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Accession 1995-034 consists of film elements and related textual and graphic records pertaining to Rhombus Media productions about music, dance and theatre.

Fonds consists of the records of the Director's Office (1959-1967), including correspondence, development planning materials, plans, and reports concerning the early planning and development of the university.

Accession consists of posters accumulated by Issacs. A significant portion of the accession, over 200 posters, pertains to local interest including the Royal Ontario Museum, the Art Gallery of Ontario, and local and international shows by artists such as Heather Cooper and Michael Snow. Toronto posters also announce events such as the 10th anniversary of the art collective, General Idea, at the CN Tower; an album-release party of the band, Parachute Club; and a call to arms on behalf of the fight against the Spadina Expressway. Many posters also promote local theatre productions including Keanu Reeves' performance in Brad Fraser's 'Wolfboy' in 1984 at the Theatre Passe Muraile and a series of Toronto Workshop posters by Theo Dimson. Other posters are a cross-section of Canada from the Montreal Olympics series, 'Artists-Athletes', and the 1973 Winnipeg Art Gallery exhibition, the Structure of Comic Books, featuring MArvel Comics characters as Nick Nury and Thor. There are 74 international posters, the largest groups are those from Paris in the 1950s and 1960s including a poster featuring George Bracqu's 'Theogonie.' There are also several gallery posters from Amsterdam, New York, Chicago and Minneapolis representing artists such as Jim Dine, Robert Rauschenberg, Claes Oldenberg and Christo.

Item is a typewritten transcript of the letter from a brother and sister to their father in Kent, England. See 2015-033/001(1) for the original letter.

Fonds consists of the records pertaining to the activities of the Canadian Association for Women in Science (CAWIS) and includes CAWIS administration records, 1981-1992; CAFWEST records, 1983-1989; Task Force on the Status of Women Graduate Students records, 1985-1991; Women's Studies Working Group records, 1985-1989; York Women's Centre records, 1975-1991.

The series of correspondence and clippings relate to Pollock's many interests, particularly in Temple Sinai, the James Joyce Society, and travel. The manuscripts are of plays that he wrote and directed, including multiple copies annotated for different purposes. Published material consists of 9 volumes of Thom's Directory (1852-1950) and one volume of The Dublin Almanac and General Register of Ireland (1847). The 15 watercolour paintings are by Jane Golden.

Series consists of manuscripts by Margaret Laurence and manuscripts by other writers. The manuscripts by Margaret Laurence consist of notes and research for The Diviners, manuscripts and short stories, children's stories, articles, speeches and addresses, poetry, reviews, translations of Somali poetry, reviews of A Tree for Poverty, a music score for For the Whaling Fleets, drafts of introductions to other writers' books, and recommendations for other writers. Items written by other writers include articles about Margaret Laurence and other topics, short stories, essays, poems, speeches, MA theses and reviews. Included are a typescript for Sandy Stern's "And After This Summer" (a screenplay for The Firedwellers), a television script for A Bird in the House (adapted by P. Wilson) and a film script for The Olden Days Coat (screenplay by S. Marcus), a musical adaptation of Jason's Quest and an adaptation for the stage of The Stone Angel.

Series consists of documents by or about Margaret Laurence include articles written by other writers, journals and publications, newspaper clippings, articles from journals, book reviews, promotional material and other miscellaneous items.

Series consists of date calendars (1965-1987), address books, honourary degrees, curriculum vitae, miscellaneous notes and personal items.

Item consists of one page of contextual notes about the items in this accession, provided by the donor. A PDF of this item is attached to this description.

Accession consists of scores and scripts pertaining to the production of 'The National Dream.'

Consists of records documenting Applebaum's work as a composer, and with numerous organizations including the Canada Council, SOCAN, the Ontairo Arts Council and CAPAC. Records include correspondence, musical scores, sound recording, audio-visual records, printed material, financial records, collected reports and other material. These records document the theatrical music composition process, as well as the roles of arts administration and advocacy, and together with the balance of the Applebaum fonds, support teaching and research in various aspects of film, theatre, and music studies.

Accession consists of certificates and awards honouring Applebaum, and posters from the Stratford Festival.

Fonds contains records include scripts, scores, correspondence and papers, reports, photographs, films, lectures, and interviews documents Applebaum's activities as a composer, conductor, and arts administrator.

The fonds consists of correspondence, notes and notebooks, index cards as well as a large volume of photocopied articles used by Otto Friedman in his teaching, research and writing activity. These include notes taken during his own education in England. In addition, there are typed lecture notes for courses he taught at York, as well as typescripts of articles and lectures by Friedman, and a typescript draft of his 'Masaryk's social philosophy and critique of Marxism,'. There are also course reading lists, some student materials (class lists, including some with student grades, student essays, and correspondence) and some correspondence and printed materials relating to York University, including calendars and handbooks. There is some material dating from Friedman's time as a management consultant in London, England, including studies of management styles in British firms. The posters are reproductions of paintings by masters (Picasso, Utrillo, etc.), that appear to have hung in his office.

This collection describes courses and stipulates requirements for attaining academic qualifications. The calendar collection documents admission requirements, academic expectations, and standards for the completion of degree requirements. The collection consists of course calendars, mini-calendars and handbooks issued by faculties and departments. The collection is extensive though incomplete.

The fonds consists of Robert Freeman's records pertaining to his involvement in student affairs at York University.

The fonds documents the breadth of Cook's career as a student, academic and historian, and thinker. Records include curriculum vitae; personal and professional correspondence with his peers, colleagues and students (including noted fellow historians such as Michael Bliss, Donald Creighton, James Eayers, W.L. Morton, and Frank Underhill); lecture notes (both as student and professor); research files, clipping files, conference papers; book reviews; manuscripts and typescripts of his various monographs; printed material; copies of articles and essays by others arranged alphabetically by author; subject files; financial records, photographic material; index cards for his thesis; biographical material about, correspondence with, and speeches by Trudeau, as well as copies of Liberal Party material and material by Cook; appraisals and reviews of books, people and student work, as well as an appraisal of a Department of History in a Canadian university; and diaries, as well as other material.

The fonds consists of Helen Lucas' correspondence, scrapbooks, photographs, The Diary Series (1971-1978), and Relationship Drawings (1978-1981) (both of which include 246 charcoal drawings, 40 sketches, 34 drawings, 5 etchings, 47 lithographs, 3 framed serigraphs, 1 sketchbook, and 1 pastel on paper); preliminary drawings for Angelica (Toronto: Kakabeka Publishing Co.,1973) and Genesis; twelve original collage drawings for the book co-authored by Helen Lucas and Margaret Laurence entitled The Christmas Birthday Story (1981) complemented with letters from Laurence while they were collaborating on the book; original prints (1970s); a sketchbook (1971); and Drawing Dedicated to my Daughter. Lucas provides an accompanying narrative to many of the drawings, giving a context for the works and an account of their evolution between 1971 and 1979. The initial sketchbook pages are also included, portraying intimate personal images which she likens to 'finding the achievement of my own voice'.

Fonds consists of administrative files relating to the activities of DanceSpace and includes correspondence, posters, photographs, and various published materials relating to dance.

The fonds consists of records pertaining to the activities of Goldfarb Consultants and include research reports, printouts, questionnaires and administrative files. They can be used in conjunction with each other: the responses in the questionnaires are analysed in the research reports; the printouts are the raw data results of the questionnaires; and the administrative files provide additional documentation related to a particular research topic. With a few exceptions the projects included in the fonds were undertaken for federal or provincial political parties or governments.

The fonds is organized into the following series:

The fonds documents Lauretta Thistle's activities as a journalist and dance reviewer for the period, 1961-1982.

Accession consists of administrative records related to the operation of the Obsidian Theatre Company, and includes promotional and production material for plays mounted by the theatre and its associates such as "the Polished Hoe", "Late | Black Medea", "Joyous Celebration", "the Adventures of a Black Girl in Search of God", "the Piano Lesson", "Two Can Play", "the Monument", and "Consecrated Ground."

Series consists of approximately 833,500 photographic negatives, the majority of which are black and white 35mm.
The negatives are arranged by subject heading, although there are more subject headings here than in the print series, and tend to be local in nature. Negatives for photographs of personalities have been separated out of the main arrangement.

File consists of a handwritten letter written from a brother and sister to their father in Kent, England, describing their decision to leave Hamilton, Upper Canada, due to unrest in the colony and to escape British tyranny, and to move to Rochester in the state of New York.

Collection consists of playbills and theatre programs arranged int he following series: 1. Dance companies (including ballet); 2. Theatre and drama companies; 4. Musical performances (excluding concerts); 5. Souvenir programs; 6. Film programs; 7. Concerts.

The fonds consists of meeting minutes, quarterly and annual reports, financial records, fundraising files, correspondence files (including with social activists in Canada and in other countries), documentation of advocacy work (including with trade unions, churches and religious groups, and other non-government organizations (NGOs)), oral histories and interviews, newsletters, slide presentations, press releases, brochures, research material such as news clippings and reports (including research on Canadian corporations), publications and reference library materials related to the activities of the Latin American Working Group.

The fonds consists of the records of the Atkinson College Council, 1961-1991; the Assistant Dean, 1966-1972; the Associate Dean, 1968-1969; the Counseling Centre, 1967-1973; the Director, Division of Humanities, 1969-1972; and the Atkinson College Students' Association, 1963-1983.

Series consists of correspondence to and from Margaret Laurence and is arranged in nine subseries:

S00006.01: Correspondence with friends and family
S00006.02: Business correspondence
S00006.03: Correspondence with other writers
S00006.04: Correspondence with artists
S00006.05: General correspondence
S00006.06: Subject files
S00006.07: Correspondence outward
S00006.08: Correspondence relating to the censorship controversy.
S00006.09: Correspondence regarding the death of Margaret Laurence

Series consists of sound recordings of readings, speeches and convocations addresses by Margaret Laurence, interviews with Laurence (includes interview with Helen Trotter re: the Censorship Controversy), tributes to Laurence, recordings of Songs From The Diviners, and other recordings of interviews and presentations of interest to Laurence. Two filmstrips accompany two of the audio cassettes.

Series consists of an interview with Margaret Laurence on the TV news, Laurence receiving an honourary degree from Trent University in 1981, and tributes to Laurence.

The accession consists of 19 boxes of records. 8 series were established: Subject Files: Correspondence & Clippings, Manuscripts, Audio Tapes, Slides, Videos, Photographs and Framed Material, Posters-Paintings-Scrapbooks, Cartographic Materials.

The first two series, Subject Files and Manuscripts were arranged in file folders entitled by Prof. Pollock. The original order was kept and the documents were put into acid neutral file folders and titles were transcribed verbatim. Manuscripts include Pollock's novel Gabriel, plays, poems and the unpublished After the funferal and Soviet journal.

Audio tapes of interviews conducted by Prof. Pollock were not in any particular order. An effort was made to put the related ones together and the titles assigned by Harry J. Pollock were maintained. There are also audio tapes of music for his plays

Slides consist of those that Prof. Pollock used in the plays Night Boat from Dublin and Giacomo de Trieste, these were removed from the boxes and slide carousels and placed in archival slide sheaths. They are listed by play tittle in the original sequence in which they were shown. Duplicate and additional slides are listed according to subject. Titles given by Harry J. Pollock were kept.
The three videocassettes include one entitled Portrait of the artist-is there one who understands me? and two of Japan.

The fonds consists of newspaper clippings of Charles Bothwell Pyper's articles in the Telegram together with telegraphic messages that served as 'hard copy' for his articles from foreign posts; correspondence, and notes; and newspaper clippings from several other newspapers. It includes a typescript of 'Chamberlain and his critics,' as well as earlier drafts, typescripts, some with corrections, of a book on Winston Churchill, and drafts of unpublished dramatic productions by Pyper. The vast majority of the fonds consists of newspaper clippings, notes and related material concerning Pyper's journalism, arranged alphabetically by subject. Some of the subjects included in the fonds are: Clement Attlee, Lord Beaverbrook, the Co-operative Commonwealth Federation, Winston Churchill, Joseph E. Davies, Anthony Eden, the League of Nations, Palestine in the post-war years, the Spanish Civil War, the Suez Crisis, the United Nations, and World War II.

The fonds documents the establishment of Operation Lifeline - Campaign to Save the Boat People and its activities for the period of 1978-1985.

Fonds consists of personal and business correspondence, reviews, notes, drafts and manuscripts of poems and musical compositions which document the career of Robert Casto.

Accession consists of research notes, interviews, and draft and final scripts for "Inventing dinosaurs," a two-part episode of the CBC Radio program "Ideas" that was broadcast on January 17 and 18, 2006.