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Fonds consists of Kathryn Koenig's records pertaining to her involvement in the first Advising Centre in the Faculty of Arts, York University, and includes memos, drafts, and discussions about an advising centre; promotional material; anniversary books by York University.

Fonds consists of the correspondence of Esther Fleischmann regarding the opening of York University, the installation of Murray Ross as President, and the Alumni Association.

The fonds consists of the records of the Office of the Dean, 1963-1983; the Faculty Council, 1969-1991; the Director of Student Programmes, 1960-1987; the Student Caucus, 1976-1985; the Division of Humanities, 1971-1991; the Division of Social Science, 1971-1990; the Dept. of English, 1970-1987; the Dept. of Foreign Literature, 1973-1974; the Dept. of Geography, 1962-1971; the Dept. of History, 1968-1991; the Latin American and Caribbean Studies Programme, 1977-1986; the Dept. of Philosophy, 1966-1986; the Dept. of Physical Education, Recreation, and Athletics, 1965-1992; the Dept. of Political Science, 1969-1987; the Dept. of Psychology, 1969-1988; the Women's Studies Programme, 1974-1987.

The fonds consist of material that documents Rayfield's career as a Professor of Anthropology and, to a lesser extent, her personal life. It includes research files containing copies of published and unpublished manuscripts, conference presentations, drafts of book and article reviews, research notes, professional correspondence, grant proposals, course outlines and a copy of her curriculum vitae. It also includes material such as magazines, film festival programs, reviews of African films, auction and museum catalogues, photograph of African sculptures, newspaper clippings and research notes that documents her ongoing interest in African film and art. Records of a personal nature include correspondence, Christmas cards and obituaries related to her passing.

The fonds documents John Tupper Saywell' university career as well as his research activities in the field of the Canadian political history. The fonds consists of his professorial files, 1969-1979; sound recordings and transcripts, 1935-1961; his photograph collection; research files, [198-]; and political cartoons, [183-]-1993.

Fonds consists of correspondence, contracts, newspaper articles, and musical arrangements created or accumulated by Jack Kane between 1950 and his death in 1961, with some material added or reproduced in subsequent years. The letters focus on his relationship with his fans across Canada and in the United States, particularly during the late 1950s and early 1960s while Kane was appearing on television. The correspondence deals with the popular reaction to Kane's music (including differences in generational tastes between classical and jazz music) and the aspirations of amateur song writers, performers and often their parents seeking advice on getting into show business; much of it was answered in sometimes lengthy letters that include Kane's insights on composing and his decision to stay in Canada after achieving success in New York. One file contains promotional material and contracts with the CBC for "Music makers '58" and "Music '60"; the contracts list the musicians who played with Kane, such as Moe Kaufman, Ellis McClintock, Murray Ginsberg, and John and Joe Niosi. Photographs include promotional portraits and images of Kane with Steve Lawrence and Duke Ellington. This graphic material is considerably supplemented by a photocopied album of newspaper clippings that trace Kane's career on radio and television from 1950 to 1961, as well as national coverage of his death. Three audio discs capture two of Kane's original compositions in 1950 and 1951, as well as his first and last recordings with commercial labels. The bulk of the fonds consists of Kane's musical arrangements with manuscript annotations, arranged by the title of the score and usually attributed to the television show on which it was performed.

Fonds consists of material which documents Friedlander's career as a theatre critic and writer. It includes selected clippings, research material, interview transcripts, yearbooks, personal papers, press photographs, and other materials related to her life's work. The fonds is arranged in the following series:

The fonds consists of material that documents Moore's activities as actor, writer, critic, educator and public servant. It documents his careers with the Canada Council, the British Columbia Arts Council, the Canadian Broadcasting Corporation (CBC), the New Play Society, 'Spring Thaw' and the Charlottetown Festival, and includes correspondence, manuscripts, scores, minutes of meetings, speeches, reports, clippings, photographs and other audio-visual materials.

The fonds consists of agendas of meetings of SSSOCCC, correspondence and reports of organizations that pre-dated Stop Spadina, records relating to Metropolitan Toronto Council, the City of Toronto Council and city departments, and the Province of Ontario, including correspondence with politicians, speeches, minutes of meetings, transportation studies of Toronto and other jurisdictions, and related material. There are financial records and receipts from Stop Spadina, briefs presented by it and others to the Metropolitan Toronto Council Transportation Committee and Executive Committee, reports on planning from city and metropolitan departments (Roads, Public Works, etc.), membership applications and membership lists of Stop Spadina, press releases and newspaper clippings, newsletters of Stop Spadina and community groups, brochures, leaflets and related paraphernalia from Stop Spadina. There are audio recordings of Stop Spadina meetings, interviews with news media, speeches and lectures, and of meetings of city and metropolitan councils. There is also a filmed statement by Jane Jacobs and Marshall McLuhan on Spadina titled, 'The burning would,' (1970).

The fonds documents Clayton Ruby's activities as a lawyer and activist. Records consist of professional correspondence, general files, and subject files. General correspondence is mostly with politicians, colleagues, and the Law Society. Records contained in general files include correspondence and resource materials pertaining to legal and social justice issues, as well as miscellaneous records sent to Ruby. Subject file topics include the Law Society of Upper Canada, the Advocates' Society, Amnesty International, conferences, Law Reform Commission, Canadian Institute for the Administration of Justice, the Charter of Rights Education Fund, the Criminal Lawyers' Association, the Writers' Union of Canada, Ruby's newspaper columns and letters to the editor, and his role as book review editor for the Criminal Law Quarterly. Also included are various photographic portraits of Clayton Ruby.

Fonds consists of personal correspondence (1932-1990), project files (1926-1981), slides, photographs, films, videos, and publications by or about the Beveridges.

Fonds consists of personal diaries, teaching notes and writing, performance and family memorabilia, diplomas, correspondence, sheet music, photographs and audio recordings pertaining to the personal life and professional career of Peggie Sampson, including her early activities as a music student, her work as a professor of music, and her performances on the cello and viola da gamba. These records also document her associations with early teachers Guilhermina Suggia, Donald Francis Tovey, Nadia Boulanger and Pablo Casals, as well as her work with the Manitoba University Consort during the 1960s and the Quatre en Concert in the 1970s. The personal diaries in the fonds span Sampson's time in Edinburgh and London during World War II to her immigration to Canada in 1951 to teach at the University of Manitoba and her employment at York University from 1970 to 1977.

Fonds consists of records pertaining to Dave Broadfoot's career as a Canadian comedian. Records include correspondence, scripts, memorabilia, and videocassettes.

Fonds consists of records pertaining to Howard Buchbinder's activities at York University and his involvement with the Praxis Corporation. The fonds consists of research files, professorial files containing course material (1970-1990), YUFA files (1979-1994), Atkinson College files (1988-1989), correspondence, draft writing and published articles, legal documents and audiovisual materials.

Fonds consists of records accumulated and retained by Malcolmson and Barber and include copies of the Waffle Newsletter, documents pertaining to the NDP convention in Winnipeg in October 1969, resolutions prepared by the Waffle movement for consideration by riding associations, union locals and youth clubs, minutes of meetings of the National Waffle organization, miscellaneous items pertaining to various Waffle groups from British Columbia, Saskatchewan, Manitoba, Ontario and Toronto in particular, discussion and draft policy papers, correspondence between Wafflers, and an off-air excerpt of a CBC documentary about the challenge from the Waffle at the 1969 NDP Convention. Fonds also includes Barber's research notes pertaining to the Liberal Party of Manitoba during the 1960s, and copies of newsletters and Liberal Party conference delegate lists collected by Barber as a member of the Manitoba Young Liberal Association, and a book on Manitoba politics containing a chapter written by Barber on Manitoba's Liberals, 2010.

Fonds consists of material that documents Feldbrill's personal and professional life and includes correspondence from friends, family and colleagues, including letters from Murray Adaskin, Sir Ernest MacMillan, Harry Somers, John Weinzweig and others, fan mail, programmes, pamphlets, newspaper and magazine articles related to his work as a violinist and/or conductor, contracts and biographical material. In addition, it includes a series of scrapbooks maintained by Feldbrill that documents his professional career from 1940 to the present day. There is considerable correspondence between Feldbrill and his wife Zelda Mann that documents their courtship, the couple's life together, and descriptions of Feldbrill's travels. There is a substantial amount of material related to his performances with the Toronto and the Winnipeg Symphony Orchestras and to the years he spent working and teaching in Japan.

Fonds consists of records accumulated and created by David Orin Charles pertaining to his involvement in the production of theatre, film and television in Canada and the United States from 1959 to 2011. The records in this fonds document Charles's early work in theatre as an actor, set designer and lighting director, as well as later work as on-set dresser, set decorator, set designer and prop master for films, television and television commercials. These records are primarily scripts and related production materials that were collected or created by Charles, which include photographs, drawings, architectural drawings, crew and cast lists, storyboards, call sheets, research materials, shooting schedules, budget documents, and correspondence.

Collection was assembled from disparate sources by the York University Archives.

The collection consists of the Ontario Folklore Archives which includes student essays and cassettes of folklore in Canada. Subjects discussed in the student essays include folk medicine, folklore from regions in Ontario and Canada (Oshawa, Ontario, Feversham, Ontario, Newfoundland), from cultural groups (Jews, Ukrainians, French Canadians), musical folklore, social folklore (children’s jokes, urban graffiti), and related topics. In addition, there are recordings on audio cassettes and audio reels of Scottish folk songs and customs, old-time fiddling, songs of the Scottish regiment and of other subjects.

The fonds consists of records which document Caplan’s career as a public affairs commentator, consultant and social activist.

The fonds consists of Germain Bazin's correspondence with publishers (Abrams, J.P. Taillandier, 'Les nouvelles litteraires', Thames & Hudson), museums and art agencies and exhibitions (International Council of Museums, Theodore Gericault Exposition, Lengyel Project), and administrative matters relating to York University. There is also some personal correspondence, 1971-1974.

Fonds consists of Endicott's detailed and extensive research files and drafts pertaining to his books; learning and teaching files; academic correspondence; occasional papers and presentations; and other material. Files are arranged in series as defined by him prior to donation.

Fonds consists primarily of Black's records pertaining to her publications about Virginia Woolf, including "Three guineas" as edited by Black, and "Virginia Woolf as feminist" (including research notes, correspondence, drafts, proofs, and jacket art), and correspondence with Quentin Bell (Woolf's nephew and biographer). Also included are miscellaneous course material, book reviews written by Black, York University's Office of the Status of Women material including a run of "The Second Decade", publication lists created by Black, documents regarding the establishment of the Women's Studies programmes at York, and the enhancement of the Nellie Langford Rowell Library at York.

Collection primarily consists of Witmer's audio-visual field recordings of interviews and musical performances, in addition to students' ethnomusicology research field recordings. His research files as an ethnomusicologist are also included and consist of lists, indexes, musical scores, notes, interview transcripts, programs, essays, newspaper clippings, song books, correspondence, and newsletters.

Fonds consists of Lindstrom's professorial and scholarly research files throughout her career, as well as records documenting her academic activities. Research files pertain to her publications and monographs such as "Defiant Sisters : A Social History of Finnish Immigrant Women in Canada, 1890-1930" (both the English and Finnish editions), and "From Heroes to Enemies : Finns in Canada, 1937-1947," as well as book chapters, articles, papers, presentations and lectures, and her involvement with the National Film Board production "Letters from Karelia," and subsequent research. The research files span the activities of Finnish and Finnish-Canadian organizations across the political spectrum, such as the Finnish Organization of Canada (left wing), and Loyal Finns in Canada (right wing). Records include oral history interviews (audio cassettes and transcripts), research notes, clippings, a significant and extensive number of photograph and letter collections passed down through generations of Finnish Canadians, diaries, correspondence, publication drafts, academic and professorial notes, microfilm of Finnish language newspapers published in Canada and archival records, financial records of Finnish-Canadian organizations such as newspapers and post-World War II relief funding bodies, scrapbooks, photocopies of rare and unusual documents such as two volumes of a Soviet register of Finnish War Crimes, a list of persons found in the mass grave at Karhumaki, and Soviet lists of North American Finns who journeyed to Karelia to help build a socialist utopia there, academic and professorial files, publicity files, files pertaining to her work with the School of Women's Studies, and her own papers as a university student. The fonds also includes letters written by Lindstrom as a newly-arrived teenaged immigrant to Canada to her best friend in Finland; many of these letters were published in Finnish with English translation in 'Letters from an immigrant teenager' in 2012.

Fonds consists of records pertaining to Frank Barrett's work as a university professor and his research and writing in the field of geography. These records include undergraduate and graduate essays, published papers, drafts, presentations, grant files, research materials including reproductions of maps and atlases, photographs, audio cassettes, videocassettes, teaching files, course notes, correspondence, raw data and questionnaires from Barrett's housing studies, as well as Atkinson College Geography department newsletters. The fonds also includes correspondence, book proposals and prospectus, drafts, and reviewers' comments for Barrett's "Disease and Geography: The History of an Idea".

The fonds mainly documents J. David Wood's activities as a student, research geographer/historian and instructor. Records consist of undergraduate course notes, research notes, correspondence, maps, and photographs relating to his 1958 M.A. thesis, "The Historical Geography of Dumfries Township, Upper Canada, 1816-1852", his 1962 Ph.D. thesis, "The Geography of the Nithsdale-Annandale Region, Dumfriesshire, 1813-1816" and other published articles. Also included are teaching notes from Edinburgh University, 1957-1961 and the University of Alberta, 1964-1965, and records concerning his consultancy work on the external review of the Undergraduate Environmental Studies Program at York University in 2000.

The fonds consists of correspondence and financial statements of the Senior Common Room, 1969-1976.

The fonds consists of the technical reports deriving from research projects sponsored by the Joint Programme in Transportation of the York University Transport Centre.

The fonds consists of the records of the Council of the York University Alumni Association, 1964-1988.

The fonds consists of records pertaining to the York University Associate Vice President (Management and Information Systems).

The fonds consists of the records relating to York Youth Connection, 1975-1984.

Fonds consists of research sources, articles, reports, publications, political ephemera, correspondence and maps related to Wurfel's activities as a researcher in South East Asia. In particular, the materials relate to research funded by SSHRC between 1984-1985 to study of Japan and the Philippines and a 1994-1995 Mombusho grant to study Japanese NGOS in SE Asia, although there is material relating to earlier field research in the 1950s. Materials include research materials and resources specifically dealing with the Philippines, Vietnam, Japan, Thailand, Cambodia, Burma/Myanmar and Indonesia including the work of NGO (Non-governmental organizations) in these countries, the reputation and imagery of the Japanese in the Philippines, agrarian policies and reforms, foreign policy, and federal elections in the Philippines.

The fonds consists of a set of index cards listing information on services, faculties, departments, and activities in the University.

Fonds consists of a photocopy of a typescript and photographs of the history of the Schreiber family.

Fonds consists of a handwritten poem entitled, Letter to Dave Meltzer.

The fonds consists of letters (1919-1922) to Lieut.-Col. Aikin from his young daughters, Ethel, Flora, and Dorothy; his wife, Olive; and someone from Glasgow named Isabella. It seems that the family lived in Saskatoon while the father was working in Winnipeg. The letters also mention another daughter, Catherine. There are a couple of other more formal pieces of correspondence with government departments dating 1949 and 1955.

The fonds consists of Calumet College graduation photographs, 1981-1986.

The fonds consists of a single, four page letter, dated 1855 November 16, addressed to Father, Mother, Brothers & Sisters, describing Thomas Adams' trip from Straffordville to Toronto in November, 1855.

Fonds consists of material that documents her personal and professional life with emphasis on her career as a writer and film maker. It includes correspondence and subject files, publicity files, research and writing files, production files and other material that documents her life and work on such films as True Confections, Wisecracks, Watching Movies and Abortion: Stories from North and South. It also includes day books, notebooks and diaries documenting daily events and appointments, drafts of articles written by Singer including material related to her story for Saturday Night on mercury poisoning and personal correspondence including greeting cards. There is also a considerable amount of audio-visual material creating during the making of her documentary films including interviews for her films Watching Movies, You Can't Beat a Woman and Wisecracks.

Fonds consists of records of Pittman's work in film and television and includes scripts, storyboards, correspondence, financial records, publicity material, shooting schedules, edit sheets, research material, grant applications and other related material. It includes photographs taken during the production of a number of his films and audio-visual records in various formats that document the various stages in the making of film and television productions with which Pittman was involved. There is considerable material relating in particular to "Shattered City." The fonds also includes a series of audio recordings of interviews conducted by Pittman for "Saturday Night at the Movies" with film directors including Bernardo Bertolucci, Robert Altman, and Norman McLaren, among others.

Fonds consists of material which documents Leckie's career as a writer and director and includes personal and professional correspondence, notes, drafts and outlines of scripts, production files, research files, press clippings, photographs and publicity material of many of the productions that he worked on including related audiovisual material.

The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:

Collection consists of publications, policy statements, research reports, conference and educational documents, and newsletters accumulated by Professor Linda Briskin in the course of her research on women and equity in organized labour in Canada. The documents were published by or about local, provincial, and national organizations, including the Canadian Labour Congress, provincial federations of labour, Canadian and United Auto Workers, Canadian Air Line Employees' Association, Canada Employment Immigration Union, the Communications, Energy and Paperworkers Union of Canada, the Committee for Cleaners' Rights, International Ladies Garment Workers Union, Metro Labour Council, Union of Provincial Government Employees, Canadian Union of Public Employees, Ontario Secondary School Teachers' Federation, Public Service Alliance of Canada, United Steelworkers of Canada, Registered Nurses Association of Ontario, and the Windsor Hospital Clerical Workers Union of Canada. The collection deals with equity in collective bargaining units, including issues of sisterhood and solidarity, education, human rights, anti-racism, aboriginal issues, affirmative action, violence against women, and the impact of technological change.

Fonds consists of Zdenka Volavka records accumulated and created over the course of her professorial career. The majority of files consist of annotated photocopied material obtained through interlibrary loans (the card catalogue indexing this material was prepared by Zdenka's long-time assistant, the late Charlotte Carrol). Files also contain material related to her involvement at York University and her research on the kingship and royal ritual in Ngoyo, Africa.

Fonds consists of project files created by William Wicken through his work as researcher and expert witness in projects and legal cases involving Mi'kmaq treaties, and their rights to hunt, fish, and trade. The files include correspondence with counsel for the Crown and the defense, reports on Mi'kmaq society and land treaties based on original research using archival and published documents, legal and historical opinions on the interpretion of treaties and unexhausted rights under section 35 of the Canadian Constitution, and reproductions of documents used in provincial and appeal courts in Nova Scotia, New Brunswick, Newfoundland, and the Supreme Court of Canada. Some files deal with issues of governance, and negotiations with the federal departments of Indian and Northern Affairs, and Fisheries and Oceans. Other files contain information on aboriginal title research involving the Mi'kmaq of Gaspe and Prince Edward Island. The fonds also includes Wicken's research notebooks from 1994 to 2002, and his daily appointment books from 1993 to 2007. The fonds offers considerable information on research into aboriginal land titles in Atlantic Canada and Quebec, and the major role played by professional historians in addressing issues of legal rights and cultural identities.

Fonds consists of records created during Harry Boyle's career as a broadcaster, including: sound recordings of programmes, interviews, and speeches; transcripts of speeches (1968-1973) delivered while working for the CBC and the CRTC; personal and administrative files while chairman of the CRTC and during his tenure at the Banff School of Fine Arts. There are files related to the writing and publishing his books, and articles and stories published during his years as a journalist with the Toronto Telegram. Also included are items from Boyle's library about communications, broadcasting, and advertising. The records accessioned following his death in 2005 also include: files regarding Boyle's involvement with the Stephen Leacock Medal for Humour and the Leacock memorial dinner; articles by or about Boyle; scripts for the CBC's Farm Department and articles on Canadian agriculture; manuscripts for "Memories of a Catholic boyhood" and "Dreams stronger than death; correspondence and subject files for the Boyle family, his career as a writer and broadcaster, the work of leading Canadian personalities; honours and awards; research and writing on a wide variety of topics; and internal memoranda from the CBC.

Fonds consists of records that document Principe’s activities as the editor of the Italian Canadian newspaper Forze Nuove, as a political activist and a scholar. The fonds has been arranged into eight series.

Fonds consists of textual materials, published articles, blog posts, correspondence, genealogical records, photographic material and personal items created or accumulated by Lynn Gehl in the process of her work as an academic, scholar and community activist.

Fonds consists of photographs documenting the journalistic activities of Excalibur at York University.

Fonds consists of research notes, newspaper clippings, reports, publications, correspondence, and photographs pertaining to Portuguese emigration and the Portuguese experience in Canada compiled by Professor Higgs in connection with his scholarly work and teaching on Portuguese history and his collaborative work with Grace Anderson.

The fonds consists of material which documents Williamson's career as a fine arts bibliographer, librarian and instructor along with associated professional and scholarly activities. It includes correspondence and reports prepared for collection acquisitions (e.g. Germain Bazin library, archives and postcard collection), other library initiatives, interactions with various library departments, and departments in the Faculty of Fine Arts including visual arts, dance, and theatre; material related to her work on YUFA, PLAYU (Professional Librarians Association of York University), the Librarians' Group, and other York University and library committees; exhibition catalogues, monographs, articles and conference presentations authored by Williamson; and research materials, grant files and teaching files.
The fonds also includes a collection of letters and photographs that Williamson sent home during her stay at various summer camps between 1940 and 1951, material related to the Moore Park Ratepayers' Association, and a collection that Williamson acquired consisting of 63 photocopied letters from literary and artistic figures in Canada such as Susanna Moodie and George Munro Grant, addressed to Louisa Murray (1818-1894), literary critic and writer on feminist issues.

Fonds consists of videotaped performances of a wide variety of folk musicians at the Mariposa Folk Festival and other venues for broadcast on Rogers' "Highway 10" cable television show, as well as some videocassettes provided by the Mariposa Folk Festival for promotional purposes

Fonds consists of material that documents Hoffert's career as a composer, musician, author and arts administrator and includes musical scores from the 1950s to the 1990s, audio-visual recordings, administrative files, photographs, clipping and other memorabilia, copies of awards, diaries, e-mail correspondence, drafts of his books and other material.

Fonds consists of personal and professional correspondence, clippings, programmes and related material that document Grossman's career as a dancer with the Paul Taylor Dance Company as well as the founding of the Danny Grossman Dance Company. It also includes contracts, grant applications and other financial records, citizenship papers, passports and other collected ephemera.

Fonds consists of film elements and finished products of three documentary films by Marshall Golden (1962-2010), completed while a Film Studies student at York University. Also inculdes photographs of Marshall as a university student and young man.

Fonds mainly consists of material relating to Vincent Vaitiekunas career as a film maker and includes production notes, scripts, correspondence and film reels.

The fonds consists primarily of colour slides and black and white negatives that chronicle Lawson's activities over 25 years as a CBC production designer, particularly with colleague and friend, producer Norman Campbell, and their collaborations for CBC artistic television productions such as The Gondoliers (1962), Romeo and Juliet with Celia Franca (1965), Hansel and Gretel with Maureen Forrester (1970), Giselle (1975), Cinderella with Veronica Tennant, Jeremy Blanton and Lois Smith (1968), Swan Lake with Erik Bruhn and Lois Smith (1961 and 1967), the Nutcracker with the Royal Winnipeg Ballet (1974), la Rondine with Teresa Stratas (1971), The Wonder of It All (1972), and the Karen Kain Super Special (1978). Other programs documented include More Joy in Heaven (1964), Hatch's Mill, The Masseys, Stephen Leacock, Wayne and Shuster television specials, A Case for the Court, Troubled Heart, Wojeck, and The Road among other programmes. There are also previously unseen photographs of pianist Glenn Gould with violinist Yehudi Menuhin in 1965, and in conversation with Bruno Monsaingeon in 1980. The photographs include many candid shots of iconic Canadian stage and television personalities including Gordon Pinsent, Celia Franca, Karen Kain, Veronica Tennant, Nadia Potts, Erik Bruhn, Norman Campbell, Wayne and Shuster, Christopher Plummer, Maureen Forrester, Margot Kidder, Robert Farnon, and others. Records also include some storyboards, drawings, slides and notes related to the Chroma-Key technique developed by Lawson and Campbell, program reviews, clippings, complimentary and congratulatory letters to and from Lawson, and about Lawson's work.

Fonds consists of VHS videocassettes containing raw footage of interviews with Portuguese Canadians about the Portuguese-Canadian immigrant experience.

Fonds consists of files from various positions Lewis held throughout his career, including correspondence, research documents and clippings covering a wide range of political issues, draft articles, and notes from his reporting days for Time Magazine and Maclean's, as well as editorial planning and management-related operational files from Maclean's. Also included are correspondence files, reports, budget files and strategic planning documents from his content development position with Rogers Media. The fonds also contains minutes and notes from York University's Board of Governors committee meetings. Personal files and speeches, including notes and drafts, are also part of the fonds, which includes 187 notebooks and planners used by Lewis for his research, note-taking, and scheduling. Press and magazine clippings that Lewis collected from various print and online publications are dispersed throughout the fonds. The fonds includes episodes of Maclean's and OMNI television, and other moving image recordings on videocassette.

Fonds consists of material that documents Davey's career as a writer, director and producer. It includes film proposals, scripts, contracts, research, interview transcripts, photographs, publicity material, productions files, financial records, audio-visual records and other material related to the productions "Locked in - locked out," "Investing in yourself : women, money and self-esteem," "Helen Lucas ... her journey - our journey" and "Michele Landsberg ... iron in her soul," among others.

Fonds consists of records created and maintained by Robert Greer Allen pertaining to his personal and professional activities, specifically his work as a producer and executive producer for programs on Canadian Broadcasting Corporation (CBC) radio and television from the 1940s to the late 1980s, his experience as a radio scriptwriter (working with wife Rita Greer Allen) in the 1940s, and his early life and childhood. These records include scripts, production materials, photographs, architectural drawings, personal and career memorabilia, correspondence, memoranda, day planners, research materials and administrative files.

Fonds consists of records created and maintained by Rita Greer Allen pertaining to her career as a freelance writer, researcher and broadcaster for radio and television, her work as an artist and sculptor, and her interest in and research about Jungian psychology. These records document Greer Allen's writing of dramatic and documentary scripts for radio and television in the 1940s, 1950s and 1960s, particularly her adaptations of short stories, novels and plays. Radio scripts written in the 1940s in collaboration with her husband, Robert Greer Allen, are also part of this fonds, as are scripts, audio recordings, interview transcripts and research materials pertaining to Greer Allen's writing, production and on-screen presenting work in the 1960s and 1970s for Canadian Broadcasting Corporation (CBC) television program "Take 30". Correspondence and contracts pertaining to her work are included in the fonds and illustrate the long-term freelance nature of Greer Allen's radio and television writing for the CBC, the National Film Board of Canada (NFB), the British Broadcasting Corporation (BBC) and others. The fonds documents Greer Allen's lifelong interest in art, particularly her work in the 1970s and 1980s as an artist and sculptor of raku pottery. Personal records, correspondence, research files and records pertaining to Greer Allen's travels are also included. Records in this fonds are correspondence, scripts, transcripts, notes and notebooks, photographs, audio recordings, day planners, artwork, research materials, newspaper clippings, posters, and personal memorabilia.

The fonds documents the activities of the York University chapter of Pollution Probe for the period 1969-1973. It includes correspondence with members and the central organization, some financial records, reports, subject files, newsletters from other Pollution Probe chapters, newspaper clippings, photographs and posters.

The fonds consists of records created by Sydney Eisen in his capacity as a professor and university administrator in the Department of History and Humanities at York University as well as is research pertaining to Victorian Studies and Frederic Harrison, and involvement with the Victorian Studies Association of Ontario and the Centre for Research of Latin America and the Caribbean. Types of records include subject files, academic and professional correspondence, course outlines, lecture notes, research notes, committee minutes, and student references.

Consists of Dosman's project records and research files pertaining to his critically-acclaimed biography of Raul Prebisch. There are project correspondence files including photographs, notebooks, letters and notes from Prebisch's widow, interview files, and secondary biographies; special correspondence files between Prebisch and his colleagues and contemporaries; unpublished transcripts of Prebisch's "conversations" with colleagues; tributes on the occasion of Prebisch's death; manuscript drafts; copies of Prebisch texts and writings; considerable rare secondary source material from Argentina, Chile and other South American countries, CEPAL, critics and scholarly papers; correspondence files; government documents; office correspondence between CEPAL Santiago to Washington (primarily when David Pollock was Director of the Washington office of CEPAL during the period when Prebisch was resident in Washington and advisor to Enrique Iglesias, Executive Secretary of CEPAL); World Bank library documents; IMF library documents; UNCTAD correspondence and documents; Prebisch's office correspondence files; press clippings; and other material.

The fonds documents bissett’s activities as a poet, visual artist, musician and editor.

Fonds consists of script drafts, outlines, pitches, research notes, oral history interviews, personal material and correspondence created and accumulated by Rob Forsyth, related to his activities as a script writer for television, film and radio.

Highlights include research material and drafts for Forsyth's writing projects, many which focused on social issues, including : homelessness, unemployment, racism, Indigenous culture and land rights, labour and mental illness. Also includes historical research, photographs and oral history interviews made with WWII veterans for his film projects "Gunners", "D'Artois", and "P.O.W./U.S.A."; research material on John Williamson, founder of the Williamson David Diamond Mine in Mwadui, Tanganyika (now Tanzania); material regarding John Ware, a former slave who established successful cattle ranches in Alberta at the turn of the century; and photographs and research regarding Dr. Lucille Teasdale and St. Mary's Hospital in Lacor, Uganda. Also includes scripts submitted to Forsyth for editing, script-doctoring and appraisal by other writers, producers and directors; personal day journals; teaching materials; creative writing and video recordings of pre-production filming and network broadcasts of his work.

The fonds consists of literary and academic manuscripts collected or written by True Davidson, research files, political files, files related to the Bootmakers (Sherlock Holmes club), correspondence files, personal files, newspaper clippings, photographs, journals/yearbooks, and a scrapbook regarding True Davidson's years as the mayor of East York, as well as her black belt in karate.

Fonds consists of handwritten notes for Didi Khayatt's doctoral thesis, "Lesbian teachers : an invisible presence," typescript transcripts of interviews with teachers conducted between 1982 and 1985, correspondence with study participants, and an unbound copy of her thesis, August 1991.

Fonds consists of correspondence, manuscripts, typesets, cover art, notebooks, video and audio recordings, research materials, photographs, published journals and copies of articles and interviews about Zolf and her poetry. The records document Zolf's work as a poet, editor, critic and as a documentary and experimental filmmaker. Poetry files provide information about Zolf's work in researching, financing, writing, editing and publishing her poetry and her relationships with other poets. Editing files document Zolf's work as a freelance editor and as the founding poetry editor for The walrus magazine. Video production files document Zolf's work as a researcher, producer and director of documentary and experimental video and film.

Fonds consists of research notes, correspondence, screen plays, draft notes, shot lists, cast lists, crew lists, shooting schedules and other material created and/or accumulated by Zukerman in his work as a producer. Fonds also includes copies of scripts sent to Zukerman for his consideration and personal records including diaries, income tax records and other material.

Fonds consists of records documenting Brian Freeman’s career as a writer and producer of plays, television and film. Records include scripts, script reports, notes, outlines, correspondence, subject files, promotional materials, photographs and moving image recordings.