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Fonds consists of research notes, correspondence, screen plays, draft notes, shot lists, cast lists, crew lists, shooting schedules and other material created and/or accumulated by Zukerman in his work as a producer. Fonds also includes copies of scripts sent to Zukerman for his consideration and personal records including diaries, income tax records and other material.

The fonds mainly documents J. David Wood's activities as a student, research geographer/historian and instructor. Records consist of undergraduate course notes, research notes, correspondence, maps, and photographs relating to his 1958 M.A. thesis, "The Historical Geography of Dumfries Township, Upper Canada, 1816-1852", his 1962 Ph.D. thesis, "The Geography of the Nithsdale-Annandale Region, Dumfriesshire, 1813-1816" and other published articles. Also included are teaching notes from Edinburgh University, 1957-1961 and the University of Alberta, 1964-1965, and records concerning his consultancy work on the external review of the Undergraduate Environmental Studies Program at York University in 2000.

The fonds consists of audio recordings in various formats of performances held at The Music Gallery including performances by artists such as James Tenney, Lubomyr Melnyk, Nihilist Spasm Band, Morton Feldman, bp nichol and Casey Sokol, Roy Kiyooka, Gil Evans, Rob Frayne, Nexus, CEE, Ken Vandermark, Michael Brook, Derek Bailey and Ron Sexsmith as well as audio recordings of the CCMC's performances at The Music Gallery and the master recordings for numerous Music Gallery Editions recordings. It also contains office files consisting of financial statements, season reports, contract with performer, sales reports, grant applications, correspondence with outside organizations, programming proposals, publicity material including press releases, programs, media contact lists, clippings, photographs and other material related to the activities and the performances at The Music Gallery.

Fonds consists of records that resulted from Ruth Dworin's activities as a music promoter, queer activist, community organizer and business manager, as well as her personal life and interests. The fonds includes correspondence, diaries, calendars, files related to her production company, Womynly Way, and files related to her work as business manager of This Magazine and Canadian Woman Studies. Recordings include performances from the Women's Music Festival, Berkeley World Music Festival, and the Michigan Women's Music Festival.

Fonds consists of material that documents Tenney's career as an composer, musician and academic and contains personal and professional correspondence with friends and colleagues including copies of letters received from such people as Carolee Schneeman, Steve Reich, Stan Brakhage and Lionel Nowak, among others, as well as correspondence with Bell Telephone Laboratories that documents his efforts in developing programs for computer sound-generation. It also contains records in the form of musical scores, computer outputs, programmes, clippings and sound recordings that document his musical output and material that documents Tenney's ongoing academic and professional interest in the fields of composition, music theory and electronic music, among others. There is also correspondence, photographs and other material that documents his relationship with his family and, in particular, his father.

The fonds consists of records accumulated by Roy Merrens as a result of his activities as a geographer, professor, and member of various associations, authorities, and boards. The records have been physically arranged by the creator by subject; the original order has been maintained. They include maps, correspondence, minutes and agenda of meetings, mailing lists, reports, drafts, notes, press releases, proposals, copies of legislation, affidavits, telegrams, statistical data tables, newspaper clippings, journal articles, photographs, slides and a postcard. Also included is a file containing articles and reports about the geography, landscape and architecture of York University.

Fonds consists of script drafts, outlines, pitches, research notes, oral history interviews, personal material and correspondence created and accumulated by Rob Forsyth, related to his activities as a script writer for television, film and radio.

Highlights include research material and drafts for Forsyth's writing projects, many which focused on social issues, including : homelessness, unemployment, racism, Indigenous culture and land rights, labour and mental illness. Also includes historical research, photographs and oral history interviews made with WWII veterans for his film projects "Gunners", "D'Artois", and "P.O.W./U.S.A."; research material on John Williamson, founder of the Williamson David Diamond Mine in Mwadui, Tanganyika (now Tanzania); material regarding John Ware, a former slave who established successful cattle ranches in Alberta at the turn of the century; and photographs and research regarding Dr. Lucille Teasdale and St. Mary's Hospital in Lacor, Uganda. Also includes scripts submitted to Forsyth for editing, script-doctoring and appraisal by other writers, producers and directors; personal day journals; teaching materials; creative writing and video recordings of pre-production filming and network broadcasts of his work.

Fonds consists of correspondence, subject files, clippings, scrapbooks, memorabilia, contracts, financial records, reports, photographs, video cassettes and sound recordings that document Taylor's career as a film and theatre executive.

The fonds documents Clayton Ruby's activities as a lawyer and activist. Records consist of professional correspondence, general files, and subject files. General correspondence is mostly with politicians, colleagues, and the Law Society. Records contained in general files include correspondence and resource materials pertaining to legal and social justice issues, as well as miscellaneous records sent to Ruby. Subject file topics include the Law Society of Upper Canada, the Advocates' Society, Amnesty International, conferences, Law Reform Commission, Canadian Institute for the Administration of Justice, the Charter of Rights Education Fund, the Criminal Lawyers' Association, the Writers' Union of Canada, Ruby's newspaper columns and letters to the editor, and his role as book review editor for the Criminal Law Quarterly. Also included are various photographic portraits of Clayton Ruby.

Fonds consists of records documenting the personal and professional experiences of Don Simpson from the 1950s to 2011 in countries around the world. Records include correspondence, notebooks, reports and toolkits, speeches, resource material, memorabilia and other records relating to his activities in a wide range of educational, social justice, development, government and business innovation organizations. Topics covered include international education and cross-cultural understanding; international development and health; the rights of Canada's Aboriginal peoples; the history of African-Canadian communities; environmental issues; innovation in business and the non-profit sector; human resources development; and economic development from Alberta to China and Africa. Fonds also consists of personal correspondence, family photographs and memorabilia relating to Simpson's personal and family life.

The fonds mainly consists of records pertaining to Roy Israel Wolfe's research activities and publications. Accession 2021-004 pertains to a 1972 meeting of the IGU Transportation section held at York University.

Fonds consists of Zdenka Volavka records accumulated and created over the course of her professorial career. The majority of files consist of annotated photocopied material obtained through interlibrary loans (the card catalogue indexing this material was prepared by Zdenka's long-time assistant, the late Charlotte Carrol). Files also contain material related to her involvement at York University and her research on the kingship and royal ritual in Ngoyo, Africa.

Collection was assembled from disparate sources by the York University Archives.

Fonds consists of handwritten and typescript manuscripts for Falek Zolf's memoirs, handwritten notes for his memoirs, newspaper articles about Zolf and the Jewish literary community in Winnipeg, a report that quotes from his work in a review of the historical context associated with the Canada Post Corporation's Rural Conversion Program in Saskatchewan, a review of the Yiddish edition of Zolf's autobiography, "On foreign soil," and information regarding its publication in English.

Fonds consists of documents created or received by Mark W.P. Cann during his career as a physicist with the Illinois Institute of Technology Research Institute in Chicago and with York University’s Centre for Research in Experimental Space Science, including research notes, proposals for projects, reports, spectrum graphs, wave line profiles, computer program printouts, tables and graphs, transparencies for presentations, and three infrared transmission studies on 35 mm film.

The fonds mainly documents Ernesto Vinci's career as a singer and his activities as a voice teacher at the Halifax Ladies College and Conservatory of Music, the University of Toronto, and at the Royal Conservatory of Music in Toronto. Records found from 1999 onwards are of the more personal variety and include personal and family correspondence between Vinci and his wife, and Vinci and his parents and parents-in-law, and other relatives during the 1930s as they tried to escape Germany. There is some correspondence regarding Vinci's efforts to sponsor his sister-in-law and niece after the Second World War.

The collection includes ephemera such as announcements of conferences, seminars, and exhibits; newsletters from various university offices and colleges; public reports; guides and handbooks; press releases; bulletins; posters; etc. The collection is arranged alphabetically by the name of the office which created the ephemera.

Fonds consists of material which documents Joyce Wieland's career as an artist and filmmaker.

Collection consists of promotional material, family documents, correspondence, news clippings, recordings of public lectures, television and radio appearances and newsletters created by or regarding Dr. Robert S. Mendelsohn.

Fonds illustrates Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time span. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Fonds contains notes and notebooks, pamphlets, programmes, correspondence, clippings and scrapbooks, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

Fonds contains correspondence relating to Nancy Pocock's career as a refugee worker, peace activist and jeweler as well as material relating to the Pocock family, to her personal life and publications and pamphlets collected by Pocock over the course of her career. While there was no discernable order overriding the entire fonds, a filing system was maintained for parts of certain series.

The fonds is arranged in the following series:

The fonds primarily documents the Association of Canadian Film Craftspeople's operational and administrative activities. Records consist of dissolution files; financial records and contracts; meeting minutes; correspondence and other administrative records including reports; and publicity, special event and marketing records.

Fonds consists of manuscript and typescript copies of Adele Wiseman's work, clippings and reviews pertaining to her books, personal and business correspondence, financial records, photographs, subject files and manuscripts of work by others and material pertaining to her career as a writer, teacher and social worker.

The fonds is arranged in the following series:

Fonds consists of records pertaining to Robert Laxer's family life, teaching, writing, and political activities. It includes correspondence, manuscripts and drafts, political pamphlets, research notes and reports.

The fonds consists of records created by Sydney Eisen in his capacity as a professor and university administrator in the Department of History and Humanities at York University as well as is research pertaining to Victorian Studies and Frederic Harrison, and involvement with the Victorian Studies Association of Ontario and the Centre for Research of Latin America and the Caribbean. Types of records include subject files, academic and professional correspondence, course outlines, lecture notes, research notes, committee minutes, and student references.

Fonds consists of professional and personal records created and accumulated by Lawrence ‘Larry’ Grossman as Member of Provincial Parliament for the Toronto riding of St. Andrew-St. Patrick (1975-1987), leader of the Progressive Conservative Party of Ontario (1985-1987), and his career activities following his exit from political office. Includes: correspondence; meeting minutes; research notes; briefing notes; reports; subject and clippings files; campaign materials and schedules; speeches; portraits and event photographs; audiovisual recordings of his television and radio appearances and interviews.

The records in this fonds document his contribution and involvement in the “Big Blue Machine” of the Progressive Conservative Party of Ontario, the numerous Cabinet portfolios he held in the governments of Premier William ‘Bill’ Davis, his two campaigns for leader of the Party, and the end of the Progressive Conservative Party of Ontario’s forty-two years in government (1943-1985) and the adjustment of the Party’s new role as Official Opposition.

The fonds also includes materials belonging to his father, Allan Grossman, kept by Larry following his father’s death in 1991.

Fonds contains the following series:
S00698: Political files
S00699: Progressive Conservative Party of Ontario files
S00700: Personal files
S00701: Allan Grossman materials
S00702: Audiovisual materials

Fonds consists of Professor John Bosher's notes created during four decades of research in provincial, national, and international archives concerning the lives and activities of merchants, officials, bankers and ships' captains involved in the trade between France and Canada during the 17th and 18th centuries when Canada was a French colony. Also included are research notes developed from the records held in private collections of notarial minutes concerning property and the lives of people active in trade between France and Canada, and copies of secondary literature devoted to this topic.

The fonds consists of records pertaining to Henry Silton Harris' activities as author and educator. It includes his manuscripts, correspondence, research and lecture notes, teaching files, and his graduate and undergraduate studies files.

The fonds consists of material which documents both Christie's acting and pedagogical careers as well as material related to his family and personal life. Includes correspondence and subject files, photographs, playbills, scripts and production files, books, plays and reference materials, financial records, sound recordings, and scrapbooks containing reviews. The fond is arranged in the following series:

Fonds consists of J.D. (Jack) Keehn’s published articles (1951-1990), speaking engagements (1951-1994), research files, professorial files, photographs and negatives for graphs used in publications, draft manuscripts for published and unpublished works, book reviews, essays, and press clippings.

Fonds consists of letters from Herbert Whittaker to Leonard White and his wife, Margaret.

The fonds mainly consists of manuscript and typescript copies of Marion Andre's work either published or produced, including 'The Scorn of Fate', 'The Spanish Civil War', 'The Value of Fifty', 'Fate of a Poet', 'The Gates', 'The Snob', 'The Eagle', 'The Sand', 'Soldat Hans Stumpf', 'The Invented Lover', 'Captive of Yesteryear', 'Verdict of Fate', 'Skinny Dip of an Aging Professor', 'Maria B.', 'The Battered Man', and 'A Road to Freedom'. In additon there are notes, drafts, correspondence and other supporting documentation for some of the works. Also includes articles, essays and correspondence about Andre and Theatre Plus, reviews of Theatre Plus productions, mounted and/or framed theatre posters of plays that were produced at the Saidye Bronfman Centre and Theatre Plus, certificates of awards received by Andre and a 3-D model of his work as playwright. Accession 2008-036 consists of programmes, scripts, reviews, and photographs for theatrical works produced and directed by Andre, as well as written by Andre and several other playwrights.

Fonds consists of correspondence, brochures, clippings from newspapers and magazines, curriculum vitae, reports, original artwork, photographs (black and white prints and colour transparencies), financial records, speeches, exhibit catalogues, typographical research files, audio recordings, appointment diaries, awards, and design objects created or accumulated by Allan Fleming during his career as a graphic designer, teacher, and administrator. Topics of these records include: previous generations of his family in Scotland; his secondary school education; his years in England working with English typographers; his marriage to Nancy Chisholm; their relationship with Richard Outram and Barbara Howard; work at Cooper & Beatty Ltd., MacLaren Advertising, University of Toronto Press and other firms; the work of typographers such as Eric Gill and Carl Dair; Fleming's work for a wide variety of corporate clients (including Ontario Hydro, Trent University, the Hudson's Bay Company, Gray Coach, the Canadian Broadcasting Corporation, Canadian National Railway, Massey College, and the City of Toronto); television scripts; book and stamp design; his involvement in design juries; exhibitions of his work; book collecting; his declining health after a heart attack in 1971; and his death in 1978.

Fonds consists of records pertaining to Howard Buchbinder's activities at York University and his involvement with the Praxis Corporation. The fonds consists of research files, professorial files containing course material (1970-1990), YUFA files (1979-1994), Atkinson College files (1988-1989), correspondence, draft writing and published articles, legal documents and audiovisual materials.

The fonds consists of audio recordings of unedited interviews conducted by Diana Cooper-Clark with major international novelists. Most of these interviews have been published in her two monographs.

The fonds consists of records relating to the Canadian Poetry Association, League of Canadian Poets and the HMS Press, as well as personal papers and manuscripts of Wayne Scott Ray.

The fonds documents Johanna Stuckey's teaching and administrative activities at York University for the period 1964-1993.

The fonds consists of minutes of the Ruskin Literary and Debating Society (1909-1993) [incomplete], reports of the critic (1920-1983), constitutions and by-laws, correspondence, invitations, lists of officers and members (1964-1991) [incomplete], financial records (1964-1979), histories of the Society, lists of prize winners, programmes of events (1904-1988) [incomplete], banquet programmes, and memorabilia, including photographs of meetings and members, the Society stamp and related objects.

Fonds mainly consists of material relating to Vincent Vaitiekunas career as a film maker and includes production notes, scripts, correspondence and film reels.

Fonds consists of records documenting the career of George Bell as a university administrator and professor, founding director of CIIPS, and President of the CISS. Also includes minutes of meetings, correspondence, working papers, reports, and reference and research materials.

Fonds consists of correspondence, minutes, reports, brochures and other material that documents Rubin's involvement with the International Theatre Institute.

The fonds documents the activities of the Memorial Society Association of Canada for the promotion of dignity and simplicity in funeral rites for the period 1969-1992. It includes constitution records, minutes of meetings, correspondence and other papers, printed material and financial records.

The fonds consists of general correspondence of the Canadian Science and Technology Historical Association, 1980-1992, as well as material relating to the biennial Kingston conferences, including invitations, agendas, programmes, correspondence, financial material, and copies of some of the papers delivered.

The fonds consists of records of Harry J. Pollock pertaining to his interest and involvement in theatre and to his research on James Joyce. The fonds includes correspondence and clippings, manuscripts, audio tapes, photographic materials, video cassettes, graphic and cartographic materials.

The fonds consists of notes, drafts and research material pertaining to several of Charles Templeton's books. The material has been arranged chronologically by year of publication of the respective work.

Fonds consists of handwritten notes for Didi Khayatt's doctoral thesis, "Lesbian teachers : an invisible presence," typescript transcripts of interviews with teachers conducted between 1982 and 1985, correspondence with study participants, and an unbound copy of her thesis, August 1991.

Fonds consists of personal publications written by George Thaniel, including his curriculum vitae and the complete collection of The Amaranth journals. Fonds also consists of audio cassettes recordings used by Thaniel in the course of his work as professor of Modern Greek Studies at the University of Toronto. Recordings include interviews with Modern Greek authors and poets, poetry and prose readings, live theatre recordings, and music performances, in addition to discussions and lectures. Audio recordings further include Thaniel reciting his own poetry, as well as a memorial that was recorded posthumously following his sudden death in June 1991.

The fonds consists of the records of the York University Faculty Association (YUFA) Chairperson, 1980-1984; the Librarians' Chapter, 1976-1985; and the Joint Grievance Committee, 1979-1984. Other series consist of Minutes, 1961-1986; Correspondence and papers, 1962-1989; Financial records, 1968-1985; Reports, 1967-1974; Printed material, 1964-1987; Ballots, forms, and opinion polls, 1973-1987.

Fonds consists of more than 60 letters, newsletters, poems, and greeting cards written by Margaret Laurence to Ian and Sandy Cameron, as well as a copy of Laurence's will. The correspondence discusses Laurence's work as a writing instructor and speaker at the University of Toronto, her relationship with other Canadian writers and Clara Thomas, her move from Toronto to Lakefield, and her involvement with the Writers' Union of Canada conference in Ottawa in November 1973. Laurence comments extensively on her own works and her efforts to encourage other writers (including Ian Cameron), her efforts to produce a recording of songs with her lyrics and Cameron's musical score to accompany "The diviners," the film contract based on this novel, and her elation at winning the Molson Prize in 1975. The correspondence also discusses her divorce from Jack Laurence, her relationship with her children, and her views on social and generational change. The correspondence is accompanied by nine vinyl recordings given by Laurence to the Camerons that feature European classical music, African palm wine music, and Ghanian highlife music. The fonds also contains five letters from John Ruskin, the Victorian writer and art critic, to Kate Towney and Arbuthnot Cameron, 1865-1867, regarding Towney's marriage and financial affairs, mineral collecting, and ideas from Ruskin's book, "Modern painters." These letters are accompanied by notes and transcripts, as well as a letter written in 1907 regarding the Ruskin correspondence.

Fonds consists of personal correspondence (1932-1990), project files (1926-1981), slides, photographs, films, videos, and publications by or about the Beveridges.

The fonds consists of records relating to the primary functions of the Faculty of Fine Arts which are teaching, research and service to the community. It includes records of the Dean, 1968-1987; the Visual Arts Dept., 1968-1987; the Dance Dept., 1969-1985; and the Theatre Dept., 1969-1990.

The fonds partially documents Merle Shain's activities as an author as well as her personal life.

The fonds consist of television and film scripts in which Lionel Siegel played a part, either as script writer, author of the story on which the script was based, or in some production capacity. There are also scripts of productions by others which Siegel has collected, some because he was writing scripts for subsequent episodes of the program. The scripts are arranged alphabetically by title and include, 'Ben Casey', 'From here to eternity,' (1979) on which Siegel worked with several others, 'The last westerner,' with a screenplay by Jack Elam and Siegel, several episodes of 'Peyton Place,' 'Rawhide,' (including script for "Corporal Dasovik," for which Siegel was awarded 'Best western TV drama of the year, 1964,) 'Then came Bronson, (1969), episodes of 'The Waltons,' (1972), 'The bold ones,' 'Hoover versus the Kennedys the second civil war,' (1987) and others. There are also story outlines for possible productions, including movies-of-the-week on American network television.

The fonds partially documents Granham Reed's research activities in psychology for the period of 1948-1988.

The fonds consists of documents pertaining to the Association of Cultural Executives such as letters patent, minutes and by-laws, correspondence and papers, financial records, reports, and printed material.

The fonds consists of records pertaining to Jack Berke's involvement with the Community Chamber Orchestra of York University, from 1979 to 1988, as musician (bassoon player) and member of the Orchestra Board of Directors. The fonds includes concert programmes, concert schedules, contact sheets, some minutes of the Executive Committees, and newspaper clippings.

The fonds consists of correspondence, minutes, reports, financial records, and Bryce M. Taylor's related material of the XV Olympic Winter Games Organizing Committee, and the Canadian Olympic Association, (1983-1988), detailing the planning for the 1988 Calgary Winter Olympics. It also includes material from the National Advisory Council on Fitness and Amateur Sport, including correspondence, minutes of meetings, annual reports, (1986-1987). In addition, there is material from the Canadian Gymnastics Association, (1975), and proposals for athletic programmes at York University, including a proposal for football (1967).

Fonds consists of a typescript of Marc Egnal's "A mighty empire: the origins of the American Revolution," which was published in 1988. It includes a set of lists and tabulations of pre-revolutionary 'factions'.

Collection consists of legal documents pertaining to the wrongful conviction of Rubin “Hurricane” Carter for murder and his subsequent release, including: transcripts from the first trial, 1967; proceedings from the New Jersey State Court appeal hearing, 1976-1979; transcripts from the Alfred Bello polygraph remand hearing, 1981-1982, including notes written by Rubin Carter during the hearing; memoranda, notes, briefs, and rulings from the remand hearing, 1981-1982; files containing notes by the investigation undertaken by the Canadians (Sam Chaiton and Terry Swinton, among others) who moved to New Jersey to work on Carter’s case, 1983-1985; research, evidence, and court rulings during appeals, 1985-1987; and petitions, briefs, judicial opinions and other documents related to the rulings by state and federal courts and by the Supreme Court of the United States.

The fonds consists of Margaret Laurence's records pertaining to her activities as a writer and to her personal life. The fonds includes correspondence, financial records, manuscripts, printed material, personal files, graphic materials, sound recordings and moving image records.

Fonds consists of literary manuscripts, correspondence, financial records and other documentation relating to the writing career of Sara Woods.

The fonds consists of Virginia McDonald-Evans' records pertaining to her activities as a scholar and includes her correspondence; research materials; course files; essays, briefs and speeches; book drafts; bibliographic cards; and printed material.

Fonds consists of correspondence with fellow Crosby collectors and enthusiasts, drafts of essays and articles concerning Crosby written by Vogt, scrapbooks dedicated to Crosby, lists of Crosby recordings, publicity photos and movie stills, magazines, newsletters and other material that documents Vogt's ongoing interest in Bing Crosby's music and work.

The fonds consists of raw material collected for the York-Timmins Project conducted by a team of researchers led by Gold in 1981 and represent some 8000 hours of field work. Other team members included James DiGiacomo, Kathy Pirie, Peter Vasiliadis, Tanya Basok, A. Stewart, Lawrence Lam, and Michael Korovikin.

Original interviews were recorded although many were done without recording, notes only being taken. The tapes were not kept in order to honour promises made to the interviewees, however, detailed transcripts and edited transcripts of all tapes and notes were made and these include consistent marking of pauses, inflection and mood. Individuals from the following cultural and ethnic groups were interviewed: "pioneers" of the Porcupine Camp (Timmins and South Porcupine area); organizers of the Workers Cooperative (Ukrainian, Finnish, and British settlers); French-Canadian settlers and parish leaders; English mine settlers (both mine workers and managers); Italian settlers and community leaders; Chinese settlers and community leaders; Jewish settlers and community leaders; miscellaneous others.

In addition, there are photocopies and typed excerpts of articles from the 'Porcupine advance,' [newspaper] dealing with ethnic relations in the region, 1912-1950, and photocopies and typescripts of articles and essays dealing with ethnic communities in Timmins. There is also a photocopy of a mine company payroll for the year 1941.

The fonds consists of typescript, corrected drafts of articles, subscriber correspondence, and correspondence with the Ontario Arts Council and the Ontario Ombudsman's Office concerning a dispute that the editor of Onion, Stephen Mezei, had with the Arts Council (1977-1979).

The fonds documents Terence William Barker’s activities as minister in the Jehovah Church. These records include material related to the Assemblies of the Jehovah's Witnesses (1961-1972); correspondence, reports and newspaper clippings concerning the issue of blood transfusions; the disassociation of Barker from the Witnesses; and records of his ministry with 'Watchtower' magazine. There is also material on the Process Church of the Final Judgement, which consists of correspondence between Barker and other members, records of the Toronto chapter steering committee, contact list of Ontario members and followers, copies of articles for publication in their journal, and a typewritten copy of an unpublished article by Barker, 'Is the Process Church of the Final Judgement Christian? A possible approach' [1971?]. Included in the fonds are speeches delivered while he was engaged in the Jehovah Witness program and talks on religious topics, copies of the 'Yearbook of the Jehovah's Witnesses,' (1945-1976); several editions of 'New World translation of the Holy Scriptures,' (1955-1970), several Witness tracts, incomplete runs of 'Awake,' (1949-1984) including bound volumes (1961-1972), 'Informant,' (1949-1954), 'Kingdom ministry,' (1957-1972), and 'The watchtower,' (1936-1984, incomplete run) and bound copies (1961-1972 - complete runs). In addition, there are reports of the Assembly of Jehovah's Witnesses (1946-1969), as well as song books, pamphlets and related material. For the Process Church of the Final Judgement, there are copies of 'Foundation,' and pamphlets including 'The Processeans,' [newsletter] (1972-1974). Also included is a photocopied (corrected in hand) typewritten manuscript by Barker of 'The time of the end: on the trail of the Final Age: Victorian to Aquarian' (1971-1973) and a photocopied, typewritten manuscript of Barker's 'The king of the North and the king of the South: apocalypticism and international politics' (1972-1975), both of which were unpublished.

The collection consists of programmes, playbills and notices of productions in Ontario (predominantly Toronto) theatres, 1971-1983, arranged alphabetically by the title of the production. Some of the companies and theatres represented include, Toronto Arts Productions, Stratford Theatre, Skylight Theatre, Toronto Workshop Productions, Toronto Free Theatre, Royal Alex Theatre, Theatre Aquarius, National Arts Centre (Ottawa), Lime Light Dinner Theatre, Theatre in the Dell, Young People’s Theatre, Shaw Festival, and Theatre Passe Muraille.

The fonds consists of television and film scripts considered for ACTRA Awards, 1980-1983. It includes scripts from the popular Canadian Broadcasting Corporation television programmes 'Seeing things,' 'For the record,' and 'The beachcombers,' as well as a National Film Board script, 'A choice of two,' (originally titled, 'Just above water,').

The fonds consists of a series of letters between Enid Rutland and Margaret Laurence (1970-1983), dealing in the main with the production of 'The collected plays of Gwen Pharis Ringwood,' (1982), but containing some personal notes as well.

The fonds consists of handwritten notebooks relating to G.R. Lowther's research in archaeology and evolutionary theory.