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Fonds consists of records documenting the personal and professional experiences of Don Simpson from the 1950s to 2011 in countries around the world. Records include correspondence, notebooks, reports and toolkits, speeches, resource material, memorabilia and other records relating to his activities in a wide range of educational, social justice, development, government and business innovation organizations. Topics covered include international education and cross-cultural understanding; international development and health; the rights of Canada's Aboriginal peoples; the history of African-Canadian communities; environmental issues; innovation in business and the non-profit sector; human resources development; and economic development from Alberta to China and Africa. Fonds also consists of personal correspondence, family photographs and memorabilia relating to Simpson's personal and family life.

Fonds consists of material related to Virginia Rock's research for her doctoral dissertation and other academic writing pertaining to the Twelve Southern Agrarians. Records include research notes and index cards, photocopies of newspaper clippings, book reviews, literary criticism, journal articles, and photocopies of material written by or about the Southern Agrarians regarding their lives and work, as well as their correspondence with Rock. The fonds also contains Rock's personal and professional correspondence, drafts of Rock's final dissertation and articles, records concerning her involvement with the Canadian Women's Studies Association, as well as materials pertaining to Rock's work as a professor at York University, including information about Stong College, syllabi, course kits and reading lists, information about symposiums she attended, and items relating to her work as an instructor and advisor for the Graduate Women's Studies Programme. Also included in the fonds are records pertaining to Rock's experience teaching American literature as a Fulbright visiting professor at Jagiellonian University in Krakow between 1962 and 1964. These records, which include photographs, correspondence and memorabilia, document Rock's activities while in Poland as well as her return visits to Poland in later years and her general interest in the country. An issue of the Polish magazine "Ameryka," featuring an article about Virginia Rock, has been added to Special Collections; an English translation is available in the fonds.

Fonds consists of records pertaining to the life and work of social scientist Eric Trist. Records include photographs and textual material pertaining to Trist's early life and education in Dover, England, student records from his time at Cambridge and Yale Universities, and material related to his career as a theorist and academic in the fields of psychology and organizational development. These latter records consist of publications, presentations and other writings authored or co-authored by Eric Trist, records pertaining to Trist's teaching career in both the United States and Canada, and material related to the Tavistock Institute of Human Relations, of which Trist was a founding member.

Fonds consists of records pertaining to the life and work of Canadian-Scottish Jazz musician and Toronto Jazz Festival founder, Jim Galloway. Records include those pertaining to his early life in Scotland, his work as a booking agent and radio host with CKFM, his administrative roles with the Toronto Jazz Festival, and his life as a performing saxophonist. In addition to the administrative contracts, correspondence, notes, travel records, gig and festival memorabilia, sheet music, and other records pertaining to Galloway's career, the fonds includes extensive audio recordings of Galloway's radio show, Toronto Alive, as well as various other recordings created or compiled by Galloway throughout his career.

Fonds consists of research material created and collected by Wenona Giles as part of her anthropological studies of Portuguese migrant women in London, United Kingdom, and Toronto, Canada. Fonds includes, field notes, interview transcripts, questionnaires, reports and other collected research material.

Fonds consists of Endicott's Waffle records and includes such items as correspondence pertaining to, and seeking support for, the position paper "For and Independent Socialist Canada," a chronological survey of documents dealing with the Waffle and public reaction as created by the Canadian Labour Congress, documents leading to the Waffle Manifesto, financial documents, supporting material, news clippings, resolutions, and so on.

The fonds consists of governance records (bylaws, letters patent, incorporation documents), newsletters, minutes, financial records, Finnish studies scholarship files, cultural activity files (musical events, lectures, film showings, symposia), fundraising files pertaining to CFFEF (Canadian Friends of Finland Education Foundation), miscellaneous files, FINNSTAUT (Finnish Studies Alumni Association at University of Toronto), membership files, CFF branch files, and some photographs.

Fonds consists of records created by Marc Stein in the course of his activities as a teacher and administrator, including a draft history of gay, lesbian, bisexual, transgender and queer activities at York University from the 1960s to 1979, articles clipped from the student newspaper, Excalibur, concerning police harassment, women’s liberation and homophiles, student and media attitudes toward gays, and campus housing, and newsletters of the York University Homophile Association, 1970-1971, that were given to Stein when he was appointed Sexuality Studies Coordinator; records of the Sexuality Studies Committee pertaining to support for the program proposal, governance of the program, status of courses, proposal for certificate and minor programs, course enrolment, course instruction and designations, special events such as lectures and film nights, development of a course rubric, supplemental calendars for 2006-2010, minutes of Council meetings, a bibliography of faculty publications and productions, printed email correspondence, course proposal forms, award proposal forms for student academic performance, student lists, statements of revenue and expenses, the proposal to develop an option to major in Sexuality Studies; and course syllabi.

Fonds consists of records created by Sig Gerber in his role as producer of several series for the CBC. Gerber's production responsibilities included overseeing the creative aspects involved with story proposals, research, script writing, and direction for each episode, as well as the management of technical components and financial resources. The fonds contains other documents related to the series' production, including reports, correspondence, meeting notes, handwritten notes, scripts, videocassettes, and promotional items, as well as reports on the CBC's broadcasting policies and the network's promotional material. Also included in this fonds are materials pertaining to Gerber's work as a trainer for the CBC Training and Development Department, miscellaneous internal CBC memoranda (1968-1996), and a file of ephemera and photographs from Gerber's time working at CHUM Radio in Toronto (1961-1964).

Collection consists of conference material, documentary film footage, and textual material related to the scholarship, legacy and cultural impact of Barbara Godard, donated to the archives by former students, colleagues, family members and friends.

Collection consists of promotional material, family documents, correspondence, news clippings, recordings of public lectures, television and radio appearances and newsletters created by or regarding Dr. Robert S. Mendelsohn.

Fonds consists of records created and accumulated by the Canadian Speakers' and Writers' Service Ltd. over the course of over 50 years as a literary agency and management company for writers, public speakers, and actors.

The bulk of the records consist of client files which includes correspondence to and from clients; correspondence with publishers, media, sponsors of talks, radio and television producers; publicity material relating to clients including resumes, headshot photographs, schedules, travel arrangements; newspaper clippings; reader's reports; royalty statements; and contracts. There are also audio cassettes and video cassettes of interviews and recordings of the work of some CSWS clients. Notable clients include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

There are also general correspondence files, business records (including office diaries for the period, 1951-1965), manuscripts (from clients and unsolicited), and print materials (publishers' catalogues, anthologies of plays, newsletters, copies of labour agreements between the Canadian Broadcasting Corporation and ACTRA, and clippings). There is a series of records related to CSWS Ltd. founder, Matie Molinaro, documenting her early life in New York and her work as a war correspondent during the Second World War. Also included is a series devoted to records related to Marshall McLuhan and his estate, long-time clients of CSWS Ltd, which includes correspondence, contracts, notes, drafts, clippings, offprints, photographs, and ephemera.

Fonds consists of professional and personal records created and accumulated by Lawrence ‘Larry’ Grossman as Member of Provincial Parliament for the Toronto riding of St. Andrew-St. Patrick (1975-1987), leader of the Progressive Conservative Party of Ontario (1985-1987), and his career activities following his exit from political office. Includes: correspondence; meeting minutes; research notes; briefing notes; reports; subject and clippings files; campaign materials and schedules; speeches; portraits and event photographs; audiovisual recordings of his television and radio appearances and interviews.

The records in this fonds document his contribution and involvement in the “Big Blue Machine” of the Progressive Conservative Party of Ontario, the numerous Cabinet portfolios he held in the governments of Premier William ‘Bill’ Davis, his two campaigns for leader of the Party, and the end of the Progressive Conservative Party of Ontario’s forty-two years in government (1943-1985) and the adjustment of the Party’s new role as Official Opposition.

The fonds also includes materials belonging to his father, Allan Grossman, kept by Larry following his father’s death in 1991.

Fonds contains the following series:
S00698: Political files
S00699: Progressive Conservative Party of Ontario files
S00700: Personal files
S00701: Allan Grossman materials
S00702: Audiovisual materials

Fonds consists of records pertaining to Forer’s work as a scientist and as a professor in the Department of Biology at York University, including course materials, lecture notes, grant applications, correspondence, photographs and drawings. Also included in the fonds are video recordings of Forer lecturing on cell division for five episodes of CTV’s “University of the Air: textbook to real life” program, recorded in 1974 and aired on television in 1978.

Fonds consists of records documenting Barbara Rahder’s graduate studies at the University of Toronto’s Department of Urban and Regional Planning, her work as a professor and member of the Faculty of Environmental Studies at York University, her planning consultancy projects in the 1980s and 1990s, her scholarly writing and participation in conferences and workshops, and her involvement with the activities and conferences of Planners Network and the International Network for Urban Research and Action. Records in this fonds include papers, reports, proposals, notes, notebooks, photographs and photographic slides, research materials, conference materials, technical drawings, correspondence, e-mail, lecture notes, and course materials.

Fonds consists of textual records created and accumulated by Maj. Burke in his role as Secretary of the Gurkha Welfare Appeal (Canada). Files related to the operations of the GWA(C) in Canada include financial statement, reports, audits, meeting minutes. The fonds also contains copies of reports, meeting minutes, newsletters, and promotional material for the Gurkha Welfare Trust in the United Kingdom. Files related to the promotion of the GWA(C) in Canada also include photographs, souvenir items, post cards, and maps and other material related to Nepal tourism. Files related to the projects of the GWA(C) in Nepal, including the Area Welfare Centres, schools for the blind, bridges, and water projects, consist of records such as photographs, maps, and reports. The fonds also contains published material including booklets and pamphlets about the Gurkhas and a copy of a Ph.D. dissertation on Gurkha history. Fonds also contains two medals, a plaque, military lapel pins, and three videocassettes.

The fonds partially documents Fernand Ouellet's research and writing activities for the period 1956-1984. It mainly includes correspondence, notes, manuscripts and archival material collected in the course of his research.

Collection consists of publications, policy statements, research reports, conference and educational documents, and newsletters accumulated by Professor Linda Briskin in the course of her research on women and equity in organized labour in Canada. The documents were published by or about local, provincial, and national organizations, including the Canadian Labour Congress, provincial federations of labour, Canadian and United Auto Workers, Canadian Air Line Employees' Association, Canada Employment Immigration Union, the Communications, Energy and Paperworkers Union of Canada, the Committee for Cleaners' Rights, International Ladies Garment Workers Union, Metro Labour Council, Union of Provincial Government Employees, Canadian Union of Public Employees, Ontario Secondary School Teachers' Federation, Public Service Alliance of Canada, United Steelworkers of Canada, Registered Nurses Association of Ontario, and the Windsor Hospital Clerical Workers Union of Canada. The collection deals with equity in collective bargaining units, including issues of sisterhood and solidarity, education, human rights, anti-racism, aboriginal issues, affirmative action, violence against women, and the impact of technological change.

Fonds consists of records documenting Bruce Allen Powe's work as a writer of fiction, reviews and articles, his work as Executive Director for the Ontario Liberal Association, and his public relations career and freelance work for Powe Communications. Records include journals, day planners, notebooks, correspondence and e-mail, research files, scrapbooks, manuscripts and other draft writing, and career-related memorabilia. Also included in the fonds are family photographs and personal memorabilia; Powe's M.A. diploma, thesis and related research files; files, memorabilia and photographs pertaining to his World War II military service; and photographs, memorabilia and other records pertaining to Powe's trip to Ghana in March 1957 as associate private secretary to the Canadian Minister of Mines and Technical Surveys.

Fonds consists of correspondence, minutes, reports, brochures and other material that documents Rubin's involvement with the International Theatre Institute.

The fonds mainly documents John Montgomery Barber's activities as member of the National Council of Welfare.

The fonds consists of Germain Bazin's correspondence with publishers (Abrams, J.P. Taillandier, 'Les nouvelles litteraires', Thames & Hudson), museums and art agencies and exhibitions (International Council of Museums, Theodore Gericault Exposition, Lengyel Project), and administrative matters relating to York University. There is also some personal correspondence, 1971-1974.

Fonds consists of the research files and reference material used by Frances Dafoe in her capacity as a costume designer for theatre, television production, performances and figure skating competitions.

Fonds consists of correspondence, reports, People or Planes (POP) Committee organizational files, and environmental and agricultural files related to efforts to stop the establishment of the proposed Pickering airport by the federal government.

Fonds consists of transcripts of interviews with Portuguese immigrants, collected ephemera, notes, research material and photographs related to Domingos Marques' activities as a activist, newspaper editor and municipal politician within the Portuguese community of Toronto. Includes issues of the Portuguese community newspaper "Comunidade".

The fonds consists of records pertaining to Henry Silton Harris' activities as author and educator. It includes his manuscripts, correspondence, research and lecture notes, teaching files, and his graduate and undergraduate studies files.

Fonds consists of dance notations recorded using Labanotation or Kinetography Laban, created or acquired by Mary Jane Warner and used in her work as a professor of dance. The notations take the form of manuscript symbols hand-drawn by Warner while a student at Ohio State University (including Labanotation for her dissertation), photocopies of works produced by other notators, and printed works published by the Dance Notation Bureau and the Royal Academy of Dancing. The notations are grouped according to elementary, intermediate, and advanced readings, with titles that often include the name of the choreographer and, in some cases, the notator. The works of Doris Humphrey, Ray Cook, Anthony Tudor, George Balanchine, Muriel Topaz, and Ann Hutchinson Guest figure prominently among the notations. The fonds also includes Warner’s lecture notes on the history of dance notation and Labanotation, material on teaching dance, notes for a lecture on E.A. Theleur’s "Letters on dancing : reducing this elegent and healthful exercise to easy scientific principles" (London, 1831), and programs and proceedings from various international conferences on Labanotation and Kinetography Laban.

Fonds consists of research material, notes, drafts, edited manuscripts, and proof pages for M.G. Vassanji's novels, collections of short stories, and non-fiction; scripts for an unfinished television project, "The Abdullah quartet"; unpublished drafts of poems and fragments of stories; research material on politics, religion, violence, and society in India from historical and contemporary perspectives, and arrangements for Vassanji's visits to India; drafts of his articles for Maclean's on social unrest in Africa; and drafts of his lectures on writing, cultural identities, and diversity given in Canada and Great Britain. The fonds includes professional correspondence with publishers and others, copies of articles related to his work, memorabilia about his literary career, publicity material related to his writing and to awards, and correspondence regarding his work as a teacher of writing. The fonds also contains material regarding his academic and professional activities as a nuclear physicist including course outlines, notes, essays, and offprints of articles authored or co-authored by Vassanji.

The fonds consists of records pertaining to Barbara Sternberg's activities as an artist, teacher, writer, and activist. In addition to subject files containing materials related to her films, the fonds includes posters, reviews, catalogues, programmes, research and drafts of unrealized projects, course, project, and grant proposals, as well as publications by and about Sternberg. It also includes conference and workshop materials, pedagogical documents, drafts of Sternberg's Cinema Canada column, materials related to screenings, exhibitions, and festivals, as well as correspondence with friends and colleagues, including contemporary Canadian experimental artist Michael Fernandes and former Canadian Parliamentary Poet Laureate George Elliott Clarke. Records of a personal nature are predominantly limited to correspondence.

Fonds consists of records pertaining to Michael Davey's work as an artist and professor at York University. Included are course descriptions; exhibition catalogues and invitations; donation agreements; portfolios of drawings, photographs, and paintings; and sculptures of 9 hockey blades and a granite puck sandblasted with the image of Maurice Richard's and Gordie Howe's eye and elbow.

The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:

Collection primarily consists of Witmer's audio-visual field recordings of interviews and musical performances, in addition to students' ethnomusicology research field recordings. His research files as an ethnomusicologist are also included and consist of lists, indexes, musical scores, notes, interview transcripts, programs, essays, newspaper clippings, song books, correspondence, and newsletters.

The collection consists of materials related to Joyce Wieland acquired from various sources. Records include a small amount of correspondence; obituary notices and program for the Wieland funeral; press clippings and articles on the work of Joyce Wieland; photographs of Wieland, her friends and family; personal ephemera relating to Wieland; photographs taken at a drawing workshop led by Wieland in St. Michael's, Newfoundland; records and scripts pertaining to Wieland's film "The Far Shore" as well as notes by Wieland about the film; photographs used in the Jane Lind biography of Wieland; small works of art done by Wieland such as sketches, drawings and paintings.

Fonds consists of 327 letters written by Liisa Lumiala to her friend Terttu Hansen between 1943-1979, ending a few months before Liisa's death from cancer. The first set of letters until 7 March 1948 were written from various places in Finland, as Liisa and her family were moved around by the government from one residence to another. The next set of letters, covering the time period 22 March 1948 to 20 July 1948 were written from various locations in Sweden, where Liisa and her daughter Tytti were waiting to receive their immigration papers to move to Canada.The final set, beginning 30 August 1948 were written in Canada, again from various locations and addresses around Port Arthur, Fort William and Toronto. This collection of letters provides insight into the day-to-day life of a Finnish immigrant woman who moved to Canada to create a new life for herself with her husband and family after World War II.

The fonds consists of some typescript, corrected reports and research papers by Edith Ferguson (1948-1977), as well as published copies of some of them. There are also several volumes dealing with immigrant, integration and multiculturalism issues, novels, and reports from research institutes, government organizations, charitable bodies, and others involved in the immigration and integration fields (1929-1983). There are also some newspaper clippings relating to immigration and multiculturalism in Canada.

Fonds consists of biographical writing, genealogical documents, published and photocopied books, scrapbooks and mementos created, collected and accumulated by Gerald A. Archambeau from various sources,including genealogical information regarding his grandfather Herbert T. Thomas, a police officer in Jamaica who was also a naturalist, lecturer and explorer. Material relating to Herbert T. Thomas is photocopied and scanned pamphlets, online articles and newspaper articles of material originally published from 1881 to about 1927 and relates primarily to Thomas' campaign to eradicate the practice of obeha in Jamaica.

Fonds consists of music used by the Rex Battle Orchestra, including a series of envelopes arranged alphabetically by song title that contain published scores and lyrics, as well as original arrangements by Rex Battle. Notes written on the envelopes show names of songs, composers and publishers, as well as the music’s key, performance dates, costs of the published music and the breakdown of the scores by instrument. This fonds also consists of orchestral scores and sheet music for the piano, organ, violin, viola, clarinet, and other instruments.

Fonds consists of records documenting Doob’s activities as a professor at York University and scholar of medieval studies, dance, and medicine. A small amount of personal memorabilia and ephemera of her early life related to her education are included.

Fonds consists of photographs documenting the journalistic activities of Excalibur at York University.

Fonds consists of a transcript of an interview conducted by Mary Reid with the artist Graham Coughtry which is prefaced by an introductory essay and a chronology of Coughtry's life. This "artist profile" was prepared for Professor Joyce Zemans as part of one of her art history courses.

Fonds consists of records of Pittman's work in film and television and includes scripts, storyboards, correspondence, financial records, publicity material, shooting schedules, edit sheets, research material, grant applications and other related material. It includes photographs taken during the production of a number of his films and audio-visual records in various formats that document the various stages in the making of film and television productions with which Pittman was involved. There is considerable material relating in particular to "Shattered City." The fonds also includes a series of audio recordings of interviews conducted by Pittman for "Saturday Night at the Movies" with film directors including Bernardo Bertolucci, Robert Altman, and Norman McLaren, among others.

The fonds documents Edward Arthur Beder’s activities as political activist and author and includes manuscripts, 1921-1972; correspondence, 1923-1972; membership lists; files of the Socialist Party of Canada; files of the League for Social Reconstruction, ca. 1933; files of the Canadian League Against War and Fascism, 1934-1937; project outlines files, 1935-1936; lecture notes and abstracts, 1934-1965; notes, 1935-1946; printed material, 1930-1972; and news clippings, 1921-1972.

Fonds consists of Lindstrom's professorial and scholarly research files throughout her career, as well as records documenting her academic activities. Research files pertain to her publications and monographs such as "Defiant Sisters : A Social History of Finnish Immigrant Women in Canada, 1890-1930" (both the English and Finnish editions), and "From Heroes to Enemies : Finns in Canada, 1937-1947," as well as book chapters, articles, papers, presentations and lectures, and her involvement with the National Film Board production "Letters from Karelia," and subsequent research. The research files span the activities of Finnish and Finnish-Canadian organizations across the political spectrum, such as the Finnish Organization of Canada (left wing), and Loyal Finns in Canada (right wing). Records include oral history interviews (audio cassettes and transcripts), research notes, clippings, a significant and extensive number of photograph and letter collections passed down through generations of Finnish Canadians, diaries, correspondence, publication drafts, academic and professorial notes, microfilm of Finnish language newspapers published in Canada and archival records, financial records of Finnish-Canadian organizations such as newspapers and post-World War II relief funding bodies, scrapbooks, photocopies of rare and unusual documents such as two volumes of a Soviet register of Finnish War Crimes, a list of persons found in the mass grave at Karhumaki, and Soviet lists of North American Finns who journeyed to Karelia to help build a socialist utopia there, academic and professorial files, publicity files, files pertaining to her work with the School of Women's Studies, and her own papers as a university student. The fonds also includes letters written by Lindstrom as a newly-arrived teenaged immigrant to Canada to her best friend in Finland; many of these letters were published in Finnish with English translation in 'Letters from an immigrant teenager' in 2012.

Fonds illustrates Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time span. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Fonds contains notes and notebooks, pamphlets, programmes, correspondence, clippings and scrapbooks, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

The fonds consists of eight audio reels which contain the papers read and proceedings of the seventh annual seminar of the Canadian Association for Irish Studies held at York University in March, 1974. Included on the tapes are a poetry panel of Seamus Heaney and Michael Longley, proceedings of the Yeats Evening, a concert of traditional Irish music, and related material.

The collection consists of programmes, playbills and notices of productions in Ontario (predominantly Toronto) theatres, 1971-1983, arranged alphabetically by the title of the production. Some of the companies and theatres represented include, Toronto Arts Productions, Stratford Theatre, Skylight Theatre, Toronto Workshop Productions, Toronto Free Theatre, Royal Alex Theatre, Theatre Aquarius, National Arts Centre (Ottawa), Lime Light Dinner Theatre, Theatre in the Dell, Young People’s Theatre, Shaw Festival, and Theatre Passe Muraille.

Fonds pertains to the faculty-based Organized Research Unit (ORU) dedicated to enhancing the capacity of the Faculty of Education to engage in research and scholarly activities that investigate, support and encourage educational and school success. YCEC was intended to enhance research; strengthen community groups, the non-profit sector, educational institutions and government to engage, support, and encourage scholarship; and facilitate public engagement through knowledge mobilization.

Fonds consists of records documenting Sheard's activities as an writer, editor, educator and psychotherapist, and includes agendas, personal and professional correspondence, notes, draft manuscripts and resource material related to uncollected short stories, non-fiction writing and to her novels "Almost Japanese", "The Swing Era", "The Hypnotist" and "Krank: love in the new dark times".

Fonds consists of research notes, lectures notes, teaching material and an extensive collection of photographic slides used for research and teaching created or accumulated by John Warkentin.

The fonds consists of agendas of meetings of SSSOCCC, correspondence and reports of organizations that pre-dated Stop Spadina, records relating to Metropolitan Toronto Council, the City of Toronto Council and city departments, and the Province of Ontario, including correspondence with politicians, speeches, minutes of meetings, transportation studies of Toronto and other jurisdictions, and related material. There are financial records and receipts from Stop Spadina, briefs presented by it and others to the Metropolitan Toronto Council Transportation Committee and Executive Committee, reports on planning from city and metropolitan departments (Roads, Public Works, etc.), membership applications and membership lists of Stop Spadina, press releases and newspaper clippings, newsletters of Stop Spadina and community groups, brochures, leaflets and related paraphernalia from Stop Spadina. There are audio recordings of Stop Spadina meetings, interviews with news media, speeches and lectures, and of meetings of city and metropolitan councils. There is also a filmed statement by Jane Jacobs and Marshall McLuhan on Spadina titled, 'The burning would,' (1970).

Fonds consists of records created and accumulated by Frank Zingrone pertaining to his university education, his work as a professor of communications at York University, and his activities as a writer and critic. These records include personal and professional correspondence, subject files and notes, memorabilia, conference materials, student papers, lecture and course materials, as well as article drafts and manuscripts for published and unpublished works including "Addiction to illusion" (unpublished), "The media symplex", "Strange attraction" (poetry) "Who was Marshall McLuhan?", "The invisible revolution", "Essential McLuhan" and "Traces" (poetry).

Fonds consists of textual and audiovisual materials pertaining to Seth Feldman’s work as an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries. These records are research files, taped interviews, successive drafts of scripts, transcripts, and recordings of programmes produced for the CBC radio series “Ideas” and his dramatization of Herma Maximo’s “The Ultimate Threshold”, prepared for the CBC radio programme “Vanishing Point”. Also included are film-related subject files maintained by Feldman; notebooks and research notes; material related to the Film Studies Association of Canada; course materials, notes, lecture recordings, correspondence, and student papers pertaining to Feldman’s work as a professor and Dean of Fine Arts at York University; drafts of a screenplay inspired by the George James Grinnell book “A Death on the Barrens”; a collection of film magazines; copies of recent films produced in Turkey; copies of films directed by Allan King; and research materials relating to Feldman’s work on Dziga Vertov.

The fonds consists of transcripts of interviews conducted with several leading lights of the Canadian socialist and Canadian Co-operative Federation movements. Included are interviews with Hazen Argue, William Irvine, David Lewis, Tommy Douglas, Grace McInness, Frank Underhill, and Tim Buck. The interviews were conducted in 1961 for a Canadian Broadcasting Corporation radio broadcast, titled “Socialism in Canada,” and was broadcast in July, 1961.

Fonds consists of minutes of meetings, correspondence, research notes, and audio-visual material concerning Daniel Cappon's administrative activities as professor at the University of Toronto and his research in psychiatry.

The fonds consists of records documenting Stevie Cameron's career as a journalist and author, and is rich in a wide range of annotated research material including extensive chronologies and detailed notes, records obtained through FOI requests or supplied by interested parties and fellow journalists, correspondence between the author and her peers, members of the public, annotated copies of government documents and clippings, interview and court transcripts, clippings, audio recordings of research interviews conducted by Cameron, sound recordings of some public hearings, drafts and manuscripts for her newspaper articles and in particular her books, including 'Ottawa Inside Out' (1989), ‘On the Take’ (1994), 'Blue Trust' (1998), and 'The Last Amigo' (2001).

Fonds consists of script drafts, outlines, pitches, research notes, oral history interviews, personal material and correspondence created and accumulated by Rob Forsyth, related to his activities as a script writer for television, film and radio.

Highlights include research material and drafts for Forsyth's writing projects, many which focused on social issues, including : homelessness, unemployment, racism, Indigenous culture and land rights, labour and mental illness. Also includes historical research, photographs and oral history interviews made with WWII veterans for his film projects "Gunners", "D'Artois", and "P.O.W./U.S.A."; research material on John Williamson, founder of the Williamson David Diamond Mine in Mwadui, Tanganyika (now Tanzania); material regarding John Ware, a former slave who established successful cattle ranches in Alberta at the turn of the century; and photographs and research regarding Dr. Lucille Teasdale and St. Mary's Hospital in Lacor, Uganda. Also includes scripts submitted to Forsyth for editing, script-doctoring and appraisal by other writers, producers and directors; personal day journals; teaching materials; creative writing and video recordings of pre-production filming and network broadcasts of his work.

Fonds consists of diaries, account books, crop records, photographs, publications and drafts written by Hunt, correspondence, contracts, receipts, government documents and publications, newspaper and magazine articles, maps, and ephemera. Hunt’s correspondence with various government officials and travel coordinators documents his enrollment in the Settlement Scheme, and the processes involved in migrating from England to Canada. Hunt’s participation in the scheme is further documented by his accumulation of government publications and legal documents, as well as the journals and receipts that pertained to his farming activities. Photographs and maps depict Hedgerows farm and its location. Newspaper and magazine clippings and other printed ephemera collected by Hunt, while in Saskatchewan and after his return to England, record his continued interest in the fates of his fellow settlers. Although Hunt published an essay recounting his experiences positively, his drafts speak of his ultimate discontent with the Settlement Scheme.

Fonds consists of material that documents Hoffert's career as a composer, musician, author and arts administrator and includes musical scores from the 1950s to the 1990s, audio-visual recordings, administrative files, photographs, clipping and other memorabilia, copies of awards, diaries, e-mail correspondence, drafts of his books and other material.

Fonds consists of files from various positions Lewis held throughout his career, including correspondence, research documents and clippings covering a wide range of political issues, draft articles, and notes from his reporting days for Time Magazine and Maclean's, as well as editorial planning and management-related operational files from Maclean's. Also included are correspondence files, reports, budget files and strategic planning documents from his content development position with Rogers Media. The fonds also contains minutes and notes from York University's Board of Governors committee meetings. Personal files and speeches, including notes and drafts, are also part of the fonds, which includes 187 notebooks and planners used by Lewis for his research, note-taking, and scheduling. Press and magazine clippings that Lewis collected from various print and online publications are dispersed throughout the fonds. The fonds includes episodes of Maclean's and OMNI television, and other moving image recordings on videocassette.

Fonds consists of VHS videocassettes containing raw footage of interviews with Portuguese Canadians about the Portuguese-Canadian immigrant experience.

The fonds documents John Kastner's career as a filmmaker and producer. Records in this fonds consist of publicity files, which include biographical information, clippings, flyers and other promotional materials related to his productions; administrative and production files, which include correspondence, budgets, proposals, notes, transcripts and scripts; research materials, which include prison records, articles, books, court transcripts, newspaper clippings and news footage; and audiovisual materials, including video cassettes, DVDs, photographs, and audio recordings. These records pertain to the following programs: "Street Comedy", "Ask a Silly Question", "Somebody's Gotta Do It", "Chickens are People Too", "Rage Against the Darkness", "Romance with a Rapist", "Hunting Bobby Oatway", "House of Secrets", "Monster in the Family", "Monster in the Family: The Struggle Continues", "Sinner in Paradise", "Life with Murder", "NCR: Not Criminally Responsible", and "Out of Sight, Out of Mind".

Fonds consists of the Danny Grossman Dance Company (DGDC) records generated from development; promotional; and professional associations, government councils, and conference; performance, touring, and educational initiatives activities. Danny Grossman's personal correspondence with family, friends, and industry professionals is also included in the fonds.

Fonds consists of files relating to Earle Beattie's involvement with the formation and maintenance of the publication, Media Probe (1972-1976), which was renamed the Canadian Journal of Communication (1977-1982).

Fonds consists of diaries and approximately 150 letters of Gordon Stepler written during World War I and sent to his parents and sister. Also included are postcards, a discharge certificate, a photograph album and other photographs, a pay book, leave passes and other ephemera, as well as letters to Gordon Stepler's family from friends of Gordon Stepler and articles by Dorothy Stepler regarding her brother's participation in World War I, and pamphlets related to World War I and World War II.

Fonds consists of records pertaining primarily to Paul Axelrod's academic writing and career as a university professor and administrator. These records include personal and professional correspondence, draft manuscripts and articles, academic papers, course materials, audio recordings, photographs and other research materials.

Fonds consists of a single letter from Frederick Debartzch Monk, Conservative Party member of the House of Commons and Minister of Public Works in the Borden government to Boucher de la Bruere on political questions of the day (1911).

The fonds consists of a copy of transcripts of taped interviews conducted by John Reynolds for the Canadian Broadcasting Corporation in 1964. The interviews were never broadcast. The material from these interviews and the transcripts formed the basis for Buck's memoir, 'Yours in the struggle,'and covers the rise of the Communist Party of Canada, Buck's relations with Communists in the Soviet Union and other places, and the denunciation of Stalin in 1956 at the 20th International Congress.

The fonds consists of Jerome Ch'en's collection of statements of delegates to the Geneva Conference in 1954 [1955?], along with newspaper clippings and related material concerning the Korean War.

The collection consists of photocopies of newspaper clippings, one audio tape cassette which contains an interview with Jules Heller, first dean of the Faculty of Fine Arts at York, and three copies of the transcript of the tape.

The fonds consists of correspondence, readers' reviews, printed articles and submissions, all pertaining to 'Co-ordination chemistry reviews,' of which Alfred Beverly Philip Lever was editor, 1965-1971. The files are arranged alphabetically by name of correspondent/author/critic.

The fonds documents Ellen C. Adams' political activities at municipal level in the Toronto area for the period 1956-1975, including her involvement with the Avenue Bay Cottingham Ratepayers' Association and the Confederation of Resident and Ratepayer Associations (CORRA). Records include subject files pertaining to the City of Toronto Council, the City of Toronto Planning Board, Toronto municipal elections, transportation and the waterfront, as well as meeting minutes, periodicals, books, newspaper clippings, pamphlets, a map and directory, reports, papers and briefs.

The fonds consists of McInnis' publication files, including scholarly articles and correspondence, drafts, research notes, photographs, and other material for "The Long Cold Peace: Treaty Making after World War II", "The East", "Canada: A Political and Social History", "North American Nations", and other works. Fonds also includes professorial files documenting his teaching at the University of Toronto and York University; Canadian Institute of International Affairs files; research files; and other material reflecting his varied interests in history, current events and world politics.

The fonds consists of records relating to the Canadian Poetry Association, League of Canadian Poets and the HMS Press, as well as personal papers and manuscripts of Wayne Scott Ray.

The fonds documents Pauline Elizabeth Rhind's activities with the Kakabeka Press as well as her activities as a writer and artist for the period 1945-1978.

The fonds partially documents Merle Shain's activities as an author as well as her personal life.

The fonds consist of television and film scripts in which Lionel Siegel played a part, either as script writer, author of the story on which the script was based, or in some production capacity. There are also scripts of productions by others which Siegel has collected, some because he was writing scripts for subsequent episodes of the program. The scripts are arranged alphabetically by title and include, 'Ben Casey', 'From here to eternity,' (1979) on which Siegel worked with several others, 'The last westerner,' with a screenplay by Jack Elam and Siegel, several episodes of 'Peyton Place,' 'Rawhide,' (including script for "Corporal Dasovik," for which Siegel was awarded 'Best western TV drama of the year, 1964,) 'Then came Bronson, (1969), episodes of 'The Waltons,' (1972), 'The bold ones,' 'Hoover versus the Kennedys the second civil war,' (1987) and others. There are also story outlines for possible productions, including movies-of-the-week on American network television.

The fonds consists of a carbon typescript of Sir Osbert Sitwell's 'Miracle on Sinai,' under the working title, 'The new commandments or, make up your minds' as well as revisions in handwritten form, and carbon typescript pages of re-written passages.

The fonds consists of a taped interview of Denis Smith by Paul Axelrod, a graduate student at York University, concerning the early history of the university, and the dispute between the then-president, Murray Ross and the faculty in 1963. It also includes a transcript of the interview.

The fonds consists of research materials of Joseph Starobin on American radicalism and European socialism and includes several newspapers from France, Italy and North America, as well as off-prints, typescripts and photocopies of articles by colleagues and writers on the left (Harrington, Marcuse, Earl Bowder). It also includes some holograph notes of lectures attended by Starobin in 1963 in New York (classes in his graduate studies at Columbia?), and correspondence and photocopies of chapters of a thesis from a doctoral committee at York University on which he sat (1975).

The collection consists of material related to James Milner's career in the area of community planning law and includes a copy of the article written by Mary Louise Bogart and John Edward Page on Milner as well as correspondence relating to its publication. In addition, there is material on the Town Planning Institute of Canada (TPIC), predominantly materials of a historical nature. There are also several audio reels and cassettes of interviews with planners and members of the TPIC who were Milner's colleagues. Finally, there are some microfilm copies of studies done in the area of land conservation. Some of this material was removed from the Milner fonds during the time it was held by the Faculty of Environmental Studies, York University.

Fonds consists of records documenting the career of George Bell as a university administrator and professor, founding director of CIIPS, and President of the CISS. Also includes minutes of meetings, correspondence, working papers, reports, and reference and research materials.