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The fonds consists of the technical reports deriving from research projects sponsored by the Joint Programme in Transportation of the York University Transport Centre.

Fonds consists of personal correspondence (1932-1990), project files (1926-1981), slides, photographs, films, videos, and publications by or about the Beveridges.

Fond consists of material that documents Paikin's personal and professional life with an emphasis on his work as a journalist, documentary filmmaker and author. It has been arranged into six series.

Fonds consists of records accumulated and retained by Malcolmson and Barber and include copies of the Waffle Newsletter, documents pertaining to the NDP convention in Winnipeg in October 1969, resolutions prepared by the Waffle movement for consideration by riding associations, union locals and youth clubs, minutes of meetings of the National Waffle organization, miscellaneous items pertaining to various Waffle groups from British Columbia, Saskatchewan, Manitoba, Ontario and Toronto in particular, discussion and draft policy papers, correspondence between Wafflers, and an off-air excerpt of a CBC documentary about the challenge from the Waffle at the 1969 NDP Convention. Fonds also includes Barber's research notes pertaining to the Liberal Party of Manitoba during the 1960s, and copies of newsletters and Liberal Party conference delegate lists collected by Barber as a member of the Manitoba Young Liberal Association, and a book on Manitoba politics containing a chapter written by Barber on Manitoba's Liberals, 2010.

Fonds consists of correspondence, contracts, newspaper articles, and musical arrangements created or accumulated by Jack Kane between 1950 and his death in 1961, with some material added or reproduced in subsequent years. The letters focus on his relationship with his fans across Canada and in the United States, particularly during the late 1950s and early 1960s while Kane was appearing on television. The correspondence deals with the popular reaction to Kane's music (including differences in generational tastes between classical and jazz music) and the aspirations of amateur song writers, performers and often their parents seeking advice on getting into show business; much of it was answered in sometimes lengthy letters that include Kane's insights on composing and his decision to stay in Canada after achieving success in New York. One file contains promotional material and contracts with the CBC for "Music makers '58" and "Music '60"; the contracts list the musicians who played with Kane, such as Moe Kaufman, Ellis McClintock, Murray Ginsberg, and John and Joe Niosi. Photographs include promotional portraits and images of Kane with Steve Lawrence and Duke Ellington. This graphic material is considerably supplemented by a photocopied album of newspaper clippings that trace Kane's career on radio and television from 1950 to 1961, as well as national coverage of his death. Three audio discs capture two of Kane's original compositions in 1950 and 1951, as well as his first and last recordings with commercial labels. The bulk of the fonds consists of Kane's musical arrangements with manuscript annotations, arranged by the title of the score and usually attributed to the television show on which it was performed.

The fonds documents the activities of the York University chapter of Pollution Probe for the period 1969-1973. It includes correspondence with members and the central organization, some financial records, reports, subject files, newsletters from other Pollution Probe chapters, newspaper clippings, photographs and posters.

Fonds consists of research files, correspondence, scripts, production notes, budgetary material, promotional campaigns, awards, posters and assorted film, music, photographic and graphic material related to Larry Weinstein's creative process as a writer, documentary film director, and producer.

Fonds mainly consists of material relating to Vincent Vaitiekunas career as a film maker and includes production notes, scripts, correspondence and film reels.

Fonds consists of research notes, newspaper clippings, reports, publications, correspondence, and photographs pertaining to Portuguese emigration and the Portuguese experience in Canada compiled by Professor Higgs in connection with his scholarly work and teaching on Portuguese history and his collaborative work with Grace Anderson.

Fonds consists of handwritten and typescript manuscripts for Falek Zolf's memoirs, handwritten notes for his memoirs, newspaper articles about Zolf and the Jewish literary community in Winnipeg, a report that quotes from his work in a review of the historical context associated with the Canada Post Corporation's Rural Conversion Program in Saskatchewan, a review of the Yiddish edition of Zolf's autobiography, "On foreign soil," and information regarding its publication in English.

Fonds consists of correspondence, notes, reports, essays, publications, flyers, and other documents created or received by Ellie Prepas while a graduate student in Environment Studies at York University about the Waffle movement within the New Democratic Party, including environmental initiatives, the Mackenzie Valley pipeline, opposition to foreign ownership of Canadian resources and industries, her candidacy for the NDP in the riding of Toronto Trinity and her involvement with the North Metro Waffle, and the Waffle Women.

Fonds consists of administrative and promotional material documenting the Regent Park Film Festival's outreach programs including the annual film festival, the Home Made Visible project, and outdoor summer screenings.

The fonds is comprehensive and extensive in scope, and documents both the creative and business aspects of Abbott-Ferguson Productions. Records include scripts and production files for both the radio and television shows; show logs; sound and video recordings; photographs; press and publicity; business correspondence; audience correspondence; contracts and other legal documentation; memorabilia; and research files including for ratings and audience research. The fonds has been arranged into the following series:

S00613 The Jest Society
S00614 Air Farce - radio - scripts and production files
S00615 Air Farce - television - scripts and production files
S00616 Air Farce - A/V recordings
S00617 Air Farce - sound recordings
S00618 Air Farce - hair and makeup photos
S00619 Air Farce - wardrobe photos
S00620 Air Farce - set design
S00621 Air Farce - gigs
S00622 Air Farce - publicity and press, including photos
S00623 Air Farce - business and legal files
S00624 Air Farce - audience mail
S00625 Air Farce - memorabilia and merchandise
S00626 Air Farce - miscellaneous files
S00627 Dave Broadfoot productions
S00628 Non-Air Farce - XPM
S00629 SketchCom productions
S00630 Air Farce - ratings and audience research
S00687 Johnny Chase files
S00688 Non-Air Farce - miscellaneous files

Fonds consists of records documenting the writing, editing, publication and promotion of Alison Pick's poetry and novels, including "Far to Go" (2010), "Between Gods" (2014) and "Strangers with the Same Dream" (2017), as well as records pertaining to Pick's personal life. These records include draft manuscripts, page proofs, notes, notebooks, correspondence, photographs, day planners, literary publications, journals and memorabilia.

Fonds documents Jeanette Heller's activities as a dancer and career in entertainment with records primarily pertaining to her life as a Roxyette (Rockette), USO troupe dancer during World War II and the Korean War, and employee of many dance companies including the American Repertory Theatre Group. Records consist of photographs, newspaper clippings, programmes, annotated maps, correspondence, contracts, and a collection of Jewish recipes.

Fonds consists of records pertaining to research and administrative work performed by Janice Newton in her capacity as a PhD student and, later, faculty member in the Department of Political Science at York University. These records, which date from the 1970s until 2014, document research performed by Newton as she completed her 1987 doctoral dissertation and adapted this dissertation into a monograph in 1995, as well as her work as chief editor of the 2001 publication Voices in the Classroom. The records also document research and administrative tasks performed by Newton in her role as a contributing faculty member within the Department of Political Science at York University. Included in the fonds are research materials, correspondence, scrapbooks, administrative records, audio and video recordings, and photographic prints and negatives created or accumulated by Newton.

Fonds consists of records created by Carl James in the course of his activities as a sociologist and a university professor, including research data, publications, teaching material, and administrative records for the York Centre for Education and Community.

Collection consists of meeting minutes, academic papers, government publications, reports, newspaper articles and clippings, books, protest ephemera, a typescript and a videocassette tape related to Wanda MacNevin’s research for the books "If Only I Knew: Stories of Teen Mothers" and "By Us! For Us! Activism in Jane Finch, A Working-Class Community" and the work of community organizations such as the Black Creek Venture Group, Jane/Finch Community and Family Centre, and Promoting Education and Community Health (PEACH).

Fonds consists of materials created and accumulated by George Papadatos in the course of his activities as a member of the Toronto Greek Canadian political, arts and cultural community while living in exile in Canada during the Greek military junta of 1967-1974. It includes records relating to his work as a journalist and newspaper editor (as editor of Metanastis and contributor to Ta Nea, amongst other publications); political activist; music promoter, event organizer and co-owner of the Trojan Horse coffee house; East York community service worker; and as tutor of Modern Greek Studies at the University of Toronto (Scarborough College).

The fonds largely consists of photographs, newspapers, promotional material, posters, sound and video recordings. Many of these items were collected by Papadatos to document the coffee house scene on the Danforth, the Greek musical acts who toured Canada and the United States in the 1970s and 1980s, as well as student organizing and protests related to local opposition to the military dictatorship in Greece. The records reflect the impact that the cultural and political activities of the Greek community in Canada had on political affairs in Greece. The fonds also includes handwritten and typed correspondence and other printed material created or received by George Papadatos, as well as photographic material from Papadatos' later life in Greece, where he operated an antiquarian bookstore. Records in the fonds have been arranged into five series based on record genre. See series level descriptions for details.

Fonds consists of the personal and professional documents of the life and activities of Toronto Star reporter and disability advocate Barbara Turnbull. It includes material relating to her work at the Toronto Star, her various speaking engagements and material related to the 1983 shooting and the subsequent trial. Also includes material from the Turnbull et al. v. Famous Players human rights complaint trial.

Fonds consists of records pertaining to Deborah Barndt’s work as a researcher, photographer, writer, activist and York University professor. These records document the research and writing of Women Working the NAFTA Food Chain (1999), Tangled Routes: Women, Work and Globalization on the Tomato Trail (2002), and VIVA! Community Arts and Popular Education in the Americas (2011), her research focus on popular education, globalization, community arts, and her involvement with equity and diversity initiatives at York University. Records in this fonds include research materials such as journal articles, papers, reports, newsletters, government documents, pamphlets, brochures, as well as audio recordings of interviews and interview transcripts, correspondence, manuscripts, video cassettes, notes, e-mail, proposals, workshop materials, and photographs.

Fonds consists of the business records of The Isaacs Gallery (TIG), the Inuit Gallery and the Isaacs/Inuit Gallery which include personal and professional correspondence, exhibition catalogues, mailings, financial records, and artist files consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs such as Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow and Joyce Wieland, Robert Markle, Greg Curnoe, Gordon Rayner and John Ivor Smith, among others. It also includes artist portfolio files consisting of press clippings and catalogues of their works, a comprehensive slide collection documenting an overview of his gallery exhibits, and promotional files relating to his galleries. The fonds includes Isaacs' poster collection as well as notes written by Isaacs, collected correspondence and reminiscences, drafts, mock-ups and other material related to the writing and creation of the artist's scrapbook 'Isaacs seen.'

Fonds consists of low-level oblique aerial photographs of water sheds and conservation areas in southern Ontario, taken by Wise.

Areas include the Oak Ridges Moraine, Albion Hills, Scarborough Bluffs, the Don River and other areas. Some photographs accompanied by maps with flight paths plotted by Wise.

Fonds consists of the professional records of Jean Augustine, including documents, reports, speech notes, press releases and publications relating to her activities as a community activist and volunteer; a elementary school teacher; her administration of the Metro Toronto Housing Authority; her participation on various international, national, provincial and municipal advocacy boards organizations and associations; and her activities as a federal politician and member of cabinet.

Fonds consists of correspondence, speeches, handwritten and typescript notes, photographs, programs and flyers for cultural and political events, newspaper and magazine articles, booklets, and ephemera created or accumulated by Sam and Manya Lipshitz regarding their professional activities and family life. Handwritten letters trace their courtship while Sam worked in Montreal and Manya studied in New York during the late 1920s. Many subsequent documents pertain to their involvement with Jewish organizations, particularly the Labour League, United Jewish Peoples Order, the New Fraternal Jewish Association, and the Canadian Jewish Congress. Sam Lipshitz's work as editor and writer is a major theme throughout the fonds, which includes correspondence and draft articles for "Vochenblatt," "Morning freiheit," and "Fraternally yours," as well as clipped stories and entire issues of these periodicals. Sam's trip to Poland in 1945 with H.M. Caiserman on behalf of the Canadian Jewish Congress is well documented through his letters to Manya, published reports, and photographs. Similar records are available for his trips to Europe, Israel, and the Soviet Union, with considerable information regarding the communist parties in these countries (such as a photograph album devoted to the Congress of the Israel Communist Party in 1949). The fonds includes correspondence, reports, speeches, photographs, and other documents pertaining to Sam's involvement with the Labor-Progressive Party, the careers of prominent communists including J.B. Salsberg, Tim Buck, Sam Carr, Fred Rose, and Albert Alexander MacLeod, tensions within the Canadian Jewish Congress over the relationship between communism and Zionism, the Lipshitzs' resignation from the communist party in 1957, Manya's campaign for a seat on the board of education in 1956, and Sam's campaign for alderman in North York in 1974 (both unsuccessful). The fonds also deals with international issues facing the Canadian Jewish community from the 1940s to the 1990s, including: the Warsaw Ghetto uprising in 1943, Nazi concentration camps in Poland during World War II, the Polish resistance movement, relief work after the war and efforts to improve living conditions and cultural life among Poland's Jews, efforts by Jews in Canada to find relatives among the survivors of concentration camps, trials of Nazi war criminals, Canada's post-war immigration policy and the campaign for Jewish emigration to Canada, the survival of anti-Semitism after the war, Palestine and an independent Israel, politics and conflict in the Middle East, the case of Julius and Ethel Rosenberg, the plight of Jews in the Soviet Union, Holocaust memorials, and the work of Jewish mutual benefit societies. The Lipshitzs' strong interest in literary affairs is evident through many files pertaining to Jewish writers between 1943 and 1997, which contain correspondence, biographical articles, samples of these writers' work, and speeches extolling their accomplishments made by Sam when they visited Toronto. This material also deals with the visit of writers Solomon Michoels and Itzik Feffer to New York and Toronto in 1943 to promote relations with the Soviet Union, and memorials to the Soviet writers executed in 1952 under orders from Joseph Stalin. The Lipshtizs promoted the Yiddish language and Jewish culture through their written work. The fonds includes copies of three issues of the handwritten journal, "Komunar," edited by Manya between 1922 and 1923 while living on the commune in Russia, as well as poetry written by Manya throughout her life. Her teaching notes document Manya's work at the Morris Winchevsky School, and her interest in Jewish history, song, and festivals. Photographs provide additional information on the school's activities, including the visit by singer and activist Paul Robeson in 1947. Other images in the fonds show Sam speaking at rallies, Manya's campaign for "mayor" of Camp Naivelt, and members of the Lipshitzs' extended family in various settings. The fonds also contains material about work of Trade Typesetting, and testimonials to Sam and Manya Lipshitz added to the fonds after their deaths.

Fonds consists of personal files containing correspondence, articles, photographs, certificates, etc. relating to Ernest Bartlett’s family and career with the Toronto Telegram.

Fonds consists of correspondence between Captain James R. Allan and Vivien Beer of Strathroy, Ontario before Captain Allan, was killed; press clippings and photographs of Captain Allan and Private Walter Beer while serving in World War I and scenes of various members of the Beer family.

Fonds consists of records related to the development and activities of the Cephalonia-Ithaca Association of Toronto including correspondence, event planning documents, membership lists, invoices, business records, meeting minutes, newsletters, advertisements and related ephemera.

Fonds consists of documents created or received by Mark W.P. Cann during his career as a physicist with the Illinois Institute of Technology Research Institute in Chicago and with York University’s Centre for Research in Experimental Space Science, including research notes, proposals for projects, reports, spectrum graphs, wave line profiles, computer program printouts, tables and graphs, transparencies for presentations, and three infrared transmission studies on 35 mm film.

Collection consists of legal documents pertaining to the wrongful conviction of Rubin “Hurricane” Carter for murder and his subsequent release, including: transcripts from the first trial, 1967; proceedings from the New Jersey State Court appeal hearing, 1976-1979; transcripts from the Alfred Bello polygraph remand hearing, 1981-1982, including notes written by Rubin Carter during the hearing; memoranda, notes, briefs, and rulings from the remand hearing, 1981-1982; files containing notes by the investigation undertaken by the Canadians (Sam Chaiton, Terry Swinton, among others) who moved to New Jersey to work on Carter’s case, 1983-1985; research, evidence, and court rulings during appeals, 1985-1987; and petitions, briefs, judical opinions and other documents related to the rulings by state and federal courts and by the Supreme Court of the United States.

The fonds partially documents Merle Shain's activities as an author as well as her personal life.

The fonds consist of television and film scripts in which Lionel Siegel played a part, either as script writer, author of the story on which the script was based, or in some production capacity. There are also scripts of productions by others which Siegel has collected, some because he was writing scripts for subsequent episodes of the program. The scripts are arranged alphabetically by title and include, 'Ben Casey', 'From here to eternity,' (1979) on which Siegel worked with several others, 'The last westerner,' with a screenplay by Jack Elam and Siegel, several episodes of 'Peyton Place,' 'Rawhide,' (including script for "Corporal Dasovik," for which Siegel was awarded 'Best western TV drama of the year, 1964,) 'Then came Bronson, (1969), episodes of 'The Waltons,' (1972), 'The bold ones,' 'Hoover versus the Kennedys the second civil war,' (1987) and others. There are also story outlines for possible productions, including movies-of-the-week on American network television.

The fonds consists of a carbon typescript of Sir Osbert Sitwell's 'Miracle on Sinai,' under the working title, 'The new commandments or, make up your minds' as well as revisions in handwritten form, and carbon typescript pages of re-written passages.

The fonds consists of a taped interview of Denis Smith by Paul Axelrod, a graduate student at York University, concerning the early history of the university, and the dispute between the then-president, Murray Ross and the faculty in 1963. It also includes a transcript of the interview.

The fonds consists of research materials of Joseph Starobin on American radicalism and European socialism and includes several newspapers from France, Italy and North America, as well as off-prints, typescripts and photocopies of articles by colleagues and writers on the left (Harrington, Marcuse, Earl Bowder). It also includes some holograph notes of lectures attended by Starobin in 1963 in New York (classes in his graduate studies at Columbia?), and correspondence and photocopies of chapters of a thesis from a doctoral committee at York University on which he sat (1975).

The fonds consists of records relating to the Canadian Poetry Association, League of Canadian Poets and the HMS Press, as well as personal papers and manuscripts of Wayne Scott Ray.

The fonds documents Pauline Elizabeth Rhind's activities with the Kakabeka Press as well as her activities as a writer and artist for the period 1945-1978.

Fonds consists of correspondence, minutes, reports and newsletters from various men's rights organizations such as 'Fathers for Justice', newspaper clippings documenting issues of interest to the movement as well as other related material that documents Kenedy's ongoing research into the men's rights movement. Fonds also includes copies of presentations made at the annual conferences of the National Orientation Directors Associations, as well as samples of orientation literature that was published by universities in Canada and the United States for first-year students and their parents.

Fonds consists of correspondence with fellow Crosby collectors and enthusiasts, drafts of essays and articles concerning Crosby written by Vogt, scrapbooks dedicated to Crosby, lists of Crosby recordings, publicity photos and movie stills, magazines, newsletters and other material that documents Vogt's ongoing interest in Bing Crosby's music and work.

The fonds consists of McInnis' publication files, including scholarly articles and correspondence, drafts, research notes, photographs, and other material for "The Long Cold Peace: Treaty Making after World War II", "The East", "Canada: A Political and Social History", "North American Nations", and other works. Fonds also includes professorial files documenting his teaching at the University of Toronto and York University; Canadian Institute of International Affairs files; research files; and other material reflecting his varied interests in history, current events and world politics.

The collection consists of bound typescripts of diaries, many with photographs included, of Stephen McKenna's travels in South America, the Caribbean, North Africa, France and other countries (1921-1933). There are also typescripts and carbon copies of four plays he composed, including 'Ninety-six hours' leave,' (1917), short stories and articles, some in draft form, other clipped from magazines, and scrapbooks of serialized novels which appeared in newspapers and magazines. In addition, there are photographs of locales he had visited.

The fonds consists of records accumulated by Roy Merrens as a result of his activities as a geographer, professor, and member of various associations, authorities, and boards. The records have been physically arranged by the creator by subject; the original order has been maintained. They include maps, correspondence, minutes and agenda of meetings, mailing lists, reports, drafts, notes, press releases, proposals, copies of legislation, affidavits, telegrams, statistical data tables, newspaper clippings, journal articles, photographs, slides and a postcard. Also included is a file containing articles and reports about the geography, landscape and architecture of York University.

The collection consists of material related to James Milner's career in the area of community planning law and includes a copy of the article written by Mary Louise Bogart and John Edward Page on Milner as well as correspondence relating to its publication. In addition, there is material on the Town Planning Institute of Canada (TPIC), predominantly materials of a historical nature. There are also several audio reels and cassettes of interviews with planners and members of the TPIC who were Milner's colleagues. Finally, there are some microfilm copies of studies done in the area of land conservation. Some of this material was removed from the Milner fonds during the time it was held by the Faculty of Environmental Studies, York University.

Fonds consists of records documenting the career of George Bell as a university administrator and professor, founding director of CIIPS, and President of the CISS. Also includes minutes of meetings, correspondence, working papers, reports, and reference and research materials.

The fonds consists of Fred Matthews Young's working files for his legislative responsibilities. The largest part of the fonds contains files related to transportation and especially highway traffic, which reflects Young's role on the Select Committee on Highway Traffic. The files are divided into subjects related to transportation (safety, lighting, re-sale of automobiles, automobile prices, alternatives to the automobile), and include reports of government agencies, briefs to the Select Committee and other committees, copies of bills, copies of Hansard (Ontario), advertisements, press releases and background material. In addition, there is material on several other issues before the Legislative Assembly including smoking, housing (including public housing), election expenses, reformatories, municipal affairs, and material relating to the Revenue Ministry, including material on land transfer taxes, provincial income taxes, the government estimates, securities law, the Corporations Act and related subjects. This material includes reports, submissions, statements of ministers and members, copies of speeches, Hansard, copies of bills and amendments and related material.

Fonds consists of material related to Virginia Rock's research for her doctoral dissertation and other academic writing pertaining to the Twelve Southern Agrarians. Records include research notes and index cards, photocopies of newspaper clippings, book reviews, literary criticism, journal articles, and photocopies of material written by or about the Southern Agrarians regarding their lives and work, as well as their correspondence with Rock. The fonds also contains Rock's personal and professional correspondence, drafts of Rock's final dissertation and articles, records concerning her involvement with the Canadian Women's Studies Association, as well as materials pertaining to Rock's work as a professor at York University, including information about Stong College, syllabi, course kits and reading lists, information about symposiums she attended, and items relating to her work as an instructor and advisor for the Graduate Women's Studies Programme. Also included in the fonds are records pertaining to Rock's experience teaching American literature as a Fulbright visiting professor at Jagiellonian University in Krakow between 1962 and 1964. These records, which include photographs, correspondence and memorabilia, document Rock's activities while in Poland as well as her return visits to Poland in later years and her general interest in the country. An issue of the Polish magazine "Ameryka," featuring an article about Virginia Rock, has been added to Special Collections; an English translation is available in the fonds.

Fonds consists of records created by Marc Stein in the course of his activities as a teacher and administrator, including a draft history of gay, lesbian, bisexual, transgender and queer activities at York University from the 1960s to 1979, articles clipped from the student newspaper, Excalibur, concerning police harassment, women’s liberation and homophiles, student and media attitudes toward gays, and campus housing, and newsletters of the York University Homophile Association, 1970-1971, that were given to Stein when he was appointed Sexuality Studies Coordinator; records of the Sexuality Studies Committee pertaining to support for the program proposal, governance of the program, status of courses, proposal for certificate and minor programs, course enrolment, course instruction and designations, special events such as lectures and film nights, development of a course rubric, supplemental calendars for 2006-2010, minutes of Council meetings, a bibliography of faculty publications and productions, printed email correspondence, course proposal forms, award proposal forms for student academic performance, student lists, statements of revenue and expenses, the proposal to develop an option to major in Sexuality Studies; and course syllabi.

Fonds consists of records created by Sig Gerber in his role as producer of several series for the CBC. Gerber's production responsibilities included overseeing the creative aspects involved with story proposals, research, script writing, and direction for each episode, as well as the management of technical components and financial resources. The fonds contains other documents related to the series' production, including reports, correspondence, meeting notes, handwritten notes, scripts, videocassettes, and promotional items, as well as reports on the CBC's broadcasting policies and the network's promotional material. Also included in this fonds are materials pertaining to Gerber's work as a trainer for the CBC Training and Development Department, miscellaneous internal CBC memoranda (1968-1996), and a file of ephemera and photographs from Gerber's time working at CHUM Radio in Toronto (1961-1964).

Collection consists of conference material, documentary film footage, and textual material related to the scholarship, legacy and cultural impact of Barbara Godard, donated to the archives by former students, colleagues, family members and friends.

Fonds consists of records created and accumulated by the Canadian Speakers' and Writers' Service Ltd. over the course of over 50 years as a literary agency and management company for writers, public speakers, and actors.

The bulk of the records consist of client files which includes correspondence to and from clients; correspondence with publishers, media, sponsors of talks, radio and television producers; publicity material relating to clients including resumes, headshot photographs, schedules, travel arrangements; newspaper clippings; reader's reports; royalty statements; and contracts. There are also audio cassettes and video cassettes of interviews and recordings of the work of some CSWS clients. Notable clients include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

There are also general correspondence files, business records (including office diaries for the period, 1951-1965), manuscripts (from clients and unsolicited), and print materials (publishers' catalogues, anthologies of plays, newsletters, copies of labour agreements between the Canadian Broadcasting Corporation and ACTRA, and clippings). There is a series of records related to CSWS Ltd. founder, Matie Molinaro, documenting her early life in New York and her work as a war correspondent during the Second World War. Also included is a series devoted to records related to Marshall McLuhan and his estate, long-time clients of CSWS Ltd, which includes correspondence, contracts, notes, drafts, clippings, offprints, photographs, and ephemera.

Collection consists of promotional material, family documents, correspondence, news clippings, recordings of public lectures, television and radio appearances and newsletters created by or regarding Dr. Robert S. Mendelsohn.

The fonds consists of governance records (bylaws, letters patent, incorporation documents), newsletters, minutes, financial records, Finnish studies scholarship files, cultural activity files (musical events, lectures, film showings, symposia), fundraising files pertaining to CFFEF (Canadian Friends of Finland Education Foundation), miscellaneous files, FINNSTAUT (Finnish Studies Alumni Association at University of Toronto), membership files, CFF branch files, and some photographs.

Fonds consists of dance notations recorded using Labanotation or Kinetography Laban, created or acquired by Mary Jane Warner and used in her work as a professor of dance. The notations take the form of manuscript symbols hand-drawn by Warner while a student at Ohio State University (including Labanotation for her dissertation), photocopies of works produced by other notators, and printed works published by the Dance Notation Bureau and the Royal Academy of Dancing. The notations are grouped according to elementary, intermediate, and advanced readings, with titles that often include the name of the choreographer and, in some cases, the notator. The works of Doris Humphrey, Ray Cook, Anthony Tudor, George Balanchine, Muriel Topaz, and Ann Hutchinson Guest figure prominently among the notations. The fonds also includes Warner’s lecture notes on the history of dance notation and Labanotation, material on teaching dance, notes for a lecture on E.A. Theleur’s "Letters on dancing : reducing this elegent and healthful exercise to easy scientific principles" (London, 1831), and programs and proceedings from various international conferences on Labanotation and Kinetography Laban.

The collection consists of materials related to Joyce Wieland acquired from various sources. Records include a small amount of correspondence; obituary notices and program for the Wieland funeral; press clippings and articles on the work of Joyce Wieland; photographs of Wieland, her friends and family; personal ephemera relating to Wieland; photographs taken at a drawing workshop led by Wieland in St. Michael's, Newfoundland; records and scripts pertaining to Wieland's film "The Far Shore" as well as notes by Wieland about the film; photographs used in the Jane Lind biography of Wieland; small works of art done by Wieland such as sketches, drawings and paintings.

Fonds consists of 327 letters written by Liisa Lumiala to her friend Terttu Hansen between 1943-1979, ending a few months before Liisa's death from cancer. The first set of letters until 7 March 1948 were written from various places in Finland, as Liisa and her family were moved around by the government from one residence to another. The next set of letters, covering the time period 22 March 1948 to 20 July 1948 were written from various locations in Sweden, where Liisa and her daughter Tytti were waiting to receive their immigration papers to move to Canada.The final set, beginning 30 August 1948 were written in Canada, again from various locations and addresses around Port Arthur, Fort William and Toronto. This collection of letters provides insight into the day-to-day life of a Finnish immigrant woman who moved to Canada to create a new life for herself with her husband and family after World War II.

The fonds consists of some typescript, corrected reports and research papers by Edith Ferguson (1948-1977), as well as published copies of some of them. There are also several volumes dealing with immigrant, integration and multiculturalism issues, novels, and reports from research institutes, government organizations, charitable bodies, and others involved in the immigration and integration fields (1929-1983). There are also some newspaper clippings relating to immigration and multiculturalism in Canada.

Fonds consists of music used by the Rex Battle Orchestra, including a series of envelopes arranged alphabetically by song title that contain published scores and lyrics, as well as original arrangements by Rex Battle. Notes written on the envelopes show names of songs, composers and publishers, as well as the music’s key, performance dates, costs of the published music and the breakdown of the scores by instrument. This fonds also consists of orchestral scores and sheet music for the piano, organ, violin, viola, clarinet, and other instruments.

The fonds consists of eight audio reels which contain the papers read and proceedings of the seventh annual seminar of the Canadian Association for Irish Studies held at York University in March, 1974. Included on the tapes are a poetry panel of Seamus Heaney and Michael Longley, proceedings of the Yeats Evening, a concert of traditional Irish music, and related material.

The collection consists of programmes, playbills and notices of productions in Ontario (predominantly Toronto) theatres, 1971-1983, arranged alphabetically by the title of the production. Some of the companies and theatres represented include, Toronto Arts Productions, Stratford Theatre, Skylight Theatre, Toronto Workshop Productions, Toronto Free Theatre, Royal Alex Theatre, Theatre Aquarius, National Arts Centre (Ottawa), Lime Light Dinner Theatre, Theatre in the Dell, Young People’s Theatre, Shaw Festival, and Theatre Passe Muraille.

Fonds consists of transcripts of interviews with Portuguese immigrants, collected ephemera, notes, research material and photographs related to Domingos Marques' activities as a activist, newspaper editor and municipal politician within the Portuguese community of Toronto. Includes issues of the Portuguese community newspaper "Comunidade".

The fonds consists of records pertaining to Henry Silton Harris' activities as author and educator. It includes his manuscripts, correspondence, research and lecture notes, teaching files, and his graduate and undergraduate studies files.

The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:

The fonds consists of records pertaining to Barbara Sternberg's activities as an artist, teacher, writer, and activist. In addition to subject files containing materials related to her films, the fonds includes posters, reviews, catalogues, programmes, research and drafts of unrealized projects, course, project, and grant proposals, as well as publications by and about Sternberg. It also includes conference and workshop materials, pedagogical documents, drafts of Sternberg's Cinema Canada column, materials related to screenings, exhibitions, and festivals, as well as correspondence with friends and colleagues, including contemporary Canadian experimental artist Michael Fernandes and former Canadian Parliamentary Poet Laureate George Elliott Clarke. Records of a personal nature are predominantly limited to correspondence.

Collection primarily consists of Witmer's audio-visual field recordings of interviews and musical performances, in addition to students' ethnomusicology research field recordings. His research files as an ethnomusicologist are also included and consist of lists, indexes, musical scores, notes, interview transcripts, programs, essays, newspaper clippings, song books, correspondence, and newsletters.

Fonds consists of records documenting Sheard's activities as an writer, editor, educator and psychotherapist, and includes agendas, personal and professional correspondence, notes, draft manuscripts and resource material related to uncollected short stories, non-fiction writing and to her novels "Almost Japanese", "The Swing Era", "The Hypnotist" and "Krank: love in the new dark times".

Fonds consists of files relating to Earle Beattie's involvement with the formation and maintenance of the publication, Media Probe (1972-1976), which was renamed the Canadian Journal of Communication (1977-1982).

Fonds consists of records pertaining primarily to Paul Axelrod's academic writing and career as a university professor and administrator. These records include personal and professional correspondence, draft manuscripts and articles, academic papers, course materials, audio recordings, photographs and other research materials.

Fonds consists of a single letter from Frederick Debartzch Monk, Conservative Party member of the House of Commons and Minister of Public Works in the Borden government to Boucher de la Bruere on political questions of the day (1911).

The fonds consists of a copy of transcripts of taped interviews conducted by John Reynolds for the Canadian Broadcasting Corporation in 1964. The interviews were never broadcast. The material from these interviews and the transcripts formed the basis for Buck's memoir, 'Yours in the struggle,'and covers the rise of the Communist Party of Canada, Buck's relations with Communists in the Soviet Union and other places, and the denunciation of Stalin in 1956 at the 20th International Congress.

The fonds documents Ellen C. Adams' political activities at municipal level in the Toronto area for the period 1956-1975, including her involvement with the Avenue Bay Cottingham Ratepayers' Association and the Confederation of Resident and Ratepayer Associations (CORRA). Records include subject files pertaining to the City of Toronto Council, the City of Toronto Planning Board, Toronto municipal elections, transportation and the waterfront, as well as meeting minutes, periodicals, books, newspaper clippings, pamphlets, a map and directory, reports, papers and briefs.

The fonds consists of Jerome Ch'en's collection of statements of delegates to the Geneva Conference in 1954 [1955?], along with newspaper clippings and related material concerning the Korean War.

The collection consists of photocopies of newspaper clippings, one audio tape cassette which contains an interview with Jules Heller, first dean of the Faculty of Fine Arts at York, and three copies of the transcript of the tape.

The fonds consists of correspondence, readers' reviews, printed articles and submissions, all pertaining to 'Co-ordination chemistry reviews,' of which Alfred Beverly Philip Lever was editor, 1965-1971. The files are arranged alphabetically by name of correspondent/author/critic.

Fonds consists of Lindstrom's professorial and scholarly research files throughout her career, as well as records documenting her academic activities. Research files pertain to her publications and monographs such as "Defiant Sisters : A Social History of Finnish Immigrant Women in Canada, 1890-1930" (both the English and Finnish editions), and "From Heroes to Enemies : Finns in Canada, 1937-1947," as well as book chapters, articles, papers, presentations and lectures, and her involvement with the National Film Board production "Letters from Karelia," and subsequent research. The research files span the activities of Finnish and Finnish-Canadian organizations across the political spectrum, such as the Finnish Organization of Canada (left wing), and Loyal Finns in Canada (right wing). Records include oral history interviews (audio cassettes and transcripts), research notes, clippings, a significant and extensive number of photograph and letter collections passed down through generations of Finnish Canadians, diaries, correspondence, publication drafts, academic and professorial notes, microfilm of Finnish language newspapers published in Canada and archival records, financial records of Finnish-Canadian organizations such as newspapers and post-World War II relief funding bodies, scrapbooks, photocopies of rare and unusual documents such as two volumes of a Soviet register of Finnish War Crimes, a list of persons found in the mass grave at Karhumaki, and Soviet lists of North American Finns who journeyed to Karelia to help build a socialist utopia there, academic and professorial files, publicity files, files pertaining to her work with the School of Women's Studies, and her own papers as a university student. The fonds also includes letters written by Lindstrom as a newly-arrived teenaged immigrant to Canada to her best friend in Finland; many of these letters were published in Finnish with English translation in 'Letters from an immigrant teenager' in 2012.

The fonds consists of records documenting Stevie Cameron's career as a journalist and author, and is rich in a wide range of annotated research material including extensive chronologies and detailed notes, records obtained through FOI requests or supplied by interested parties and fellow journalists, correspondence between the author and her peers, members of the public, annotated copies of government documents and clippings, interview and court transcripts, clippings, audio recordings of research interviews conducted by Cameron, sound recordings of some public hearings, drafts and manuscripts for her newspaper articles and in particular her books, including 'Ottawa Inside Out' (1989), ‘On the Take’ (1994), 'Blue Trust' (1998), and 'The Last Amigo' (2001).

The fonds documents Edward Arthur Beder’s activities as political activist and author and includes manuscripts, 1921-1972; correspondence, 1923-1972; membership lists; files of the Socialist Party of Canada; files of the League for Social Reconstruction, ca. 1933; files of the Canadian League Against War and Fascism, 1934-1937; project outlines files, 1935-1936; lecture notes and abstracts, 1934-1965; notes, 1935-1946; printed material, 1930-1972; and news clippings, 1921-1972.