Showing 208 results

Series consists of negatives of individuals or groups, arranged alphabetically by last name. Negatives of Toronto Telegram staff are grouped alphabetically at the end of the series.

Series consists of approximately 833,500 photographic negatives, the majority of which are black and white 35mm.
The negatives are arranged by subject heading, although there are more subject headings here than in the print series, and tend to be local in nature. Negatives for photographs of personalities have been separated out of the main arrangement.

Series consists of approximately 466, 500 photographic prints created or accumulated by staff at the Toronto Telegram. The largest volume of prints are under the subjects "United States" (ca. 7.2 metres of prints), "Ships) (ca. 5 metres), "England" (ca. 4 metres) and "Canada" (ca. 3.6 metres). Certain subjects have been arranged outside the general subject organization of the prints such as "Personalities" (15 metres); "Personalities/politicians" (ca. 4 metres); "Armed forces personnel" (ca. 8 metres) largely of the World War II era, provably used in reports of missing/wounded/killed in action. As well, there are photographs of groups of servicemen, again largely World War II era. Finally, there is a group of photographs of personalities who were associated with the Toronto Telegram, predominantly from the period after Bassett bought the newspaper (post 1952). The series also includes many photographic images purchased from wire services for the purposes of illustrating national and international stories.

Series consists of video tape productions of 'Women of Distinction' and 'Mary McEwan' and film reels of 'A and B in Ontario'.

Series consists of interviews, speeches, discussions, and other personal interest recordings.

Series consists of newspaper clippings, exhibition catalogues, invitations, articles, journals, and books collected by Joyce Wieland. Includes material created or authored by Wieland or related to Michael Snow (her former husband), research materials and items collected for personal interest.

Series consists of accounting records, financial values for Michael Snow's drawings, and financial records for A Far Shore.

Series consists of legal agreements and disputes, travel documents, and divorce papers.

Series consists of date books, diaries, report cards, personal memorabilia, biographical and genealogical material and notebooks.

Series consists of scripts by Joyce Wieland and others, Wieland's writings in notebooks, and lecture notes on painting.

Series consists of general, personal, and business correspondence documenting Wieland's work with the art community, social issues, and the honours she received for her work in art and film.

Series consists of portraits and snapshots of Joyce Wieland, personal photographs of family and friends (i.e. Wendy Michener), photos used in the creation of her art pieces, photos of her finished artwork, and stills from film shots (The Far Shore). Some sketches may be found with the photos.

Series consists of original art work by Joyce Wieland including sketches, three-dimensional pieces, drafts of visual ideas, notebooks, and prints of finished pieces. There are photocopies of sketches found in other series included here, as well as some photographs used by Wieland for her artwork.

Series consists of grant program guides, applications, supporting documentation, and correspondence relating to grants received by Wieland from the Canada Council, Ontario Arts Council and Ontario Ministry of Citizenship and Culture.

Series consists of an interview with Margaret Laurence on the TV news, Laurence receiving an honourary degree from Trent University in 1981, and tributes to Laurence.

Series consists of sound recordings of readings, speeches and convocations addresses by Margaret Laurence, interviews with Laurence (includes interview with Helen Trotter re: the Censorship Controversy), tributes to Laurence, recordings of Songs From The Diviners, and other recordings of interviews and presentations of interest to Laurence. Two filmstrips accompany two of the audio cassettes.

Series consists of photographs of Margaret Laurence, family snapshots and other various subjects, artwork consisting of illustrations for children's books, drawings sent to Laurence, postcards of artists' works, and posters. The photographs represent the majority of the photographs found among the Laurence papers; however, some photographs do appear in other series of the fonds.

Series consists of date calendars (1965-1987), address books, honourary degrees, curriculum vitae, miscellaneous notes and personal items.

Series consists of documents by or about Margaret Laurence include articles written by other writers, journals and publications, newspaper clippings, articles from journals, book reviews, promotional material and other miscellaneous items.

Series consists of manuscripts by Margaret Laurence and manuscripts by other writers. The manuscripts by Margaret Laurence consist of notes and research for The Diviners, manuscripts and short stories, children's stories, articles, speeches and addresses, poetry, reviews, translations of Somali poetry, reviews of A Tree for Poverty, a music score for For the Whaling Fleets, drafts of introductions to other writers' books, and recommendations for other writers. Items written by other writers include articles about Margaret Laurence and other topics, short stories, essays, poems, speeches, MA theses and reviews. Included are a typescript for Sandy Stern's "And After This Summer" (a screenplay for The Firedwellers), a television script for A Bird in the House (adapted by P. Wilson) and a film script for The Olden Days Coat (screenplay by S. Marcus), a musical adaptation of Jason's Quest and an adaptation for the stage of The Stone Angel.

Series consists of financial statements, correspondence with banks and insurance companies, royalty statements and other income statements, household budgets including mortgage statements and insurance payments, and extensive income tax information for each year including anything deemed by Margaret Laurence to be of relevance for tax purposes.

Series consists of correspondence to and from Margaret Laurence and is arranged in nine subseries:

S00006.01: Correspondence with friends and family
S00006.02: Business correspondence
S00006.03: Correspondence with other writers
S00006.04: Correspondence with artists
S00006.05: General correspondence
S00006.06: Subject files
S00006.07: Correspondence outward
S00006.08: Correspondence relating to the censorship controversy.
S00006.09: Correspondence regarding the death of Margaret Laurence

Fonds consists of sound recordings, photographs and other materials primarily related to Kallen's research in the town of Igloolik in the Northwest Territory (now Nunavut) in the 1970s and her interviews and recordings of issues related to gay rights during the same period.

Fonds consists of research notes and historical documents related to the creation of an official history of the John Labatt Brewing Company of Canada.

Fonds consists of ledgers, organizational records, communiques, photographs and event-planning records for activities and events carried out by members of the PCDA. Includes correspondence of the different executives, including exchanges with high-profile figures in Canadian and Portuguese history (e.g. Humberto Delgado, Henrique Galvão, Fernando Piteira Santos) and other political and exile organizations around the world (e.g. FPLN). Also includes a complete run of the organization's bulletin "A Verdade/The Truth" as well as newspapers from the Portuguese diaspora.

Fonds consists of photographs, legal documents, correspondence and news clippings created and accumulated by members of the Stong family, and preserved by Vernon Oliver Stong.

Fonds also consists of photographs, news clippings and advertisements and promotional material regarding a branch of the Stong family that developed a chain of independent grocery stores in the Pacific Northwest, namely Vancouver, British Columbia and Seattle, Washington.

Fonds consists of textual files including questionnaires, data summary sheets, and transcripts of interviews from the Class of '73 Project, as well as annotated papers, correspondence, and programs from conferences attended by Professor Anisef from 1981 to 2004. These records pertain to topics such as the relationship between post-secondary studies and success in the labour market, access to higher learning in Canada and Australia, the experiences of adult and part-time students in universities, the outcomes of schooling in Ontario's multicultural society, and the transition from post-secondary education to employment; applications for non-leave research grants, a sabbatical in 1996, and to various federal ministries for funding to study educational outcomes of migrant and non-migrant children, approaches to educational planning, meeting the needs of newcomer youth, improving access to health care for marginalized groups, and immigrant settlement and access to services in York Region; and teaching files, 1987-1998, that include course syllabi, notes from course readings, lectures, and some papers by students. Also included in the fonds are recordings of interviews dealing with immigrant experiences arranged by focus group and country, 2000-2001, and electronic files created by Professor Anisef between 1989 and 1997 that include teaching material, curriculum vitae, project notes, and applications for funding.

Fonds consists of material that documents his career as a writer and broadcaster and, as such, includes correspondence with publishers, fan mail, research material, newspaper clippings, reviews of his work, notes, drafts and galleys related to his novels and works of non-fiction. The writing files include photocopies of his own letters written to his mother when he was an internee in England and manuscript and photocopies of letters written to Koch from Daria Hambourg and used as research material for his novel, "The Brothers Hambourg". Fonds also includes transcripts of interviews as well as written reminiscences in the form of letters from many former German internees; these letters were subsequently used as resource material for his book "Deemed Suspect: A Wartime Blunder". Fonds includes a complete set of published copies of his books. The broadcasting files contain correspondence, memos, notes and drafts of scripts, scrapbooks and other material that documents his long career with the CBC.

The fonds consists of meeting minutes, quarterly and annual reports, financial records, fundraising files, correspondence files (including with social activists in Canada and in other countries), documentation of advocacy work (including with trade unions, churches and religious groups, and other non-government organizations (NGOs)), oral histories and interviews, newsletters, slide presentations, press releases, brochures, research material such as news clippings and reports (including research on Canadian corporations), publications and reference library materials related to the activities of the Latin American Working Group.

Fonds consists of materials relating to Morris' personal and professional life as a social activist, advocate for prison abolition, writer and lecturer including pamphlets, notes, drafts of articles and books written by her, monographs, published and unpublished articles, photos, clippings, personal and professional correspondence as well as volumes of Morris' detailed diaries.

Fonds consists of the records pertaining to the activities of the Canadian Association for Women in Science (CAWIS) and includes CAWIS administration records, 1981-1992; CAFWEST records, 1983-1989; Task Force on the Status of Women Graduate Students records, 1985-1991; Women's Studies Working Group records, 1985-1989; York Women's Centre records, 1975-1991.

Fonds consists of Peter H. Wood's records pertaining to his activities as staff member of York University. The fonds includes Glendon Campus construction files (1960-1965), York University Pension fund files (1961-1987) and his personal files (1961-1970).

The fonds mainly consists of research files, photocopies and microfilm reels of archival documents from American and European archives, manuscripts, and correspondence related to Michael Hans Kater's work on Nazi Germany including publications such as his dissertation SS-Ahnenerbe, and books "Doctors Under Hitler," "Different Drummers : Jazz in the Culture of Nazi Germany," "Weimar : From Enlightenment to the Present", "Culture in Nazi Germany," and "After the Nazis : The Story of Culture in West Germany"; professorial files (including lecture notes and course evaluations); and correspondence with friends, colleagues, and other scholars.

The collection consists of correspondence, photographs, genealogical charts, family histories, newspaper clippings, publications and related material detailing the history of the site on which the Keele Street campus of York University now stands; correspondence and newspaper clippings relating to the search for the grave site of Peter Erlin Kaiser and a photocopy of his Last Will and Testament; a genealogy and a history of the Kaiser family of Ontario (1933); copies of articles on the Palatine settlements in York County and Upper Canada; a publication, 'An account of the Boynton family and the family seat of Burton Agnes,' (1914); material on the Smith family (Hoover relations), correspondence seeking information from descendants of the Hoover family with responses, Hoover genealogies and material on the Troyer family genealogy (Hoover descendants); biographical material on York pioneers, correspondence, archaeological reports, copies of campus and survey maps and of architectural renderings of the Hart, Hoover, and Stong buildings on the University campus; obituary notices for the last surviving member of the Stong family who lived on the property, a copy of a genealogy of the family and a photocopy of a history of the church that was located on the property (by T.E. Kaiser);a newspaper article concerning Hart House, a building on the York campus which was relocated there in the 1930s from King Township, material related to the 40th anniversary celebrations of York University in 1999 and the York University Faculty Association strike of 1997, as well as other material details of which are available in the finding aid. Accession 2009-019 includes an album of presentation photographs taken by Panda Associates showing Founders College, Steacie Science Library, the Farquharson Life Sciences Building, Burton Auditorium and the Central Utilities Building likely during the 1960s, as well as photographs and textual material regarding the dedication of the Scott Library on 30 October 1971.

The fonds consists of business and political correspondence, records relating to Robert Henry Winter's membership on the York University Board of Governors, and scrapbooks detailing his business and political careers.

The fonds consists of Lady Welby's correspondence, research and reference notes, publications, poetry, newspaper clippings, and printed material. It also includes of galley proofs of Francis Galton's papers on eugenics.

The fonds consists of records pertaining to the administration and publication of the literary magazine "Waves".

Fonds consists of records pertaining to Herman Voaden's family life, education, teaching, play writing, directing and cultural lobbying activities. Also included are the private records of his wife, Violet Kilpatrick Voaden. Types of records include: correspondence, personal diaries, teaching notes, production notes, playbills, and photographs. Some material has been sorted and arranged according to subject by Anton Wagner, theatre historian and executor of Herman Voaden's literary estate.

The fonds is arranged in the following series:

The fonds documents Lauretta Thistle's activities as a journalist and dance reviewer for the period, 1961-1982.

The collection covers both performing arts and the cinema and is arranged in several series: 1. Dance companies; 2. Theatre and drama companies; 3. Cinema and film societies; 4. Musical performances; 5. Souvenir programs; 6. Film programs.

The fonds documents William Moyer Swartley's academic career and research activities in the field of psychology. The fonds also includes personal records.

The fonds consists of correspondence, newspaper clippings, published material, reports, research files, and typescripts of J. Bascom St. John and documents his career as a civil servant and journalist.

The fonds consists of correspondence, minutes, reports and related material of Donald Solitar for committees of the York University Senate, the Faculty Council of the Faculty of Arts and Science, and the Faculty of Arts.

The fonds documents D. McCormack Smyth's career as an administrator both in private corporation and in academic institutions as well as his teaching activities in administration for the period 1947-1986.

The fonds consists of notebooks, galley proofs and typescripts for several of Sacheverell Sitwell's works.

The fonds consists of correspondence, financial records, notebooks, galleys, and typescripts of Dame Edith Sitwell.

The fonds consists of personal records of Murray Ross as well as records pertaining to his career as a scholar and professor. It also includes records pertaining to his involvement into various charitable and corporate boards and bodies.

The fonds consists of newspaper clippings of Charles Bothwell Pyper's articles in the Telegram together with telegraphic messages that served as 'hard copy' for his articles from foreign posts; correspondence, and notes; and newspaper clippings from several other newspapers. It includes a typescript of 'Chamberlain and his critics,' as well as earlier drafts, typescripts, some with corrections, of a book on Winston Churchill, and drafts of unpublished dramatic productions by Pyper. The vast majority of the fonds consists of newspaper clippings, notes and related material concerning Pyper's journalism, arranged alphabetically by subject. Some of the subjects included in the fonds are: Clement Attlee, Lord Beaverbrook, the Co-operative Commonwealth Federation, Winston Churchill, Joseph E. Davies, Anthony Eden, the League of Nations, Palestine in the post-war years, the Spanish Civil War, the Suez Crisis, the United Nations, and World War II.

The fonds consists of typescripts, some with corrections, of Linda Pyke's poetry, including 'Prisoner,' 'Sara,' 'Women in rooms' and others.

The fonds consists of records of the Project Ossington and includes correspondence and papers, 1968-1971; financial records, 1968-1971; reports, 1968-1971; case histories, 1969-1971; journals, 1968-1971; Board of Directors files, 1968-1971; grant applications, 1970-1971; building plans, 1968-1969; legal documents and by-laws, 1968-1971; rules and regulations, 1968-1971; statistics, 1969-1971; publicity, 1968-1971; printed material, 1969-1971; Project 1969, Project 1970, and Project 1971 files.

The fonds consists of the official records of the People or Planes Committee (P.O.P.) including correspondence, minutes, financial records, briefs, speeches, press releases, reports, published materials, newspaper clippings, and related material.

The fonds mainly documents Norman Penner's research activities on the history of the Canadian Left.

Collection consists of playbills and theatre programs arranged int he following series: 1. Dance companies (including ballet); 2. Theatre and drama companies; 4. Musical performances (excluding concerts); 5. Souvenir programs; 6. Film programs; 7. Concerts.

The fonds documents Bernard Ostry's education and personal life as well as his activities as public servant and author for the period 1940-1990.

The fonds documents the establishment of Operation Lifeline - Campaign to Save the Boat People and its activities for the period of 1978-1985.

The fonds consists of general correspondence, editorial correspondence, financial documents, manuscripts, publicity and related material of the magazine "Northern journey" for the period 1971-1976.

The fonds consists of a typescript of an autobiography by Frank Morriss composed in 1971. In addition, there are notes for an article on the "Winnipeg Free Press", newspaper clippings of articles by Morriss in the "Free Press", and copies of magazines with articles by Morriss.

The fonds consists of articles, correspondence, records of bodies that James Bryce Milner was a member of, reports, and research material.

The fonds consists of Major Addison Alexander Mackenzie's records pertaining to his social and political activities.

The fonds is arranged in the following series:
Correspondence
Subject files
Lists of voters
Printed material
Photographs

The fonds consists of a collection of student essays on the question: 'Why did you come to university?', which was submitted to Professor Roger Kuin's second year class in English literature in 1972.

The fonds consists of William Kilbourn's records pertaining to his activities as scholar and researcher, and as alderman in the City of Toronto. The fonds includes his correspondence, research and subject files, his City Hall files, personal files, and manuscripts for "The Firebrand: William Lyon Mackenzie and the Rebellion in Upper Canada".

The collection consists of photocopied correspondence, papers, agendas, minutes of the Organizing Committee of York University, and of the Provisional and regular Board of Governors of the same institution, 1958-1961.

The fonds documents Morris Katz activities related to environmental issues as a consultant for various organizations, as a researcher, author and editor. It also documents his teaching activities.

The fonds mainly documents Arthur C. Johnson's professional activities as a university administrator. Records consist of press releases, speeches, correspondence, and reports relating to the planning and development of York University's Keele and Glendon campuses.

Fonds consists of correspondence, research notes, financial records, photographs, photocopies of articles and related research material, bibliography, and university materials of William Jaffé, covering his time at Northwestern University, Harvard University, the University of British Columbia, and York University, and his publishing activity and collecting of Walras material for his future edition of the correspondence and translation of Leon Walras’s opus, "The elements of pure economics." There are also reviews of Jaffé’s works and several boxes of research materials. The fonds includes material from Leon Walras, including correspondence with members of his family, an unpublished autobiography, family photographs, essays and other writings, and financial records, 1860s-1910.

The fonds consists of minutes of the Political Committee, the Central Executive Committee, and the Secretariat of the Workers' (Communist) Party of the United States, 1926-1929.

The fonds consists of correspondence and papers, reports, scrapbooks of newspaper clippings, photographs, tapes and films, related to Allan Grossman's political career, community work, and family life.

Fonds consists of research files, committee files (including minutes, memoranda, etc.), correspondence, professorial files (including notes, lectures, departmental business), financial records, publication files, printed materials, and other materials. Includes records related to the following publications: "The Politics of Survival: The Conservative Party of Canada" (1967), "Canada's War: The Politics of the MacKenzie King Government, 1939-1945" (1975, 1990), "A Reader's Guide to Canadian History 2: Confederation to the Present" (1982), "Bloody Victory: Canadians and the D-Day Campaign, 1944" (1984, 1994), "The Great Brain Robbery: Canada's Universities on the Road to Ruin" (1984), "Sacred Trust: Brian Mulroney and the Conservative Party in Power" (1985), "The Collins Dictionary of Canadian History" (1986), "How Britain's Weakness Forced Canada into the Arms of the United States" (1989), "A Nation Forged in Fire: Canadians and the Second World War" (1989), "Pirouette: Pierre Trudeau and Canadian Foreign Policy" (1990), "Mutual Hostages: Canadians and Japanese in World War II" (1990), "Spy Wars: Canada and Espionage form Gouzenko to Glasnost" (1990), "For Better or For Worse: Canada and the United States to the 1990s" (1991), "Dictionary of Canadian Military History" (1992), "The Generals: The Canadian Army's Senior Commanders in the Second World War" (1993, 1995), "Empire to Umpire: Canadian Foreign Policy to the 1990s" (1994), "Victory 1945: Canadians from War to Peace" (1995), "The Good Fight: Canadians and World War II" (1995), "Yankee Go Home? Canadians and Anti-Americanism" (1996, 1997), "Petrified Campus: Canada's Universities in Crisis" (1997), "The Canadian 100: the Hundred Most Influential Canadians of the Twentieth Century" (1997, 1998), "Trudeau's Shadow: The Life and Legacy of Pierre Trudeau" (1998, 1999), "Who Killed Canadian History?" (1998, 1999), "Prime Ministers: Rating the Prime Ministers" (1999, 2000), "Our Century" (2000), "Canada's Army: Waging War and Keeping the Peace" (2002), Hell's Corner: An Illustrated History of Canada's Great War (2004), The Last Good War: An Illustrated History of Canada in the Second World War, 1939-1945 (2005), Lessons Learned? What Canada Should Learn from Afghanistan (2011), The Best Little Army in the World: The Canadians in Northwest Europe, 1944-45 (2015, 2016), The Weight of Command: Views of Canada's Second World War Generals and Those Who Knew Them (2016), Trudeau's World: The Insiders on Foreign Policy, Trade, and Defence, 1968-84 (2017), the New Canadian Readings series, the CIIA Contemporary Affairs series, as well as numerous scholarly papers, newspaper articles, and editorials. Fonds also includes a collection of reproductions of photographs from other Canadian archival institutions, documenting Canada's role in the World Wars and other significant events in Canadian history.

Also includes records connected to Granatstein's activities with the Marlborough Avenue (Toronto) Ratepayers Association, the Social Science Federation of Canada, the Canadian Historical Association, the Senate Sub-committee on Veteran's Affairs (regarding the CBC's "The Valour and the Horror"), the Historica Foundation, the Dominion Institute, the Vimy Ridge Memorial Foundation, the Never Forgotten National Memorial Foundation, the Conference of Defence Associations Institute, the Council for Canadian Security in the 21st Century, the Canadian Defence and Foreign Affairs Institute, the Canadian Institute of International Affairs, the Canadian War Museum, the Royal Society of Canada, the Order of Canada, the Special Committee on the Restructuring of the Reserves, the Canadian Broadcasting Corporation's mini-series, Canada: A People's History; and oral history projects exploring the Conservative Party and the Liberal Party.

The fonds consists of correspondence, notes and notebooks, index cards as well as a large volume of photocopied articles used by Otto Friedman in his teaching, research and writing activity. These include notes taken during his own education in England. In addition, there are typed lecture notes for courses he taught at York, as well as typescripts of articles and lectures by Friedman, and a typescript draft of his 'Masaryk's social philosophy and critique of Marxism,'. There are also course reading lists, some student materials (class lists, including some with student grades, student essays, and correspondence) and some correspondence and printed materials relating to York University, including calendars and handbooks. There is some material dating from Friedman's time as a management consultant in London, England, including studies of management styles in British firms. The posters are reproductions of paintings by masters (Picasso, Utrillo, etc.), that appear to have hung in his office.

The fonds consists of Robert Freeman's records pertaining to his involvement in student affairs at York University.

The fonds consists of correspondence and papers (1928-1959), arranged chronologically, receipts for monies received from Maurice Duplessis and others, including receipts from organizations, associations and student awards. There are also the proceedings of the meetings of the Public Accounts Committee Inquiry (1936), through which Duplessis exposed the corruption of the Liberal government of the day. The fonds also contains scrapbooks of newspaper clippings relating to political and social developments in Quebec (1929-1949) with concentration on the period, 1934-1936, as well as newspaper clippings relating to the death and funeral of Duplessis. In addition, there is correspondence with and/or concerning several prominent Quebecois including Daniel Johnson, Thibaudeau Rinfret, Msgr. Ferdinand Vandry, Georges Vanier, and companies located in the province (Dominion Textiles, Noranda Mines), and related subjects.

The fonds consists of correspondence, typescripts, reports, publications, research materials, legal documents, course materials, student essays, and administrative material relating Harry S. Crowe activities at York University and Atkinson College, at the Canadian Brotherhood of Railway, Transport and General Workers, with the Royal Commission on Bilingualism and Biculturalism and related subjects.

The fonds documents the breadth of Cook's career as a student, academic and historian, and thinker. Records include curriculum vitae; personal and professional correspondence with his peers, colleagues and students (including noted fellow historians such as Michael Bliss, Donald Creighton, James Eayers, W.L. Morton, and Frank Underhill); lecture notes (both as student and professor); research files, clipping files, conference papers; book reviews; manuscripts and typescripts of his various monographs; printed material; copies of articles and essays by others arranged alphabetically by author; subject files; financial records, photographic material; index cards for his thesis; biographical material about, correspondence with, and speeches by Trudeau, as well as copies of Liberal Party material and material by Cook; appraisals and reviews of books, people and student work, as well as an appraisal of a Department of History in a Canadian university; and diaries, as well as other material.

The fonds consists of printed material, correspondence, photographs, slides, and related material of the Centre for Experimental Art and Design. The correspondence includes: correspondence with artists, galleries and other arts groups in Canada and overseas, dealing with CEAC exhibitions, CEAC-sponsored travelling shows, and communications concerning gallery events. There is also material dealing with granting agencies, including the Ontario Arts Council and the Canada Council. Also included is correspondence relating to the OCA and CC decisions to suspend funding to CEAC, letters of reaction from CEAC members and supporters. The fonds also has grant proposals and covering documentation, and other material. The fonds also contains various documents written by members of the collective defining the 'new ideology' which would usurp the cultural and political elites, define a post-modern aesthetic. There is also material on related artistic and intellectual ideas. There are newspaper clippings of CEAC events and exhibitions both from Canadian and foreign newspapers, invitations to events, flyers and other announcements of forthcoming events, and clippings about other performance and avant-garde arts in other cities and countries. The photographs and slides concern performances at CEAC, including material related to 'Crash and burn'.

The fonds consists of typescripts of articles, galleys, art-work, editorials and related material from the production of the Review. There is also a great deal of correspondence with Canadian theatre companies and theatres, concerning productions, which includes playbills, programs, press releases and related material. There are also financial documents, including invoices for products published by CTR Publications, as well as some budget material.

The fonds mainly documents Margaret Avison's work as a poet and writer and includes manuscripts, correspondence, clippings, printed material, music scores and photographs.

The fonds documents Edgar Tilden Albert's activities as a member of the Organizing Committee of York University and his travel to the Soviet Union for the period 1955-1971.

The fonds consists of material that documents Godard's professorial career and includes thesis advisory files, general correspondence, letters of recommendation, lecture notes, conference material, minutes and reports related to various departments and committees that she was involved with and additional material related to her work with the Canadian Federation of Humanities and to her work as editor of the "Bibliography of feminist criticism," "Gynocritics" among other publications. It also includes notes and drafts of her own writing including her undergraduate and graduate research, articles, book reviews, conference papers, drafts of her translations and a collection of chap books and broadsheets accumulated over the course of her career.

Fonds consists of the professorial records of Bakan's professorial work and academic research, including drafts of manuscripts, completed writings, correspondence, notes lecture, notes and other teaching files. Records also relate to her and her husband's involvement with inner-city Black youth and their draft dodging in the 1960s.

Fonds consists of Ellen Baar's course readings, research materials, drafts of published works, committee minutes and supporting documents, notes, and correspondence relating to her work on government regulation, compliance and environmental issues.

The fonds documents the Canada Dance Festival's operational and administrative activities. Records consist of financial records and contracts; grant applications, sponsorship and fund raising files; correspondence and other administrative records including reports; and publicity, special event and marketing records. Also included are posters used in the advertising and marketing of the festival.

The fonds documents Dance Umbrella of Ontario’s operational and administrative activities. Records consist of financial records; grant applications and contracts; publications; correspondence and reports; and program files. Also included are special project records pertaining to events such as Arts Vote ‘94, Dance 2020, Artsweek, and Forward Motion.

The collection consists of programmes, correspondence, articles and press clippings relating to the life and career of Isadora Duncan. Also included are research notes and interview transcripts used by Lillian Loewenthal in support of her book, The Search for Isadora Duncan (1993).

The fonds consists of programmes, choreographic and production notes, clippings, photographs, newsletters, awards and certificates, financial documents and notebooks which document the career of Gladys Forrester in Canadian theatre and dance.

The fonds mainly consists of William Greer plans, memos, correspondence and architectural drawings about York University.

The fonds documents O.R. Lundell's activities as a professor and university administrator. Records consist of correspondence, course notes, evaluations and advising material. Also included are reports, minutes and background material relating to the design requirements of the Chemistry department within the new Chemistry and Computer Science Building, the Canadian Institute for Research in Atmospheric Chemistry and the Science Olympics.

Fonds consists of personal and business correspondence, reviews, notes, drafts and manuscripts of poems and musical compositions which document the career of Robert Casto.

Fonds consists of an accumulation of files kept by several different members of the Canadian Association of Professional Dance Organizations which have been maintained in the manner in which they were received. They contain correspondence, minutes, reports, financial records, items used for publicity, resource material and other material.

This collection describes courses and stipulates requirements for attaining academic qualifications. The calendar collection documents admission requirements, academic expectations, and standards for the completion of degree requirements. The collection consists of course calendars, mini-calendars and handbooks issued by faculties and departments. The collection is extensive though incomplete.

Fonds consists of manuscript and typescript drafts and notes for many of Richard Courtney's works, personal and business correspondence with friends, colleagues, publishers and other individuals and organizations, background and resource material for Courtney's writing and teaching, lecture notes, copies of journals and other publications in which Courtney's work either appeared or which he used as resource material, scrapbooks documenting Courtney's role as an actor and director in a number of productions including those undertaken as a student at Leeds as well as a number of audio-visual samples of his work.

The fonds consists of records pertaining to the activities of Goldfarb Consultants and include research reports, printouts, questionnaires and administrative files. They can be used in conjunction with each other: the responses in the questionnaires are analysed in the research reports; the printouts are the raw data results of the questionnaires; and the administrative files provide additional documentation related to a particular research topic. With a few exceptions the projects included in the fonds were undertaken for federal or provincial political parties or governments.

The fonds is organized into the following series:

Fonds consists of Hugh Ian Macdonald's Ontario government economist files, his speeches, correspondence, day books, York University Presidential files, Community service files, Ontario Advisory Committee on Confederation files, York International files, and his IDEA Corporation files.

Fonds consists of selected administrative and operational records of the Toronto Dance Theatre.

The fonds is arranged in the following series:

Fonds consists of administrative files relating to the activities of DanceSpace and includes correspondence, posters, photographs, and various published materials relating to dance.

The fonds consists of production scripts, including revisions, for three one-hour episodes of "I Married the Klondike", by Peter Wildeblood, a CBC Television drama based on the book by Laura Beatrice Berton.

Fonds consists of the records relating to the Commission of Inquiry into Certain Events at the Prison for Women in Kingston (Arbour Commission)(1996), including background papers, research papers, testimony, and the final printed report that studied the operations and management of the Prison for Women in Kingston, Ontario, and the incidents that occurred there starting 22 April 1994.

Fonds consists of records of the Mountain Fund pertaining to its activities, helping Vietnamese refugees in coming to Hamilton, Ontario. The fonds includes minutes of the Board of Directors, correspondence, financial records, publications and photographic materials.

The fonds consists of Operational files for the office of the advisor; correspondence, reports, minutes and other files related to the Presidential Committee to Review the Salaries of Full-Time Faculty Women (1975-1976), the Task Force on the Status of Women at York (1975, 1984), the Women's Studies program, the Employment Equity Committee, the Affirmative Action Committee, and Taking the Initiative Conferences; reports and research on women's issues such as maternity leave, daycare, sexual harrassment, violence against women, pay equity, and women's education; and published material dealing with the status of women at the University.

Fonds consists of Helen Lucas' correspondence, scrapbooks, photographs, The Diary Series (1971-1978), and Relationship Drawings (1978-1981) (both of which include 246 charcoal drawings, 40 sketches, 34 drawings, 5 etchings, 47 lithographs, 3 framed serigraphs, 1 sketchbook, and 1 pastel on paper); preliminary drawings for Angelica (Toronto: Kakabeka Publishing Co.,1973) and Genesis; twelve original collage drawings for the book co-authored by Helen Lucas and Margaret Laurence entitled The Christmas Birthday Story (1981) complemented with letters from Laurence while they were collaborating on the book; original prints (1970s); a sketchbook (1971); and Drawing Dedicated to my Daughter. Lucas provides an accompanying narrative to many of the drawings, giving a context for the works and an account of their evolution between 1971 and 1979. The initial sketchbook pages are also included, portraying intimate personal images which she likens to 'finding the achievement of my own voice'.