue Ministry, including material on land transfer taxes, provincial income taxes, the government estimates, securities law, the Corporations Act and related subjects. This material includes reports, submissions, statements of ministers and members, copies of speeches, Hansard, copies of bills and amendments and related material.

Fonds consists of correspondence, minutes, reports and newsletters from various men's rights organizations such as 'Fathers for Justice', newspaper clippings documenting issues of interest to the movement as well as other related material that documents Kenedy's ongoing research into the men's rights movement. Fonds also includes copies of presentations made at the annual conferences of the National Orientation Directors Associations, as well as samples of orientation literature that was published by universities in Canada and the United States for first-year students and their parents.

Fonds consists of correspondence with fellow Crosby collectors and enthusiasts, drafts of essays and articles concerning Crosby written by Vogt, scrapbooks dedicated to Crosby, lists of Crosby recordings, publicity photos and movie stills, magazines, newsletters and other material that documents Vogt's ongoing interest in Bing Crosby's music and work.

Fonds consists of Professor Lorch's professorial and personal papers as a mathematician, academic, civil rights activist and humanitarian. Records document his life in all these spheres and include the following: correspondence from family, friends, academic colleagues and fellow activists; records of his legal battles at various colleges and universities in the defence of civil rights and academic freedom including challenges from the House Committee on Un-American Activities; records that document his and his wife's activism in landmark American events such as the integration of schools in Little Rock, Arkansas in 1954, and the fight for equal rights for blacks in housing in US cities; professorial records and his work as a respected mathematician and scholar; and related books, journals and pamphlets accumulated by him during his decades of work in these areas. Records have been arranged by the archivist into the following series.

Fonds consists of Briskin's teaching and personal files and files pertaining to her work as the first coordinator of the York University Faculty Association (YUFA)'s Standing Committee on Equity.

Fonds consists of records pertaining to Howard Buchbinder's activities at York University and his involvement with the Praxis Corporation. The fonds consists of research files, professorial files containing course material (1970-1990), YUFA files (1979-1994), Atkinson College files (1988-1989), correspondence, draft writing and published articles, legal documents and audiovisual materials.

Fonds consists of material which documents Leckie's career as a writer and director and includes personal and professional correspondence, notes, drafts and outlines of scripts, production files, research files, press clippings, photographs and publicity material of many of the productions that he worked on including related audiovisual material.

The fonds includes extensive correspondence dealing with Callaghan's personal and family relationships, as well as his active involvement with an international community of poets, writers, and artists. Teaching files include course outlines, essay topics, reading lists and bibliographies on North American and Russian literature, examination questions, and notes regarding his teaching methods at York University from 1970 to 2003. Journalism files include research materials and interview transcripts and deal with his travels with Pierre Elliott Trudeau in 1968, the crisis involving the Front de liberation du Quebec and implementation of the War Measures Act in 1970, culture, politics and economics in Quebec, and Callaghan's works of political and social commentary for CTV and CBC. The records of Exile Editions make up a significant portion of the fonds, and include manuscripts for books, page proofs, and correspondence. These files show the creative process in considerable detail, and in particular Callaghan's work as an editor and translator. Administrative records for the publisher consist of catalogues, promotional material, writers' guidelines, grant applications, financial documents, and reviews of publications. Callaghan's endeavours as a travel journalist are documented through research notes, manuscripts for articles, correspondence, and promotional literature from various attractions at the locations he visited, including museums, theatres, and tracks for horse racing, 1978 to 1995. Manuscripts and annotated page proofs for Callaghan's Hogg poems, short stories, novels, memoir, and non-fiction trace the development of these works, and in particular his skill and attention to detail as a wordsmith. Callaghan's involvement with radio and television is represented by a variety of sound and moving image recordings, including audiotapes of his interviews with Brownie McGhee and Sonny Terry, videotapes of his television shows for CTV's "W5" and CBC's "Weekend," and original film pertaining to the war in Palestine in 1970, his interview with Angela Davis in 1972, youth culture in California in 1974, John Updike, and "The blues." The fonds also includes considerable material created by or involving Morley Callaghan, including literary agreements, royalty statements, stories by and about Morley Callaghan, manuscripts for several books published by Exile Editions ("Joy in heaven," "The lost and found stories," "The man with the coat," and "A passion in Rome") that provide an understanding of the close working relationship between Morley and Barry Callaghan, letters of sympathy and funeral notices following Morley's death in 1990, and scripts for the CBC movie, "Hemingway vs. Callaghan," 2002-2003. Also included are subject files including literary memorabilia and honorary degrees received.

The fonds documents Clayton Ruby's activities as a lawyer and activist. Records consist of professional correspondence, general files, and subject files. General correspondence is mostly with politicians, colleagues, and the Law Society. Records contained in general files include correspondence and resource materials pertaining to legal and social justice issues, as well as miscellaneous records sent to Ruby. Subject file topics include the Law Society of Upper Canada, the Advocates' Society, Amnesty International, conferences, Law Reform Commission, Canadian Institute for the Administration of Justice, the Charter of Rights Education Fund, the Criminal Lawyers' Association, the Writers' Union of Canada, Ruby's newspaper columns and letters to the editor, and his role as book review editor for the Criminal Law Quarterly. Also included are various photographic portraits of Clayton Ruby.

Fonds consists of material which documents Friedlander's career as a theatre critic and writer. It includes selected clippings, research material, interview transcripts, yearbooks, personal papers, press photographs, and other materials related to her life's work. The fonds is arranged in the following series:

The fonds consists of correspondence and financial statements of the Senior Common Room, 1969-1976.

The fonds consists of a taped interview conducted by Mr. John Hardy (of the York University Archives) with John Conway together with transcriptions of the interview and some subsequent correspondence between the two (1975). In addition, there are copies of correspondence between Conway and the editor of the Globe and Mail concerning an article in the paper and a copy of a 'Report to the Board of Governors on the college system at York University,' (May 1970) by Conway. For the Ontario Advisory Committee on Confederation there are verbatim minutes of meetings (1965-1970), as well as background reading and reports, memoranda and resolutions prepared by and for the committee. The prepared papers discuss economic, cultural, and constitutional issues. The background material consists of published proceedings of federal-provincial conferences (Confederation for Tomorrow), material submitted to royal commissions (Bilingualism and Biculturalism), newspaper articles, articles published in academic journals, government reports and related material.

Fonds consists of a handwritten poem entitled, Letter to Dave Meltzer.

Fonds consists of a photocopy of a typescript and photographs of the history of the Schreiber family.

The fonds consists of the records of the President in the following series: Correspondence and papers, 1958-1987; Reports and printed material, 1962-1983; Speeches, 1960-1984; Minutes, 1958-1983; Press releases, 1960-1967; Financial records, 1959-1982; Academic and administrative appointments, 1960-1978; Personal papers, 1959-1986; Appointment books, 1962-1983; Guest books, 1960-1972; Manuals, 1963-1981; Organization charts, 1968-1978; Blueprints and photographs, 1968-1980; Presidential memoranda, 1963-1985; Annual reports, 1965-1988. In addition, the functions that comprise the Office of the President are represented in the records of the Assistant and Special Officer to the President, 1967-1974; the Assistant to the President for Academic Affairs, 1970-1973; the Assistant to the President for Institutional Research, 1968-1974; the President's Art Advisory Committee, 1962-1973; the President's Advisory and Administrative Committee, 1963-1964; the President's Advisory Committee on Recruitment, 1984; the Glendon College Planning Committee, 1964; the President's Commission on Goals and Objectives, 1975-1977; the employee review committee, 1973; the President's Student Affairs Committee, 1963-1964; and the Research Associate and Assistant to the President, 1961-1969.

The fonds consists of material that documents Moore's activities as actor, writer, critic, educator and public servant. It documents his careers with the Canada Council, the British Columbia Arts Council, the Canadian Broadcasting Corporation (CBC), the New Play Society, 'Spring Thaw' and the Charlottetown Festival, and includes correspondence, manuscripts, scores, minutes of meetings, speeches, reports, clippings, photographs and other audio-visual materials.

The fonds consists of briefs, manuscripts, newspaper clippings, reports, research notes, and related material of Michael Posluns. There is also a run of 'Akwasasne notes,' (1969-1976) [newspaper], audio reels, and video cassettes, which include interviews with First Nations elders, politicians, artists, community activists, as well as interviews conducted for broadcast on radio (Canadian Broadcasting Corporation and National Public Radio in the United States), Indigenous music and tapes relating to Indigenous culture.

Fonds consists of production elements, promotional materials and recorded and transcribed interviews with subjects for the tv cooking series or ''docu-comedy' "Loving Spoonfuls" created and produced by Allan Novak, that aired from 2000-2004. The show featured Canadian grandmothers from various ethnic, cultural and vocational backgrounds.

Fonds consists of records pertaining to Reg Whitaker’s writing and research projects and his work as an academic. Records include correspondence, drafts, research materials and subject files.

Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.

Fonds consists of records created and received by Judith Rudakoff throughout her career as a playwright and professor, including personal and professional correspondence, subject files, note cards related to her PhD thesis, files related to her continued work on Cuban theatre and notes, drafts, correspondence, and other material related to many of her works, among them "Interplay: Sex, Gender and Violence in Canadian Theatre," "Dangerous Traditions: A Passe Muraille Anthology," "Between the Lines: The Process of Dramaturgy," "Revealed by Fire," "The River," and "Soraab-Mirage."

Fonds consists of textual records about the life of George E.A. Reid, including birth, baptismal, and death certificates, high school yearbooks, personal correspondence, and personal papers from throughout adolescence and adult life, as well as material relevant to his professional working life. The records also include information about his family, including the diary writings of his mother, Bessie Ellis Reid, and his wife, Olive Reid. Fonds also consists of correspondence sent between family members and received by family members. Also included are 12 large scrapbooks containing cards, photographs, newspaper clippings, and other material created by, collected and arranged by George E.A. Reid and family. Also included in the fonds are Reid's personal and family photographs and various forms of Reid's artwork and music, including drawings, sketches, paintings, graphic print artwork, and some original musical compositions. The fonds also contains 35mm and large-format colour transparencies taken by George E.A. Reid of the family and flower gardens, as well as a binder containing original animation cells from "Life with Cecil" (1960), a short film animated by Reid, and other artwork including hand-painted cartoon movie title stills, sketches on tracing paper, and other hand-drawn cartoons. Also, there are 18 8mm film reels of home movies and family trips, as well as 2 audio cassettes that include Dianne Reid's interview with George's older brother Ted, and a recorded musical collaboration between George E.A. Reid and his youngest daughter, Stephanie.

A book and pamphlet collected by George E. A. Reid through his schooling and work and donated with the fonds have been added to Special Collections, and are accessible through York University Libraries' catalogue.

Fonds contains records include scripts, scores, correspondence and papers, reports, photographs, films, lectures, and interviews documents Applebaum's activities as a composer, conductor, and arts administrator.

The fonds consists of records that document Mistry's career as a writer, including financial records, personal and professional correspondence, publicity files, first editions and translations of his published works, notes, drafts and galleys of his short stories, travel essays and novels, including "Tales from Firozsha Baag," "Such a Long Journey," "A Fine Balance," and "Family Matters." It also includes records documenting his work with his literary agent and publishers, his selection to the Oprah Book Club, the burning and banning of "Such a Long Journey" at the University of Mumbai in September 2010, Mistry's involvement with literary festivals and awards, his investiture into the Order of Canada, and his support of organizations devoted to literacy, humanitarianism, and writers.

Fonds consists of correspondence, subject files, clippings, scrapbooks, memorabilia, contracts, financial records, reports, photographs, video cassettes and sound recordings that document Taylor's career as a film and theatre executive.

The fonds consists of Tim Reid's records pertaining to his scholarly and political careers and includes his correspondence, 1944-1967; research files, 1959-1972; his York University files, 1959-1972; and his political files, 1964-1971.

Fonds consists of research materials; committee records; community advocacy documentation and government policy correspondence; curriculum materials; surveys; reports; and other textual material related to the professional, volunteer, and community activities of Dr. Inez Elliston. Material relates to her professional interest in educational curriculum development, particularly in relation to multicultural policies developed at the federal and provincial levels, and how such policies were implemented in local school boards.

Fonds consists of records created and accumulated in the 1980s, 1990s and 2000s by Theresa Burke. These records document Burke's research, production and investigative work for "The fifth estate" documentaries airing from 1994 to 2015. Many of these records pertain to the following documentaries: "The trouble with Evan" (1994), "His word against history" (2000), "Terror" (2001), "Nightmare drug" (2002), "A state of denial : the Bill Sampson story" (2002), "Deathrow.com" (2003), "Death of a beauty queen" (2004), "The big break" (2005), "The Steven Truscott story: moment of truth" (2005), "You be the judge" (2005), "The lady vanishes" (2007), "The girl in Saskatoon" (2008), "Someone got away with murder" (2009), "Broken heroes" (2009), "The legacy of Brendan Burke" (2010), “Behind the wall” (2010), "The devil you know" (2011), "A question of innocence" (2011), "Diagnosis murder" (2012), “The last great escape” (2013), “The interrogation room” (2014), and “Mr. Big stings: cops, criminals and confessions” (2015) . Also included are research materials and manuscripts pertaining to Julian Sher's book, "Until you are dead: Steven Truscott's long ride into history" (2001), on which Burke worked as a research associate, as well as manuscripts and other materials relating to Ty Conn and Burke's book, "Who killed Ty Conn" (2000), co-authored with Linden MacIntyre. Records created and accumulated by Burke in the course of her research about the National Parole Board, the subject of witness protection, and the murder conviction of Mason Jenkins are also part of the fonds, as are a number of files relating to other miscellaneous research projects. Records pertaining to Burke's early career in public relations and marketing at Alliance Entertainment and Norstar Entertainment are included in this fonds, as are administrative records and training materials from the CBC, as well as Burke's personal journals, notebooks, letters and university essays. Records in this fonds are predominantly textual records and audiovisual materials arranged by project. These records include correspondence, interview transcripts, memoranda, copies of court transcripts and documents, copies of medical reports, journal articles, notes and notebooks, production materials including draft scripts, newspaper articles, contact lists, copies of police reports, prisoner records and legal documents, video cassettes (in multiple formats), audio cassettes, as well as computer disks and photographs.

Fonds consists of notes, drafts and research material related to the publications "The edge of the world," "Emma's dead," "Headstand," "If I knew I'd tell you," "Lovers and other strangers," "Mixed-up grandmas," "The adultery handbook," "Colville's People" and "Cathedral Women," as well as her poem for "Side by side." It also includes personal and professional correspondence, clippings of stories about Malyon and/or reviews of her work, lecture notes and material related to Malyon's readings of her work, grant applications, writer-in-residence application as well as other material that documents her career as a writer.

Accession 2008-032 includes the editorial files for "Imagination in action : thoughts on creativity by painters, sculptors, musicians, poets, novelists, teachers, actors," a book edited by Malyon that was published by Mercury Press in 2007. The project began with interviews with Marjory Smart and Milt Jewell in 1990-1991 to explore the concept of creativity, and was resumed in 2005 when Malyon invited submissions from many people who created original works in different disciplines. The records files include correspondence, edited manuscripts, annotated page proofs, and correspondence with the publisher regarding the contract, design, and promotion of the book.

Accession 2009-044 consists of manuscripts for even-numbered brunches, copy edited page proofs, and promotional material for the book written with bill bissett, "griddle talk : a yeer uv bill n carol dewing brunch" (Talonbooks, 2009), as well as documents relating to Malyon's work as an instructor at the Maritime Writers' Workshop in 1998, her literary readings in 2008, and correspondence with Fred Cogswell and K.D. Miller.

Accession 2016-040 consists of draft manuscripts for a collection of short stories ("Underneath the Water With the Fish") and a book about writing "Writing Matters" as well as promotional material and reviews about previously published work.

Fonds consists of records of the Toronto Musicians' Association and records from Samuel Levine, President Emeritus of the association. Union records include minutes of meetings; photographs of conductors, singers, and dancers; promotional material for concerts; newspaper clippings; financial records; registers of members; bound copies of "Crescendo," the local's newsletter; tariff of fee booklets; member directories; and a "black ball" voting box. Levine's records include documents concerning the activities of the Toronto Musicians' Association, the Toronto Symphony Orchestra and the Organization of Canadian Symphony Musicians, including daily diaries (1959-1967 and 1988), bargaining agreements, tariff of fees booklets, and conference material (programmes, buttons, and a sewing kit). Some records also pertain to Levine's membership in the American Federation of Musicians.

Fonds consists of correspondence, photographs, news clippings, and broadcast scripts pertaining to the lives of Irene T. Barclay, her brother Kingsley Martin, her husband John B. Barclay, and their sons Anthony and Michael Barclay. It includes John Barclay’s letters home from France during World War I, and documents regarding: Irene Barclay’s work as a surveyor in Great Britain and as an advocate of housing reform; pacifism and nuclear disarmament; the education and activities of Anthony Barclay after emigrating to Canada; and the career of Kingsley Martin, including his death in 1969.

The fonds documents Andrew Tomcik's career as a professor, graphics designer and consultant. It includes correspondence, writings, design examples, design work and posters created by Tomcik for corporate clients and York University, such as silkscreen and lithographic pieces. Also included are prints, notes, clippings, conference material, student projects, slides, teaching files for his history of design course, design books and magazines.

The fonds documents Brian Wright-McLeod's activities as a music journalist, musicologist, and author researching, documenting, and promoting Indigenous music and artists from the late 1800s to the present. Records include artist biography files (containing magazines, handwritten notes clippings, research files containing magazines, publications, and grant applications), research and reference material, and documents pertaining to Wright-McLeod’s activities in the community including as a juror for the Canadian Aboriginal Music Awards and other initiatives

The fonds also contains an audiovisual collection which predominantly features Indigenous artists from North America. Also included are recordings from Indigenous artists from across the globe, as well as non-musical recordings such as audio books and educational material.

Fonds consists of: a ticket to the gallery of the United Kingdom's House of Commons issued by John Bright, 15 Feb. 1855; a cyanotype print of an unidentified mine in England; 48 letters written to publisher Elliot Stock by various correspondents including Sabine Baring-Gould, Walter Besant, Ford Madox Brown, William Francis Cowper-Temple, Austin Dobson, James Anthony Froude, William Ewart Gladstone, Edmund Gosse, Andrew Lang, John Morley, William Morris, John Henry Newman, Arthur Penrhyn Stanley, and Theodore Watts-Dunton; and a letter from journalist Henry W. Nevinson to Ronwen Stock, 26 Aug. 1936, regarding his book, Running Accompaniment: Autobiographic Reminiscences (1936) and her appointment in Toronto.

Fonds consists of digitized photographic prints and negatives, as well as audiovisual recordings, film and video taken by members of York University's Computing and Network Services, as part of their responsibilities as the university's official photographers and videographers in the 1960s through the early 2000s.

The fonds consists of records documenting Stevie Cameron's career as a journalist and author, and is rich in a wide range of annotated research material including extensive chronologies and detailed notes, records obtained through FOI requests or supplied by interested parties and fellow journalists, correspondence between the author and her peers, members of the public, annotated copies of government documents and clippings, interview and court transcripts, clippings, audio recordings of research interviews conducted by Cameron, sound recordings of some public hearings, drafts and manuscripts for her newspaper articles and in particular her books, including 'Ottawa Inside Out' (1989), ‘On the Take’ (1994), 'Blue Trust' (1998), and 'The Last Amigo' (2001).

Fonds consists of musical recordings on one 1/4" audio reel, performed by Deva Prasad Das on vocals and mardal with Shankaran on flute. These performances were intended to accompany the Deba Prasad Das style of Odissi dance. Consists of three separate performances: "Nindata Chandana" Abhinaya, Ashtapadi (an expression-based dance); "Natangi" and a Boomija folk dance from Orissa. These recordings were made to accompany performances by Sukanya Rahman.

Also includes four VHS recordings of performances by Rahman in various venues in the 1990s.

Fonds consists of annotated drafts, continuity notes and revisions from the novels "Moody Food" (published in 2002), "Gently Down The Stream" (2005), "What Happened Later" (2007) and "David" (2009).

Fonds consists of notes and interview transcripts of Ilda Januário, produced during her research on Portuguese women in Quebec; administrative documents from her work with the Comite Lar dos Idosos and the Portuguese-Canadian Coalition for Better Education and the Toronto Portuguese Parents Association (TPPA).

Fonds consists of nine handwritten notebooks containing the sermons written by William Clark for services held in several locations throughout Canada West (later Ontario), including Blenheim, Burford, Plattsville, Port Dover, and Toronto. The sermons created during the 1870s were written in Baldwinsville and Greenpoint, which were likely communities on Long Island, New York. Each sermon begins with a title and the underlying biblical text, and often include the numbers of the hymns sung during the service.

Fonds consists of textual records created or accumulated by Robert Fothergill, including manuscripts, drafts and promotional material relating to his work as a theatre professor and playwright.

Fonds consists of records documenting Terrill Maguire’s dance and choreography career, the formation and management of her dance and music festival, Inde, as well as her work as an instructor in the dance department of York University’s Faculty of Fine Arts. These records include correspondence, day planners, grant applications, proposals, course materials, contracts, memorabilia, photographs, videocassettes, audio reels, cassettes and compact discs.

Fonds consists of records pertaining to Daniel Drache’s work as a professor of political science at York University, his role as director of the Robarts Centre for Canadian Studies, his academic writing and research. These records include correspondence, draft and published articles, course materials and student papers, research materials, grant applications, project proposals, as well as audio cassettes and DVDs. A small amount of personal correspondence and photographs are also part of this fonds.

The fonds consists of minutes of Association meetings (1970-1977), the constitution, correspondence, material relative to a document on the status librarians submitted to the Senate Library Committee, material relative to the Presidential Committee on the Status of Professional Librarians, labour-related material including appointments, negotiations, samples of collective agreements and of librarians' status at other universities and material relating to salaries and benefits.

Fonds consists of the personal records of Richard O'Hagan documenting his career in the field of journalism, communications, and public relations. It includes personal correspondence; files related to his work as special assistant to Canadian Prime Minister Lester B. Pearson (1963-1966); files related to his work at in the Information Division at the Canadian Embassy in Washington (1966-1976); files related to his work as Prime Minister Pierre Elliott Trudeau's Special Advisor on Communications (ca. 1975-1979); articles written for the Toronto Telegram; diaries; subject files; research files; book research files and drafts; personal and family photographs; and travel and expense reports.

Fonds consists of records documenting Libby Scheier's personal life, her work as a writer and as a teacher, her involvement with political organizations and with the Writers' Union of Canada. These records include correspondence, draft poems and other writing, draft manuscripts and proofs for her published works, teaching files, publications, newspaper clippings, personal ephemera and memorabilia, childhood diaries and high school notebooks, college papers and lecture notes from Sarah Lawrence College, copies of published articles and other writing by Scheier, pins, and graphic materials including posters, photographs and paintings.

Fonds consists of diaries, journals, professional and personal correspondence, manuscript drafts and other material that document Powe's career as a writer and educator.

Fonds consists of letters written by Ted Aplin to his wife Elinor during his years of service with the R.C.A.F. including letters written while conducting relief work at the Bergen-Belsen concentration camp. It also contains copies of his birth certificate and passport, photographs of Aplin and his family, material that documents his political career in Scarborough, Ontario, a copy of his military service record, copies of articles written about Aplin before and after his death including obituaries and a transcript of his memorial service. It also contains material created and/or accumulated by his sons Nick and Frank in preparation for the 50th anniversary celebration of the liberation of Bergen-Belsen.

Fonds consists of Zdenka Volavka records accumulated and created over the course of her professorial career. The majority of files consist of annotated photocopied material obtained through interlibrary loans (the card catalogue indexing this material was prepared by Zdenka's long-time assistant, the late Charlotte Carrol). Files also contain material related to her involvement at York University and her research on the kingship and royal ritual in Ngoyo, Africa.

Fonds consists of records created and accumulated by John D. Harbron, his wife Sheila E. Harbron, and some other members of their extended family. The collection mainly consists of John D. Harbron's correspondence, newspaper articles, and his personal, professional, and academic research and writings about Cuba and Latin America. The files also include essays and speeches by Harbron, as well as correspondence with editors and dignitaries, both national and international. The fonds also includes a large number of articles written by John D. Harbron for Canadian and international publications. The files belonging to Sheila Harbron contain personal records as well as genealogical research files, which include records and photographs tracing the Buck, Harbron, Hardy, Lester, Matheson, and Ryerson families.

Additionally, John D. Harbron's Cuban and Latin American book and pamphlet collection has been added to the Special Collections.

The fonds consists of notes, drafts and research material pertaining to several of Charles Templeton's books. The material has been arranged chronologically by year of publication of the respective work.

Fonds consists of a typescript of Marc Egnal's "A mighty empire: the origins of the American Revolution," which was published in 1988. It includes a set of lists and tabulations of pre-revolutionary 'factions'.

Accession consists of material documenting the career of Archie Alleyne as a musician, philanthropist, and influential figure in the Toronto jazz music scene. Material includes collected material on other Toronto-based jazz musicians; posters, photographs, and other memorabilia from performances and events; correspondence; material related to the Archie Alleyne Scholarship Fund; notebooks; and drafts and research material for his memoir, Colour Me Jazz: The Archie Alleyne Story (2015). Audio-visual material includes recordings of jazz-related programming broadcast on television, audio interviews with jazz musicians, and released and unreleased music performances

Fonds consists of more than 60 letters, newsletters, poems, and greeting cards written by Margaret Laurence to Ian and Sandy Cameron, as well as a copy of Laurence's will. The correspondence discusses Laurence's work as a writing instructor and speaker at the University of Toronto, her relationship with other Canadian writers and Clara Thomas, her move from Toronto to Lakefield, and her involvement with the Writers' Union of Canada conference in Ottawa in November 1973. Laurence comments extensively on her own works and her efforts to encourage other writers (including Ian Cameron), her efforts to produce a recording of songs with her lyrics and Cameron's musical score to accompany "The diviners," the film contract based on this novel, and her elation at winning the Molson Prize in 1975. The correspondence also discusses her divorce from Jack Laurence, her relationship with her children, and her views on social and generational change. The correspondence is accompanied by nine vinyl recordings given by Laurence to the Camerons that feature European classical music, African palm wine music, and Ghanian highlife music. The fonds also contains five letters from John Ruskin, the Victorian writer and art critic, to Kate Towney and Arbuthnot Cameron, 1865-1867, regarding Towney's marriage and financial affairs, mineral collecting, and ideas from Ruskin's book, "Modern painters." These letters are accompanied by notes and transcripts, as well as a letter written in 1907 regarding the Ruskin correspondence.

Fonds consists of administrative and organizational files pertaining to the activities of the International Commission for the Coordination of Solidarity Among Sugar Workers (ICCSASW), particularly with regard to national and regional seminars, international sugar workers conferences and solidarity campaigns. It also contains committee meeting minutes, financial records, fundraising files, correspondence with unions and other organizations, newsletters, photographs, videos, taped interviews and publications related to ICCSASW activities. The fonds also includes some items from the Sugar Workers and Industry Education Resource Library (SWIERL).

Fonds consists of production material, organizational documents, correspondence, grant applications, budget reports, programs, posters, photographs, video recordings, as well as press coverage and reviews of theatre productions, community workshops, fund-raising concerts, public readings and other events organized and hosted by members of Obsidian Theatre Company's board of directors. Includes material from the following productions: The Adventures of a Black Girl in Search of God (2001-2002), The Piano Lesson (2002-2003), Consecrated Ground (2003-2004), Two Can Play (2004-2005), Cast Iron (2004/2005), Born Ready/Pusha Man (2005-2006), The Monument (2005-2006), Hip Hop (Who Stole the Soul?) (2006-2007), The Polished Hoe (2006-2007), Born Ready (2007-2008), Intimate Apparel (2007-2008), Black Medea (2008-2009), Late (2008-2009), Intimate Apparel (2011), Ruined (2011), Caroline, or Change (2012), Topdog/Underdog (2011), Shakespeare's Nigga (2013), The Whipping Man (2013), The Gravitational Pull of Bernice Trimble (2013), dirty butterfly (2013), Nightmare Dream (2014).

Fonds consists of Morris's teaching notes; research notes on Canadian filmmakers and Canadian film topics reviews of Morris's books, notes and research files for his book David Cronenberg : A delicate balance; Canadian Encyclopedia of Film files; Film Studies Association of Canada files; original notes, documents and correspondence pertaining to Canadian film in the 1960s; CBC minutes from the 1930s; research material on John Grierson; files on individual Canadian films; notes on his archival research; nots of public film archives in Canada; misc files on Canadian film topics; annotated research files on the Canadian film industry, Canadian film personalities, bureaucrats, independent films, documentaries, censorship, exhibitions, the National Film Board; Canadian film research reports (1939-1953); masters papers by students doing research on Canadian cinema; research file on Nell and Ernest Shipman; John Grierson research files; research files on Canadian television and on the CBC.

Fonds consists of textual materials, published articles, blog posts, correspondence, genealogical records, photographic material and personal items created or accumulated by Lynn Gehl in the process of her work as an academic, scholar and community activist.

Fonds consists of: an early sketchbook; an exhibit book from the Agnes Etherington Art Centre entitled Notes on dark ground; a magazine with an article about Ingeborg; an invitation to Ingeborg’s 1986 studio show on Howe Island; a collection of magazine articles and clippings of upcoming gallery exhibits, architecture, and art; newspaper clippings on movies, art and entertainment; correspondence from friends, family and colleagues including artist Nina Whiting, writer Daniel Manfredi, painter Peter Bieselt, Thomas Ring-Stiftung, Joan Mackenzie, and gallery owners; a letter from Timothy Findley; artist profiles of Ingeborg Mohr; her curriculum vitae; articles, stories and poems written by friends; and a collection of articles on art, architecture and philosophy.

The fonds consists of the records of the York University Faculty Association (YUFA) Chairperson, 1980-1984; the Librarians' Chapter, 1976-1985; and the Joint Grievance Committee, 1979-1984. Other series consist of Minutes, 1961-1986; Correspondence and papers, 1962-1989; Financial records, 1968-1985; Reports, 1967-1974; Printed material, 1964-1987; Ballots, forms, and opinion polls, 1973-1987.

The fonds consists of records created by James Laxer in his capacity as a student, writer, and activist. Fonds includes some of Laxer's high school debate speeches, MA and PhD research, professional correspondence, Waffle records, political reports, research notes, newspaper columns, book proposals, and drafts of articles and book manuscripts for both published and unpublished material including 'Leap of faith,' 'Decline of the superpowers,' 'The undeclared war : class conflict in the age of cyber capitalism,' 'Stalking the elephant : my discovery of America,' 'The border : between uneasy neighbours,' 'Red diaper baby : a memoir of childhood in the age of McCarthyism,' The Groundwork guides to 'empire','oil', and to 'democracy,' 'The Acadians : in search of a homeland,' 'Jamais Provence,' 'Mission of folly,' 'Beyond the bubble : imagining a new Canadian economy,' 'Tecumseh and Brock : the war of 1812,' 'A house divided : watching America's descent into civil conflict,' 'Playing for a continent,' and 'Paris days : in a time of crisis.' It also includes correspondence and draft scripts for his films, 'The CCF-NDP : building Jerusalem' and 'Reckoning,' printouts of his personal blog postings, and replies to his freedom of information requests to various security agencies.

Fonds contains correspondence relating to Nancy Pocock's career as a refugee worker, peace activist and jeweler as well as material relating to the Pocock family, to her personal life and publications and pamphlets collected by Pocock over the course of her career. While there was no discernable order overriding the entire fonds, a filing system was maintained for parts of certain series.

The fonds is arranged in the following series:

The fonds mainly consists of material related to Margaret Laurence and Dorothy Henderson's work as a member of the Margaret Laurence Home committee. Includes correspondence, newspaper clippings and articles, brochures, reports and programs.

Fonds consists of Bonnie Burnard’s research material, notes, manuscript and typescript drafts, galley proofs, cover art and other material related to the Canadian and American editions of her novels "A Good house." The fonds also includes story notes, typescript drafts, proofs, correspondence, cover art and other material that pertain to the writing and revision process for Burnard’s novel "Suddenly." The fonds also consists of edited typescripts, notes and proofs for her short story collections "Women of influence" and "Casino and other stories," typescript drafts for several other short stories Burnard has written, including "Evening at the edge of the water," and items related to her role as the editor for "Stag line: Stories by men." Accession 2017-034 consists of records created by Jan Whitford and Jackie Kaiser of Westwood Creative Artists in their role as agents for Bonnie Burnard, including correspondence and contracts with various publishers and the Canadian Broadcasting Corporation regarding the publication and reprinting of Burnard's novels and short stories, and the donation of the Bonnie Burnard fonds to York University.

The fonds consists of personal correspondence of Robert Pridham Crawford and his wife Elsie along with financial records relating to the Gladhill Farm, including income tax records, employment records, and cash books, cancelled cheques, and related material. There is also a good deal of printed material in the form of pamphlets, brochures, magazines and newspaper clippings. These deal with Crawford's professional activities as an engineer. There is also material describing Sudbury, Ontario and material concerned with horses, farming, and homemaking. In addition, the fonds contains notes and material from Crawford's student days at the University of Toronto. There are also some financial records from Dr. E. M. Crawford. There is a small amount of material dedicated to Georgian College, including planning documents, calendars, and some correspondence.

The fonds consists James Gillies' records pertaining to his activities as educator, author and politician. It contains personal records.

Fonds documents Christopher F. Beattie's administrative, teaching, research and publication activities as a sociology professor at York University for the period of 1959-1977.

The fonds consists of Arthur Hackett's copies of correspondence, reports, minutes, newspaper clippings and printed material related to the Organizing Committee of York University and the establishment of the University in 1959. It includes: minutes of the Organizing Committee, 1958-1959, of the Executive Committee and the Facilities Planning Committee, both 1959, as well as of the Publicity Committee, 1958-1959; copies of drafts and the final form of the York University Act (1959); a copy of the first report of the Curriculum Committee; and reports of meetings of the Provisional and the official Board of Governors.

The fonds consists of correspondence, minutes, newspapers and newspaper clippings, photographs, publications and reports, relating to Oliver Edwin Hodges' union activities in Canada, as well as to the Co-operative Commonwealth Federation.

The fonds consists of a steel plate of James Paton Isaac, which was used for the front plate of 'Factors in the ruin of antiquity,' (1971).

The fonds consists of copies of 'Canadian student' (published by the Student Christian Movement), 'The student,' (Student League of Canada), 'Youth forum,' (Canadian Youth Congress), and 'The new commonwealth,' (Co-operative Commonwealth Federation), 1934-1936. In addition, there is material from the League for Social Reconstruction, including minutes of meetings of the National Executive (1936-1941), membership material, and reports from the National Convention (1936), as well as newspaper clippings and related material. For the Co-operative Commonwealth Federation there are minutes, campaign material, and newspaper clippings relating to the London (Ont.) Riding Association (1938-1946).

The fonds consists of a typescript of Le Goff's 'Vannes and its region...,' published by Oxford, 1981.

The fonds consists of television and film scripts considered for ACTRA Awards, 1980-1983. It includes scripts from the popular Canadian Broadcasting Corporation television programmes 'Seeing things,' 'For the record,' and 'The beachcombers,' as well as a National Film Board script, 'A choice of two,' (originally titled, 'Just above water,').