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Accession 1999-031 consists of master negatives of the finished works of all its film productions to date (1999), together with textual records relevant to the film production process. In addition to the master elements, selected production elements from “Yo-Yo Ma, Inspired by Bach: Suites #1, 3, 5,”, “Hong Kong Symphony: Heaven Earth, Mankind” (1997), “A Tale of Tanglewood: Peter Grimes Reborn” (1997), “The War Symphonies: Shastokovich Against Stalin” (1996-1997) have been retained for their additional archival and research value.

The University photographic collection consists of photographs of individuals, university officials, faculty, students, sports teams, personalities, and campus buildings, including Glendon Hall.

The collection consists of programmes, correspondence, articles and press clippings relating to the life and career of Isadora Duncan. Also included are research notes and interview transcripts used by Lillian Loewenthal in support of her book, The Search for Isadora Duncan (1993).

Fonds consists of an accumulation of files kept by several different members of the Canadian Association of Professional Dance Organizations which have been maintained in the manner in which they were received. They contain correspondence, minutes, reports, financial records, items used for publicity, resource material and other material.

The fonds documents the Canada Dance Festival's operational and administrative activities. Records consist of financial records and contracts; grant applications, sponsorship and fund raising files; correspondence and other administrative records including reports; and publicity, special event and marketing records. Also included are posters used in the advertising and marketing of the festival.

The fonds consists of correspondence and papers (1928-1959), arranged chronologically, receipts for monies received from Maurice Duplessis and others, including receipts from organizations, associations and student awards. There are also the proceedings of the meetings of the Public Accounts Committee Inquiry (1936), through which Duplessis exposed the corruption of the Liberal government of the day. The fonds also contains scrapbooks of newspaper clippings relating to political and social developments in Quebec (1929-1949) with concentration on the period, 1934-1936, as well as newspaper clippings relating to the death and funeral of Duplessis. In addition, there is correspondence with and/or concerning several prominent Quebecois including Daniel Johnson, Thibaudeau Rinfret, Msgr. Ferdinand Vandry, Georges Vanier, and companies located in the province (Dominion Textiles, Noranda Mines), and related subjects.

The fonds consists of minutes of the Political Committee, the Central Executive Committee, and the Secretariat of the Workers' (Communist) Party of the United States, 1926-1929.

The fonds consists of a typescript of an autobiography by Frank Morriss composed in 1971. In addition, there are notes for an article on the "Winnipeg Free Press", newspaper clippings of articles by Morriss in the "Free Press", and copies of magazines with articles by Morriss.

The fonds consists of records of the Project Ossington and includes correspondence and papers, 1968-1971; financial records, 1968-1971; reports, 1968-1971; case histories, 1969-1971; journals, 1968-1971; Board of Directors files, 1968-1971; grant applications, 1970-1971; building plans, 1968-1969; legal documents and by-laws, 1968-1971; rules and regulations, 1968-1971; statistics, 1969-1971; publicity, 1968-1971; printed material, 1969-1971; Project 1969, Project 1970, and Project 1971 files.

Accession consists of production binders pertaining to five productions, including "ruined", "Yellow Man", "Intimate Apparel, who knew grannie: a dub aria", and "Late". Also includes news clippings, promotional material, posters, and programs for said productions.

The fonds documents William Moyer Swartley's academic career and research activities in the field of psychology. The fonds also includes personal records.

Series consists of approximately 466, 500 photographic prints created or accumulated by staff at the Toronto Telegram. The largest volume of prints are under the subjects "United States" (ca. 7.2 metres of prints), "Ships) (ca. 5 metres), "England" (ca. 4 metres) and "Canada" (ca. 3.6 metres). Certain subjects have been arranged outside the general subject organization of the prints such as "Personalities" (15 metres); "Personalities/politicians" (ca. 4 metres); "Armed forces personnel" (ca. 8 metres) largely of the World War II era, provably used in reports of missing/wounded/killed in action. As well, there are photographs of groups of servicemen, again largely World War II era. Finally, there is a group of photographs of personalities who were associated with the Toronto Telegram, predominantly from the period after Bassett bought the newspaper (post 1952). The series also includes many photographic images purchased from wire services for the purposes of illustrating national and international stories.

The fonds consists of records pertaining to the administration and publication of the literary magazine "Waves".

The fonds consists of Lady Welby's correspondence, research and reference notes, publications, poetry, newspaper clippings, and printed material. It also includes of galley proofs of Francis Galton's papers on eugenics.

The collection consists of correspondence, photographs, genealogical charts, family histories, newspaper clippings, publications and related material detailing the history of the site on which the Keele Street campus of York University now stands; correspondence and newspaper clippings relating to the search for the grave site of Peter Erlin Kaiser and a photocopy of his Last Will and Testament; a genealogy and a history of the Kaiser family of Ontario (1933); copies of articles on the Palatine settlements in York County and Upper Canada; a publication, 'An account of the Boynton family and the family seat of Burton Agnes,' (1914); material on the Smith family (Hoover relations), correspondence seeking information from descendants of the Hoover family with responses, Hoover genealogies and material on the Troyer family genealogy (Hoover descendants); biographical material on York pioneers, correspondence, archaeological reports, copies of campus and survey maps and of architectural renderings of the Hart, Hoover, and Stong buildings on the University campus; obituary notices for the last surviving member of the Stong family who lived on the property, a copy of a genealogy of the family and a photocopy of a history of the church that was located on the property (by T.E. Kaiser);a newspaper article concerning Hart House, a building on the York campus which was relocated there in the 1930s from King Township, material related to the 40th anniversary celebrations of York University in 1999 and the York University Faculty Association strike of 1997, as well as other material details of which are available in the finding aid. Accession 2009-019 includes an album of presentation photographs taken by Panda Associates showing Founders College, Steacie Science Library, the Farquharson Life Sciences Building, Burton Auditorium and the Central Utilities Building likely during the 1960s, as well as photographs and textual material regarding the dedication of the Scott Library on 30 October 1971.

Pollock's interests including, James Joyce and Temple Sinai. Most of the file titles in this series were simply transferred from there original folders. The rest of the material in this series came from one file which had no detectable order. This file was sorted by subject, the subject headings were used as file titles.

Two photographs included in this accession make up series 2. One of the photographs was removed from its frame, it is included with its frame backing.

Series consists of financial statements, correspondence with banks and insurance companies, royalty statements and other income statements, household budgets including mortgage statements and insurance payments, and extensive income tax information for each year including anything deemed by Margaret Laurence to be of relevance for tax purposes.

Series consists of photographs of Margaret Laurence, family snapshots and other various subjects, artwork consisting of illustrations for children's books, drawings sent to Laurence, postcards of artists' works, and posters. The photographs represent the majority of the photographs found among the Laurence papers; however, some photographs do appear in other series of the fonds.

Fonds consists of material which documents Joyce Wieland's career as an artist and filmmaker.

The fonds consists of briefs, manuscripts, newspaper clippings, reports, research notes, and related material of Michael Posluns. There is also a run of 'Akwasasne notes,' (1969-1976) [newspaper], audio reels, and video cassettes, which include interviews with First Nations elders, politicians, artists, community activists, as well as interviews conducted for broadcast on radio (Canadian Broadcasting Corporation and National Public Radio in the United States), Native music and tapes relating to Native folklore.

Fonds consists of manuscript and typescript drafts and notes for many of Richard Courtney's works, personal and business correspondence with friends, colleagues, publishers and other individuals and organizations, background and resource material for Courtney's writing and teaching, lecture notes, copies of journals and other publications in which Courtney's work either appeared or which he used as resource material, scrapbooks documenting Courtney's role as an actor and director in a number of productions including those undertaken as a student at Leeds as well as a number of audio-visual samples of his work.

Fonds consists of materials relating to Morris' personal and professional life as a social activist, advocate for prison abolition, writer and lecturer including pamphlets, notes, drafts of articles and books written by her, monographs, published and unpublished articles, photos, clippings, personal and professional correspondence as well as volumes of Morris' detailed diaries.

Fonds consists of the professorial records of Bakan's professorial work and academic research, including drafts of manuscripts, completed writings, correspondence, notes lecture, notes and other teaching files. Records also relate to her and her husband's involvement with inner-city Black youth and their draft dodging in the 1960s.

Fonds consists of the records relating to the Commission of Inquiry into Certain Events at the Prison for Women in Kingston (Arbour Commission)(1996), including background papers, research papers, testimony, and the final printed report that studied the operations and management of the Prison for Women in Kingston, Ontario, and the incidents that occurred there starting 22 April 1994.

The fonds consists of a collection of student essays on the question: 'Why did you come to university?', which was submitted to Professor Roger Kuin's second year class in English literature in 1972.

The fonds mainly documents Norman Penner's research activities on the history of the Canadian Left.

Accession consists of documents created or accumulated by Barry Callaghan that reflect most aspects of his personal life and literary career. Exercise books, manuscript music scores, research notes on modern drama, poetry and literature, and letters written to his mother pertain to his education at the secondary, post-secondary, and graduate levels, while manuscripts for short stories, poetry, and a novel represent his early creative endeavours. The fonds includes extensive correspondence dealing with his personal and family relationships, as well as his active involvement with an international community of poets, writers, and artists. Teaching files include course outlines, essay topics, reading lists and bibliographies on North American and Russian literature, examination questions, and notes regarding his teaching methods at York University from 1970 to 2003. Journalism files deal with his travels with Pierre Elliott Trudeau in 1968, the crisis involving the Front de liberation du Quebec and implementation of the War Measures Act in 1970, culture, politics and economics in Quebec, and Callaghan's works of political and social commentary for CTV and CBC. The records of Exile Editions make up a significant portion of the fonds, and include manuscripts for books, page proofs, and correspondence. These files show the creative process in considerable detail, and in particular Callaghan's work as an editor and translator. Administrative records for the publisher consist of catalogues, promotional material, writers' guidelines, grant applications, financial documents, and reviews of publications. Callaghan's endeavours as a travel journalist are documented through research notes, manuscripts for articles, correspondence, and promotional literature from various attractions at the locations he visited, including museums, theatres, and tracks for horse racing, 1978 to 1995. Manuscripts and annotated page proofs for Callaghan's Hogg poems, short stories, novels, memoir, and non-fiction trace the development of these works, and in particular his skill and attention to detail as a wordsmith. Callaghan's involvement with radio and television is represented by a variety of sound and moving image recordings, including audiotapes of his interviews with Brownie McGhee and Sonny Terry, videotapes of his television shows for CTV's "W5" and CBC's "Weekend," and original film pertaining to the war in Palestine in 1970, his interview with Angela Davis in 1972, youth culture in California in 1974, John Updike, and "The blues." The fonds also includes considerable material created by or involving Morley Callaghan, including literary agreements, royalty statements, stories by and about Morley Callaghan, manuscripts for several books published by Exile Editions ("Joy in heaven," "The lost and found stories," "The man with the coat," and "A passion in Rome") that provide an understanding of the close working relationship between Morley and Barry Callaghan, letters of sympathy and funeral notices following Morley's death in 1990, and scripts for the CBC movie, "Hemingway vs. Callaghan," 2002-2003.

The fonds documents D. McCormack Smyth's career as an administrator both in private corporation and in academic institutions as well as his teaching activities in administration for the period 1947-1986.

Fonds consists of research notes and historical documents related to the creation of an official history of the John Labatt Brewing Company of Canada.

Fonds consists of Hugh Ian Macdonald's Ontario government economist files, his speeches, correspondence, day books, York University Presidential files, Community service files, Ontario Advisory Committee on Confederation files, York International files, and his IDEA Corporation files.

The fonds consists of general correspondence, editorial correspondence, financial documents, manuscripts, publicity and related material of the magazine "Northern journey" for the period 1971-1976.

The collection covers both performing arts and the cinema and is arranged in several series: 1. Dance companies; 2. Theatre and drama companies; 3. Cinema and film societies; 4. Musical performances; 5. Souvenir programs; 6. Film programs.

Fonds consists of photographs, legal documents, correspondence and news clippings created and accumulated by members of the Stong family, and preserved by Vernon Oliver Stong.

Fonds also consists of photographs, news clippings and advertisements and promotional material regarding a branch of the Stong family that developed a chain of independent grocery stores in the Pacific Northwest, namely Vancouver, British Columbia and Seattle, Washington.

Accession consists of Bruce Allen Powe's diaries, personal correspondence and correspondence, writings, and other files relating to provincial Liberal politics (1960-1965), journals, his M.A. thesis and research files. There are manuscript drafts for his works "The Ice Eaters," "Expresso 67," "The Mounties Always Gets His," "Killing Ground," "The Last Days of the American Empire", "The Aberhart Summer", and other writings along with related correspondence. Also included are manuscripts for reviews, essays, articles, and press clippings of reviews on his published works. In addition, there is some personal correspondence and World War II papers and military service memorabilia.

Item consists of detailed notes about the contents of the John Watt Lennox memorial scrapbook, provided by the donor, John W. Lennox (his nephew). A PDF of this item is attached to this description.

The fonds documents Bernard Ostry's education and personal life as well as his activities as public servant and author for the period 1940-1990.

The collection consists of photocopied correspondence, papers, agendas, minutes of the Organizing Committee of York University, and of the Provisional and regular Board of Governors of the same institution, 1958-1961.

The fonds consists of programmes, choreographic and production notes, clippings, photographs, newsletters, awards and certificates, financial documents and notebooks which document the career of Gladys Forrester in Canadian theatre and dance.

The fonds consists of printed material, correspondence, photographs, slides, and related material of the Centre for Experimental Art and Design. The correspondence includes: correspondence with artists, galleries and other arts groups in Canada and overseas, dealing with CEAC exhibitions, CEAC-sponsored travelling shows, and communications concerning gallery events. There is also material dealing with granting agencies, including the Ontario Arts Council and the Canada Council. Also included is correspondence relating to the OCA and CC decisions to suspend funding to CEAC, letters of reaction from CEAC members and supporters. The fonds also has grant proposals and covering documentation, and other material. The fonds also contains various documents written by members of the collective defining the 'new ideology' which would usurp the cultural and political elites, define a post-modern aesthetic. There is also material on related artistic and intellectual ideas. There are newspaper clippings of CEAC events and exhibitions both from Canadian and foreign newspapers, invitations to events, flyers and other announcements of forthcoming events, and clippings about other performance and avant-garde arts in other cities and countries. The photographs and slides concern performances at CEAC, including material related to 'Crash and burn'.

The fonds mainly documents Arthur C. Johnson's professional activities as a university administrator. Records consist of press releases, speeches, correspondence, and reports relating to the planning and development of York University's Keele and Glendon campuses.

The fonds consists of typescripts of articles, galleys, art-work, editorials and related material from the production of the Review. There is also a great deal of correspondence with Canadian theatre companies and theatres, concerning productions, which includes playbills, programs, press releases and related material. There are also financial documents, including invoices for products published by CTR Publications, as well as some budget material.

The fonds mainly documents Margaret Avison's work as a poet and writer and includes manuscripts, correspondence, clippings, printed material, music scores and photographs.

The fonds consists of typescripts, some with corrections, of Linda Pyke's poetry, including 'Prisoner,' 'Sara,' 'Women in rooms' and others.

The fonds consists of Major Addison Alexander Mackenzie's records pertaining to his social and political activities.

The fonds is arranged in the following series:
Correspondence
Subject files
Lists of voters
Printed material
Photographs

The fonds consists of correspondence, financial records, notebooks, galleys, and typescripts of Dame Edith Sitwell.

Fonds consists of records pertaining to Herman Voaden's family life, education, teaching, play writing, directing and cultural lobbying activities. Also included are the private records of his wife, Violet Kilpatrick Voaden. Types of records include: correspondence, personal diaries, teaching notes, production notes, playbills, and photographs. Some material has been sorted and arranged according to subject by Anton Wagner, theatre historian and executor of Herman Voaden's literary estate.

The fonds is arranged in the following series:

File consists of 2560 recordings (preservation copies and broadcast copies) of individual episodes of "The Dini Petty Show."

Fonds consists of personal correspondence (1932-1990), project files (1926-1981), slides, photographs, films, videos, and publications by or about the Beveridges.

Accession contains administrative records of the Federal Cultural Policy Review Committee and Cultural Affairs, papers relating to Applebaum's career as a composer and administrator, audio tapes of music by Applebaum, and video tapes of the 'Arthur Miller Special'.

Accession consists of scores, correspondence, papers, speeches and reports, scripts, subject files and clippings predominantly pertaining to Stratford and CBC productions, and the Federal Cultural Policy Review Committee and Cultural Affairs.

Accession consists of correspondence, programs and musical scores for several Stratford productions, annotated copies of a number of Shakespeare plays, audio recordings of performances of Applebaum's works and recordings of CBC radio programs on which Applebaum was featured as a guest.

Fonds consists of Ellen Baar's course readings, research materials, drafts of published works, committee minutes and supporting documents, notes, and correspondence relating to her work on government regulation, compliance and environmental issues.

The fonds documents O.R. Lundell's activities as a professor and university administrator. Records consist of correspondence, course notes, evaluations and advising material. Also included are reports, minutes and background material relating to the design requirements of the Chemistry department within the new Chemistry and Computer Science Building, the Canadian Institute for Research in Atmospheric Chemistry and the Science Olympics.

Fonds consists of professorial records and includes his research files and personal files.

The fonds consists of correspondence, typescripts, reports, publications, research materials, legal documents, course materials, student essays, and administrative material relating Harry S. Crowe activities at York University and Atkinson College, at the Canadian Brotherhood of Railway, Transport and General Workers, with the Royal Commission on Bilingualism and Biculturalism and related subjects.

Fonds consists of ledgers, organizational records, communiques, photographs and event-planning records for activities and events carried out by members of the PCDA. Includes correspondence of the different executives, including exchanges with high-profile figures in Canadian and Portuguese history (e.g. Humberto Delgado, Henrique Galvão, Fernando Piteira Santos) and other political and exile organizations around the world (e.g. FPLN). Also includes a complete run of the organization's bulletin "A Verdade/The Truth" as well as newspapers from the Portuguese diaspora.

The fonds consists of articles, correspondence, records of bodies that James Bryce Milner was a member of, reports, and research material.

The fonds consists of the official records of the People or Planes Committee (P.O.P.) including correspondence, minutes, financial records, briefs, speeches, press releases, reports, published materials, newspaper clippings, and related material.

The fonds consists of Robert Freeman's records pertaining to his involvement in student affairs at York University.

Series consists of negatives of individuals or groups, arranged alphabetically by last name. Negatives of Toronto Telegram staff are grouped alphabetically at the end of the series.

The fonds consists of notebooks, galley proofs and typescripts for several of Sacheverell Sitwell's works.

Fonds consists of records of the Mountain Fund pertaining to its activities, helping Vietnamese refugees in coming to Hamilton, Ontario. The fonds includes minutes of the Board of Directors, correspondence, financial records, publications and photographic materials.

Fonds consists of Peter H. Wood's records pertaining to his activities as staff member of York University. The fonds includes Glendon Campus construction files (1960-1965), York University Pension fund files (1961-1987) and his personal files (1961-1970).