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The collection consists of programmes, playbills and notices of productions in Ontario (predominantly Toronto) theatres, 1971-1983, arranged alphabetically by the title of the production. Some of the companies and theatres represented include, Toronto Arts Productions, Stratford Theatre, Skylight Theatre, Toronto Workshop Productions, Toronto Free Theatre, Royal Alex Theatre, Theatre Aquarius, National Arts Centre (Ottawa), Lime Light Dinner Theatre, Theatre in the Dell, Young People’s Theatre, Shaw Festival, and Theatre Passe Muraille.

The fonds consists of Jerome Ch'en's collection of statements of delegates to the Geneva Conference in 1954 [1955?], along with newspaper clippings and related material concerning the Korean War.

Fonds consists of records pertaining to the life and work of Canadian-Scottish Jazz musician and Toronto Jazz Festival founder, Jim Galloway. Records include those pertaining to his early life in Scotland, his work as a booking agent and radio host with CKFM, his administrative roles with the Toronto Jazz Festival, and his life as a performing saxophonist. In addition to the administrative contracts, correspondence, notes, travel records, gig and festival memorabilia, sheet music, and other records pertaining to Galloway's career, the fonds includes extensive audio recordings of Galloway's radio show, Toronto Alive, as well as various other recordings created or compiled by Galloway throughout his career.

The fonds consist of material that documents Rayfield's career as a Professor of Anthropology and, to a lesser extent, her personal life. It includes research files containing copies of published and unpublished manuscripts, conference presentations, drafts of book and article reviews, research notes, professional correspondence, grant proposals, course outlines and a copy of her curriculum vitae. It also includes material such as magazines, film festival programs, reviews of African films, auction and museum catalogues, photograph of African sculptures, newspaper clippings and research notes that documents her ongoing interest in African film and art. Records of a personal nature include correspondence, Christmas cards and obituaries related to her passing.

The fonds documents Johanna Stuckey's teaching and administrative activities at York University for the period 1964-1993.

Fonds consists of records created and accumulated by John D. Harbron, his wife Sheila E. Harbron, and some other members of their extended family. The collection mainly consists of John D. Harbron's correspondence, newspaper articles, and his personal, professional, and academic research and writings about Cuba and Latin America. The files also include essays and speeches by Harbron, as well as correspondence with editors and dignitaries, both national and international. The fonds also includes a large number of articles written by John D. Harbron for Canadian and international publications. The files belonging to Sheila Harbron contain personal records as well as genealogical research files, which include records and photographs tracing the Buck, Harbron, Hardy, Lester, Matheson, and Ryerson families.

Additionally, John D. Harbron's Cuban and Latin American book and pamphlet collection has been added to the Special Collections.

Fonds consists of Professor John Bosher's notes created during four decades of research in provincial, national, and international archives concerning the lives and activities of merchants, officials, bankers and ships' captains involved in the trade between France and Canada during the 17th and 18th centuries when Canada was a French colony. Also included are research notes developed from the records held in private collections of notarial minutes concerning property and the lives of people active in trade between France and Canada, and copies of secondary literature devoted to this topic.

Fonds consists of records created and/or accumulated by John Jose pertaining to his relationship with writer Yvonne Vera.

The fonds consists of York University-related records of John Joseph Frederick Bruckmann including curriculum planning (minutes of the Curriculum Committee, reading lists, correspondence), the Council of the Faculty of Arts and Science (1962-1965), the Residential College Committee (minutes - 1962), the Committee on Research (1962) and the Senate (1961-1965). In addition, there is material of a general nature relating to early appointments at the University, staff directories and announcements of social events.

The fonds documents John Kastner's career as a filmmaker and producer. Records in this fonds consist of publicity files, which include biographical information, clippings, flyers and other promotional materials related to his productions; administrative and production files, which include correspondence, budgets, proposals, notes, transcripts and scripts; research materials, which include prison records, articles, books, court transcripts, newspaper clippings and news footage; and audiovisual materials, including video cassettes, DVDs, photographs, and audio recordings. These records pertain to the following programs: "Street Comedy", "Ask a Silly Question", "Somebody's Gotta Do It", "Chickens are People Too", "Rage Against the Darkness", "Romance with a Rapist", "Hunting Bobby Oatway", "House of Secrets", "Monster in the Family", "Monster in the Family: The Struggle Continues", "Sinner in Paradise", "Life with Murder", "NCR: Not Criminally Responsible", and "Out of Sight, Out of Mind".

The fonds mainly documents John Montgomery Barber's activities as member of the National Council of Welfare.

Fonds consists of correspondence between Moss and numerous Canadian literary figures including Margaret Atwood, George Bowering, Matt Cohen, Northrop Frye, Robert Kroetsch, Hugh MacLennan, John Metcalf, Farley Mowat, Michael Ondaatje, James Reaney, Sinclair Ross, Ruby Wiebe, George Woodcock, among others.

The fonds consists of material related to John Smith's personal life and to his professional career as a writer, producer and director. It includes screenplays, draft notes for works in progress, shot lists, story boards, call lists and shooting schedules, casting and contact lists, correspondence, research files, press clippings, financial records, and selected printing elements for 16mm and 35mm productions, rough assemblies, rushes and outs on VHS and Beta videocassettes and DVDs.

The fonds is organized into the following series:

The fonds consists of correspondence of John R. Seeley, materials related to several York University committees (On Undergraduate Studies, President's Advisory, Campus Planning, Curriculum, Social Science Curriculum, Senior Staff Recruitment), departments (Sociology, Atkinson College, Psychology) and bodies (Senate, Faculty Council, Senior Common Room), as well as material on individual faculty members. There is also material relating to the Ford Foundation, which provided funding to the university in its infancy, correspondence and reports for President Murray Ross, as well as documentation of the dispute of 1962-1963 at York University.

The fonds documents John Tupper Saywell' university career as well as his research activities in the field of the Canadian political history. The fonds consists of his professorial files, 1969-1979; sound recordings and transcripts, 1935-1961; his photograph collection; research files, [198-]; and political cartoons, [183-]-1993.

Fonds consists of research notes, lectures notes, teaching material and an extensive collection of photographic slides used for research and teaching created or accumulated by John Warkentin.

The fonds consists of records of Joseph O. Goodman.

The fonds consists of research materials of Joseph Starobin on American radicalism and European socialism and includes several newspapers from France, Italy and North America, as well as off-prints, typescripts and photocopies of articles by colleagues and writers on the left (Harrington, Marcuse, Earl Bowder). It also includes some holograph notes of lectures attended by Starobin in 1963 in New York (classes in his graduate studies at Columbia?), and correspondence and photocopies of chapters of a thesis from a doctoral committee at York University on which he sat (1975).

The collection consists of materials related to Joyce Wieland acquired from various sources. Records include a small amount of correspondence; obituary notices and program for the Wieland funeral; press clippings and articles on the work of Joyce Wieland; photographs of Wieland, her friends and family; personal ephemera relating to Wieland; photographs taken at a drawing workshop led by Wieland in St. Michael's, Newfoundland; records and scripts pertaining to Wieland's film "The Far Shore" as well as notes by Wieland about the film; photographs used in the Jane Lind biography of Wieland; small works of art done by Wieland such as sketches, drawings and paintings.

Fonds consists of material which documents Joyce Wieland's career as an artist and filmmaker.

Fonds consists of: personal and professional correspondence, including letters and email exchanged with family and individuals involved in Canada's literary community such as Steven Heighton and David Helwig; essays written while Cowan was a student; correspondence, notes and drafts of her work as a translator; research notes and drafts of her short stories and novels; professorial records including tenure and promotion files, course evaluations, and other material that documents her career as a professor at l'Université de Québec at Trois-Rivières; correspondence and manuscripts relating to her involvement with the literary community in Québec; and examples of Cowan's work with digital photography. Accession 2007-052 includes photographs of Judith Cowan receiving the Governor General's Literary Award in 2004.

Fonds consists of records created and received by Judith Rudakoff throughout her career as a playwright and professor, including personal and professional correspondence, subject files, note cards related to her PhD thesis, files related to her continued work on Cuban theatre and notes, drafts, correspondence, and other material related to many of her works, among them "Interplay: Sex, Gender and Violence in Canadian Theatre," "Dangerous Traditions: A Passe Muraille Anthology," "Between the Lines: The Process of Dramaturgy," "Revealed by Fire," "The River," and "Soraab-Mirage."

Fonds consists of publications, professional and personal correspondence, reports, newspaper and magazine articles, pamphlets, greeting cards, postcards, photographs, conference papers, seminar papers, student evaluations, meeting minutes, memos, research articles, curriculum vitae and publications list, and unpublished manuscripts. The fonds documents Mohr's work in the fields of psychiatry, law reform, legal education, criminal justice in Canada, family equality, sentencing standards, and more. The fonds includes: handwritten letters written in German by Mohr to his wife and family during the 1950s when he moved to Canada, as well as letters written in German by friends; draft manuscripts and articles from his colleagues; meeting minutes and memos from law reform organizations; printed online articles about the Law Commission of Canada and its work; correspondence with members of law reform organizations of the Law Commission of Canada regarding reports and upcoming policies. Mohr visited many other universities for lectures, seminars and conferences, in addition to participating in professional organizations. Fonds includes his papers used at these events such as 'Clinical Judgements and Citizen Reviews and the Children's Act,' the 'International Congress on Law and Psychiatry,' and 'National Consultation on Sentencing.' Fonds includes a collection of papers and reports on subjects about the Max Planck Institute, feminism, postmodernism and the law, rhetoric language and the law, psychiatry and medical works, law and theory, and criminal law. Fonds also includes physical and electronic versions of Mohr's unpublished manuscripts, as well as electronic versions of some of Mohr's outgoing correspondence.

Fonds consists of records pertaining to the personal and professional activities of Karen Connelly. These records include manuscripts, in various states of development, for Connelly’s published writing, particularly her books "One room in a castle" (1995), "The border surrounds us" (2000), “The lizard cage” (2005), and “Burmese lessons” (2009), as well as draft poems and stories. Journals from Connelly’s travels through Asia in the mid-to-late 1990s are also part of the fonds , as are personal journals kept between 1984 and 2011, correspondence sent and received, travel and personal photographs, literary memorabilia, and notes for Connelly’s speaking engagements and lectures.

Fonds consists of Kathryn Koenig's records pertaining to her involvement in the first Advising Centre in the Faculty of Arts, York University, and includes memos, drafts, and discussions about an advising centre; promotional material; anniversary books by York University.

Fonds consists of material which documents Leckie's career as a writer and director and includes personal and professional correspondence, notes, drafts and outlines of scripts, production files, research files, press clippings, photographs and publicity material of many of the productions that he worked on including related audiovisual material.

Fonds consists of the administrative records of the Caribbean Cultural Committee created and accumulated by Kenneth Shah in his role as a founding member, including material such as correspondence; band registration forms and regulations for band competitions; constitution drafts; financial documents; meeting minutes; Shah’s sketches for parade costume designs; and program proposals. Other materials include issues of newspapers and magazines that provided media coverage of the Caribana Festival each year; Shah’s personal photo and film collection documenting Caribana and other Carnival festivals in Trinidad and Tobago, Toronto, Montreal, and New York; Shah’s mas bands throughout the years; and promotional material for Caribana such as brochures, pamphlets, festival guides, event programmes, and flyers.

Fonds consists of records accumulated and retained by Malcolmson and Barber and include copies of the Waffle Newsletter, documents pertaining to the NDP convention in Winnipeg in October 1969, resolutions prepared by the Waffle movement for consideration by riding associations, union locals and youth clubs, minutes of meetings of the National Waffle organization, miscellaneous items pertaining to various Waffle groups from British Columbia, Saskatchewan, Manitoba, Ontario and Toronto in particular, discussion and draft policy papers, correspondence between Wafflers, and an off-air excerpt of a CBC documentary about the challenge from the Waffle at the 1969 NDP Convention. Fonds also includes Barber's research notes pertaining to the Liberal Party of Manitoba during the 1960s, and copies of newsletters and Liberal Party conference delegate lists collected by Barber as a member of the Manitoba Young Liberal Association, and a book on Manitoba politics containing a chapter written by Barber on Manitoba's Liberals, 2010.

Fonds consists of the professional records of Knowlton Nash including: research notes, taped interviews, manuscripts, correspondence, publicity material and speeches regarding books written by Nash, including his unpublished memoir; print media articles about the CBC and Canadian journalism; newspapers articles by Nash for the British United Press wire service, and freelance columns and articles that were published in The Vancouver sun, Windsor star, and the Financial post; the newsletter, Washington thru Canadian eyes that was written and published by Nash while working as a freelance journalist in the United States; files on broadcast journalism and various projects at the CBC; daily appointment books; and correspondence regarding Nash's awards and retirement. The fonds also includes video cassettes and teaching material for CBC-TV's education program, News in review; notes and scripts for special news broadcasts on significant public events, including economic summits, the Quebec referendum, the repatriation of the Constitution, and Canadian and American elections; correspondence with viewers, colleagues at the CBC, and people with various organizations regarding editorial policies, coverage of major stories, speaking engagements, and Nash's involvement with educational and philanthropic organizations.

The photographs document the life of a German soldier during World War II. They include portraits of Kurt Czasch and members of the German Army, civilians (possibly relatives?), photographs of environments where he was stationed, movement of troops and material, photographs of dead soldiers, prison camps, military life and related themes. The photographs are of the 'snapshot' variety.

Fonds consists of professional and personal records created and accumulated by Lawrence ‘Larry’ Grossman as Member of Provincial Parliament for the Toronto riding of St. Andrew-St. Patrick (1975-1987), leader of the Progressive Conservative Party of Ontario (1985-1987), and his career activities following his exit from political office. Includes: correspondence; meeting minutes; research notes; briefing notes; reports; subject and clippings files; campaign materials and schedules; speeches; portraits and event photographs; audiovisual recordings of his television and radio appearances and interviews.

The records in this fonds document his contribution and involvement in the “Big Blue Machine” of the Progressive Conservative Party of Ontario, the numerous Cabinet portfolios he held in the governments of Premier William ‘Bill’ Davis, his two campaigns for leader of the Party, and the end of the Progressive Conservative Party of Ontario’s forty-two years in government (1943-1985) and the adjustment of the Party’s new role as Official Opposition.

The fonds also includes materials belonging to his father, Allan Grossman, kept by Larry following his father’s death in 1991.

Fonds contains the following series:
S00698: Political files
S00699: Progressive Conservative Party of Ontario files
S00700: Personal files
S00701: Allan Grossman materials
S00702: Audiovisual materials

Fonds consists of research files, correspondence, scripts, production notes, budgetary material, promotional campaigns, awards, posters and assorted film, music, photographic and graphic material related to Larry Weinstein's creative process as a writer, documentary film director, and producer.

Fonds consists of records pertaining to the writing and literary activities of poet Laurence Hutchman. These records, which include poetry drafts and manuscripts, notebooks, research materials, correspondence, memorabilia, photographs and audio cassettes, document Hutchman’s work as a poet, editor, interviewer and professor of English.

Fonds consists of Professor Lorch's professorial and personal papers as a mathematician, academic, civil rights activist and humanitarian. Records document his life in all these spheres and include the following: correspondence from family, friends, academic colleagues and fellow activists; records of his legal battles at various colleges and universities in the defence of civil rights and academic freedom including challenges from the House Committee on Un-American Activities; records that document his and his wife's activism in landmark American events such as the integration of schools in Little Rock, Arkansas in 1954, and the fight for equal rights for blacks in housing in US cities; professorial records and his work as a respected mathematician and scholar; and related books, journals and pamphlets accumulated by him during his decades of work in these areas. Records have been arranged by the archivist into the following series.

Fonds consists of correspondence, photographs, diaries, a scrapbook, college yearbooks and transcriptions of oral interviews created and accumulated by members of the Lennox family including husband and wife Fannie Jane Evangeline Watt and William James Wilfred Lennox, and their children William, John Watt Lennox and Elizabeth Lennox Locke.

The majority of archival material relates to John Watt Lennox (1920-1943), who was killed in action in WWII. Correspondence is accompanied by detailed inventory and contextual information compiled by Elizabeth Lennox Locke and her nephew Dr. John Lennox.

Fonds consists of material which documents Panitch's long standing interest in British and Canadian labour history including notes, drafts and other material related to his PhD thesis "UK Labour and Incomes Policy" and to his books "The Assault on Trade Union Freedoms: From Consent to Coercion", "The End of Parliamentary Socialism" and “The Making of Global Capitalism”. It also includes research files related to the British Labour Party, new labour left, the Canadian State, political economy and political power, labour in Canada and corporatism, as well as notes and essays from his undergraduate and graduate education, and files pertaining to his editorial work for the Socialist Register.

Fonds consists of letters from Herbert Whittaker to Leonard White and his wife, Margaret.

Fonds consists of records documenting Libby Scheier's personal life, her work as a writer and as a teacher, her involvement with political organizations and with the Writers' Union of Canada. These records include correspondence, draft poems and other writing, draft manuscripts and proofs for her published works, teaching files, publications, newspaper clippings, personal ephemera and memorabilia, childhood diaries and high school notebooks, college papers and lecture notes from Sarah Lawrence College, copies of published articles and other writing by Scheier, pins, and graphic materials including posters, photographs and paintings.

Fonds consists of Briskin's teaching and personal files and files pertaining to her work as the first coordinator of the York University Faculty Association (YUFA)'s Standing Committee on Equity.

The fonds consist of television and film scripts in which Lionel Siegel played a part, either as script writer, author of the story on which the script was based, or in some production capacity. There are also scripts of productions by others which Siegel has collected, some because he was writing scripts for subsequent episodes of the program. The scripts are arranged alphabetically by title and include, 'Ben Casey', 'From here to eternity,' (1979) on which Siegel worked with several others, 'The last westerner,' with a screenplay by Jack Elam and Siegel, several episodes of 'Peyton Place,' 'Rawhide,' (including script for "Corporal Dasovik," for which Siegel was awarded 'Best western TV drama of the year, 1964,) 'Then came Bronson, (1969), episodes of 'The Waltons,' (1972), 'The bold ones,' 'Hoover versus the Kennedys the second civil war,' (1987) and others. There are also story outlines for possible productions, including movies-of-the-week on American network television.

Fonds consists of three series: diaries recorded in bound journals kept by Mackenzie during his adolescence and adult life; manuscripts of three works of non-fiction; and photo albums and passports of his family,and his life and travels overseas. Mackenzie recorded extensively on local and international political and social events. In his youth, Mackenzie was preoccupied with fascist and socialist movements in Europe. In later life, he became concerned with the influence of American foreign policy and its impact on Canadian sovereignty. His diaries also reflect his interest in films and the theatre, with entries on the deaths of his favourite actors and actresses and frequent entries on the various films and plays he attended in Toronto and abroad. He also wrote about the tours and activities of various royal families, and chronicled his own travels throughout the world in detail, including his extended stays in Australia and England. Mackenzie kept meticulous notes on his employment history and living environment. He also recorded details of his writing activities and his efforts to publish and support himself through writing. Mackenzie kept entries on his social activities in the gay community of Toronto, his relationships with other men, and later in life, his reflections on gay marriage, same-sex legal rights, the AIDS crisis, and the rights of gay couples to adopt and raise children.

Fonds consists of low-level oblique aerial photographs of water sheds and conservation areas in southern Ontario, taken by Wise.

Areas include the Oak Ridges Moraine, Albion Hills, Scarborough Bluffs, the Don River and other areas. Some photographs accompanied by maps with flight paths plotted by Wise.

Fonds contains records include scripts, scores, correspondence and papers, reports, photographs, films, lectures, and interviews documents Applebaum's activities as a composer, conductor, and arts administrator.

Fonds consists of records pertaining to the personal and professional life of Italian-Canadian artist Luigi Nasato. These records, dating from 1931 to 2015, document Nasato’s early life and education in Istrana, Italy, as well as his emigration to first Argentina and then Toronto, Ontario. The records primarily pertain to Nasato’s artistic output and include several hundred drawings, sketches, paintings, and preliminary studies created over the course of his career, as well as a number of awards granted to Nasato on the basis of his artistic contributions. Many of the artistic works included in the fonds relate to projects completed in Toronto and environs, particularly to mosaic projects created by Nasato at a number of churches in the region. Fonds also includes notes on art history and artistic technique created by Nasato as both a student and professional artist, as well as miscellaneous textual and financial records pertaining to the practicalities of his artistic career. Also included in the fonds is an extensive collection of photographs and clippings, compiled by Nasato over the course of his life, most of which document works of art created by Nasato and others.

Fonds consists of records documenting Lynn Crosbie’s work as a writer, journalist and teacher, including manuscripts, draft articles and poems, published copies of her articles and poems, correspondence, videocassettes, audio cassettes, photographs, notebooks, day planners, lecture notes, research materials, course materials and student assignments. Also included in the fonds are personal photographs, correspondence, ephemera, memorabilia, notebooks and sketchbooks.

Fonds consists of textual materials, published articles, blog posts, correspondence, genealogical records, photographic material and personal items created or accumulated by Lynn Gehl in the process of her work as an academic, scholar and community activist.

Fonds illustrates Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time span. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Fonds contains notes and notebooks, pamphlets, programmes, correspondence, clippings and scrapbooks, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

Fonds consists of a typescript of Marc Egnal's "A mighty empire: the origins of the American Revolution," which was published in 1988. It includes a set of lists and tabulations of pre-revolutionary 'factions'.

Fonds consists of a collection containing manuscripts, typescripts and printed copies of poems by Margaret Avison; correspondence between Margaret Avison and Margaret Clarkson; and periodicals containing works of or about Margaret Avison.

Collection was assembled from disparate sources by the York University Archives.

The fonds consists of Margaret Laurence's records pertaining to her activities as a writer and to her personal life. The fonds includes correspondence, financial records, manuscripts, printed material, personal files, graphic materials, sound recordings and moving image records.

The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:

Fonds consists of records created and accumulated by Marilou McPhedran through her activities as a lawyer, legal reformer, and activist. These records illustrate the breadth and variety of McPhedran's work in the areas of constitutional reform, women's international and national rights, women's health, and violence against women and children. Included in the fonds are administrative records of a number of non-profit organizations and committees of which she was a founder, including the Women's Legal Education Action Fund, the Gerstein Centre, the Metropolitan Action Committee on Violence against Women and Children, and the Ad Hoc Committee of Canadian Women on the Constitution. Other records in this fonds, including subject files, correspondence and conference materials, document McPhedran's academic, research and writing work and her contracted work for women's health organizations.

Fonds consists of records created and accumulated by Marilyn Silverman pertaining to her field research in socio-cultural anthropology. The records in this fonds document in particular her research in Guyana for her MA thesis (1966) and her PhD thesis (1969-1970), as well as a research project on banana production in Ecuador (1978). These records include correspondence, field notes and reports, questionnaires, card indices, interview notes and transcripts, government reports and statistics, police reports, data and work sheets, audio recordings, photographs and maps.

The fonds mainly consists of manuscript and typescript copies of Marion Andre's work either published or produced, including 'The Scorn of Fate', 'The Spanish Civil War', 'The Value of Fifty', 'Fate of a Poet', 'The Gates', 'The Snob', 'The Eagle', 'The Sand', 'Soldat Hans Stumpf', 'The Invented Lover', 'Captive of Yesteryear', 'Verdict of Fate', 'Skinny Dip of an Aging Professor', 'Maria B.', 'The Battered Man', and 'A Road to Freedom'. In additon there are notes, drafts, correspondence and other supporting documentation for some of the works. Also includes articles, essays and correspondence about Andre and Theatre Plus, reviews of Theatre Plus productions, mounted and/or framed theatre posters of plays that were produced at the Saidye Bronfman Centre and Theatre Plus, certificates of awards received by Andre and a 3-D model of his work as playwright. Accession 2008-036 consists of programmes, scripts, reviews, and photographs for theatrical works produced and directed by Andre, as well as written by Andre and several other playwrights.

Fonds consists of the organizational records of the Mariposa Folk Foundation Inc., the volunteer organization established to manage and operate the Mariposa Folk Festival. Also includes donations of material from early organizers of the Mariposa Folk Festival prior to the incorporation of the Mariposa Folk Foundation.

Fonds consists of documents created or received by Mark W.P. Cann during his career as a physicist with the Illinois Institute of Technology Research Institute in Chicago and with York University’s Centre for Research in Experimental Space Science, including research notes, proposals for projects, reports, spectrum graphs, wave line profiles, computer program printouts, tables and graphs, transparencies for presentations, and three infrared transmission studies on 35 mm film.

Fonds consists of film elements and finished products of three documentary films by Marshall Golden (1962-2010), completed while a Film Studies student at York University. Also inculdes photographs of Marshall as a university student and young man.

Fonds consists of correspondence of Emma Martin Sullivan, Adelaide Township, Ontario, and includes letters from her sister in Kansas, her brother, Neal, in Saskatchewan, and her aunt, Elizabeth Munson, in Maple Grove, Ontario.

The fonds consists of material which documents Williamson's career as a fine arts bibliographer, librarian and instructor along with associated professional and scholarly activities. It includes correspondence and reports prepared for collection acquisitions (e.g. Germain Bazin library, archives and postcard collection), other library initiatives, interactions with various library departments, and departments in the Faculty of Fine Arts including visual arts, dance, and theatre; material related to her work on YUFA, PLAYU (Professional Librarians Association of York University), the Librarians' Group, and other York University and library committees; exhibition catalogues, monographs, articles and conference presentations authored by Williamson; and research materials, grant files and teaching files.
The fonds also includes a collection of letters and photographs that Williamson sent home during her stay at various summer camps between 1940 and 1951, material related to the Moore Park Ratepayers' Association, and a collection that Williamson acquired consisting of 63 photocopied letters from literary and artistic figures in Canada such as Susanna Moodie and George Munro Grant, addressed to Louisa Murray (1818-1894), literary critic and writer on feminist issues.

Fonds consists of dance notations recorded using Labanotation or Kinetography Laban, created or acquired by Mary Jane Warner and used in her work as a professor of dance. The notations take the form of manuscript symbols hand-drawn by Warner while a student at Ohio State University (including Labanotation for her dissertation), photocopies of works produced by other notators, and printed works published by the Dance Notation Bureau and the Royal Academy of Dancing. The notations are grouped according to elementary, intermediate, and advanced readings, with titles that often include the name of the choreographer and, in some cases, the notator. The works of Doris Humphrey, Ray Cook, Anthony Tudor, George Balanchine, Muriel Topaz, and Ann Hutchinson Guest figure prominently among the notations. The fonds also includes Warner’s lecture notes on the history of dance notation and Labanotation, material on teaching dance, notes for a lecture on E.A. Theleur’s "Letters on dancing : reducing this elegent and healthful exercise to easy scientific principles" (London, 1831), and programs and proceedings from various international conferences on Labanotation and Kinetography Laban.

The collection consists of material related to James Milner's career in the area of community planning law and includes a copy of the article written by Mary Louise Bogart and John Edward Page on Milner as well as correspondence relating to its publication. In addition, there is material on the Town Planning Institute of Canada (TPIC), predominantly materials of a historical nature. There are also several audio reels and cassettes of interviews with planners and members of the TPIC who were Milner's colleagues. Finally, there are some microfilm copies of studies done in the area of land conservation. Some of this material was removed from the Milner fonds during the time it was held by the Faculty of Environmental Studies, York University.

The fonds consists of records relating to the Tapestry Pictures/CBC Televison co-production of the programme "Gzowski in Conversation", starring Peter Gzowski, as well as records relating to the production of "Where the Spirit Lives", "Children of My Heart", "By Jeeves", "Tagged: The Jonathan Wamback Story", "Burn: The Robert Wraight Story", "Shattered City: The Halifax Explosion", "The Blue Castle", "The Arrow" and "Spirit Bear". It includes production, administrative and research files, transcripts, production videos and sound recordings related to the production. It also includes publicity material in the form of press kits, posters, reviews, clippings and publicity stills and personal material that documents Leckie's involvement in feature film policy in Canada and her ongoing interest in the activities of the Mountview Alternative School in Toronto.

The fonds consists of citations given by Dr. Elliott as University Orator and includes biographical information, correspondence, programmes, and drafts created or used for writing the citations. Fonds includes correspondence, mission statement samples, and supporting reference information documenting Dr. Elliott's role in developing York University's Mission Statement.

The fonds documents the activities of the Memorial Society Association of Canada for the promotion of dignity and simplicity in funeral rites for the period 1969-1992. It includes constitution records, minutes of meetings, correspondence and other papers, printed material and financial records.

The fonds partially documents Merle Shain's activities as an author as well as her personal life.

Fonds consists of research material, notes, drafts, edited manuscripts, and proof pages for M.G. Vassanji's novels, collections of short stories, and non-fiction; scripts for an unfinished television project, "The Abdullah quartet"; unpublished drafts of poems and fragments of stories; research material on politics, religion, violence, and society in India from historical and contemporary perspectives, and arrangements for Vassanji's visits to India; drafts of his articles for Maclean's on social unrest in Africa; and drafts of his lectures on writing, cultural identities, and diversity given in Canada and Great Britain. The fonds includes professional correspondence with publishers and others, copies of articles related to his work, memorabilia about his literary career, publicity material related to his writing and to awards, and correspondence regarding his work as a teacher of writing. The fonds also contains material regarding his academic and professional activities as a nuclear physicist including course outlines, notes, essays, and offprints of articles authored or co-authored by Vassanji.

Fonds consists of records documenting the work and activities of Michael Mandel in his roles as a professor of law at Osgoode Hall Law School, as a writer and lawyer, and as a political activist. These records include draft articles and academic papers, course materials and lecture notes, correspondence, memoranda, research files, newspaper and magazine clippings, posters and event notices.

The fonds consists of briefs, manuscripts, newspaper clippings, reports, research notes, and related material of Michael Posluns. There is also a run of 'Akwasasne notes,' (1969-1976) [newspaper], audio reels, and video cassettes, which include interviews with First Nations elders, politicians, artists, community activists, as well as interviews conducted for broadcast on radio (Canadian Broadcasting Corporation and National Public Radio in the United States), Indigenous music and tapes relating to Indigenous culture.

Fonds consists of material which documents Friedlander's career as a theatre critic and writer. It includes selected clippings, research material, interview transcripts, yearbooks, personal papers, press photographs, and other materials related to her life's work. The fonds is arranged in the following series:

Fonds consists of a single letter from Frederick Debartzch Monk, Conservative Party member of the House of Commons and Minister of Public Works in the Borden government to Boucher de la Bruere on political questions of the day (1911).

The fonds consists of audio recordings in various formats of performances held at The Music Gallery including performances by artists such as James Tenney, Lubomyr Melnyk, Nihilist Spasm Band, Morton Feldman, bp nichol and Casey Sokol, Roy Kiyooka, Gil Evans, Rob Frayne, Nexus, CEE, Ken Vandermark, Michael Brook, Derek Bailey and Ron Sexsmith as well as audio recordings of the CCMC's performances at The Music Gallery and the master recordings for numerous Music Gallery Editions recordings. It also contains office files consisting of financial statements, season reports, contract with performer, sales reports, grant applications, correspondence with outside organizations, programming proposals, publicity material including press releases, programs, media contact lists, clippings, photographs and other material related to the activities and the performances at The Music Gallery.

Fonds consists of: correspondence with Richard Outram and Barbara Howard; Christmas and St. Valentine's Day cards published by The Gauntlet Press; unpublished poetry by Outram; wood engravings by Howard, as well as programs for her exhibits and articles about her work; seven silkscreen prints created by Ronald King and numbered, titled and signed by the artist; and "Alphabet 1," a papercut alphabet designed and cut by Ronald King on hand-made paper and published by Circle Press.

Fonds contains correspondence relating to Nancy Pocock's career as a refugee worker, peace activist and jeweler as well as material relating to the Pocock family, to her personal life and publications and pamphlets collected by Pocock over the course of her career. While there was no discernable order overriding the entire fonds, a filing system was maintained for parts of certain series.

The fonds is arranged in the following series:

Fonds consists primarily of Black's records pertaining to her publications about Virginia Woolf, including "Three guineas" as edited by Black, and "Virginia Woolf as feminist" (including research notes, correspondence, drafts, proofs, and jacket art), and correspondence with Quentin Bell (Woolf's nephew and biographer). Also included are miscellaneous course material, book reviews written by Black, York University's Office of the Status of Women material including a run of "The Second Decade", publication lists created by Black, documents regarding the establishment of the Women's Studies programmes at York, and the enhancement of the Nellie Langford Rowell Library at York.

Fonds consists of correspondence, subject files, clippings, scrapbooks, memorabilia, contracts, financial records, reports, photographs, video cassettes and sound recordings that document Taylor's career as a film and theatre executive.

Fonds consists of manuscript drafts and production photographs of the 1976 production of James Reaney's "The Dismissal" by the NDWT Theatre Company at the Hart House Theatre, as directed by Keith Turnbull and co-directed by Lester Kohalmi. The play is based on the 1896 student strike at the University of Toronto.

The fonds consists of playbills and programmes for productions of the New Play Society, including 'Spring thaw,' and its predecessor body, the Village Players.

Fonds consists of Boughton's research and project files pertaining to her book 'Margaret Laurence : a gift of grace ; a spiritual biography' published in 2006. Records include audio recordings of interviews, transcripts, archival research notes, a final draft, publisher correspondence, congratulatory notes, tour information, clippings, and reviews.

Fonds consists of records related to Campbell's work as a director and producer with the CBC and with other broadcasters. As a director, Campbell's responsibilities included those immediate to the production of an episode or program, such as directing performers and crew. As a producer, Campbell was responsible for the overall creative direction of a program, as well as the management of technical, financial and human resources. Records include copies of scripts, production notes and reviews, and files related to productions and office administration. Fonds also contains photographs of Campbell and others on sets and in production, video recordings of shows on which Campbell worked, papers pertaining to "Anne of Green Gables -- the musical," including requests to perform the musical and any modifications to the script, and copies of legal documents related to the use and licensing of Anne of Green Gables.

Fonds consists of production material, organizational documents, correspondence, grant applications, budget reports, programs, posters, photographs, video recordings, as well as press coverage and reviews of theatre productions, community workshops, fund-raising concerts, public readings and other events organized and hosted by members of Obsidian Theatre Company's board of directors. Includes material from the following productions: The Adventures of a Black Girl in Search of God (2001-2002), The Piano Lesson (2002-2003), Consecrated Ground (2003-2004), Two Can Play (2004-2005), Cast Iron (2004/2005), Born Ready/Pusha Man (2005-2006), The Monument (2005-2006), Hip Hop (Who Stole the Soul?) (2006-2007), The Polished Hoe (2006-2007), Born Ready (2007-2008), Intimate Apparel (2007-2008), Black Medea (2008-2009), Late (2008-2009), Intimate Apparel (2011), Ruined (2011), Caroline, or Change (2012), Topdog/Underdog (2011), Shakespeare's Nigga (2013), The Whipping Man (2013), The Gravitational Pull of Bernice Trimble (2013), dirty butterfly (2013), Nightmare Dream (2014).

The fonds consists of correspondence, minutes, newspapers and newspaper clippings, photographs, publications and reports, relating to Oliver Edwin Hodges' union activities in Canada, as well as to the Co-operative Commonwealth Federation.

The fonds consists of typescript, corrected drafts of articles, subscriber correspondence, and correspondence with the Ontario Arts Council and the Ontario Ombudsman's Office concerning a dispute that the editor of Onion, Stephen Mezei, had with the Arts Council (1977-1979).

The fonds consists of a carbon typescript of Sir Osbert Sitwell's 'Miracle on Sinai,' under the working title, 'The new commandments or, make up your minds' as well as revisions in handwritten form, and carbon typescript pages of re-written passages.